A Near-Perfect Blend of Detective Story and Military SF: The Planetside Trilogy by Michael Mammay

A Near-Perfect Blend of Detective Story and Military SF: The Planetside Trilogy by Michael Mammay

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The Planetside Trilogy by Michael Mammy. Covers by Sébastien Hue

I discovered Michael Mammay’s debut novel Planetside, the opening novel in a new military SF trilogy, while browsing a list of the most interesting new sci-fi of July 2018 at io9. They summed it up as:

A semi-retired war hero takes on a mission at the behest of an old friend, searching for an important officer’s MIA son. But what seems like a simple search-and-rescue gig soon gets a lot more complicated when he arrives on the far side of the galaxy and discovers a strange, ravaged planet teeming with secrets.

When volume #2, Spaceside, arrived a year later, Jeff Somers at The Barnes & Noble Sci-Fi & Fantasy Blog included it in his Best Science Fiction & Fantasy Books of August 2019, saying:

Last year, Michael Mammay’s Planetside delivered a near-perfect blend of detective story and military sci-fi. The sequel finds Colonel Carl Butler returning from his assignment in that book with a split reputation — part hero, part outcast. He’s once again forced into retirement, but this time he at least gets a cushy corporate job that capitalizes on his military reputation. When he’s asked by his bosses to investigate a devastating hack of a competitor’s computer systems — a hack no one will take responsibility for — Butler finds himself caught in a dangerous web that has him doubting his own mind even as he suspects he’s onto something much bigger than simple corporate espionage.

After all that you can understand why I kept my eye out for the third book. Colonyside arrived right on time on December 29, 2020, to warm reviews. In a starred review Library Journal said it’s “Highly recommended for readers who like their heroes cynical, their mystery twisted, and their sf thought-provoking.” That’s all the endorsement I need. All three books were published as paperback originals by Harper Voyager, with covers by Sebastien Hue. Here’s the complete details.

Planetside (370 pages, $7.99 paperback/$6.99 digital, July 31, 2018)
Spaceside (368 pages, $7.99 paperback/$5.99 digital, August 27, 2019)
Colonyside (384 pages, $7.99 paperback/$5.99 digital, December 29, 2020)

See all our coverage of the best SF and fantasy series old and new here.

Goth Chick News: In 2021, The “Stakes” Get Higher…

Goth Chick News: In 2021, The “Stakes” Get Higher…

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No surprise, I absolutely love a good vampire story. And though I’ve had a bit of an up and down relationship with Stephen King over the years, one of the “up” periods involved his book Salem’s Lot. During the year-end holidays I reread it, followed by a revisiting of the 1979 TV miniseries starring David Soul and directed by Tobe Hooper. Though it had its moments, not the least of which being the vampires themselves, I’ve always felt a little “meh” about this rendition as compared to its literary source material. The “meh” goes double for that hot mess on TNT starring Rob Lowe in 2004. This is also no surprise, as a King novel successfully translated to the screen of any size is a rare thing indeed.

Still, hope springs eternal in these matters, as shown by Carrie and The Shining, so when The Hollywood Reporter said director Gary Dauberman had signed up to bring Salem’s Lot to the big-screen, my interest was piqued.

Why? It’s not just due to Dauberman’s horror-chops, but the fact that he is also signed on to write the interpretation. To me it seems that whenever King gets involved as the screen writer, to ensure his stories are told his way, a train wreck ensues. The most recent case in point was Doctor Sleep, King’s sequel to The Shining which I enjoyed so much I’ve read it twice. But hating Stanley Kubrick’s take on his original installment, King insisted on writing the script for Doctor Sleep himself, resulting in such a disappointing theatrical interpretation that I nearly primal screamed on the way out of the theater.

Raw fish does not belong on a pizza, and Stephen King should not write movie scripts – it’s that simple.

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Evil Space Plants, Lecherous Dragons, and the Mysteries of the Vampire: Weird Tales 364 Arrives

Evil Space Plants, Lecherous Dragons, and the Mysteries of the Vampire: Weird Tales 364 Arrives

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Weird Tales #364. Cover by Lynne Hansen

What’s this? Can it be? Two issues of Weird Tales magazine published in a single year? That hasn’t happened since (hastily checks notes) 2012!

