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Batman: Under the Red Hood

Batman: Under the Red Hood

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batman_under_the_red_hood_posterBatman: Under the Red Hood (2010)
Directed by Brandon Vietti. Featuring the Voices of Bruce Greenwood, Jensen Ackles, Neil Patrick Harris, John DiMaggio, Jason Isaacs, Wade Williams.

Warner Bros. Animation’s series of straight-to-video PG-13 releases set in the DC Comics universe has been a great success. Starting in 2007 with Superman: Doomsday (which completely embarrassed the previous year’s live-action Superman Returns) the team at Warner Bros. that originally kicked off the DC Animated Universe with Batman: The Animated Series has turned out high quality, adult-slanted fare that has even excited me about characters that I don’t usually care much about, like Wonder Woman and the Green Lantern.

But, no surprise, much of the new DVD series has featured Batman, the hottest property in Warner Brothers’ DC catalog because of the huge success of the Christopher Nolan-directed movies. Batman got his own compilation disc with Batman: Gotham Knight (set in the Nolan-verse and featuring a round-robin of top anime-directing talents), co-starred with Superman in Superman/Batman: Public Enemies (an adaptation of the Jeph Loeb-written arc in the popular Superman/Batman ongoing comic), and played a major part in Justice League: The New Frontier and Justice League: Crisis on Two Earths.

Now Batman has his second solo-starring release in the series. Based on a recent popular storyline in Batman’s eponymous comic book that tied into the mega-crossover event “Infinite Crisis,” Batman: Under the Red Hood brings PG-13 to the small screen in a big way. In fact, the film flirts with a “soft R” rating, and it’s definitely not for children—unless you don’t mind your children watching not one but two brutal beatings with a crowbar.

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Reconsiderations: The Book of The Dun Cow and The Book of Sorrows

Reconsiderations: The Book of The Dun Cow and The Book of Sorrows

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The Book of the Dun CowOne of the characteristics of a great book is that you can go back to it at different times in your life and get different things out of it. But then sometimes the reverse happens: you read a book before you’re ready. If you’re lucky, though, the book hangs around in the back of your mind, and eventually you pick it up again and find out what you weren’t able to grasp the first time around.

When I was in elementary school, someone gave me a copy of The Book of the Dun Cow, by Walter Wangerin, Jr. I read it, but I didn’t particularly appreciate it. Many years later, I bought another copy, and was much more impressed. I also understood why I didn’t care for it as a child. Not long ago, I found a copy of the sequel The Book of Sorrows. Reading the books together I was impressed again.

The books are an animal fantasy, set when “the earth was still fixed in the absolute center of the universe. It had not yet been cracked loose from that holy place, to be sent whirling — wild, helpless, and ignorant — among the blind stars. And the sun still traveled around the moored earth, so that days and nights belonged to the earth and to the creatures thereon, not to a ball of silent fire. The clouds were still considered to flow at a very great height, halfway between the moon and the waters below; and God still chose to walk among the clouds, striding, like a man who strides through his garden in the sweet evening.”

Humans have not yet been made, and the world is inhabited by animals, who talk and think. And they have a purpose, which is to act as Keepers against Wyrm, the evil that dwells in the heart of the earth and wants to ruin all creation. It is the connection between the animals — their community — that keeps Wyrm from rising. The two books describe two particularly vicious assaults by Wyrm against his keepers, and what happens to the animals as a result.

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Not-So Short Fiction Review: Prospero Lost

Not-So Short Fiction Review: Prospero Lost

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prospero-lost2Prospero Lost, by L. Jagi Lamplighter
Tor (448 pages, $7.99, June 2010)

Prospero Lost is the first book of a trilogy and the first published novel by L. Jagi Lamplighter, whose name I assume is not a pseudonym,  though it sounds as if it could be a character in her own book.  As you might gather from the title, the story has something to do with what many critics perceive as Shakespeare’s alter ego in his final play, The Tempest, while also somehow involving hell and rebellious offspring given the  allusion to Milton’s Paradise Lost. What you might not expect is just about every fantasy trope you can think of, including (I kid you not), Santa Claus.

It’s perhaps not surprising that Lamplighter is married to John C. Wright, who also favors the everything-including-the-kitchen sink approach to fantasy and manages to make it work. In many respects, Lamplighter’s book reminds me of Wright’s Chronicles of Chaos series which deals with the foibles of family relationships among seeming humans possessed of fantastical natures. Of course, the root of this is Greek/Roman mythology in which imperfect gods irrationally vie among each other out of jealously, envy, egotism or other petty and irrational motivations.  They are, in other words, normal human beings dressed up in magical togas.

