Black Gate – Page 1090 – Adventures in Fantasy Literature

The Top 50 Black Gate Posts in December

Wednesday, January 30, 2013 John ONeill Comments 1 comment

December was the most active month the BG blog has ever seen, breaking every traffic record in our history. It’s good to have you folks hanging out with us, instead of risking your neck skiing or snowboarding or something. Exercise kills, and it especially has it in for long-time readers with weak vision and poor motor skills.

If you’re just joining us, you missed some great stuff last month. Theo took on the entire SF & fantasy establishment, Rich Horton proved there’s still life in old SF magazines, and tantalizing glimpses of the upcoming Star Trek Into Darkness triggered some animated speculation on just who that sinister guy blowin’ up Federation stuff is. I compiled a Black Gate Christmas Gift List, Ryan Harvey continued his enormously popular series on Edgar Rice Burrough’s Mars books, and Howard Andrew Jones offered up a generous preview of his new novel The Bones of the Old Ones.

That’s just a sample — here’s the complete list of the Top 50 articles from last month.

Poetry in Action: The Return of the Mucker by Edgar Rice Burroughs

Tuesday, January 29, 2013 Ryan Harvey Comments 2 comments

This upfront: The Return of the Mucker is less effective a novel than last week’s topic, The Mucker. The strange genre-mashings of the first book give way to the more familiar settings of the American southwest and northern Mexico. The Return of the Mucker plays as an outright Western for most of its length, and offers nothing as lunatic as samurai cannibals. As a story, it doesn’t hold together as well as The Mucker, getting weighed down with too much plot “business” while the first book stripped away extraneous aspects the farther the story advanced until it came down to only the hero and heroine, Billy Byrne and Barbara Harding.

Yet The Return of the Mucker is still a strong work that glosses over its shaky plot elements with a breakneck action finale, fitting developments of Billy Byrne’s personality that merge together his extremes, and one of Burroughs’s most intriguing characters: a hobo-poet hero named Bridge.

Burroughs’s working title for The Mucker’s sequel was Out There Somewhere, the name of a poem that inspired the character of Bridge. (More about that later.) Burroughs submitted the novel to All Story in March 1916, soon after completing it. Editor Thomas Newell Metcalf purchased the story immediately, and the first of five installments appeared two months later under its more marketable title. The Return of the Mucker was published in hardcover in 1921 from A. C. McClurg as Part II of a volume simply called The Mucker.

When the story begins, Billy Byrne is no longer “the mucker.” ERB makes that clear as a cloudless blue sky in the second paragraph: “Billy Byrne was no longer the mucker.” Barbara Harding cured Byrne of his criminal life and coarse ways: everything that defines the now outdated slang term “mucker.” But Billy Byrne surrendered his love for Barbara so she could marry William Mallory at the conclusion of the first book, and he’s now a man without direction — or a complete personality. If he isn’t the mucker, and he’s not with the woman who changed him, what is he? …

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Katherine Blake (or Dorothy Heydt) and The Interior Life

Tuesday, January 29, 2013 Matthew David Surridge Comments 0 Comment

I’ve mentioned a few times before that I have a fascination with 80s fantasy, and suspect a number of now-overlooked genre books from those years are worth closer examination. I want to put forward another example of what I mean: The Interior Life, written by Dorothy Heydt under the name Katherine Blake. Published in 1990, it’s a novel that does interesting things in mixing a fantasy world with the experiences of a modern-day housewife.

The book starts with Sue, whose three kids have just started the school year. Sue’s doing some daily chores and remembers how she told herself fairy tales when she was a child, creating and inhabiting fictional characters: “all the people I used to be.” After which, she starts seeing the lives of people in the quasi-medieval world of Demoura. More precisely, she sees things from the perspective of Lady Amalia, a noblewoman with magical gifts, Marianella, her maid, and occasionally others such as Kieran, an innkeeper’s son who joins Amalia’s service. Demoura’s menaced by a Darkness creeping westward across the land, blighting all in its path; the characters of the Demouran story live a fairly conventional high fantasy tale of an evil wounding the land, of the struggle to overthrow the dark and bring healing. But those characters also, as the story goes on, provide inspiration for Sue.

