The Golden Age of Science Fiction: The Persistence of Vision, by John Varley

The Golden Age of Science Fiction: The Persistence of Vision, by John Varley

Cover by Jim Burns
Cover by Jim Burns

Cover by Selinas Blanch
Cover by Selinas Blanch

Cover by Stéphane Dumont
Cover by Stéphane Dumont

The Prix Apollo was founded in 1972 and presented in France for the best book published in French during the preceding year. The first winner was Roger Zelazny’s Isle of the Dead. The award was suspended following the presentation of the 1991 award. Only five times in the awards nineteen year history did it go to works originally published in French, including 1988, when it was presented to an entire series of 36 books written by Georges-Jean Arnaud. Although technically an award for a novel, in 1980, the award was given to John Varley’s collection The Persistence of Vision.

It isn’t entirely clear what the Prix Apollo was presented for. Varley’s debut collection, The Persistence of Vision was published by The Dial Press/James Wade in 1978 and contained nine short stories, published between 1975 and 1978. The collection wasn’t translated into French until 1979, which is why it was eligible for the Prix Apollo in 1980. However, the nine stories were published in two separate volumes in French. One volume, Dans le palais des rois martiens, contained five stories, including French translations of “The Phantom of Kansas,” “Air Raid,” “Retrograde Summer,” “The Black Hole Passes,” and the titular story, “In the Hall of the Martian Kings.” The second volume, Persistance de la vision, contained the remaining four stories, translations of “In the Bowl,” “Gotta Sing, Gotta Dance,” “Overdrawn at the Memory Bank,” and “the titular story, “The Persistence of Vision.” It is possible that the Prix Apollo was given for the complete text of the original anthology, but also conceivable that it was only given to the volume which bears the name in French.

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The Boxed Set of the Year: American Science Fiction: Eight Classic Novels of the 1960s edited by Gary K. Wolfe

The Boxed Set of the Year: American Science Fiction: Eight Classic Novels of the 1960s edited by Gary K. Wolfe

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Cover by Paul Lehr

Gary K. Wolfe is one of my favorite Locus columnists. He also reviews science fiction for the Chicago Tribune and, with Jonathan Strahan, co-hosts the excellent Coode Street Podcast. But more and more these days I think of him as an editor. He edited the Philip Jose Farmer retrospective collection Up the Bright River (2011) and, even more significantly, American Science Fiction: Nine Classic Novels of the 1950s: A Library of America Boxed Set (2012), a massive 1,700-page, 2-volume omnibus collection of classic novels by Pohl & Kornbluth, Sturgeon, Brackett, Matheson, Heinlein, Bester, Blish, Budrys, and Leiber, all in gorgeous hardcover with acid-free paper, sewn binding, and full cloth covers.

So I was thrilled to hear that, seven long years later, Wolfe has fulfilled that promise of that first beautiful boxed set with a sequel: American Science Fiction: Eight Classic Novels of the 1960s. Like the first, it will be sold as two separate hardcovers, and also available in a handsome boxed set edition. It contains eight of the finest SF novels of the 60s:

The High Crusade, Poul Anderson (1960)
Way Station, Clifford D. Simak (1963)
Flowers for Algernon, Daniel Keyes (1966)
…And Call Me Conrad (This Immortal), Roger Zelazny (1966)
Past Master, R. A. Lafferty (1968)
Picnic on Paradise, Joanna Russ (1968)
Nova, Samuel R. Delany (1968)
Emphyrio, Jack Vance (1969)

The whole package comes wrapped up in a boxed set featuring artwork from the brilliant Paul Lehr. It will be in bookstores on November 5th — and is available now at $15 below retail if you order direct from Library of America.

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The Golden Age of Science Fiction: The 1973 John W. Campbell Memorial Award: Beyond Apollo, by Barry N. Malzberg (plus Special Award to Robert Silverberg for Dying Inside)

The Golden Age of Science Fiction: The 1973 John W. Campbell Memorial Award: Beyond Apollo, by Barry N. Malzberg (plus Special Award to Robert Silverberg for Dying Inside)

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Beyond Apollo (Random House, 1972, Pocket Books, 1979, Carrol & Graf, 1989). Covers by Roger Hane, Don Maitz, and unknown

Two separate awards were established in 1973 in memory of the profoundly influential long time editor of Astounding/Analog, John W. Campbell, Jr., who had died in 1971. We have already covered the John W. Campbell Award for Best New Writer (which has just been renamed the Astounding Award), which went to Jerry Pournelle.

The John W. Campbell Memorial Award is given for the Best Science Fiction Novel of the year. It is a juried award. It was first established by Harry Harrison and Brian W. Aldiss, to, well, let’s reproduce Harrison’s words:

When John died it was a blow to all of us. After the memorial service a number of his writers were talking, and out of the talk came the Astounding anthology, what has been called the last issue of the Campbell magazine. It was a good tribute to a good editor. There is another tribute I think of just as highly, the award for the best SF novel of the year presented in his name and memory. An award I am sure he would have loved because it instantly became involved in controversy when the first prizes was presented. How John enjoyed a good argument and a good fight! That this fight sprawled through the letter columns of Analog for some months would have cheered him even more.

