Black Gate – Page 608 – Adventures in Fantasy Literature

The Classic You Never Heard of: The 13½ Lives of Captain Bluebear

Friday, January 20, 2017 M Harold Page Comments 5 comments

Bluebear Cover — Think “Hitchhiker’s Guide to the Galaxy does Adventure Time with a dash of Moomins”

Bluebear 2 — Zamonia, a fantasy continent replete with baroque perils and wild adventure

The 13½ Lives of Captain Bluebear by Walter Moers is… nuts.

Think “Hitchhiker’s Guide to the Galaxy does Adventure Time with a dash of Moomins” and you would be on the way there.

It’s definitely a book for all ages. I read it in my 30s, before I became a dad. More than a decade later I’m reading it to my 9-year-old daughter.

It’s one of those rich works of the imagination that is somehow both compelling and a comfort read. Fairy story and fantasy adventure. Satire and parable. Tall tale and… met tall tale — there’s even a duel of lies!

It’s the autobiography of one Bluebear — a sentient blue bear (duh) and perhaps last of his kind. It recounts his wanderings in Zamonia, a fantasy continent replete with baroque perils and wild adventure — capital Atlantis (naturally) — that seems have a loose place and not entirely linear relationship to the history of our world.

Enlivening and illuminating his adventures are bonkers excerpts from Professor Abdullah Nightingale’s “The Encyclopedia of Marvels, Life Forms and Other Phenomena of Zamonia and its Environs.”

The story kicks off with Bluebear’s first memory: floating in a walnut shell and then being rescued by Minipirates —

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Retrofitting, And When It Doesn’t Work

Friday, January 20, 2017 Violette Malan Comments 13 comments

starwars I don’t know if I’ve mentioned it before, but I’m married to a builder. Over the years I’ve observed (judging by the level of bitching) that it’s easier to start from scratch than it is to retrofit. Still, there’s a way to do it well, and a way to screw it up.

I think that’s true of writing as well. I’ve already talked about sequels, and how genre writers in particular have to be careful to remember the details of the worlds they’ve created previously. However, when an author who’s twenty years into a series gets the colour of someone’s eyes wrong, or forgets that they’ve once said their protagonist was an only child, you have to figure that’s an honest mistake, and cut the writer some slack.

But what about conscious, deliberate changes? I’m not talking about reboots, or spin offs. They have their own problems. And I’m not talking about the changes that naturally occur when you’re adapting one media to another. No, I’m talking about sequels where the writer/creator seems to think that no one will remember what’s already been established. You know, where the writer/creator says “Oh yeah, I know I said she was an only child, but now I need her to have a brother, so she does.”

Yes, I’m talking to you, George Lucas.

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Goth Chick News: New (Horror) Treasures – Lincoln in the Bardo by George Saunders

Thursday, January 19, 2017 Sue Granquist Comments 0 Comment

I sincerely appreciate when an author or screenwriter discovers folklore, a legend or a historical occurrence that is not well-known in the general public, and spins it into a new tale. Though here at GCN we have explored ad nauseum, the disappointments caused by the Hollywood recycling machine, this is different. Instead of telling us the same story with flashier CGI, this approach involves taking a piece of human experience or understanding which has been overlooked by pop culture, and introducing it to a modern-day audience.

Such is the creative approach to the long-awaited first novel from author George Saunders; Lincoln in the Bardo.

As outlined in The Tibetan Book of the Dead, bardo means ‘transition’ or ‘hanging in between’ and is a period of time between life and death (think something akin to purgatory). And Lincoln is in it – though it’s more like two different Lincolns and two different bardos…

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state — called, in the Tibetan tradition, the bardo — a monumental struggle erupts over young Willie’s soul.

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Modular: The RPG Fusion of Dragon’s Dogma

Thursday, January 19, 2017 Josh Bycer Comments 0 Comment

Dragon’s Dogma is Capcom’s attempt at creating what could be considered Skyrim meets Monster Hunter. The game is an open-world RPG where you and your party fight giant monsters, and I do mean giant.

In their attempt to combine these two, they took one of my least favorite games and mixed it with one of my favorites; leaving me somewhere between the two.

