It’s Good to be Back

It’s Good to be Back

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It’s good to be back.

If you visited Black Gate between May 19th and May 31st, you may have noticed something odd. As in, it was completely missing. For the first time since the website went live in late 1999, Black Gate was off the air for more than a few hours. We were, in fact, dead for a dozen long days.

Our fault entirely. As our traffic continued to grow significantly in 2021, we started to notice some equally significant slowdown in the site in February and March. (You may have noticed it too. Lots of you did.) We’d outgrown our shared server, and desperately needed an upgrade. After a few months of tuning and planning, led chiefly by the stalwart Martin Page, we migrated to a much more powerful server on May 18. It passed all the preliminary tests, and on May 19th I ordered the DNS switchover.

Too soon, as it turned out. The new server crashed almost immediately, and never came back. We gave up after nine fruitless days of panicked effort, configured and migrated to another server with a lot more memory and, after a few error-filled days, here were are.

We apologize for the long absence, and thank you very much for your patience with us. As Tony Stark says so well, it’s good to be back. We missed you.

Ellsworth’s Cinema of Swords: Pirates—Italian Style!

Ellsworth’s Cinema of Swords: Pirates—Italian Style!

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Morgan the Pirate (Italy/France, 1960)

We tend to think of pirate tales as mainly an English language thing, since the first early modern histories of pirates were in English, as were the genre-defining stories of Robert Louis Stevenson (Treasure Island, Kidnapped), Rafael Sabatini (The Sea Hawk, Captain Blood) and Howard Pyle. But pirate stories were extremely popular in Continental Europe as well, especially in Italy, where Emilio Salgari (1862-1911) wrote as many as 200 adventure novels, mostly about pirates or colonial adventurers who might as well have been called such. His most famous novel is The Black Corsair (1898), which has been filmed at least five times.

During the period of 1960 through 1965, the Italian film industry was famously focused on making peplum, or sword-and-sandal films, but they also dabbled in other historical adventure genres — and in the case of pirate movies, more than dabbled. At lot of these are quickies that might not be worth your time, but Italy loves a good keelhaulin’ cutthroat, and some of the Italian pirate films of the early Sixties were standouts.

Morgan, The Pirate

Rating: ****
Origin: Italy/France, 1960
Director: André DeToth/Primo Zeglio
Source: Turner Classic Movies

This is a fine Franco-Italian production, one of the best Continental pirate movies, starring Steve Reeves as Henry Morgan and Valérie Lagrange as Doña Inez, his daughter-of-the-Spanish-governor love interest. Its taut direction is primarily credited to the Hungarian-American director André DeToth, who (you can’t make this up) later in life lost one eye and wore a black eyepatch. But seriously, Morgan’s production values are good, it has topnotch cinematography by Tonino Delli Colli, excellent costumes and locations, and a rolling nautical score by Franco Mannino.

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Dinosaurs, Steampunk, and an Indiana Jones-style Adventure: Turn Over the Moon by Ryan Harvey

Dinosaurs, Steampunk, and an Indiana Jones-style Adventure: Turn Over the Moon by Ryan Harvey

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Sorrowful and Sorrowless Fear neither Moon nor Sun,

Side by side, we flip the stones…

…Until both can claim we’ve won.

Last October, Black Gate alerted folks to the Turn Over the Moon’s Kickstarter campaign which brought Ryan Harvey’s world of Ahn-Tarqa into novel form (with Dream Tower Media). That journey began a decade prior and we’ll cover the ancillary tales leading up to that. Although a prequel and side stories exist, be assured that the novel feels designed to be the gateway into this Sorrow-laden world. Have no fear (or Sorrow) and enter here (with Turn Over the Moon).

The subtitle “Saga of the Sorrowless Book #1” had me gearing up for an epic fantasy in which (a) most mysteries would resolve in subsequent books and (b) the pace may be slower than the short stories I typically read. That would have been fine, of course, but Harvey (who already has proven himself a master of the short form) pleasantly delivers a cross-breed of short-story style with typical novel form: there are mysteries, but you get to learn them speedily, and the pace is super-charged. The opening chapters will have you wondering (no worries, no spoilers here): (1) who are the Shapers, (2) how the heck does the prevailing Sorrow connect to the heroine, world, and conflict, and (3) who is the mystery woman? I won’t tell you here but rejoice in knowing that the revelations are engaging and explained satisfyingly within the covers.

“The Shapers can reach me in my dreams. I escaped their clutches once, but in the blackness of sleep they tear open the walls of my head and slither inside. In each nightmare they glare down on me as they once glared down on all the land, from the edge of the eastern desert to the dwindling tip of the western peninsula. As they once glared down on my father, bound across his own workbench for their tortures. Even though their eyes are drowned within the dark slits of their masks, I can feel their stares. The robes hiding their bodies flutter around me in a barrier. There is nothing beyond.” — the teenage heroine Belde

Abandon all Sorrow, all ye who enter here!

