A Mutant Godling on a Ruined Earth: The Eyes Trilogy by Stuart Gordon

A Mutant Godling on a Ruined Earth: The Eyes Trilogy by Stuart Gordon

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The Eyes Trilogy by Stuart Gordon (DAW, 1973-75). Covers by Tim Kirk, Peter Manesis, and Michael Whelan

DAW Books is one of the most prestigious and successful science fiction imprints in the industry, regularly publishing top-selling authors and titles. Fifty years ago…. well, it wasn’t any of those things. Donald A. Wollheim built his scrappy publishing powerhouse the old fashioned way: by buying the best books he could find on a shoestring budget, slapping whatever cover art he could find on the cover, and moving on rapidly to the next book.

Wollheim gave a lot of brand new authors (and forgotten authors, and washed up authors) a chance — and in many cases, multiple chances. Many, like C.J, Cherryh, John Brunner, Tanith Lee, Mercedes Lackey, and Melanie Rawn, grew with the imprint and gradually became big names. And a great many…. didn’t.

Stuart Gordon is in the latter category. He published a trilogy of science fiction paperbacks in the early 70s, then promptly abandoned SF, moving on to biker books like The Bike from Hell and The Devil’s Rider (both written as Alex R. Stuart). But I used to see One Eye, Two Eyes, and Three Eyes on the shelves when I was a wee lad exploring the science fiction racks for the first time, and they always fascinated me.

Part of it was the subject matter: a strangely powerful mutant roaming a blasted post-apocalyptic landscape and…. I dunno? Carrying unconscious women around? I was never clear on the concept, actually. But hey, mutants and blasted mountain peaks! That’s all it took to fascinate me in those days. My needs were simple.

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Ellsworth’s Cinema of Swords: Wholesome Buccaneers (Pt. 1)

Ellsworth’s Cinema of Swords: Wholesome Buccaneers (Pt. 1)

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After the grim years of World War II, a large part of the moviegoing public was looking for lighter fare in their entertainment, and Hollywood returned to making swashbucklers, many of them in the happy hues of Technicolor. Pirates were back on the menu, but as America headed into the conformist Fifties, the pirates on its movie screens were more rascals than cutthroats, good-hearted rogues who would plunder some buried treasure and maybe hold a lady for ransom, but for whom keel-hauling and suchlike barbarisms were out of the question. Wholesome buccaneers as family entertainment! Absurd, of course, but fun if it was done with a wink at the viewer.

Anne of the Indies

Rating: ****
Origin: USA, 1951
Director: Jacques Tourneur
Source: Amazon Streaming Video

We usually award the title Queen of the Swashbucklers to Maureen O’Hara, but Jean Peters makes a grab for her crown in this fine pirate melodrama. As an orphan girl, Anne (Peters) was raised aboard ship by Edward Teach — Blackbeard himself! — and now commands her own fighting ship, the Sheba Queen, under the name Captain Providence, and she’s a real hellion. Since her brother was hanged as a pirate by the English, she preys on English shipping and kills English sailors without mercy, making the captives walk the plank. But one captured sailor is the strikingly handsome Louis Jourdan playing a Frenchman named (what else?) François, who claims to be a privateer’s navigator who’d been captured by the Royal Navy. Captain Providence frees him, adds him to her crew, and takes him to Nassau to meet Blackbeard — which is where the real trouble starts.

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The Secret World of Greg Ketter

The Secret World of Greg Ketter

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Hit or Myth by Robert Asprin (Starblaze, 1983). Cover by Phil Foglio

Greg Ketter, owner of Dreamhaven Books in Minneapolis, is one of the best booksellers in the business, and he’s sold me many fine volumes over the years. Greg doesn’t talk about it much, but he’s also friends with many of the most famous writers and artists in the field. This being a creative industry, Greg’s friendships reveal themselves in entertaining ways. In fact, Greg has been Tuckerized more than anyone else I know, and in some surprising ways.

I’ve been enjoying Greg’s tales of Tuckerization on Facebook. What is “Tuckerization?” Here, I’ll let Greg explain it.

Wilson “Bob” Tucker was an early SF fan who also went pro, writing mystery and science fiction stories alike. His first book, mystery novel The Chinese Doll, contained the names of many of his friends as characters. Thus you had been “Tuckerized.” The practice continues today sometimes with people paying great sums of money (usually for charities) to be included as characters in books. The most popular seems to be getting killed off in whatever silly/gruesome/disgusting/crazy way the author can dream up.

