Black Gate – Page 687 – Adventures in Fantasy Literature

Future Treasures: Black City Saint by Richard A. Knaak

Monday, February 15, 2016 John ONeill Comments 2 comments

Blending genres seems to be all the rage these days… but nobody does it like Richard A. Knaak. His latest is a historical urban fantasy gangster horror novel, which combines action, mystery and even romance — quite a trick. Brian Staveley, author of The Emperor’s Blades, says “Black City Saint is jam-packed with awesome – cursed Roman emperors, incorporeal dragons, paranormal detectives, a shapeshifter from the Feirie realm trapped inside a dog’s body, and one very tormented unsaintly Christian saint — all set in prohibition-era Chicago… a brilliant mash-up of Ghostbusters, The Da Vinci Code, and the ancient story of St. George and the Dragon.”

For more than sixteen hundred years, Nick Medea has followed and guarded the Gate that keeps the mortal realm and that of Feirie separate, seeking in vain absolution for the fatal errors he made when he slew the dragon. All that while, he has tried and failed to keep the woman he loves from dying over and over.

Yet in the fifty years since the Night the Dragon Breathed over the city of Chicago, the Gate has not only remained fixed, but open to the trespasses of the Wyld, the darkest of the Feiriefolk. Not only does that mean an evil resurrected from Nick’s own past, but the reincarnation of his lost Cleolinda, a reincarnation destined once more to die.

Nick must turn inward to that which he distrusts the most: the Dragon, the beast he slew when he was still only Saint George. He must turn to the monster residing in him, now a part of him… but ever seeking escape.

The gang war brewing between Prohibition bootleggers may be the least of his concerns. If Nick cannot prevent an old evil from opening the way between realms… then not only might Chicago face a fate worse than the Great Fire, but so will the rest of the mortal realm.

Black City Saint will be published by Pyr Books on March 1, 2016. It is 383 pages, priced at $18 in trade paperback and $11.99 for the digital edition. The cover was designed by Jacqueline Nasso Cooke.

Back Issue 86 Now Available

Monday, February 15, 2016 John ONeill Comments 2 comments

Back Issue is one of the best comic magazines on the market, especially if you’re a fan of comics of the 70s, 80s, and today. The latest (February) issue is a 100-page giant, celebrating the Marvel Bronze Age Giants like Marvel Tales, Fantasy Masterpieces, and Marvel Triple Action. I have many fond memories of curling up with those lengthy treasures long ago, and looking through the full-color digital issue preview brought them all back. Here’s the issue description.

Back Issue #86 (bonus-size 100 Full-Color pages, $9.95) takes a big look at Marvel Bronze Age Giants and Reprints! We open Marvel Comics’ vaults for an in-depth exploration of its GIANT-SIZE series! Plus: indexes galore of Marvel reprint titles, Marvel digests and Fireside Books editions, and the last days of the “Old” X-Men. Featuring the work of DAN ADKINS, ROSS ANDRU, RICH BUCKLER, DAVE COCKRUM, GERRY CONWAY, STEVE GERBER, STAN LEE, WERNER ROTH, ROY THOMAS, and more. Re-presenting the cover of Giant-Size Marvel Triple Action #1 by JOHN ROMITA, SR.! Edited by MICHAEL EURY.

See the full details on issue 86 at the TwoMorrows website.

Back Issue is edited by Michael Eury, and published by TwoMorrows Publishing. Issue #86 is cover-dated February 2016. It is 100 pages in full color, priced at $9.95. The cover is by John Romita, Sr. An eight-issue subscription is $73 in the US ($31.60 for the digital version). Order right from the TwoMorrows website.

See our Late January Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

The Public Life of Sherlock Holmes: How George Raft Made Bogie a Star

Monday, February 15, 2016 Bob Byrne Comments 3 comments

Last week, we talked a lot about Humphrey Bogart as we roamed around The Maltese Falcon. And I had already done a post on Bogie’s only horror-sci fi film, The Return of Doctor X. Today, I’m going to talk about one of my favorite aspects of Bogart’s career. In the annals of Hollywood, never has one actor so torpedoed his own career, while making another actor a star at the same time. Let’s take a look, shall we?

George Raft grew up in Hell’s Kitchen, New York, where he was a childhood friend of Owney Madden, who would become a powerful mobster in the days of Prohibition. Raft toyed with being a boxer and then taught himself to dance, hitting it big in Vaudeville in the early twenties. At the same time, he hung out with professional gangsters, gaining access to them through his friendship with Downey. He studied how they walked and talked, and mastered the ability to imitate them.