You could in theory read the book as moving back and forth between two separate worlds. Heydt, in the comments to this perceptive review of the book by Jo Walton, has said that she thinks of the fantasy aspects as entirely Sue’s creation; in fact, without being explicit, a number of things about the set-up imply this. It’s subtly done. Notably, the life-and-death drama of the fantasy becomes the venue for Sue’s development as a person. She wants nothing more than to tend her family — raise her kids and cook and keep house and help her husband advance in his career. However old-fashioned this sounds, the novel makes it clear she’s happy with this life, and the point of the book is not that she finds new goals, but that she becomes better at what she does and happier in the course of doing so. Two or three interesting points come out of this. First, the blending of the ‘real’ and ‘fantasy’ worlds is worth considering, well-done and unusual. Second, the book points out a generic similarity in fantasy stories about a protagonist developing skills and learning to master their world. Three, and this is perhaps more marked from a twenty-first century perspective than a 1990 perspective, it raises some interesting questions about what is contemporary and what is archaic. Sue’s life and aspirations feel dated in ways that the fantasy of Demoura does not.

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Tangent Online on Gregory Bierly’s “A Princess of Jadh”

Tuesday, January 29, 2013 John ONeill Comments 0 Comment

Cyd Athens at Tangent Online reviews Gregory Bierly’s swords & sorcery novelette, “A Princess of Jadh,” published here on Sunday, January 20:

So often in medieval tales, when a mother dies in childbirth, it is in the process of giving birth to an important, and sometimes only, son. In this dark fantasy, “A Princess of Jadh,” Gregory Bierly strays from that path by giving us a daughter of emperor Thaphsis Amryth X, the youngest of five. Naome is the first red-head born in the empire in a thousand years. In that, and many other ways, she is quite different from her sisters.

At the age of twenty, Naome undergoes the ritual of being presented to her people’s gods – gods in whom she steadfastly does not believe. Though she has a vision during the ritual, and a sensation of being painted, afterward she believes that she has not been changed in any way. It takes little to persuade her otherwise. On her belly, an incomplete but corrupted rune of power now resides. And both the power that began the rune and the one that perverted it are interested in Naome…

“A Princess of Jadh” is a 13,000-word novelette offered at no cost. Read the complete story here, and Cyd’s review at Tangent Online here.

Greg Bierly is a climatologist, professor of geography and director of the honors program at Indiana State University. This is his first fiction sale.

The complete catalog of Black Gate Online Fiction, including stories by E.E. Knight, Jason E. Thummel, Mark Rigney, C.S.E. Cooney, Judith Berman, Howard Andrew Jones, Dave Gross, Harry Connolly, and others, is here.

Red Sonja 8

Tuesday, January 29, 2013 MichaelPenkas Comments 0 Comment

When we last left Red Sonja, she was about to be hung for killing some guy twenty issues ago. Last month, Oryx, a mammoth-riding bully, decided to turn her in to the victim’s family for a reward. Apparently, he opted for the dead option in dead or alive.

This issues begins with Sonja managing a few more insults and even a good kick before she’s cut free of the noose by Suumaro, Oryx’s brother and local outcast.

His motive? Why, he wants to make Red Sonja his wife, of course. Poor Suumaro.

So after a rooftop fight with a couple of thugs, Sonja and Suumaro (oh, both their names start with S – they could use the same monogrammed towels) are out of the fort and into the surrounding hills, where they find his military camp. It seems that Summaro wasn’t the only one cast out of the fort. He apparently sneaks back in every now and again to gather intelligence against the day when his army takes it back. And after watching Red Sonja fight, he invites her to join his army.