Greg’s namesake has appeared in George R.R. Martin’s Game of Thrones, Nick Pollata’s Satellite Night Fever, Joe Domenici’s Bringing Back the Dead, and many more. But my favorite story is the time he appeared on the cover of Hit or Myth, the fourth book in Robert Asprin’s popular and long running Myth Adventures series:

I was staying with Phil Foglio for a while when he said he needed a model for the new Robert Asprin Myth book. Sure, why not. So, I became a demon for Hit or Myth. Notice those ripped abs (actually, back then I was a bit closer to that than I am now. Everything has dropped down a ways since then). I helped with some of the atrocious puns scattered about the cover and Phil named the place “K’tier Abu’s Djin Mill” as a nod to his old buddy.

I leave it as an exercise to the reader to spot all those visual puns Greg mentions. Just about every one of my friends in Ottawa back in the day read Asprin’s Myth Adventures series, and the books were scattered around our house when I was in University. It’s quite the kick to discover that’s I’ve secretly known the cover model for the demon Aahz all these years. Small world.

New Treasures: The Eleventh Gate by Nancy Kress

New Treasures: The Eleventh Gate by Nancy Kress

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Now here’s an attractive combo: a brand new space opera novel by multiple award-winner Nancy Kress, wrapped up in a gorgeous vision of deep space adventure by Bob Eggleton. You know this book would look damn handsome on your shelf.

I’m not sure how this one managed to slip past me when it was first released in May of last year. (I was probably hiding in my basement from the pandemic.) What’s it all about? Russell Letson at Locus Online fills us in:

The Eleventh Gate… combines elements of space opera with quasi-dystopian political conflict and intrigue among a collection of extrasolar colonies. A century and a half earlier, the discovery of a set of mysterious interstellar gates allowed waves of emigrants to escape an Earth ravaged by ecological collapse and global war: ten gates, eight surprisingly habitable worlds, and three very different sets of refugee-settlers.

Now the Eight Worlds are occupied by their descendants… these societies have gotten along mostly peacefully until the discovery of an eleventh gate sets off a land-rush rivalry that lurches into warfare.

Publisher’s Weekly reviewed the book warmly; here’s an excerpt.

Warring families and philosophies drive this complex science fiction thriller… Refugees from a dying Earth escape via a mysterious stargate leading to the Eight Worlds system. They divide these worlds between three political factions: the totalitarian Peregoy Corporation, the Landry Libertarian Alliance, and the planet Polyglot, a “patchwork of individual nations” and economies. Then a new stargate appears, sparking a race to claim it and whatever world waits on the other side. Ambitious Tara Landry, heir to the Landry Alliance, hatches a hare-brained scheme to prevent the reignited tensions between factions from breaking into war. But when Tara’s plan goes awry, war becomes inevitable… This swift, political story proves a rip-roaring diversion.

The Eleventh Gate was published by Baen Books on May 5, 2020. It is 352 pages, priced at $15.99 in trade paperback and $8.99 in digital formats. The cover is by Bob Eggleton. Read a generous excerpt at the Baen website.

See all our recent new Treasures here.

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 14 and 15

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 14 and 15

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So, last year, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did  a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Hortsmann. I have already reposted days one through thirteen. Here are days fourteen (April 4) and fifteen (April 5). It helps if you read the series in order, so I’ve included links to the earlier entries. I enjoy channeling Archie more than any other writing which I do.

 

DAY FOURTEEN – 2020 Stay at Home (SaH)

Okay – it’s been two weeks and things are starting to get a little…close, around here. I’m the only one of us who spent a lot of time away from the brownstone, so I’m feeling the strain the most. Of course, I’m the one who goes out for ‘essential’ errands, like taking Wolfe’s laundry to the cleaners. And I try to take a walk at least every other day. Fresh air, stretching my legs, and seeing other human beings – properly social distanced – has been the best medicine.

Fritz hasn’t needed help with the food provisions yet, though I’ve offered. And I have enjoyed watching Bogart movies with him. Last night we saw To Have and Have Not. He liked the suspense and the adventure, and I’d say that he was rather smitten with Lauren Bacall. I admired her spunk when she poked fun at Dolores Moran’s flirting with Bogie. Reminded me of a certain blonde I know. I told him the story that the movie came out of a bet. Ernest Hemingway bet Howard Hawks that the director couldn’t make a good movie out of his worst novel. So Hawks changed a few things around, cast Bogart, and made that film. For my money, Hawks won the bet hands down.

Tonight, I think we’ll watch They Drive by Night. I have a sneaking suspicion Fritz will be hooked by Ida Lupino’s courtroom scene.

