Battle in the Dawn: The Complete Hok the Mighty by Manly Wade Wellman

Battle in the Dawn: The Complete Hok the Mighty by Manly Wade Wellman

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oie_1743857GRCQJimHHistorical adventure fiction is one of the primary roots of swords & sorcery. From it you get the same fast-paced adventure in exotic settings.

Some writers of S&S, Robert E. Howard and Sprague de Camp for example, wrote historical adventure fiction alongside their more fantastic stories. Often the tales involve battling Crusaders and Saracens, high seas Viking adventures, swashbuckling freebooters, or Roman centurions fighting Teutonic hordes. Sometimes, though, they star cavemen.

Manly Wade Wellman spent his childhood in a primitive village in Portuguese West Africa. Till he died Wellman spoke of a young boy forced to kill a leopard in order to protect cattle. Other boys had been less lucky and had fallen prey to leopards. His time and experience in Angola was perhaps the greatest influence on his life, but most certainly on his prehistoric stories.

In 1939, after a decade of writing pulp science fiction with titles like “The Disc-Men of Jupiter” and “Outlaws on Callisto,” Manly Wade Wellman introduced his Cro-Magnon hero, Hok the Mighty, in the novelette “Battle in the Dawn.” Four stories followed before he retired the character. While there’s a strong anthropological component to the Hok stories, with footnotes explaining then-current thoughts on the discoveries made by early man, these five tales get progressively more fantastic.

In 2010 Paizo collected all the Hok stories, along with several fragments and the cavenmen vs. Martians mini-epic “The Day of the Conquerors,” in Battle in the Dawn: The Complete Hok the Mighty for their Planet Stories line.

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New Treasures: Assassin’s Dawn: The Complete Hoorka Trilogy, by Stephen Leigh

New Treasures: Assassin’s Dawn: The Complete Hoorka Trilogy, by Stephen Leigh

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Slow Fall to Dawn-small Dance of the Hag-small A Quiet of Stone-small Untitled-3

[Click on any of the images above for bigger versions.]

Paperback publishing has come a long way since the early 80s. Improved binding and glues have made producing thicker books much more economical. Or something, I dunno. But we’re definitely living in the golden age of the omnibus, when publishers are cramming shelves with big, fat paperbacks collecting forgotten fantasy and SF series from prior decades, all for about the same price as every other dopey paperback.

Is that a great deal, or what?  I certainly thought so on Saturday, when I found a handsome volume collecting all three novels in Stephen Leigh’s long out-of-print science fantasy Hoorka Trilogy on the shelves at Barnes & Noble. Assassin’s Dawn includes Slow Fall to Dawn (1981), Dance of the Hag (1983), and A Quiet of Stone (1984). The Hoorka are a guild of assassins with a strict code: any victim that can survive until dawn may go free, unmolested. But the consequences of this law can be harsh, especially when the client has no such scruples, as their leader Gyll discovers as he tries to take his guild offworld, into the newly thriving Alliance, a star-spanning organization attempting to put together the pieces of a once-great empire.

Stephen Leigh is also the author of The Crystal Memory, Dark Water’s Embrace, Dinosaur Planet, Speaking Stones, The Bones of God, and The Abraxas Marvel Circus. His publisher DAW has been something of a pioneer in the fantasy omnibus biz, with a nice assortment from Terry A. Adams, Tanya Huff, Marion Zimmer Bradley, C. J Cherryh, Jennifer Roberson, S. Andrew Swann, Peter Morwood, and many others.

Assassin’s Dawn was published May 2013 by DAW. It is 610 fat pages, priced at $8.99 for both the paperback and digital versions.

Amazing Science Fiction, December 1959: A Retro-Review

Amazing Science Fiction, December 1959: A Retro-Review

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Amazing Science Fiction December 1959-smallHere’s an issue from very early in Cele Goldsmith’s tenure (and very early in my life, I might add – this issue presumably appeared about a month after I did). It was in fact the first issue of Goldsmith’s second year at the helm.

The cover is by Leo Summers, illustrating (not too accurately) Alan Nourse’s novel Star Surgeon, which appears complete in this issue. Above the magazine title is the title of another story, “Knights of the Dark Tower,” without mention of the author, as was Amazing’s curious habit. Interior illustrations are by Summers, Virgil Finlay, and Mel Varga (with one uncredited).