After appearing in a few films as a dancer, Raft broke through in 1932. Long before Rod Steiger and Al Pacino played Capone roles, Paul Muni made a classic gangster film: Scarface – Shame of a Nation. Raft had a part as Rinaldo, a coin-flipping gunman. Emulating the men he knew, he received strong reviews for his performance.

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Things Your Writing Teacher Never Told You: Pro-Tip From Nancy Kilpatrick

Sunday, February 14, 2016 Tina Jens Comments 0 Comment

Our Pro-Tip author this week is the multiple award-winning writer and editor Nancy Kilpatrick. She writes dark fantasy, horror, mysteries, and erotica. Her publishing credits include 18 novels, over 220 short stories, 7 collections, and 1 non-fiction book. She has edited 15 anthologies.

I Can’t Seem to Get the Ending Right. What Should I Keep in Mind?

A short story is a slice of time in the life of the protagonist. What happens has to have a beginning, middle and end, even though most of the time the protagonist had a life before the events of the story and will (hopefully) have a life after. A short story should read from the beginning as if the reader does not know where the story will end–that’s suspense. But once the story is finished, the reader should feel that Yes!, this is how it had to end. That makes a satisfying read.

Your protagonist has a problem, aka ‘conflict.’ If he/she doesn’t, you don’t have a story. That conflict is an either/or conflict. The protagonist is torn between two basics. Base line example: live or die. The reader reading the story knows this because they see the conflict and the obvious solutions to that conflict. If the story ends with either of these obvious endings: the protagonist lives/the protagonist dies — the reader will feel let down. The writer’s job is to find either an alternative ending or a variation on one of the two obvious endings so that the story has an intriguing and unanticipated conclusion.

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New Treasures: The Bloodsounder’s Arc Trilogy by Jeff Salyards

Sunday, February 14, 2016 John ONeill Comments 3 comments

Every time a fantasy trilogy successfully wraps up, Black Gate throws a little fiesta. (Someone has to cherish these little publishing milestones. We think it should be us.)

Jeff Salyards’ Bloodsounder’s Arc trilogy began with Scourge of the Betrayer, his debut novel, back in January 2013. Veil of the Deserters was released in June 2014, and now the balloons and shrimp tacos are standing by for Tuesday’s release of Chains of the Heretic, the third and final volume. (We used to celebrate with cheeseburgers, but last year Tor started publishing Pathfinder trilogies, and I gained 30 pounds.)

Now that the whole series is available, I’m looking forward to tucking into Bloodsounder’s Arc. Over at SF Signal Nick Sharps called the first volume “both Debut of the Year and Fantasy of the Year. It is also one of the finest debuts I have ever read.” At B&N.com, Paul Goat Allen said:

Scourge of the Betrayer is a literary appetizer that will undoubtedly captivate anyone who enjoys fantasy, be it epic fantasy, adventure fantasy, military fantasy, etc. If you’re a fan of Cook’s Black Company, or GRRM’s A Song of Ice and Fire, or of classic fantasy sagas like Leiber’s Fafhrd and the Gray Mouser and Moorcock’s Elric, this is a debut novel that is, like Jagger said, ‘what you need.’”

Sounds pretty promising to me. Chains of the Heretic will be published by Night Shade Books on February 16, 2016. It is 524 pages, priced at $25.99 in hardcover and $11.99 for the digital edition. The cover is by Ryan Pancoast. Read an excerpt from Scourge of the Betrayer here.

Bud Webster, July 27, 1952 – February 14, 2016

Sunday, February 14, 2016 John ONeill Comments 8 comments

Bud Webster wonders if he can afford TEXT — Bud Webster doing what he loved – selling books

It’s never easy to write obituaries. It’s especially difficult when they’re members of the Black Gate staff.

I was already a fan of Bud Webster’s Past Masters column, thoughtful biographical pieces on the enduring impact of our finest writers, when I first approached him to become a Contributing Editor. His first article for us, a marvelous discussion of Tom Reamy, and a continuation of his Who? series on neglected genre authors, appeared in Black Gate 15.

Bud didn’t waste my time with a superficial survey of Reamy’s fiction — anyone could have done that. Instead, he delivered an impeccably researched, 3,400-word piece that dove into Reamy’s history and early influences. It was the kind of piece that triggered an outpouring of discussion and gratitude from BG‘s readers (Keith West even drove to Breckenridge, Texas so he could send Bud a photo of the empty lot where Reamy’s house once stood).

It was the beginning of a long and fruitful partnership with Bud. He was briefly our poetry editor, before the death of the print magazine made that title superfluous. He became a prolific early blogger for us, contributing a dozen posts, mostly on his favorite subjects — the pros and cons of selling vintage books, his role as an stfnal historian, and the magical books that first lured him into the hobby.