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Alien Warfare, Gunwrights, and Cyborg Hobos: January/February Print SF Magazines

Alien Warfare, Gunwrights, and Cyborg Hobos: January/February Print SF Magazines

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I haven’t had time to jump into my plaguemobile and navigate all the pandemic roadblocks and decontamination checkpoints to get to Barnes & Noble to pick up the latest print magazines. But according to what I’ve read online, I don’t have any choice… looks like these are can’t-miss issues. Here’s what Michelle Ristuccia at Tangent Online said about the latest issue of Asimov’s SF.

American combat veteran Sylvia Aldstatt is the only person on Earth who can search dead criminal Dimitrios’ memories for crucial intel in “A Rocket for Dimitrios” by Ray Nayler. Racing against the ticking clock of decomposing neural pathways, Sylvia Aldstatt investigates Dimitrios’ claim of a second crashed extraterrestrial ship… Nayler brings readers an adventure that’s as immersive as it is thought-provoking. “A Rocket for Dimitrios,” stands alone as an engaging and accessible novella for all genre readers, but spy novel enthusiasts will recognize the nod to Eric Ambler’s classic 1967 novel, A Coffin for Dimitrios. Readers who want more of Nayler’s fascinating alternative history SF can find Sylvia Aldstatt in “The Disintegration Loops,” published first in Asimov’s Nov/Dec 2019 issue and also now available on Ray Nayler’s website…

Suzanne Palmer brings readers a delightfully comedic who-done-it set on a menagerie of a space station in “Table Etiquette for Diplomatic Personnel, in Seventeen Scenes.” Through Palmer’s strategic humor, readers soon identify the obnoxious Joxto as the main antagonists of newly appointed Station Commander Niagara, though she has yet to meet the infamous aliens herself. She’ll get her chance soon enough… Palmer brings her station and the larger universe to life through the POV’s of several station inhabitants, painting readers a vivid picture through casually dropped space lore, a melting pot of clashing cultures, and truly alien extraterrestrials who resemble sea cucumbers, birds, and overly curious pumas. Running jokes and excellent comedic timing provide an enthralling mix of slap stick and sitcom drama…

The moment after Lieutenant Balázs’ starship bridge is breached and most of its bridge crew incapacitated, “Hunches” by Kristine Kathryn Rusch begins. Reeling from the unexpected attack, Balázs soon realizes he is the only crew member left conscious on the bridge.. Rusch brings us an action-packed story of split-second decisions and willing sacrifice, of heroic acts performed in the absence of sufficient information but with the help of a little luck and a lot of perseverance…

Here’s all the details.

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Bran Mak Morn: Social Justice Warrior

Bran Mak Morn: Social Justice Warrior

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Worms of the Earth by Robert E. Howard (Ace Books, 1979). Cover by Sanjulian

“Worms of the Earth” was published in Weird Tales in November of 1932, and was thus described in the table of contents as “a grim shuddery tale of the days when Roman legions ruled in Britain–a powerful story of a gruesome horror from the bowels of the earth.” It features Bran Mak Morn, the King of the Picts, one of Howard’s barbarian characters. A quasi-Faustian tale, the story dramatizes Bran Mak Morn’s greatest transgression, a dark pact the king makes with diabolic force to avenge his dying and brutalized race: the Picts.

Many consider “Worms of the Earth” one of Howard’s masterpieces, truly haunting and enigmatic, its impact lingering long after a reading, like a stagnant tobacco smell or a leathery flapping of shadowy wings. The story is also notable for its inclusion of allusions to H.P. Lovecraft’s mythos, specifically the ancient Mesopotamian god “Dagon” and the sunken city of “R’lyeh,” home to dreaming Cthulhu. Undoubtedly, the story’s themes of racial degeneracy and the violent power of geologic time are steeped in Howard’s legendary 1930s correspondence with Lovecraft.

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Jump Back! Quatro-Decadal Review, Looking Ahead to November 1989

Jump Back! Quatro-Decadal Review, Looking Ahead to November 1989

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The Holy Trinity

With the 1969 and 1979 magazines behind me I prepare to delve into 1989.  A problem with the decadal review is that, well, it comes in decade intervals. I was 10 years old in 1979, but in 1989 I was a well-seasoned 20.  The answers?  I had them.   In the intervening decade I had gotten a car, a job, started taekwondo, finished high school, and was deep into college.