According to Lamplighter, the inspiration for her novel’s fantasy world  stemmed from a roleplaying game.

Somewhere in the early Nineties, John and I were invited to play in a roleplaying game run by a friend. He was a new moderator for us, so I decided to write a short story demonstrating what my character could do, so there would be no misunderstandings. For my character, I picked Miranda, the daughter of the magician Prospero from Shakespeare’s Tempest, only in the game, Prospero would turn out to be one of the magicians in the game background…We only played in that game a few times, but I liked the character and the story I had written.

Miranda is the narrator and focus of the novel (indeed, the overarching title of the trilogy is Prospero’s Daughter) and Prospero remains totally off-stage.  He is lost, and Miranda is trying to find out what happened to him.

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Supernatural Spotlight – Episode 6.1 “Exile on Main Street”

Supernatural Spotlight – Episode 6.1 “Exile on Main Street”

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Season 6 starts a year after the events in the finale of Season 5, which I detailed a few days ago. This blog post is being written somewhat stream-of-consciousnessly as I watch the episode.

SUPERNATURAL
Dean Winchester (left), Sam Winchester (center), and their formerly-dead grandfather, Samuel Campbell (right)
It will contain spoilers (like the picture at the right).

You have been warned.

At the start of the episode, Dean’s been living a year with Lisa and her son, Ben, in suburbia, after his Lucifer-possessed brother, Sam, dove into a trans-dimensional prison to save the world. It’s clear that Dean hasn’t completely gotten over his past, though, as a montage relating his mundane daily tasks to his former life makes clear.

Still, he’s making friends. One in particular, a neighbor named Sid, seems to have bonded with him over regular beers, but Dean isn’t sharing anything about his past with him. He tells him that he used to be in pest control. (I, for one, am pegging Sid as a demon or something. He’s just a little too interested in Dean’s past.)

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Supernatural Spotlight – Season Four and Five Recap

Supernatural Spotlight – Season Four and Five Recap

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supernatural-season4Yesterday, I described the second and third seasons of Supernatural which all built up toward Dean Winchester’s death, as part of a demonic deal to save his brother.

Dean was sucked into Hell, leaving his brother Sam on Earth with the demon Ruby, who has taken on something of a friend and mentorship role with him.

More spoilers to follow …

Season Four

Season four of Supernatural began, a year after his death, with Dean crawling his way out of the grave with no real idea how he got back. But he doesn’t appear to be a demon or any other kind of beastie … so what’s going on?

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Harold Lamb’s Swords From the West and Swords From the Desert

Harold Lamb’s Swords From the West and Swords From the Desert

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haroldlambSwords From the West
Harold Lamb
Howard Andrew Jones, ed.
Bison Books (602 pp, $26.95, 2009)

Swords From the Desert
Harold Lamb
Howard Andrew Jones, ed.
Bison Books (306 pp, $21.95, 2009)
Reviewed by Bill Ward

Harold Lamb (1892-1962) is an author in danger of being forgotten. This should not be the case, for a number of reasons. Firstly, Lamb is good — from his historical biographies that read like action-adventure novels, to his actual action-adventure stories that cemented his status as a king of the pulps, Lamb is a terrific writer. He is also a diverse writer, having achieved success in both fiction and non-fiction, magazines and books, and even as a Hollywood screenwriter.

And, not to be overlooked, he is a historically significant writer in the evolution of fiction — serving as a bridge from the pulp era to the post-war era, and as a grandfather figure to the kind of adventure fantasy pioneered by Robert E. Howard and then expanded upon by the greats of the field such as Fritz Leiber, C.L. Moore, Michael Moorcock, Karl Edward Wagner, Leigh Brackett, Steven Brust, and Charles Saunders. The idiom in which today’s current crop of rising Sword & Sorcery stars work within can be traced right back to the nineteen teens and twenties, and the historical adventures of Harold Lamb that did so much to inform the approach of the future creator of Conan.

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Supernatural Spotlight – Season Two and Three Recap

Supernatural Spotlight – Season Two and Three Recap

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supernatural-season21When last we left Sam and Dean Winchester, they’d rejoined their father, John, and confronted the demon that killed their mother (a demon with glowing yellow eyes, named Azazel), but the demon got away. Season one ended with their car being slammed into by a semi being driven by a demon.