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The Public Life of Sherlock Holmes: John Malkovich’s Poirot

The Public Life of Sherlock Holmes: John Malkovich’s Poirot

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And, we’re back!! Black Gate had some difficulties and was offline for last week’s regular spot, but the world is back to normal. Well, not really, but I’m here on Monday morning, anyways. I was really torn on what to write about for today’s column. Obviously, the final vote was in favor of The ABC Murders, starring John Malkovich. But it was a near thing. Recently, I watched the first couple episodes of Thunder in Paradise. That show, which is classic nineties Gorgonzola, was a tame version of the big budget action films of the era. Hulk Hogan and Chris Lemmon (Jack’s son) are ex-Navy Seals with a prototype speedboat that is a Kit-light (for you Knightrider fans). But that turned out to be an essay for another day.

So, it’s Amazon’s three-part take on the 1935 novel. It aired in 2018, and Malkovich was 63. Of course, he has always looked a bit old, and he conveys Poirot’s weariness quite well. This is a Poirot past-his-prime.

THERE BE SPOILERS– You can go watch this on Amazon. It’s not hard to find. I try to write no/low-spoiler essays, but sometimes you gotta say what you gotta say. If you’ve not seen this version, and don’t want any surprises (and there are a few), go watch it before reading on. – END SPOILER ALERT

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Conan in the Land of the Rising Sun

Conan in the Land of the Rising Sun

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The Coming of Conan (SF 14), Japanese edition (1971). Cover by Takebe Motoichiro

Although everyone’s favorite Cimmerian trod a wide path in his adventures, Conan never sailed to the shores of the ancient equivalent of Japan. Or at least he never did so in the tales penned by Robert E. Howard. I’m not versed enough regarding every pastiche or comic adaptation to know if he might have ventured there in one of those.

However, this didn’t stop Japanese editions of the Conan stories from appearing in the early 1970’s. I’d been unaware of these until late 2017, when I received a set of them from the estate of Glenn Lord. For decades, Lord had been the literary executor of the Howard estate, and some of his collection was going to be auctioned at the 2018 Windy City Pulp and Paper Convention. I’m one of the folks that runs that convention, and I was in charge of preparing that auction.

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What I’ve Been Watching: May 2021

What I’ve Been Watching: May 2021

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Last month I shared what I’ve been reading lately. Being the unoriginal guy that I am, I figured this week, it would be what I’ve been watching!

RELIC HUNTER

A decade after Indiana Jones and the Last Crusade (number three in the franchise), an Indy take-off show hit the airwaves. Now, many of you know Tia Carrere best as Akivasha, the evil sorceress in Kevin Sorbo’s Kull, which was reportedly to be the third Conan film starring Schwarzenegger (though there’s a different story about a third film: that’s fodder for another post). But Ah-nuld passed and instead we got a forgettable film with no relation to Robert E. Howard’s actual Kull character. I’m kidding! Not about the Conan/Kull stuff – that’s all true. But that’s not why you know Carrere, who was of course Cassandra in Wayne’s World; and she had a prominent part in Arnie’s True Lies.

For sixty-six episodes, covering three seasons, she was Sydney Fox, a Professor who traveled the globe, chasing down items of antiquity. Or, at least a couple decades old, anyways. Which is why the show is called Relic Hunter. She is assisted by Nigel, a dweeby assistant professor (played by Christien Anholt). Lindy Booth, who pops up in various productions (mostly made in Canada) is her useless, brainless, bimbo of an office assistant, foisted on her because her father is a donor to the school. Booth had two notable appearances in A&E’s A Nero Wolfe Mystery.

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Criminal Dragons and a Brotherhood of Thieves: The Broken God, Book 3 of The Black Iron Legacy by Gareth Hanrahan

Criminal Dragons and a Brotherhood of Thieves: The Broken God, Book 3 of The Black Iron Legacy by Gareth Hanrahan

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The Black Iron Legacy trilogy (Orbit Books). Cover art by Richard Anderson

Gareth Hanrahan first got my attention with his top-notch work in the RPG industry for Ashen Stars, Trail of Cthulhu, and Traveller. That served him well when he released his breakout debut novel The Gutter Prayer, which was roundly praised. Holly at GrimDark Magazine wrote:

To say that the hype surrounding this book is intense would be an understatement. Anticipation levels have been through the goddamn roof… Briefly, it features three friends, thieves, who get caught up in an ongoing magical battle. Shenanigans abound…. It’s evident that Hanrahan writes role-playing games, because he took all of the best things from RPG’s & made it into something even more mesmerizing within this fantasy epic. The world building is just wondrous.

The second volume in the series. The Shadow Saint, was released in January of last year; Fantasy Inn labeled it “brilliant” and Publishers Weekly called it “epic, surreal… mixes diplomacy, espionage, and religion to excellent effect.” Volume three, The Broken God, arrives this week, and it’s one of the most anticipated fantasy releases of the year in our offices. Here’s the publisher’s description.