The first award was presented at the Illinois Institute of Technology in Chicago. The jury for the first award consisted of Harrison, Aldiss, Thomas Clareson, Willis McNelly, and Leon Stover.

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Quixotic Striving for Happiness: The Vision by Tom King and Gabriel Hernandez Walta

Quixotic Striving for Happiness: The Vision by Tom King and Gabriel Hernandez Walta

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As much as I can, I’m trying to keep up with the best comics in the field. I don’t normally gravitate to the sad tragedy inherent in family drama, so I had started and stopped Marvel’s 2015 Vision series a few times. That’s a statement about me rather than the 12-issue masterpiece by Tom King, Gabriel Hernandez Walta, Jordie Bellaire and Clayton Knowles. The series is a brilliant science fiction tragedy.

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A Glorious Tapestry of Alternate History: The Empire of Fear by Brian Stableford

A Glorious Tapestry of Alternate History: The Empire of Fear by Brian Stableford

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British science fiction writer Brian Stableford has published more than 70 novels across a career spanning nearly five decades. His first novel was The Days of Glory (Ace, 1971), his most recent was The Tyranny of the Word (Black Coat Press, 2019), which appeared just last month. He’s produced a number of popular series, including six Hooded Swan science fiction novels, beginning with The Halcyon Drift (DAW 1972), six Daedalus Mission books, his famous werewolf trilogy (The Werewolves of London, The Angel of Pain, and The Carnival of Destruction), the Genesys trilogy, and the more recent six-volume Emortality series from Tor, beginning with Inherit the Earth (1998) and Architects of Emortality (September).

Back in 2013 I wrote a brief Vintage Treasures piece on his 1998 horror novel The Empire of Fear, and in the Comments section BG blogger Joe Bonadonna offered a splendid mini-review.

I read this one right after reading George R.R. Martin’s Fevre Dream, and these are 2 of my favorite vampire novels, because they are so much more than that. Empire of Fear is a glorious tapestry of alternate history a, “what mine have been,” had Van Helsing not slain Dracula. Beautifully written, with flesh-and blood characters, and quite well told. My only complaint — it’s too bloody short.

Joe’s comments stayed with me, and as I celebrate the spooky season by selecting classic horror novels to read in October, I picked up a copy to read this weekend.

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A Thrilling Gothic Fantasy: Sorcery of Thorns by Margaret Rogerson

A Thrilling Gothic Fantasy: Sorcery of Thorns by Margaret Rogerson

Sorcery-of-Thorns-smallElisabeth has sworn to do her duty onto death, and death has just shown up.

Panicked horses draw a carriage up to the Great Library. A Class Eight grimoire, bound in an iron coffer secured with more than a dozen locks, rattles inside the vehicle. A pair of wardens jump down from the driver’s seat.

The grimoire – the Book of Eyes – is centuries old and has driven dozens of people mad. As an apprentice librarian, Elisabeth shouldn’t be anywhere near it. But the library’s Director specifically summoned her here to help.

The Director must be testing Elisabeth. If she fails, the Book of Eyes will claim her life. But if she manages to survive this encounter, then she’ll show she really is a warden in the making. That is Elisabeth’s dearest wish: to prove herself worthy to the Director by becoming a warden herself. After all, she owes the Director everything. If it hadn’t been for her, Elisabeth would have been raised in an orphanage.

As Elizabeth and the Director carry the foul-smelling book down into the vault where the most dangerous tomes are isolated, it lurches in its bindings and tries to break free. When they reach its appointed cell, the table in the middle is gouged with enormous gashes. It looks like a demon clawed it. Grimoires that are damaged turn into Maleficts, huge monsters of ink and leather that kill the villagers and ravage the countryside. The wardens risk their own lives in hunting down and destroying them.

A Malefict must have been born on that very expanse of wood.

While the Director examines the Book of Eyes for damage, keeping the greasy black volume contained in a circle of salt and wearing iron-lined gloves, the grimoire opens its warty eyes and fastens them on Elisabeth. Sensing her inexperience and vulnerability, it calls to her, a whisper that threads through her mind…

She tries to ignore the voice, but it’s no use. Her gaze drifts down to the book… She feels like she’s sinking… The Director’s voice comes from very far away, as though she’s speaking underwater…

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In 500 Words or Less: Lost Transmissions by Desirina Boskovich

In 500 Words or Less: Lost Transmissions by Desirina Boskovich

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Cover by Paul Lehr

Lost Transmissions: The Secret History of Science Fiction and Fantasy
By Desirina Boskovich
Abrams Image (304 pages, $29.99 hardcover, $13.99 eBook, September 10, 2019)

Did you know that Johannes Kepler wrote speculative fiction that got his mother imprisoned for witchcraft? Or that Weezer almost had an epic concept album to rival Pink Floyd and Rush? Or that Space Island One was even a thing?!