Unlike 10-year-old me, 20-year-old me had a full handle on SF/F in popular culture.  In fact, the 80s were a watershed decade for SF/F — the promise of green screen special effects and the progress of practical effects really come to fruition in the 80s. Television was more hit and miss, but the decade that started with The Phoenix, progressed through V and  Knight Rider and ended with Star Trek:  The Next Generation. What started with Adventure Atari 2600 ended with Wizardry and The Bard’s Tale. I discovered Dungeons and Dragons in 1982 and never looked back.  My awareness of SF/F books started with Asimov’s juveniles Lucky Starr through Andre Norton and C.J. Cherryh and into Tolkien, Joel Rosenberg’s Guardians of the Flame and the discovery of REH, Fritz Lieber, Richard and Wendy Pini (which ties into the first round of graphic novels into the public imagination). 

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Vintage Treasures: Fairyland by Paul J. McAuley

Vintage Treasures: Fairyland by Paul J. McAuley

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Fairyland by Paul J. McAuley. Cover by Bruce Jensen

Paul J. McAuley was one of our earliest contributors, with a book review column in the very first issue of Black Gate magazine. His writing career was taking off at the same time — his debut novel Four Hundred Billion Stars won the Philip K. Dick Award in 1988, and Kirkus Reviews raved about his 1995 novel Red Dust, calling it “An extraordinary saga… Superb.”

But his breakout book was Fairyland, an early nanotech novel set in a ruined Europe where bioengineered dolls are used as disposable slaves. It won both the Arthur C. Clarke Award and John W. Campbell Memorial Award for Best SF Novel, and was eventually reissued as part of Gollancz’s SF Masterworks series. In his SF Site review Matthew Cheney wrote:

Fairyland was first published in 1995; it dazzles still. Though some of the props of its future have been churned into clichés by many subsequent novels and movies, few of those props have gathered dust in the intervening years… even more remarkable is that, at least for its first two thirds, the novel succeeds as much on the strengths of its structure, characters, and themes as it does on its whizz-bangs and gosh-wows…

The basic plot is a simple thriller-quest: a man goes in search of a woman who bewitched him with something he considers love (though it might be the residual effect of being sprayed with nanobots)… Along the way, McAuley gives us a vision of EuroDisney that is as disturbing as the visions of its American counterparts in Stanley Elkin’s The Magic Kingdom and Carl Hiaasen’s Native Tongue. The chapters set here are among the most compelling and vivid in the book, a posthuman primordial ooze fueled by excesses of capital and biology in the ruins of a labyrinth built by corporate “Imagineers”….

It is a story propelled at its best moments by ideas, and yet it doesn’t neglect to present characters who are, more often than not, individual and unpredictable, and so it helps break down the supposed barriers between the novel of ideas and the novel of psychology in the same way that it breaks down the more intractable barriers between hard science fiction and high fantasy.

Fairyland was published in the UK by Gollancz in 1995, and reprinted in mass market paperback in the US by Avon in July 1997. The Avon paperback is 420 pages, priced at $5.99. The cover is by Bruce Jensen.

See all our recent Vintage Treasures here.

Rogue Blades Presents: The Search for Heroes Never Ends

Rogue Blades Presents: The Search for Heroes Never Ends

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The Howard House in Cross Plains, Texas.

Nearly three years ago I had the fun of spending a month driving across country in the U.S. with my girlfriend and her son. We started off in North Carolina, then made our way to Atlanta, through Alabama and down to New Orleans before heading further west to Houston and Austin before spending four days in Cross Plains, Texas, for Robert E. Howard Days 2018. From there we drove to Roswell, New Mexico, popped down to Tombstone, Arizona, for a few days and then went on our way to San Diego. From there we visited the Grand Canyon, spent some time in Las Vegas, and headed back through the beautiful state of Utah before spending a day in St. Louis. Then it was back through my home state of Kentucky and back to North Carolina through Tennessee.

In many ways this was a trip of a lifetime, and along the way I re-discovered a few things about myself. First of all, this trip brought back to me just how much I love book stores, especially used bookstores, antiquity bookstores, and regional bookstores that offer the unique. There’s nothing more I love than spending hours scouring through shelves upon shelves in hunt of the unknown. Often enough I had no particular books in mind on this trip, but allowed myself the joy of discovering books I had forgotten about or had not even known existed, or even books I had known about but were out of print and I had never expected to find one during my lifetime. The search was the thing, even if I wasn’t searching for anything in particular.

Secondly, this trip reminded me just how much I love heroes, for in many ways this trip was more than a vacation. It was a journey, an epic adventure to discover heroes, mostly heroes known to me, some heroes forgotten and recalled. Originally I didn’t set out on this trip to discover heroes, but the longer I was on the road, the more heroes I came across.

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