Black Gate

“If any man wishes to write in a clear style, let him be first clear in his thoughts…”
–Goethe

“Don’t tell me the moon is shining; show me the glint of light on broken glass.”
–Anton Chekhov

“A good style should show no signs of effort. What is written should seem a happy accident.”
–W. Somerset Maugham

 

The five basic Elements of Fiction are character, plot, setting, theme, and style. In a previous post I added Originality to this list, especially when it comes to Fantasy Fiction. This time around I’d like to talk about Style…what it is, why it’s important, and most importantly how to get one.

Style is important in all kinds of writing, but Fantasy has its own stylistic demands. Very few people alive today are experts at writing in Old English, Middle English, or other antique forms of language. And what’s more, very few readers want to read stories/book written in such a style.

Consider this passage from E. R. Eddison’s fantasy masterpiece, THE WORM OUROBOROS:

“Then befell great manslaying between the sea-cliffs and the sea. The Demons, taken at that advantage, were like a man tripped in mid-stride by a rope across the way. By the sore onset of the Witches they were driven down into the shallows of the sea, and the spume of the sea was red with blood. And the Lord Corinius, now that he had done with feigned retreat, fared through the battle like a stream of unquenchable wildfire, that none might sustain his strokes that were about him.”

For those of us who relish Shakespeare and thrill to antique forms of language, this brilliant passage is highly enjoyable. Yet there is no doubt that its style is vastly outdated and many modern readers would shy away from this fantastic novel simply because of its weight of style and ponderous language. Beauty is in the eye of the beholder, but keep in mind that Eddison published his masterwork way back in 1922. Although beautiful and perfect for the feel of high fantasy, that language just doesn’t fly today…unless you’re staging a production of HAMLET.

Instead of antique language, today’s fantasy demands a certain timelessness of language. That’s where the writer’s Style means everything.

There’s on old show-biz joke that goes: “How do you get to Carnegie Hall?” The punch line: “Practice.” It’s much the same with Style. The absolute WORST thing you can do as a young/beginning writer is consciously emulate someone’s style. Imitation may be the sincerest form of flattery, but it is NOT the best route to great writing. Style comes mainly from a writer’s subconscious and natural tendencies…it is as distinctive as a thumbprint and it can change over time. We all change as we grow, learn, and develop in life, and so it’s only perfectly natural for our writing style to change.

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“Utter originality is, of course, out of the question.”
 –Ezra Pound

“It is better to fail in originality than to succeed in imitation.”
 –Herman Melville

“Originality is nothing but judicious imitation.”
 –Voltaire

How does one go about writing a great piece of fantasy? Everybody seems to have his or her own answer. A lot of that depends on what you (personally) consider to BE “great fantasy.” In my view, the fantasist must be, first and foremost, original. That’s easier said than done.

We all know that fantasy tropes, plots, and devices are recycled endlessly, and that’s as it should be, since fantasy fiction is simply the modern equivalent of the myth cycles of early humanity. The heroes, conflicts, and adventures touch on the timeless themes that run through all literature, from BEOWULF to THE ODYSSEY to LORD OF THE RINGS to our modern fantasy epics. It’s been said before that “There are no new stories, just new ways to tell them.” And that’s the job of the modern fantasy writer: to tell a mythic story in an entirely new way. 

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I’ve been pondering the need for heroes in fiction again this week, and I thought it a good time to revisit a post I’d made on the Black Gate Livejournal page a few years ago. I imagine a lot of you haven’t read it; if you have, I apologize for the repeat.

During the school year my little girl brings home reading practice sheets every week. Each day we’re to time her reading the fluency sheet for a minute, three times, the idea being that it will improve her reading. She does get better at reading each time through, naturally, but she also gets pretty bored – I suppose I would, too, if I had to read the same thing over and over three times a day. But she’s also bored because the stories as a whole haven’t been very interesting. Except for one.

She brought home the story of Butch O’Hare. I’d never given much thought to whom O’Hare airport was named after. I suppose I assumed it was named after a politician. None of these fluency stories can be read completely in a minute—she was only about a third of the way through when the minute timer dinged. My son, her older brother, was so interested that he looked up from his own homework and said “actually, that’s pretty interesting.” I agreed, and asked her to keep reading, and she was intrigued enough herself that she kept going without complaint.

Stories about heroes fascinate my family, and, I believe, humanity as a whole. I think that we’ve become so cynical that we sneer a little when we hear stories of heroics and imagine that it can’t really be true, or we wonder if the hero secretly beats his wife. We are programmed to think that we REALLY need to read stories of ordinary people or cowardly people or despicable people and that stories of heroes are for children. We’re savvy enough now not to believe everything we hear or read, because, God knows, we’ve been fooled plenty of times.

But we still need heroes. And Butch O’Hare was one.

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