Thing is, Red Sonja’s been around the block a few times. She knows how this thing goes. And she’s met her share of guys claiming to be impressed by her prowess in battle, when in fact they’re just trying to get her out of her chain mail. She asks Suumaro point-blank if he’s got a wife and his answer is, “I’ve got several … but that is of little consequence to me at this moment.”

Red flag. Two red flags, actually. Red flag one? He’s got multiple wives. Sonja’s just escaped the noose for murdering one polygamist and this could be a terrible trend. Red flag two? His wives are of little consequence to him.

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New Treasures: The Last Policeman, by Ben H. Winters

Monday, January 28, 2013 John ONeill Comments 10 comments

I enjoy genre mash-ups. When done right, they highlight the strengths of both genres, and that’s a hard thing to pull off. Think horror-comedies like Ghostbusters or Zombieland, or science fiction mysteries like Asimov’s I, Robot stories. Or zombie westerns like the Bloodlands novels, or Dead Reckoning.

Not every mash-up succeeds, of course. (Did anyone see Seeking A Friend For the End of the World, Steve Carell’s romantic comedy cum apocalypse movie from 2012? No? That’s what I thought.)

But sometimes a mash-up is so brilliant I have to buy it immediately That’s what happened with The Last Policeman, a police procedural set in Earth’s last days.

What’s the point in solving murders if we’re all going to die soon, anyway?

Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact.

The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job — but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week — except this one feels suspicious, and Palace is the only cop who cares.

The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?

Now there’s an original use for an apocalyptic setting. Give me a impending extinction-level event and a relentless investigator too stubborn to give up, and you have my attention. I bought this book after reading the first two paragraphs of the plot summary, and for a jaded book purchaser like me, that’s saying something.

Ben H. Winters is a New York Times best-selling author and an Edgar Award nominee. His last novel was Bedbugs. The Last Policeman was published by Quirk Books in trade paperback July 2012. It is 316 pages and priced at $14.95 ($14.95 for the digital edition).

Nathan Shumate Looks at Lousy Book Covers

Monday, January 28, 2013 John ONeill Comments 10 comments

It’s a lot easier to publish a book than it used to be.

So easy in fact that people are doing it themselves. They’re doing away with traditional print and distribution, all the hassle of finding an agent, publishing contracts, and 20th Century promotional models entirely.

Unfortunately, in the process many of them are also getting rid of things they probably shouldn’t. Things like book design, and cover art. And marketing.

Or even proof-reading. I mean, who needs that, right?

Sadly, the result is that some good books are getting buried under terrible cover art, or painfully sub-standard art design. Nathan Shumate has made it his mission to showcase daily examples at his blog, Lousy Book Covers. Today’s poster child, Dixon Heurass’s Goat Suckin’, is sub-titled “Hotter Than It Sounds” (as Nathan dryly observes, “It would have to be, wouldn’t it?”)

Check out the many additional examples at Nathan’s blog to see just how many different ways there are to screw up cover art, or totally obscure passable art with poor title placement and font color.

We last discussed Nathan Shumate on the publication of his delightful experiment in communal self-publishing, Space Eldritch (which has a thoroughly excellent cover, incidentally).

Harry Connolly: “Let Me Tell You About My Ambitions, and Why They Don’t Include Kickstarter”

Monday, January 28, 2013 John ONeill Comments 4 comments

We’ve had some excellent discussions here about cloud funding, starting with Scott Taylor’s “The Pillaging of Kickstarter” last March. There’s no question that cloud funding sites like Kickstarter are here to stay, but the question remains: how much do they really help writers?

Harry Connolly has written a thoughtful and insightful piece on his blog from the point of view of a successful author and self-published writer, titled “Let me tell you about my ambitions, and why they don’t include Kickstarter (right now).” Here’s a quote:

Along with the release of the sales numbers of my self-published novel has come a flood of requests that I turn to Kickstarter to fund The Twisted Path… Currently, I have no plans to do that, and I’m writing this post because I want to explain my reasoning…

I want to be a best-selling author… It’s not about making a whole bunch of money, it’s about having my books in the hands of lots of readers from all over the world.