Bud wrote extensively on the hobby he loved so much. His first book was Anthopology 101 (2010), an affectionate look back at the classic SF anthologies that helped define the genre. It was quickly followed by The Joy of Booking (2011) and Past Masters, & Other Bookish Natterings (2013). All three were collections of his earlier columns.

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JourneyQuest: Onwaaard!

Sunday, February 14, 2016 Jeff Stehman Comments 2 comments

I disbelieved the search results and tried again, but got the same lack of results. Has no one at Black Gate mentioned JourneyQuest? With their Kickstarter for season three underway, this must be corrected! Onwaaard!

JourneyQuest is a web series from writer/director Matt Vancil and many of the other fine folks who brought us The Gamers series of movies. These are known for grabbing RPG tropes with both hands and bashing the scenery, with the same actors portraying the players and their characters. Even my wife, who had led a sheltered gaming life and wasn’t familiar with the tropes, thought these movies were hilarious.

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The Lost World: A Classic Sixties SF Blockbuster

Sunday, February 14, 2016 William I. Lengeman III Comments 0 Comment

The Lost World (1960)
Directed by Irwin Allen

The shorthand version of this review is that The Lost World was directed, co-written and co-produced by Irwin Allen. If you know anything about Allen, who had something of a lock on science fiction TV in the Sixties, you’d probably have a pretty good idea of what to expect. It’s not outstanding production values, award-winning scripts and stellar acting.

To give some perspective, The Lost World was released a year before Allen’s Voyage to the Bottom of the Sea came to the big screen and a few years before the latter as made into a TV show. A show that was followed by in quick succession by other Allen productions, such as Lost in Space, The Time Tunnel, and Land of the Giants. While I didn’t find The Lost World to be a very “good” movie, I thought it was an entertaining example of a blockbuster SF/adventure movie from this era.

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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part One: “The Zayat Kiss”

Sunday, February 14, 2016 William Patrick Maynard Comments 0 Comment

NOTE: The following article was first published on March 7, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Arthur Henry Ward was born in England in 1883. His father hoped his son would make his way through life as a respectable businessman, but young Arthur was determined to make a name for himself as an author.

He discovered immortality with the invention of two unlikely monikers that conjured an air of exotic intrigue when they debuted in print a century ago. The first was his chosen pen name, Sax Rohmer and the second was the name of the character at the heart of his first published novel, Dr. Fu-Manchu.

Over the years, the name lost its hyphen and became synonymous with the moustache artists and actors always depicted the character as wearing despite the fact that he was always described in print as clean-shaven. Dr. Fu-Manchu is a brilliant and honorable scientist who is opposed to British colonial interference in the East. Using a variety of fiendish inventions, insects, and assassins, he sets out to remove Western influence and silence those who know too much about the East.

Most intriguing in our post-9/11 world, the Devil Doctor chooses to fight his battles not in China, but on British soil using terror as his weapon. He is opposed in his efforts by stalwart British colonialist Nayland Smith and Smith’s bodyguard and Fu-Manchu’s chronicler, Dr. Petrie. Rohmer’s stories spanned five decades moving in real time with his characters aging alongside their author. For much of the first half of the last century, Dr. Fu-Manchu was the villain readers loved to hate.

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The Books of David G. Hartwell: Foundations of Fear and The Ascent of Wonder

Saturday, February 13, 2016 John ONeill Comments 0 Comment

We lost David Hartwell on January 20th. This is our fourth article in a series that looks back at one of the most important publishers in our industry.

David Hartwell’s first anthology, The Battle of the Monsters and Other Stories, was published through tiny Gregg Press in 1976. He reached a bigger audience ten years later with his second, Christmas Ghosts (1987), co-edited with Kathryn Cramer. After that came his real breakout book, the massive The Dark Descent (1987), which Tor kept in print for a decade, and eventually reprinted in three paperback volumes.

David had found his forte: huge retrospective anthologies that put both his exceptional taste and his encyclopedic knowledge of the field on full display. Libraries snapped them up, they garnered him major awards, and they established him as one of the most respected editors in the field. He produced roughly a dozen of them in his career, each one a feast that readers can return to time and again.

Today I want to look at two of his best from the early 90s: Foundations of Fear (1992), the companion volume to The Dark Descent, which convincingly made the case for the thriving genre of 20th Century supernatural horror, especially at novella length; and The Ascent of Wonder: The Evolution of Hard SF (1994), a massive 990-page tome that aimed to be the definitive exploration of science fiction’s “visionary core,” co-edited by Kathryn Cramer.

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