A Dragon-Gone Day

The story of the game is that you are an Arisen; a being with the ability to lead beings called Pawns to battle. When your heart is eaten by a dragon, you begin a quest to get it back and save the world.

The game space is huge for a Capcom game, as you wander through a world full of monsters and really big monsters (but more on that in a minute.)

Unlike other RPGs where you’ll create one customized character, Dragon’s Dogma lets you create two. Your main pawn is your constant companion and you are free to completely customize them as you see fit. Pawns are the name of the game, and will determine whether you’ll succeed.

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New Treasures: The Atlanta Burns Novels by Chuck Wendig

Thursday, January 19, 2017 John ONeill Comments 0 Comment

Chuck Wendig is the author of the Star Wars: Aftermath trilogy, the Miriam Black novels, The Heartland Trilogy, and many other fine novels. His two-volume series for Skyscape books, Atlanta Burns, piqued my interest… maybe it’s the covers, or maybe because I’m a Veronica Mars fan. Here’s Chuck’s intro to the series from his website.

Veronica Mars on Adderall. Nancy Drew meets Justified.

I wrote this book a couple years ago, and published it as two separate volumes — a novella, Shotgun Gravy, and a follow-up novel, Bait Dog. (The latter published with the help of Kickstarter.) It was a foray into young adult and crime writing at the same time, and the result was something with which I was honestly very happy. Atlanta Burns is a character after my own heart: she is a real-deal social justice warrior, an underdog who helps other underdogs — a saint to freaks and geeks, a foe to bullies and racists and other human monsters.

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Andrew Liptak on 16 SF and Fantasy Novels You Don’t Want to Miss in January

Wednesday, January 18, 2017 John ONeill Comments 4 comments

The Fortress at the End of Time Joe M. McDermott-small

Good golly, we’re more than halfway through January already. How the heck did that happen? I still have over a dozen January new releases to cover!

Well, no use complaining about it… especially when I could use that energy to cheat, instead. Rather than tell you about the best new books in January myself, I could just let the distinguished Andrew Liptak do it. Over at The Verge, Andrew has jotted down his thoughts on 16 science fiction and fantasy novels you don’t want to miss in January — including new books by Carrie Vaughn, Laura Anne Gilman, Annie Bellet, Seanan McGuire, Tad Williams, Katherine Arden, Neil Clarke, and many more.

Perhaps the most intriguing book on his list is The Fortress at the End of Time, published this week by Tor.com. In a feature review published January 17th, Andrew calls it “a brilliant throwback to classic science fiction.”

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Exploring the Medieval Museum of Bologna

Wednesday, January 18, 2017 Sean McLachlan Comments 2 comments

The museum has a small but choice selection of Renaissance stained glass

Italy is full of medieval treasures. On a recent trip to Bologna, I got to visit the city’s medieval towers and numerous churches. I also made sure to visit the city’s celebrated Museo Civico Medievale. The museum is housed in the Palazzo Ghisilardi-Fava, a noble residence of the late 15th century built on Roman foundations.

Wandering through the museum’s spacious rooms and rambling hallways takes you past some incredible products of the Italian Middle Age and Renaissance, plus samples from other parts of Europe and the Ottoman Empire. Here are a few shots to give you an idea.

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Future Treasures: The Stars Are Legion by Kameron Hurley

Wednesday, January 18, 2017 John ONeill Comments 3 comments

Kameron Hurley made a splash with her very first science fiction novel, God’s War (Night Shade, 2010), a “bugpunk” novel set on a desert world where technology is based on insects. It was nominated for a Nebula Award, and was followed by two more books in the Bel Dame Apocrypha trilogy. The Mirror Empire (Angry Robot, 2014), the first novel in her grimdark epic fantasy trilogy The Worldbreaker Saga, was a 2015 Locus Award Finalist and Gemmell Award Nominee.

Her standalone space opera novel The Stars are Legion is one of the most highly anticipated novels of 2017. It arrives in hardcover from Saga Press on February 7, 2017.

Somewhere on the outer rim of the universe, a mass of decaying world-ships known as the Legion is traveling in the seams between the stars.Here in the darkness, a war for control of the Legion has been waged for generations, with no clear resolution.