Several people have suggested that I could get new readers with a Kickstarter campaign, but I don’t consider that realistic. Take a look at these guys: their campaign has been fantastically successful. At the time I write this, they’re over 11,000% of their goal. However, they have fewer than 8,500 backers.

That’s huge for a Kickstarter but Circle of Enemies sold more copies than that and it’s considered a failure.

Harry Connolly’s first publication “The Whoremaster of Pald” appeared in Black Gate 3; his Twenty Palaces novels include Child of Fire, Game of Cages, and Circle of Enemies, all published in paperback by Del Rey, and the self-published Twenty Palaces.

You can read the complete blog post here.

Black Gate Online Fiction: “The Gunnerman” by Jason E. Thummel

Sunday, January 27, 2013 John ONeill Comments 7 comments

An action-packed tale of a battle at sea, a desperate swordfight on wind-swept decks, and dark sorcery hidden in the depths of a strange vessel.

“Starboard,” shouted the chief, “run ‘em out!”

The gun port was thrown open and the towmen sent the cannon’s barrel through the open port. Clap gazed down the barrel and could see the hull of the other vessel just out of range riding high and asking for it. It was a ship of similar size, two decks above the waterline, each with ten ports open and guns run out even as he watched. She was flying unfamiliar colors and her paint seemed of foreign design. The trigger rope itched in his hand, begging him for release.

“As she bears and on the roll, boys,” came the command. Clap took one last aim, hoping for the mainmast, stepped aside and pulled.

Jason’s first story for us was “The Duelist,” published as part of our Black Gate Online Fiction line on September 30th, 2012. His work has also appeared in Flashing Swords magazine, Rage of the Behemoth, Magic and Mechanica, and other venues. Some of his sword & sorcery and heroic fantasy is collected in In Savage Lands and The Harsh Suns, and the first two novels chronicling the supernatural adventures of occult detective Lance Chambers, The Spear of Destiny and Cult of Death, are now available.

The complete catalog of Black Gate Online Fiction, including stories by E.E. Knight, Gregory Bierly, Mark Rigney, C.S.E. Cooney, Judith Berman, Howard Andrew Jones, Dave Gross, Harry Connolly, and others, is here.

“The Gunnerman” is a complete 5,000-word sword & sorcery tale offered at no cost.

Read the complete story here.

The Weird of Oz gabs about Antiheroes

Sunday, January 27, 2013 Nick Ozment Comments 11 comments

Antihero. A problematic term to begin with, its overuse has further watered it down. Anti- typically means to be in opposition or even to be the opposite; the antithesis of a position is the oppositional position.

So, technically, one might interpret anti-hero to mean a villain. This is rarely, if ever, how the term is used; so what do we mean by an antihero?

Off the top of my head, without resorting to any dictionary definition, this is how I tend to picture an antihero: A person not serving any particular ideal or higher purpose, but generally self-serving, who, while going about his (or her) business in pursuit of fortune, power, pleasure, or whatever turns his crank, is suddenly confronted by a moral choice. And at that moment, not for any dogmatic or religious reasons, any creeds or codes, but simply because of some niggling inner compass — his conscience — he makes the choice that is least likely to offer personal gain, that involves self-sacrifice, that may in fact be fatal. He makes a heroic choice, the choice that allows us to continue to root for him as the hero-protagonist.

Think of the fallen samurai in The Seven Samurai or the lawless gunslingers in The Magnificent Seven. In both cases, when they learn that the threatened peasant village cannot really afford to pay them and that they are outnumbered five to one, they nevertheless decide to make a stand to protect the afflicted. No promise of financial reward and a very high probability of death — an option that the histories of these men would not suggest they would choose. They are neither knights nor saints. Yet they become heroes and, in some cases, martyrs. All appearances to the contrary, deep down they prove to be — when it really counts — good men. Or in that moment they become good men.

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