There are other changes afoot as well, not just this insanely overambitious publication schedule. Marvin Kaye, who took over as editor in 2012 with issue 360 and managed just four issue in the last nine years, is no longer on the masthead. Replacing him as editor is Jonathan Maberry, who was Editorial Director of issue 363, which I wrote about last January.

But enough editorial gossip — what about the issue itself? It is real? Who’s in it? Who painted that awesome cover?

It is in fact real — at least digitally. Weird Tales #364 was published in digital formats on December 21, with print issues “available soon.” It’s crammed with tales of “Evil space plants, lecherous dragons and the mysteries of the vampire” by a stellar line up of writers, including Seanan McGuire, Marguerite Reed, Joe R. Lansdale, Gregory Frost, Tim Waggoner, and many more. And that entirely awesome and weird bird-lady cover? It’s by Lynne Hansen.

Here’s the complete Table of Contents.

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New Treasures: Best New Horror 30, edited by Stephen Jones

New Treasures: Best New Horror 30, edited by Stephen Jones

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Best New Horror 30 (PS Publishing, November 2020). Cover by Warren Kremer

Gardner Dozois edited 35 volumes of The Year’s Best Science Fiction between 1984 and 2018, an extraordinary achievement that I didn’t expect to be equaled any time soon. But closing fast on his heels is Stephen Jones, who just released volume 30 of his Best New Horror series in November.

Publishing delays have accumulated for Best New Horror over the years; as result this volume collects tales from 2018. But that blemish aside, it’s a fine anthology with top notch horror from Ramsey Campbell, Michael Marshal Smith, Alison Littlewood, Graham Masterton, Damien Angelica Walters, two stories from Peter Bell, and lots more — all packaged under a delightfully retro cover by Warren Kremer. Black Gate blogger Mario Guslandi offers up an in-depth review at Ginger Nuts of Horror; here’s a sample.

First of all I’d like to mention the two stories by Peter Bell, a fantastic author of ghostly tales, whose body of work has appeared so far only in books from small, indie imprints… “The House” is an eerie piece of fiction about three gentlemen following the traces of an elusive, ambiguous ghost story writer, and “ The Virgin Mary Well” is a dark, atmospheric story where ancient, unholy secrets about a mysterious well are unearthed and brought back to the present…

“The Deep Sea Swell” by John Langan is a tense, thrilling story where the ghost of a past sea tragedy gets loose during a storm, while “ Holiday Reading” by Rosalie Parker is a delightful tale suspended between literature and reality. In the creepy “The Smiling Man, by Simon Kurt Unsworth, violating the grave of a disreputable character brings about serious disturbances in a quiet small village…

Mark Samuels provides “Posterity”, an Aickmanesque story (not a simple coincidence…) describing the uncanny experience of a literary researcher exploring the legacy of a deceased writer whose initials are R.A. In Thana Niveau’s truly outstanding “ Octoberland” nostalgia and childhood horrors blend to create an insightful, unforgettable mix.

Here’s the complete Table of Contents.

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Ellsworth’s Cinema of Swords: The First British Invasion

Ellsworth’s Cinema of Swords: The First British Invasion

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Television and TV broadcasting had many forebears, but the first regular national service was Great Britain’s BBC TV in 1936. It was suspended in 1939 during World War II so enemy aircraft couldn’t home in on its signals, but broadcasting resumed in 1946 and expanded rapidly thereafter. In 1955 the BBC was joined on the British airwaves by the Independent Television network, or ITV. Unlike the BBC, ITV was a commercial network, its programming supported by advertising and, it was hoped, by selling its content for rebroadcasting in the burgeoning American markets.

ITV broadcast a range of content, but what’s important to us is that there were entertaining swashbuckler series in the mix, starting from the very beginning in September 1955 with The Adventures of Robin Hood and The Adventures of the Scarlet Pimpernel. In Robin Hood, at least, ITV had a smash success, and its production company added two additional series in 1956, The Adventures of Sir Lancelot and The Buccaneers. (There was also an independent Count of Monte Cristo series, but we’ll save that for another day.) All of these shows were syndicated regionally across the United States, and Robin Hood in particular is fondly remembered.