The editorial, by Norman Lobsenz, celebrates Walter X. Osborn, a man living in the Philippines who was then 85 and had been reading Amazing since its beginning. Osborn’s favorite story? Possibly “The Green Man Returns,” by Harold M. Sherman from December 1947. His least favorite? The Shaver mysteries.

S. E. Cotts’ book review column, The Spectroscope, is extremely short. The one novel covered is Seed of Light, by Edmund Cooper, which Cotts criticizes for being too ambitious. But high praise goes to two anthologies, The World That Couldn’t Be, edited by H. L. Gold, and Mary Kornbluth’s Science Fiction Showcase, which she put together with Fred Pohl’s help (Pohl insists she picked the stories, though – he just helped clear the rights) after Cyril Kornbluth’s death.

The letter column features Bob Anderson, John Hitt, Ray Hahn, Jacqueline Brice, James S. Veldman, Paul Matthews, and Bobby Gene Warner (no names familiar to me, though Warner, as I recall, showed up in another Amazing lettercol from this period). No real controversies. Lots of Praise for Murray Leinster’s “Long Ago, Far Away”.

There is one “Complete Novel”, and 6 short stories, one of them a very brief vignette.

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Blogging Arak Son of Thunder 11: Valda Dances Right Out of Her Armor

Blogging Arak Son of Thunder 11: Valda Dances Right Out of Her Armor

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Arak_Vol_1_11As I mentioned before, Arak Son of Thunder issue 11 (July 1982) was the first Arak comic I ever bought from a newsstand (or, more likely, off one of those revolving racks loaded with comics that convenience stores used to have). To my surprise, though, checking the publication date, I now realize that I have been incorrect about a particular autobiographical detail. I have usually characterized myself as having been ten or eleven years old when I was reading these comics. However, I didn’t turn ten until July 1982, and since the dating on comics and other periodicals is usually a month or two ahead of the actual date, I was only nine when I first read this one.

If you remember last week’s post, you’ll see that it makes a bit more sense, given my age at the time, that I found some of the illustrations (reproduced later in this post after the “Read More” jump-break) so shocking. But that’s a topic I covered last week (if you missed it, you can read it here). Today, I want to dive right in to summarizing the issue that made me an Arak fan.

This one is hands-down the best issue to date. The illustrations by Ernie Colón and Alfredo Alcala have never looked better; the plot points Roy Thomas has been setting up over the preceding year start to come together to create deepening mystery, suspense, and action against an epic, ever-expanding mythical background. Especially action. The plot is forwarded with new revelations (and new questions) while delivering nearly non-stop action from first page to last.

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The Crawling Horrors of Mars: Clark Ashton Smith’s “The Vaults of Yoh-Vombis”

The Crawling Horrors of Mars: Clark Ashton Smith’s “The Vaults of Yoh-Vombis”

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Xiccarph-smallI have a confession to make. I’ve read almost nothing by Clark Ashton Smith.

I know. I suck. CAS was one of the most important fantasy writers of the pulp era. Alongside H.P. Lovecraft and Robert E. Howard, he established Weird Tales as the most important and influential fantasy magazine of the early 20th Century.

It’s not like I haven’t had plenty of folks on the BG staff trying to steer me right. Ryan Harvey’s epic four-part examination of The Fantasy Cycles of Clark Ashton Smith, starting with The Averoigne Chronicles way back in 2007, was a terrific bit of scholarship, and I was proud to publish it. More recently, John R. Fultz offered a detailed study of Smith’s poem “The Hashish Eater,” and Matthew David Surridge joined the discussion with his 2012 article “A Few Words on Clark Ashton Smith.” Just a few examples.

I blame Isaac Asimov for my early ignorance. Asimov strongly disliked Smith’s ornate style, famously relating the tale of the first CAS story he tried to read, in which he encountered the word “veritas,” which Smith used instead of “truth.” Yes, Asimov noted, veritas does mean truth, but he couldn’t fathom why anyone would use it instead of simply using “truth.” He put the story down and never tried Smith again.

Asimov introduced me to most of my early pulp heroes, in books like Before the Golden Age, The Hugo Winners, and The Early Asimov. His prejudice must have stuck with me, since I read almost nothing by Clark Ashton Smith for my first few decades as an SF reader.