Maybe you did. We can’t quite use the excuse that an almost-thirty Millennial like myself obviously wouldn’t know a lot about the rich history of sci-fi and fantasy, however, since Lost Transmissions focuses on far more than the Golden Age. Desirina Boskovich has accumulated information on lesser-known SFF from across history, and I guarantee there are things in here you weren’t aware of. I had to tweet at Desirina while I was reading my ARC, for example, because the chapter “Speculative Music of the New Millennium” outlined artists and albums I’d never heard of, even though I should have grown up paying attention to them in the nineties and early 2000s. (My “To Listen” list doesn’t need to be any bigger, Desirina.)

My To-Read and To-Watch list doesn’t need to be any bigger, either, but too late now. After Charlie Jane Anders’ passionate and excited article about Space Island One, I’m determined to find a way to watch it, even though a DVD or streaming version doesn’t exist, apparently. Now that I’ve read the premise and background of Clair Noto’s The Tourist, I’m going to keep my fingers crossed for a Netflix or Amazon adaptation. I need to look into the Mellon Chronicles to explore Lord of the Rings fandom. I want to find a group of people to try Warhammer Fantasy Role-Play. And so on and so on and so on.

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Goth Chick News: When the Size of Your Spirit Matters

Goth Chick News: When the Size of Your Spirit Matters

Goth Chick Giant Ouija Board 2

Long before the Travel Channel’s obsession with spirits and professional ghost hunters, folks in the mid-1800’s became obsessed with spiritualism and all it’s trappings. Among the ‘spirit photography,’ levitating tables, and crystal balls, perhaps the most famous and long-lasting are ‘talking boards.’

First appearing around 1848, talking boards were used to summons and communicate with spirits. Most Americans, especially anyone who has ever attended a teenage sleepover, are aware of the most famous talking board, Ouija, which was first introduced in 1890 by the Kennard Novelty Company and sold today by Hasbro, Inc. These days there is even an organization in Massachusetts called Talking Board Historical Society, whose mission is to research, preserve, and celebrate the history of talking boards along with the people who continue to use them.

Now, just in time for Halloween, the Talking Board Historical Society have gone and outdone themselves by breaking a world record with “Ouijazilla,” officially declared by Ripley’s as being the world’s largest Ouija board.

If you’re like me, you’re probably sitting there absorbing the fact there was even a Ouija board record to be broken, but moving on…

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New Treasures: A Lush and Seething Hell: Two Tales of Cosmic Horror by John Hornor Jacobs

New Treasures: A Lush and Seething Hell: Two Tales of Cosmic Horror by John Hornor Jacobs

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I’m hearing a lot about John Hornor Jacobs’ new book, A Lush and Seething Hell. Like, a lot.

Like this starred review from Kirkus:

Two lush, sprawling novellas that are nothing like each other except that they’re both scary as hell… Two spectacular novellas. After a glowing foreword by Jacobs’ fellow fabulist Chuck Wendig, the book launches into “The Sea Dreams It Is the Sky,” a Lovecraft-ian horror story set in a fictionalized South American nation. In it, a young academic named Isabel Certa becomes involved with a famous one-eyed poet named Rafael Avendaño, a cavalier scoundrel who’s heading into a war zone… Then there’s the chill-inducing, artfully paced “My Heart Struck Sorrow,” in which we’re introduced to Cromwell, a librarian from the Library of Congress who specializes in oral tradition [who] accidentally stumbles upon a long-hidden treasure trove of blues recordings from the 1930s… Falling somewhere between House of Leaves (2000) and The Blair Witch Project, it is a terrifying, gothic descent into madness… This book has a fitting title if there ever was one, and these nightmares are worth every penny.

And Sam Reader’s rave review at The Barnes & Noble Sci-Fi & Fantasy Blog.

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On the Virtue of Patience in Publishing

On the Virtue of Patience in Publishing

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At a publishing convention in New Orleans in the 80: Ralph Arnote, book sales guru; Jim Baen,
Editor-in-chief for Tom Doherty at Ace; C.M. “Dink” Starns, my mentor; Tom Doherty, founder
and publisher of Tor; Ed Gabrielli, Macmillan VP; Jane Rice, career sales rep at Ace; and others

I was thinking of the importance of patience. Beth Meacham brought it to mind with a post.

An example: In the 80s, there was a time when my income was neither stable nor plentiful. At the time, Pocket Books was distributing Zebra Books. The local wholesaler was feuding with Pocket. As a consequence, Zebra was not being distributed either.

The Zebra Publisher, Walter Zacharius, was a power in publishing and a friend. But a dear friend of mine, one of Walter’s comrades, was Harry Hills. A mentor.

Harry and I went back to the 70s at Ballantine together. Harry started out doing marketing stunts at Bantam. One involved 6 people, including Harry, holding a very large python on a California beach. I’m not sure if Ian Ballantine was still at Bantam then.

Harry’s memos always started, “Attention All Hands!”

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