The Adventures of Robin Hood, Season One

Rating: ****
Origin: UK, 1955
Director: Ralph Smart, et al.
Source: Network DVD

This series, which premiered in 1955 in both the USA and UK, heralded a brief vogue for swashbuckling TV shows, most of them produced in Britain — but this is the one that really mattered, because it was smart and dependably entertaining, found a devoted audience, ran for four seasons in the Fifties and then for decades in syndication. Its success inspired its only significant rival in Disney’s Zorro. Though shot in the UK with a British cast and crew, its producers were Americans whose politics leaned left, and most of its scripters were American screenwriters such as Howard Koch and Waldo Salt who’d been blacklisted in Hollywood. They gave the stories an anti-authoritarian edge that accorded well with Robin Hood’s outlaw legend.

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Future Treasures: The Forever Sea by Joshua Phillip Johnson

Future Treasures: The Forever Sea by Joshua Phillip Johnson

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Ah, there’s nothing like a good fantasy debut novel. Joshua Phillip Johnson has published a handful of short stories in small-press online journals (including “The Ghost Repeater” at The Future Fire and “The Demon in the Page” at Metaphorosis Magazine), and now leaps into the big time with a major hardcover release from DAW, coming in two weeks.

The Forever Sea is the opening book in a new epic fantasy series set in a world where ships sail an endless grass sea. Mary Robinette Kowal said, “This was everything I wanted it to be. Wind-swept prairie seas, pirates, magic, and found families,” Tor.com called it “a thrilling pirate fantasy that follows a crew of women that sail a sea of prairie grass,” and Publishers Weekly said it “calls to mind Ursula K. Le Guin’s Earthsea series… this entertaining story makes a nice addition to the growing hopepunk subgenre.” I don’t know what the heck “hopepunk ” is, but between the comparisons to Earthsea and the “pirate fantasy” label I’m sold.

Here’s the publisher’s description.

On the never-ending, miles-high expanse of prairie grasses known as the Forever Sea, Kindred Greyreach, hearthfire keeper and sailor aboard harvesting vessel The Errant, is just beginning to fit in with the crew of her new ship when she receives devastating news. Her grandmother — The Marchess, legendary captain and hearthfire keeper — has stepped from her vessel and disappeared into the sea.

But the note she leaves Kindred suggests this was not an act of suicide. Something waits in the depths, and the Marchess has set out to find it.

To follow in her grandmother’s footsteps, Kindred must embroil herself in conflicts bigger than she could imagine: a water war simmering below the surface of two cultures; the politics of a mythic pirate city floating beyond the edges of safe seas; battles against beasts of the deep, driven to the brink of madness; and the elusive promise of a world below the waves.

Kindred finds that she will sacrifice almost everything — ship, crew, and a life sailing in the sun — to discover the truth of the darkness that waits below the Forever Sea.

The Forever Sea will be published by DAW Books on January 19, 2021. It is 464 pages, priced at $27 in hardcover and $14.99 in digital formats. The cover art is by Marc Simonetti. Read Chapter One at Tor.com.

See all our coverage of the best upcoming fantasy and science fiction here.

The Edge of a Knife – Writing Representation

The Edge of a Knife – Writing Representation

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Angeles Balaguer from Pixabay

Blessedly, I have returned to writing. As a birthday gift to myself, I bought myself an iPad, which didn’t arrive until the middle of December (thank you order delays) to replace the laptop I had that was long dead. I was going to get Word for iPad, but because of the new size of the device, Microsoft decided that I had to pay for it. Had the screen been half an inch smaller, I’d be eligible for the free version. So instead, I went and found a really decent free word processor that serves really well for my writing needs. It’s simple, intuitive and can save as .docx. So far, I can highly recommend WPS Office.

But that’s not the point of the post. The point is, I have a problem. It’s a low-key anxiety sitting in the back of my mind as I write. You see, I am currently working on two stories that centre characters that are not… well, white. And I’m struggling.

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Vintage Treasures: Fungi From Yuggoth & Other Poems by H.P. Lovecraft

Vintage Treasures: Fungi From Yuggoth & Other Poems by H.P. Lovecraft

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Fungi From Yuggoth & Other Poems (Ballantine, 1971). Cover by Gervasio Gallardo

I’m a little embarrassed to admit I haven’t read much Lovecraft poetry. Well, I read his marvelous “Drinking Song,” from his first published story “The Tomb,” which reads exactly like the ballads belted out by drunken revelers in every Scottish tavern I’ve ever been in. Here’s the first stanza.