Now, allow me to spoil a couple more seasons of the show, before the season 6 premiere on Friday.

Season Two

Season two starts immediately after the accident, with the demon trying getting out of the semi to kill them. Sam, however, is conscious, and he’s able to chase the demon off with the Colt. (Remember, the Colt is a special gun they located which can kill any demon.)

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A Review of The House of Dead Maids

A Review of The House of Dead Maids

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house-dead-maidsLast week I was contacted by Barbara Fisch at Blue Slip Media, who’s been recommending and sending review copies to me for nearly fifteen years. Barbara had flagged The House of Dead Maids by Clare B. Dunkle (author of the Hollow Kingdom trilogy), just released in hardcover from Holt, as of possible interest to Black Gate readers. And from her description, it sounded like she could be right:

The House of Dead Maids is billed as a prelude to Wuthering Heights, as it features a character who will come to be known as Healthcliff. The novel is a scary blending of Yorkshire lore and Bronte family history. The child (Heathcliff) is already a savage little creature when Tabby Aykroyd arrives at Seldom House as his nursemaid. The ghost of the last maid will not leave Tabby in peace, and her spirit is only one of many. As she struggles against the evil forces that surround the house, Tabby tries to befriend her uncouth young charge, but her kindness can’t alter his fate.

The real task, as always, was matching the ideal reviewer with the book… a bit more of a challenge for a 151-page book with an eleven year-old narrator, I grant you.

As luck would have it, I happened to have an eleven-year old reader in the house, who innocently picked up the book the day it arrived.  I know when the stars have aligned, and sat down with a notepad and pen to interview her minutes after she finished reading The House of Dead Maids.

We’ll call this young reader “Tabitha,” because of what happened when her mother found out I was going to use her picture and real name on the Internet.

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Pastiches ‘R’ Us: Conan and the Amazon

Pastiches ‘R’ Us: Conan and the Amazon

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081252493401lzzzzzzzConan and the Amazon
John Maddox Roberts (Tor, 1995)

You may have noticed that in my series of reviews of Conan pastiche novels, I have yet to review an entry from Roland Green.

That is correct. I have not. Noted. Moving on. . . .

Of the authors of the long-running Tor series of novels, which started with Robert Jordan’s Conan the Invincible in 1982 and concluded with Roland Green’s Conan and the Death Lord of Thanza in 1997, with Harry Turtledove’s Conan of Venarium as something of a “coda” in 2004, John Maddox Roberts is the most consistently entertaining. (I love the novels from John C. Hocking and Karl Edward Wagner, but as each man unfortunately wrote only a single book, the sample is much smaller.) Roberts was the first new author to take over when Robert Jordan retired from the series after seven books published over only three years. In the eight novels that Roberts wrote, he shows deft ability with storytelling and action scenes, and a thankful tendency not to overplay his hand and try to ape Robert E. Howard’s style. His first Conan novel, Conan the Valorous, is one of the best of the Tor series, and shows a superior handling of the barbarian’s homeland of Cimmeria than Turtledove would achieve in Conan of Venarium.

However, Roberts had his down moments, and alas he stumbled at the finish line.

Conan and the Amazon is the last of Roberts’s Conan novels. It’s also his poorest, although a plot description, the salacious promise of the title, and a great cover with a super-croc would indicate it has sword-and-sorcery joys aplenty inside.

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Mortals, meet Demon Lovers: A review of Goblin Fruit Magazine, Part II

Mortals, meet Demon Lovers: A review of Goblin Fruit Magazine, Part II

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goblin-fruit-autumn2Okay, this is the Age of the Internet, so you’ve probably had this experience.

Say you’ve met a couple of like-minded ladies at a few writing conventions (as described in Part I). Say these conventions were World Fantasy 2007 and WisCon 2008 respectively. Say you’ve set about exchanging a million emails with these ladies, the occasional phone call, friending them on LiveJournal and Facebook, and rediscovering, happily, the merits of snail mail. These ladies just happen to be the two editors of Goblin Fruit Magazine.

Fantastic! You send them your really long rhyme-y poems nobody else wants, and sometimes they even take them, and even when they don’t, they seem to like you anyway. Life is totally Utopian.

You all read fantasy, right? What happens after Utopia?

DOOM!

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