Fortunately, this genre gives you lots of chances. Back in September I purchased a marvelous collection of 28 vintage paperbacks. One of the prizes in the lot was Xiccarph, part of Lin Carter’s highly collectible Ballantine Adult Fantasy library. Before putting it away I decided to dip into it. Here’s what I found on page two of Carter’s intro:

Since Weird Tales quite logically had a right to prefer tales that were weird, Smith conformed. In doing so he invented a minuscule sub-genre all his own.

To see precisely what I mean, turn to the story called “The Vaults of Yoh-Vombis,” which is included in this book.

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Tales of the Wold Newton Universe, Part 3 of 4

Tales of the Wold Newton Universe, Part 3 of 4

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Tales of the Wold Newton Universe-smallLast month marked the release of Tales of the Wold Newton Universe, a new anthology from Titan Books that collects, for the first time ever in one volume, Philip José Farmer’s Wold Newton short fiction, as well as tales set in the mythos by other Farmerian authors.

The Wold Newton Family is a group of heroic and villainous literary figures that science fiction author Philip José Farmer postulated belonged to the same genetic family. Some of these characters are adventurers, some are detectives, some explorers and scientists, some espionage agents, and some are evil geniuses. According to Mr. Farmer, the Wold Newton Family originated when a radioactive meteor landed in Wold Newton, England, in the year 1795. The radiation caused a genetic mutation in those present, which endowed many of their descendants with extremely high intelligence and strength, as well as an exceptional capacity and drive to perform good, or, as the case may be, evil deeds. The Wold Newton Universe is the larger world in which the Wold Newton Family exists and interacts with other characters from popular literature.

To celebrate the release of the new anthology, we’ve asked the contributors to discuss their interest in Philip José Farmer’s work and to tell us something about how their stories in the book specifically fit into the Wold Newton mythos.

For today’s installment, please welcome author and co-editor of Tales of the Wold Newton Universe, Christopher Paul Carey.

Win Scott Eckert,
Co-editor, Tales of the Wold Newton Universe

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New Treasures: The City of Dreaming Books by Walter Moers

New Treasures: The City of Dreaming Books by Walter Moers

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The City of Dreaming BooksWalter Moers got my attention with his first novel in English, The 13½ Lives of Captain Bluebear, which relates adventures of human-sized bear with blue fur on the fictional continent of Zamonia.

Okay, I know how that sounds. But Moers, who’s also a cartoonist and painter, brings cartoon sensibilities to the page with consummate skill, and his whimsical tales of Zamonia have captured hearts and minds around the world. The 13½ Lives was followed by Rumo, A Wild Ride Through the Night, and The Sorcerer’s Apprentice.

The City of Dreaming Books sounds like his most intriguing title yet, featuring a city-sized library filled with secrets, haunted by the mysterious Shadow King…

Optimus Yarnspinner has inherited from his godfather an unpublished manuscript by an unknown writer. He sets off to track down the mysterious author, who disappeared into Bookholm — the so-called “City of Dreaming Books.” Yarnspinner falls under the spell of this book-obsessed metropolis, where an avid reader and budding author can find any number of charming attractions — priceless signed first editions, salivating literary agents, and for-hire critics. But as Yarnspinner pursues the trail of the missing author, the darker side of Bookholm begins to unveil itself — cold-blooded book hunters, fearsome cyclopean booklings, sharp-toothed animotomes, and of course, the Shadow King, whose howls rise from deep beneath the city at night. Will Yarnspinner survive his quest into this world where reading is a genuine adventure?

Like most of his books, this one features a cover by Moers, and numerous black & white illusrations throughout. Moers’ art is as charming as it is unique, equal parts Virgil Finlay and Dr. Seuss.

I found the brand new sequel, The Labyrinth of Dreaming Book, in the Dealer’s room at Windycon last week for the first time. That means it’s time for me to stop dithering and finally read this one.

The City of Dreaming Books was published by Overlook Press in 2008. It is 462 pages, priced at $17.95 in trade paperback at $11.99 for the digital edition. It was translated from the German by John Brownjohn.

Spotlight on Fantasy Webcomics: Off to See the Wizard in Nakesake

Spotlight on Fantasy Webcomics: Off to See the Wizard in Nakesake

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Alana Joli Abbott and Megan Lavey-Heaton
Me with Megan Lavey-Heaton at a meet-up/signing for the Kickstarter backers of the print run of Namesake volume 2.