Come hither, my lads, with your tankards of ale,
And drink to the present before it shall fail;
Pile each on your platter a mountain of beef,
For ’tis eating and drinking that bring us relief:
        So fill up your glass,
        For life will soon pass;
When you’re dead ye’ll ne’er drink to your king or your lass!

Read the whole thing at the link above.

Lovecraft didn’t get much respect as a poet until long after his first fiction collection, The Outsider and Others, appeared in 1939. His Collected Poems was first published by Arkham House in a tiny print run in 1963, and then retitled Fungi From Yuggoth & Other Poems for its Ballantine paperback reprint eight years later.

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Nero Wolfe’s Brownstone: No Voting Day

Nero Wolfe’s Brownstone: No Voting Day

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Last week, I mentioned that I wrote over 40,000 words about Archie Goodwin and Nero Wolfe enduring Stay at Home together. And that the series was inspired by how I felt on the day that Ohio postponed its Primary Voting Day. That scene is below. So, if you’re a Nero Wolfe fan, read on. If not – well, you’re here for my weekly column, so read on anyway! The elevator made its usual groans of protest as it carried Wolfe’s one-seventh of a ton down from the rooftop plant rooms, where he spent two hours in the morning, and two more in the afternoon, with Theodore Horstmann, tending to 10,000 orchids. It was my personal opinion that the elevator needed more than a two hour recovery period period after having to move him from the ground floor to the roof level. Gravity was not its friend. No man ever followed routine like Nero Wolfe. Mycroft Holmes looked like an undisciplined lout compared to my employer. Every morning at 11 AM, he came down from the plant rooms, entered the office, greeted me with “Good morning, Archie,” crossed to his desk, and followed a routine there. So imagine my surprise, sitting at my own desk, when I heard him turn and take two steps down the hall, towards the front door, or the kitchen. I looked up as silence settled in the hall. He had stopped. “Archie, stop this foolishness. Why is the car not ready? Get out here.” While I am by no means a sigher in Wolfe’s class, working for him has made me a pretty good one. I let one out, got to my feet, and went out of the office. It was Election Day: except, it wasn’t. There were only a few things guaranteed to get Nero Wolfe to venture out of his office and undertake a journey into the wild world outside. And Sunday Mass wasn’t one of them. But he had never failed to sally forth to vote since I had come to work for him. He viewed voting as his side of a solemn contract with the government. But this April 28th, 2020, was different. The coronavirus pandemic had started parts of America into shutdown mode the prior month. Those who thought that pre-emptive action was a good thing touted the governor of my old home state, Ohio, as the kind of leader we needed in Washington. Others, who probably would have said we should stay out of World War II, thought that it was too soon. Regardless of which side you were on, by early April, it was clear that America was in trouble. Rumors were that Ft. Knox was switching its gold reserves over to toilet paper, because it was harder to find. …

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The Many Worlds of Dungeons & Dragons (Fifth Edition, that is)

The Many Worlds of Dungeons & Dragons (Fifth Edition, that is)

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When I began playing Dungeons & Dragons as a teen in the early 1990’s, my initial few games were played in homebrew worlds of the Dungeonmaster’s creation. And, while this has always been a popular part of Dungeons & Dragons, it wasn’t long until I became enamored with the established worlds that were officially sanctioned and supported by setting materials, nor was I the only one. These worlds have been the setting of countless adventures throughout the decades.

For me, the first D&D world I fell in love with was Krynn, the world that is the basis of the Dragonlance storyline. The first trilogy of novels that introduce the world, Chronicles, is a solid adventure, but I could at times almost feel the dice rolling in the background of the combat encounters. The follow-up trilogy, Legends, has a completely different feel, with a much deeper and personal storyline, time travel, complex morality, and an overall that I was surprised to find in novels that were in a tie-in series. I’ve since read some great tie-in literature (see, for example, my reviews of the Pathfinder Tales novels by James L. Sutter, Death’s Heretic and The Redemption Engine), but Legends continues to stand out. And, in terms of adventure, the unusual Dark Sun setting made for some of the most memorable adventures of my teenage years.

These settings were released in AD&D 2nd Edition in the form of setting boxes, with adventures and rulebooks that gave the specific information needed to design characters and campaigns. The current edition of Dungeons & Dragons hasn’t begun releasing similar setting boxes, but they have released supplements spanning a variety of gaming worlds … though not spanning all of their traditional worlds (yet!).

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