Art of the Genre: Redheads hate clothes!

Art of the Genre: Redheads hate clothes!

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Nope... you're wrong, this is Jirel of Jory, but nice try.
Nope... you're wrong, this is Jirel of Jory, but nice try.

I walked into work today, a holiday themed hot chocolate in my hand and was greeted by Kandi as usual, although her normally blonde locks were now blazing red. Granted it was eye-catching, perhaps even stunning, but as I looked at her from my office I couldn’t help but wonder what the obsession was with redheads… especially in fiction.

I picked up my phone, buzzed Ryan next door and hear the distinctive Black Hole Soundtrack ringer.

“Hello?” says Ryan.

“Hey,” I reply. “Did you see Kandi?”

“Yeah, why?”

“What did you think?” I asked.

“I thought she was channeling some Christina Hendricks,” he answered.

Exactly! Kandi turned from Barbie to Firefly’s Saffron in the course of a night, but she still had something going for her that the bulk of fantasy redheads don’t… clothing.

You see, redheads don’t like clothes… At least that’s what I was brought up to believe. I’m really not sure why this is considering that in my forty years on this planet every single redhead I’ve known was intelligently required to wear clothes because their freckled skin would burn a nice shade of crimson in less than five minutes if exposed to the sun.

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Harryhausen’s Mysterious Island on Blu-ray

Harryhausen’s Mysterious Island on Blu-ray

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mysterious-island-title-cardMysterious Island (1961)

Directed by Cy Enfield. Starring Michael Craig, Herbert Lom, Joan Greenwood, Michael Callan, Gary Merrill, Percy Herbert, Dan Jackson, Beth Rogan.

I have no qualms admitting that I enjoyed the 2007 Walden Media adaptation of Journey to the Center of the Earth. It surprised me how much of Verne’s novel made it onto the screen in a contemporary setting. However, the prospect of a sequel, riffing slightly (at least from what I can detect from the first trailer) on Verne’s 1874 classic The Mysterious Island, does nothing for me other than as a reminder to read that recent translation of the novel from the Modern Library that has stared at me from my “to read” stack for over a year. The new film is called Journey 2: Mysterious Island, which explains exactly what the filmmakers intend: the same thing as the last film. Maybe some younger viewers will go find the book after watching the movie, although the novel is less child-appealing than some of Verne’s other works, such as Twenty Thousand Leagues under the Sea, which children should read first anyway because Mysterious Island is a sequel to it. Will Captain Nemo show up in the new film? Who cares.

However, the marketing for Journey 2 coincides with the Blu-ray release of an earlier adaptation, the Ray Harryhausen-Charles H. Schneer Mysterious Island released in 1961. A number of Harryhausen’s classics have reached Blu-ray already, but Mysterious Island makes its high definition debut in a limited edition from a small direct distributor, Twilight Time, that specializes in film soundtrack albums. This concerns me for the release of other of Harryhausen titles. Mysterious Island is a Columbia film, and Sony Home Video released The 7th Voyage of Sinbad and Jason and the Argonauts on Blu-ray. Apparently, they preferred to farm out Mysterious Island to an independent—and on the film’s fiftieth anniversary! I may never have learned about the Mysterious Island Blu-ray if I wasn’t a soundtrack collector on mailing lists for small labels. (If you want to buy the Mysterious Island Blu-ray, go here. It’s limited to 3,000 unit, and I have no idea how fast they will sell.) …

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The Enjoyment of Fantasy: Open Letters to Adam Gopnik, Mur Lafferty, and John C. Wright

The Enjoyment of Fantasy: Open Letters to Adam Gopnik, Mur Lafferty, and John C. Wright

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The New Yorker, December 5I’ve been a bit under the weather the past couple of weeks, which has been annoying for a number of reasons. For one thing, I was unable to get my thoughts in enough order to respond adequately to three pieces of writing I came across several days ago. Each piece on its own seemed to pose interesting questions, and collectively they raised what seemed to me to be related issues about how one reads, and why; and how and why one reads fantasy in particular.

Well, my head’s cleared a bit over the past little while, and, however delayed, I’ve been able to frame responses (however wordy and inadequate) to the articles I had in mind. I present them here as open letters to the writers of the various pieces: Adam Gopnik, Mur Lafferty, and John C. Wright.

I: To Adam Gopnik

Dear Mr. Gopnik,

I read your recent article in The New Yorker, “The Dragon’s Egg,” with some interest. I haven’t read Christopher Paolini’s work; my interest is less in Young-Adult literature than in fantasy fiction. From that perspective I found your piece intriguing for what was left unsaid, or what you chose not to investigate. Specifically, I thought there were two major lacunae in the thinking underlying your approach to fantasy.

