Blogging Alex Raymond’s Flash Gordon, Part Ten – “The Beast Men of Mongo”
“The Beast Men of Mongo” was the tenth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between April 25 and August 8, 1937, “The Beast Men of Mongo” picks up the storyline where the ninth installment, “The Tusk Men of Mongo” left off with Flash and Dale led by Captain Truno to Prince Barin’s kingdom. Truno explains that it is necessary for them to live in treetop homes because of the many dangers of the forest. They ride a vine-propelled elevator to an amazing network of highways that link the trees four hundred feet above ground to Prince Barin’s stunning snow-white castle.
Barin and Aura give Flash and Dale a royal welcome. Alex Raymond’s artwork is gorgeous in these panels. Aura still carries a torch for Flash and greets him with a passionate kiss that leaves Dale fuming. That night as Flash gazes out the window he spies an intruder entering Aura’s chamber via the balcony. Flash heroically swings down on a vine and surprises the intruder. The man surrenders Aura’s jewels and claims he was reduced to thieving because of his sickly wife. Flash takes pity on him and lets him go free. Aura emerges from her bed chamber and discovers Flash who returns her jewels and claims the thief escaped. Leaving Aura’s room, Flash is met by Dale who is suspicious when Flash claims he chased a thief away. The adult themes in this storyline (though tame by modern standards) were quite sophisticated for their day. Don Moore’s dialogue lets Raymond’s artwork tell the story for him. This was always true of their partnership, but the point is driven home even more when Raymond turns up the heat of sexual tension between Flash and Aura.
“There was a man, Magnus’s son,
William Hope Hodgson’s Carnacki outlived his creator with a tenacity that Hodgson, a bantam rooster of a man, would have appreciated. Thomas Carnacki, resident of 472 Cheyne Walk, London, first appeared in a series of five stories (“Gateway of the Monster”, “The House Among the Laurels”, “The Whistling Room”, “The Horse of the Invisible”, and “The Searcher of the End House”) in The Idler Magazine in the January through April, as well as June, issues of 1910. But despite Hodgson’s death in World War I, Carnacki carried on in a further four stories (“The Thing Invisible”, “The Hog”, “The Haunted Jarvee” and “The Find”) retrieved from Hodgson’s papers by his wife. 
The parade on the second planet continues in Lost on Venus. This is one of the most controversial works that Edgar Rice Burroughs ever published, although it surprises me that enough readers managed to get through the lackluster first book, Pirates of Venus, to want to pick up the sequel and be able to argue about it. But here it is, so get out your anti-tharban gear and be ready to test your genetic purity!
The show that so enthralled me is Fullmetal Alchemist: Brotherhood. The series is set in an alternate world in the 1900s, one very similar to our own, except that alchemy works. Those talented and diligent enough can transform matter from one state to another — fix a broken radio into one that works, or transform a metal bar into a sword. The story’s protagonists are a pair of young brothers of tremendous talent who used their powers to commit the ultimate alchemical taboo: they tried to bring their dead mother back to life. They paid a terrible price when the transmutation went horribly wrong, and spend much of the series trying to put things right.