Webcomics and Kickstarter have come into their own at similar times. Kickstarter has been debated by PW and Tor.com and other places as a publisher/major funder of the indie comics industry. (In 2012, Todd Allen at PW suggested in 2012 that, by cash totals, Kickstarter could be considered the #2 comics publisher in America; Steven Padnick at Tor.com rebutted that they’re a funding source but not a publisher at all. Which is more than semantics, but I think neither would argue against how important Kickstarter has become for the comics industry.) What’s exciting about Kickstarter and other crowdfunding sources is that — like digital printing and web publishing in general — it gives a sense of immediacy and connection between readers and creators. Namesake is one of the webcomics that I follow, and I was excited to contribute to their Kickstarter to get my very own print versions of the first two volumes of the comic. And I was even more excited to pick those books up in person last weekend in New York, at a delightful meet-up in which I got to meet writer Megan Lavey-Heaton, Yamino of Sister Claire, and a number of writers and artists in various stages of publication. It was a fantastic cross-section of geekdom, with comments being bandied across the table about such topics as Doctor Who, Spiderman, and even My Little Pony: Friendship is Magic.

So if it is with a rosy demeanor that I write about the excellent webcomic Namesake, I’ll be the first to divulge that I’m personally invested. (And for the rest of the full disclosure, Megan Lavey-Heaton backed my Kickstarter to self-publish the third novel in an otherwise publisher-abandoned trilogy. The admiration goes both ways.)

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Read a Free Pathfinder Tales Story from Howard Andrew Jones

Read a Free Pathfinder Tales Story from Howard Andrew Jones

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Pathfinder Tales logoEvery time I call Howard, he’s writing. He’s typing while we’re talking. He denies it, but I can hear the keyboard in the background. I think he wrote his first novel while waiting in line at the DMV. The man is the hardest working writer in the business.

Two weeks ago I called up to ask if he remembered that Edison Marshall Hercules novel he mentioned to me a while back (he did — Earth Giant), and while we were talking he wrote an entire short story. “Bells for the Dead.” If I hadn’t distracted him, it probably would have turned into a novel. The man drives me crazy.

Anyway, the story is now online at Paizo, as part of their free Pathfinder Tales library — which already includes BG Contributing Editor Bill Ward’s story “The Box,” and an earlier tale from Howard, “The Walkers from the Crypt” (which he wrote while waiting for a red light to change).

“Bells For the Dead” features the gunslinging bounty hunter Lisette from Howard’s new novel Stalking the Beast, in a brand new adventure. It will be published in four parts at Paizo.com. Read the first installment here.

Interested in winning a free copy of Stalking the Beast? Enter our contest! Just tell us your favorite sword & sorcery tale in one paragraph or less, and win one of five copies, compliments of Paizo. Full details here.

Howard’s previous Pathfinder book was Plague of Shadows, released in 2011. His most recent novel was The Bones of the Old Ones.

Interested in more Pathfinder goodness? Black Gate can hook you up. Check out the latest right here — including the first chapters of Dave Gross’s novels King of Chaos and Queen of Thorns, and our review of Tim Pratt’s Liar’s Blade.

The Plot Thickens. Or Maybe Stretches.

The Plot Thickens. Or Maybe Stretches.

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NovelistI had occasion to look into John Gardner’s On Becoming a Novelist for something totally unrelated to the posts I’ve been doing lately on plotting and plot devices. While I was checking through the book for the quote I needed, however, I found a few things he had to say about plot that I thought you might find interesting.

For those of you wondering, this is not the British John Gardner who was tapped to write the 007 pastiches in the 1980’s, but the American one who wrote all that Old English literary criticism, who’s one of the best known teachers of creative writing, with his book The Art of Fiction considered one of the seminal works in the field for students and teachers alike. For those of us in the Fantasy and SF community, however, he’s likely best known as the author of novels like Grendel, and Freddy’s Book, and October Light.

I’m going to share these observations in the order in which they appear, for the most part without regard to context. I won’t apologize for all the male-centric pronouns, I’ll just  point out that the book was published after Gardner’s unexpected death (so no changes could be made in later editions) and that male-centric was the default back then (pre-1982), even for most female writers. Here we go:

The wise writer counts on the characters and plot for his story’s power, not on tricks of withheld information, including withheld information at the end . . .

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