As worlds continue to die, a desperate plan is put into motion.

Zan wakes with no memory, prisoner of a people who say they are her family. She is told she is their salvation – the only person capable of boarding the Mokshi, a world-ship with the power to leave the Legion. But Zan’s new family is not the only one desperate to gain control of the prized ship. Zan finds that she must choose sides in a genocidal campaign that will take her from the edges of the Legion’s gravity well to the very belly of the world.

Zan will soon learn that she carries the seeds of the Legion’s destruction – and its possible salvation. But can she and the band of cast-off followers she has gathered survive the horrors of the Legion and its people long enough to deliver it?

The Stars Are Legion will be published by Saga Press on February 7, 2017. It is 380 pages, priced at $26.99 in hardcover and $7.99 for the digital edition. The eye-catching cover is by Stephen Youll.

Tor.com on the Most Intriguing SF and Fantasy Books of 2017

Tuesday, January 17, 2017 John ONeill Comments 3 comments

No sooner do we wrap up all the 2016 Best of the Year lists than we’re deluged with 2017 Best Upcoming Books lists. Well, if it’s our lot in life to read all these lists and dutifully report the best to you here, we shall carry our burden stoically.

As usual, Tor.com is first out of the gate, with a generous survey of a dozen SF and fantasy titles coming in 2017 that they want to read right now. It includes new novels by Nnedi Okorafor, Mur Lafferty, George Saunders, Kameron Hurley, Catherynne M. Valente, N. K. Jemisin, and many others. There’s lots on their list that appeals to me — like Revenger by Alastair Reynolds, coming in paperback from Orbit on February 28, 2017.

Captain Rackamore and his crew’s business is to find the tiny, enigmatic worlds which have been hidden away, booby-trapped, surrounded by layers of protection – and to crack them open for the ancient relics and barely-remembered technologies inside. But while they ply their risky trade with integrity, not everyone is so scrupulous.

As Molly Templeton writes, “Space! Pirate! Sisters! Is this a movie yet? I want to read it and watch it.”

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January/February 2017 Asimov’s Science Fiction Now on Sale

Tuesday, January 17, 2017 John ONeill Comments 0 Comment

The January/February 2017 issue of Asimov’s Science Fiction marks the beginning of the magazine’s 40th year. I remember buying the second issue off the racks in the summer of 1977, when I was 13 years old. It was one of the first SF magazines I ever bought and, as Obiwan Kenobi put it later that year, it was my “first step into a wider world.”

The January/February 2017 issue is a landmark for another reason, as it’s the first issue in the new bimonthly format. I always enjoy the big double issues, and getting six of them a year is something I look forward to — especially since the magazine has added an additional 16 pages (bringing it up to 208), making it the thickest issue of Asimov’s in years.

Here’s Sheila’s full description from the website:

We’re celebrating our fortieth anniversary all year long. The party starts with the super-stuffed double January/February 2017 issue! Two dramatic stories frame the issue. Allen M. Steele’s famous frontier planet, Coyote, has been settled for some time, but terrifying dangers still lurk around the bend of an unexplored river. Members of a scientific expedition soon learn that it takes more than bravado to survive “Tagging Bruno.” In Robert Reed’s new novella, crewmembers from the Big Ship encounter a very strange and very intelligent alien who puts their own spin on “The Speed of Belief.”

Octavia Cade escorts us to the Siberia of Stalinist Russia for “The Meiosis of Cells and Exile”; Jack Skillingstead arrives at a chilling “Destination”; Jim Grimsley paints a “Still Life With Abyss”; denizens of Fire Island will “Blow Winds, and Crack Your Cheeks” in John Alfred Taylor’s new story; Tom Purdom reveals the powerful strength of a “Fatherbond”; Robert R. Chase helps pick up the “Pieces of Ourselves”; Lisa Goldstein exposes us to “The Catastrophe of Cities”; Ray Nayler imbues a hazardous “Winter Timeshare” with new meaning; young people attempt a first contact with the help of Stephen Baxter’s mysterious “Starphone”; while beauty and sorrow are stunningly portrayed in Sean Monaghan’s evocative depiction of “Crimson Birds of Small Miracles.”

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