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Steampunk Spotlight: Victoriana RPG update

Steampunk Spotlight: Victoriana RPG update

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jewelempireA couple of weeks ago, I began my exploration of steampunk – one of the most popular subgenres in speculative fiction today – with a review of the upcoming board game Kings of Air and Steam, currently being funded through Kickstarter. (There’s still about another day before the deadline to pre-order a copy at a huge discount.)

Kings of Air and Steam focused on the more mundane aspects of the steampunk setting – shipping merchandise by airship and railroad. There’s certainly a lot more to steampunk than that and one game which embraces the more fantastic end of the spectrum is Victoriana RPG.

What is Victoriana?

Picture a traditional fantasy adventure setting, such as those made popular by Tolkien and Dungeons & Dragons, complete with elves, dwarves, sorcerers, undead, monsters, and so on. Now advance that world about 500 years, from the classic Middle Ages setting into the Victorian era. That is, essentially, the basis of Victoriana.

I favorably reviewed the Victoriana core rulebook and several supplement books in Black Gate #15 (now also available in Amazon Kindle format), but they’ve come out with three new sourcebooks since then. How do these new supplements stack up? If you really want to explore the world of Victoriana, these are definitely what you’ve been waiting for, although you will need at least the core rulebook to get started.

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Game Review: Castle Ravenloft

Game Review: Castle Ravenloft

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61sthemncpl_sl500_aa300_I recently received a copy of Castle Ravenloft and I wanted to take a moment this Saturday to talk about it. Not that I’m looking to pitch or anything, but I’ve had the chance to play several of the ‘big box’ games rolling off the presses this year and it’s been kind of fun to compare what I’m seeing with each.

To me, Castle Ravenloft is a bastion from my youth, a place where I went only because I was dragged there by my DM, Mark, as a particularly creepy and nasty torture for my Dungeons and Dragons characters.

When I had the chance to crack the seal on this newest piece of the Ravenloft legend I was immediately taken back to my youth while also being brought forward in time to the newest incarnation of D&D thought up by the creative minds of Wizards of the Coast.

First off, know that this is a HUGE box, and as I started pulling stuff out of it I kept getting flashbacks to GenCon 2011 when I was trying to put together a physical copy of King Snurre Ironbelly’s throne room for the climax of my current Against the Giants Campaign. As I walked that huge conference hall in Indianapolis I was amazed at the cost of creating a dungeon and the denizens that populate it. I mean, I could have spent my entire budget trying to do it, and yet this box held four times the quantity of stuff I would have needed to run a successful dungeon.

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Clarkesworld Issue #63

Clarkesworld Issue #63

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cw_63_300The December issue of Clarkesworld is currently online. Featured fiction: “Sirius” by Ben Peek, “In Which Faster-Than-Light Travel Solves All Our Problems” by Chris Stabback and the conclusion of Catherynne M. Valente’s “Silently and Very Fast.” Non fiction by Brenta Blevins, Jeremy L.C. Jones and Neil Clarke.  The cover art is by Folko Stresse.

All of this is available online for free; there’s even an audio podcast version of “Sirius” read by Kate Baker. However, nothing is really free. The magazine is supported by “Clarkesworld Citizens” who donate $10 or more.

We last covered Clarkesworld with issue #62.

R.I.P. Euan Harvey

R.I.P. Euan Harvey

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euan-harveyIn the decade or so I’ve been editing Black Gate magazine, I’ve been blessed to cross paths with a wide variety of talented writers, artists, and creators.

One of the most talented was Euan Harvey, a terrific short story writer whose career was just beginning to take off. His work appeared in Realms of Fantasy, Aoife’s Kiss, and Heroic Fantasy Quarterly. I bought a story from Euan, “Kamaratunga’s Masterpiece,” and it is scheduled to appear next year in Black Gate.

In August 2009 Euan was diagnosed with metastatic cancer. He lived and taught in South East Asia for thirteen years, but that year he returned to the United Kingdom, where he lived just outside London with his wife and family.

Today his family posted the following announcement on his Facebook page:

To all of Euan’s friends who have been reading this. I am sorry to tell you all that his melanoma grew so fast that on Tuesday his state deteriorated and we were warned he might not have long. His brother and sister, cousin and parents were… all with him yesterday, and last night Alex and Fon stayed with him. He could hear but not talk. At 5.45 this morning [Friday 9th] his breathing changed, and he died very peacefully.

BG Managing Editor Howard Andrew Jones, who discovered and first introduced me to Euan while he was editing Flashing Swords magazine, said this about him:

Euan Harvey was a fine man and father, and an excellent writer. He gave me great novel feedback, and I have enjoyed his stories for years. I was proud to call him friend. I am stunned and saddened by this news.