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Vintage Treasures: Maurai & Kith by Poul Anderson

Vintage Treasures: Maurai & Kith by Poul Anderson

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Maurai & Kith (Tor Books, 1982). Cover art by Thomas Kidd

Uber-editor Jason M. Waltz kindly invited me to write the introduction to his new anthology The Lost Empire of Sol: A Shared World Anthology of Sword & Planet Tales, co-edited by Black Gate blogger Fletcher Vredenburgh, a terrific new shared-world volume that contains new stories by Howard Andrew Jones, E.E. Knight, Mark Finn, Keith Taylor, Joe Bonadonna and David C. Smith, and many more. As I was putting it together I realized that my concept of Sword-and-Planet is probably a little displaced from the modern definition. Nowadays it refers very specifically to John Carter-like tales fantasy adventure on far-off planets, as Howard Andrew Jones and I explored in our 2019 column over at Tor.com, Five Classic Sword-and-Planet Sagas (written under my Todd McAulty pseudonym).

But I tend to agree with Gardner Dozois, who used the term far more broadly to refer to old-school science fiction, and especially pulp-inspired tales of adventures in exotic locales. One of my favorite anthologies is his 1998 volume The Good Old Stuff: Adventure SF in the Grand Tradition, which I reviewed for the SF Site way back in 1999, and which is packed with exemplary examples. Here’s what I said at the time.

“Old Stuff” refers here to the spirit of early SF — the grand Space Opera, the planetary romance, what Dozois calls “the lush sword-and-planet” tale. Collected here are a fine assortment of short stories and novellas which celebrated that tradition, and in some cases took it in significant new directions.

There are tales of far exploration into the vastness of the galaxy in the face of hostile opposition (A.E. van Vogt’s “The Rull”), unknowable ancient alien civilizations (“The Last Days of Shandaker,” by Leigh Brackett), mysterious and deadly inter-dimensional invaders (James H. Schmitz’s superb, and oddly pastoral, “The Second Night of Summer”), rites of succession for a Galactic Empire (Jack Vance’s “The New Prime”), and brave men and women faced with terrible peril (just about any of them, really, but most especially Poul Anderson’s swashbuckling novella of intrepid explorers on a post-apocalyptic Earth coming face-to-face with strangely advanced barbarians from the far continent of Nor-Merika, “The Sky People.”)

I’d been a Poul Anderson fan for two decades by the time I read “The Sky People,” but I’d never read anything like that story, and it sent me scrambling to find more. That led me to Maurai & Kith, a 1982 Tor collection that gathers all the short stories in the series, plus two tales in his semi-related Kith series of early interstellar explorers in the 21st and 22nd centuries. It’s a volume that belongs in the collection of every SF fan.

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The Good, The Bad, and The Ugly … of Gunslinger

The Good, The Bad, and The Ugly … of Gunslinger

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Avalon Hill has long been a company known for its war gaming roots, though it has also dabbled in roleplaying games. Then there are other games. Like Gunslinger. Gunslinger is a bit different. It’s not a war game. It’s not a roleplaying game. It’s sort of both. And neither. I suppose Gunslinger could be called an Old West gunfight simulation game. So, while not exactly a war game, it is a combat game, and while not really a rpg, it does have rpg elements and something of a rpg feel to it.

Designed by Richard Hamblen and released by Avalon Hill in 1982, Gunslinger is a board game (sort of) for up to seven players, with each acting as a character in a gunfight. The game includes stiff cardboard maps, tons of cardboard cutouts, cards upon cards for character actions and results, charts and charts and more charts, and more rules than names in a telephone book (they still make those, right?). It’s already starting to sound like a tabletop rpg. Except there are no dice.

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GOTH CHICK NEWS: ON THE ROAD TO THE HALLOWEEN & ATTRACTIONS SHOW

GOTH CHICK NEWS: ON THE ROAD TO THE HALLOWEEN & ATTRACTIONS SHOW

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Frankly, 2020 didn’t look all that different when viewed from the basement of the Black Gate office, which is home to Goth Chick News. The unisex bathroom walls are still plastered with Heavy Metal magazine covers from the 1980’s. The hallways smell like a combination of microwave pizza and Axe, and the furniture… I can’t. As most of my coworkers never got out much anyway, the quarantine was just the legit excuse everyone gave their spouses for hanging around John O’s D&D marathon. Black Gate photog Chris Z. went off to busy himself with whatever it is he does when he’s not sneaking pics of nearly naked cosplayers at our various events, and I hunkered down to write for a long, and frustrating year. The glaring difference of 2020, is that none of these activities were broken by GCN road trips to roughly a dozen conventions, tours and trade shows, which comprise the seasonal run up to the greatest holiday ever – Halloween.

Like you, we where all here and nowhere else – and it sucked.

Bad.

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