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Blogging Sax Rohmer’s The Hand of Fu Manchu, Part Five – “The Zagazig Cryptogram”

Blogging Sax Rohmer’s The Hand of Fu Manchu, Part Five – “The Zagazig Cryptogram”

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hand-titan1return-titan1“The Zagazig Cryptogram” was the fifth installment of Sax Rohmer’s The Si-Fan Mysteries. The story was first published in Collier’s on January 26, 1917 (two months after the fourth installment) and was later expanded to comprise Chapters 19 – 21 of the third Fu-Manchu novel, The Si-Fan Mysteries first published in 1917 by Cassell in the UK and by McBride & Nast in the US under the variant title, The Hand of Fu Manchu. The US book title marks the first time that the hyphen was dropped from the character’s name, although it was retained within the text.

“The Zagazig Cryptogram” picks up two weeks after the last installment with Nayland Smith and Dr. Petrie joining Inspector Weymouth at the River Depot police station to examine a corpse. A Burmese dacoit has been fished out of the Thames along the wharf where the Joy Shop sits. The coroner’s report reveals that the man was strangled rather than drowned as initially suspected. Smith spies in the Times’ personal column a mysterious message has been posted consisting of nothing more than the word Zagazig written seven times in a row. While Petrie dismisses it as nonsense, Smith points out that Zagazig is a town in Lower Egypt. He is convinced that the mysterious code and the murdered dacoit are somehow connected to the Si-Fan.

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Enjoying the Unique Character of Karl Edward Wagner’s Dark Crusade

Enjoying the Unique Character of Karl Edward Wagner’s Dark Crusade

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dark-crusade-wagnerWhy has swords and sorcery languished while epic fantasy enjoys a wide readership? In an age of diminished attention spans and the proliferation of Twitter and video games, it’s hard to explain why ponderous five and seven and 12 book series dominate fantasy fiction while lean and mean swords and sorcery short stories and novels struggle to find markets (Black Gate and a few other outlets excepted).

During a recent reading of the late Karl Edward Wagner’s Dark Crusade (1976) a potential answer coalesced: Many readers want and expect deep characterization in their fiction, and it’s simply not a particularly strong suit of the swords and sorcery genre (or at least of classic swords and sorcery, circa 1930 through the early 1980s). Wagner is one of a handful of classic swords and sorcery authors to whom history has not been particularly kind*. His dark, God-accursed hero-villain Kane deserves a place alongside Conan or Fafhrd and the Gray Mouser in the roll of great genre heroes, but is sadly left off many “best of” swords and sorcery lists. Relegated to the status of cult figure, Kane is the darling of heroic fantasy connoisseurs but unread of by many casual genre fans, and unheard of by most of the larger fantasy fan base.

Kane and many of his swords and sorcery ilk are not what most modern readers would consider fully realized characters. You just don’t get anything close to the same level of introspection and cradle to the grave development of Kane in Dark Crusade as you do of, say, Kvothe in Patrick Rothfuss’ The Name of the Wind.

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Goth Chick News: The Best Book to Not Read on a Plane

Goth Chick News: The Best Book to Not Read on a Plane

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image0021Until recently, reading on a plane was one of my personal joys.

As an electronics geek (admitting it is the first step) it is a rare thing indeed for me to find myself in an environment where connectivity isn’t possible.  Okay, I know that some flights are now offering Internet in the sky, but I prefer to ignore this for the time being in the name of preserving the one place where I can guiltlessly escape email, IM and my cell phone.  And though it is still possible to “work” while disconnected, I generally ignore this as well and relish the opportunity to sink uninterrupted into a novel.

And this was precisely what I did on a recent getaway to my favorite US destination; New Orleans.  I boarded the American Airlines jet and settled back in my window seat with Chris Bohjalian’s fourteenth novel, The Night Strangers.

Things went all wrong shortly thereafter.

We had only just pushed back from the gate when the plane came to a rather abrupt halt and the engines shut down.  The pilot’s voice sounded a tad embarrassed when he explained our aircraft had just experienced an “electrical abnormality” and mechanics were being called to look into the issue before we would be cleared to take off.

Now, as someone who has clocked countless hours on airplanes, this “electrical abnormality” didn’t concern me all that much.  I imagined that some unexpected red light was blinking away in the flight deck that probably wouldn’t have meant much if it had occurred aloft, but as it had started up while we were still on the runway, the crew was obligated to halt our journey and have it looked at.

I went back to The Night Strangers.

In case you’re not familiar (I certainly wasn’t prior to picking up his latest book), Chris Bohjalian is a New York Times bestselling author, and his latest outing The Night Strangers is a ghost story inspired by both a door in his basement and Sully Sullenberger’s successful ditching of an Airbus in the Hudson River.

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