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Climbing Aboard the Dragon: Homework Every Day

Climbing Aboard the Dragon: Homework Every Day

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doorways

Being a writer is like having homework every day for the rest of your life.
— Lawrence Kasdan

When John from Black Gate suggested I do a guest blog about writing for short fiction markets, I had to check to make sure he hadn’t intended his email for someone else. Surely he meant to send that email to my co-writer for the story “Devil on the Wind,” from Black Gate 14. That would be Jay Lake, who has over 200 story publications and counting.

But nope, the email was correct.

And a quick look at my list of stories over on my website seems to confirm the fact that I may indeed have figured how to sell a short story — fifty story publications thus far. And I have thirty more stories out to various publishers (fingers crosssed!).

Here’s the thing, though. You never figure out the trick to this writing gig. Soon as you think you’ve got it understood, you’re sunk.

Because you can’t rest on your laurels. Trust me on this — even though I’ve sold stories to great places like Asimov’s, Strange Horizons, Interzone, and to this fine magazine as well, I still get rejections aplenty. And while my focus has moved from short stories to novels, with the occasional comic script, I always have fun writing stories.

But I still have more to learn. Much more. And I’d like to share some of what I’ve learned along the way.

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Thinking of Heroes

Thinking of Heroes

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butch_o_hare-280I’ve been pondering the need for heroes in fiction again this week, and I thought it a good time to revisit a post I’d made on the Black Gate Livejournal page a few years ago. I imagine a lot of you haven’t read it; if you have, I apologize for the repeat.

During the school year my little girl brings home reading practice sheets every week. Each day we’re to time her reading the fluency sheet for a minute, three times, the idea being that it will improve her reading. She does get better at reading each time through, naturally, but she also gets pretty bored – I suppose I would, too, if I had to read the same thing over and over three times a day. But she’s also bored because the stories as a whole haven’t been very interesting. Except for one.

She brought home the story of Butch O’Hare. I’d never given much thought to whom O’Hare airport was named after. I suppose I assumed it was named after a politician. None of these fluency stories can be read completely in a minute—she was only about a third of the way through when the minute timer dinged. My son, her older brother, was so interested that he looked up from his own homework and said “actually, that’s pretty interesting.” I agreed, and asked her to keep reading, and she was intrigued enough herself that she kept going without complaint.

Stories about heroes fascinate my family, and, I believe, humanity as a whole. I think that we’ve become so cynical that we sneer a little when we hear stories of heroics and imagine that it can’t really be true, or we wonder if the hero secretly beats his wife. We are programmed to think that we REALLY need to read stories of ordinary people or cowardly people or despicable people and that stories of heroes are for children. We’re savvy enough now not to believe everything we hear or read, because, God knows, we’ve been fooled plenty of times.

But we still need heroes. And Butch O’Hare was one.

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Apex Magazine re-opens to Submissions

Apex Magazine re-opens to Submissions

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apexmagApex publisher Jason Sizemore has announced that the magazine has re-opened to submissions.

This is great news for fans, since the magazine announced last May that it was temporarily suspending publication. It began as print edition Apex Digest in 2005, swtiching names to Apex Magazine when it became online-only in 2008. It resumed online publication in June 2009 and has published monthly since. 

Note that Apex has new Submission Guidelines. The pay rate is five cents a word, and the new fiction editor is Catherynne M. Valente. The magazine has added Dark Fantasy to their list of interests (originally focused on science fiction and horror), and their Guidelines are worth the read:

What we want is sheer, unvarnished awesomeness. We want the stories it scared you to write. We want stories full of marrow and passion, stories that are twisted, strange, and beautiful. We want science fiction, fantasy, horror, and mash-ups of all three—the dark, weird stuff down at the bottom of your little literary heart. This magazine is not a publication credit, it is a place to put your secret places and dreams on display. Just so long as they have a dark speculative fiction element—we aren’t here for the quotidian.

The latest issue of Apex includes original fiction from Paul Jessup and Jerry Gordon, a reprint from Catheryyne M. Valente, Audio Fiction from Jerry Gordon, and a Dark Faith roundtable interview with Gary A. Braunbeck, Jay Lake, Nick Mamatas, and Catherynne M. Valente.

The complete magazine is also available in a downloadable, pay-what-you-want edition through Smashwords, and in a Kindle edition (for 99 cents).

Apex Book Company also recently published Dark Faith, reviewed right here at the Black Gate blog by David Soyka.

Ryan Harvey Wins Big

Ryan Harvey Wins Big

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ryan-harveyIt gives me great pleasure to announce what some of you may have already heard — the talented Ryan Harvey, author and Black Gate blogger extraordinaire, has placed third in the International Writers of the Future contest for the First Quarter of 2010.

Judged by a panel of experts made up of well-known speculative fiction writers like Orson Scott Card, Anne McCaffrey, Eric Flint (to name just a few!)  the Writers of the Future contest was established 27 years ago by L. Ron Hubbard “to discover and provide talented new and aspiring writers of science fiction and fantasy a chance to have their work seen and acknowledged.”

I can think of few writers as deserving of notice as Ryan, who’s been tirelessly drafting brilliant essays and reviews not only at  Black Gate, but for his own blog and the defunct swordandsorcery.org web site and other places besides.

What many of you may not know is that Ryan is also a talented fiction writer. The winning story is from his Ahn-Tarqa short fiction cycle which — if you haven’t already experienced it — will be featured in two upcoming stories in Black Gate.

I hope you’ll join with us in wishing Ryan congratulations!

Signing the Contract

Signing the Contract

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whispers_from_the_stoneLast week I wrote about obtaining my first book deal. Over the next few months I thought I’d talk from time to time about what happens next.

As the point of my first essay was mostly about the importance of contacts (and in working steadily and not giving up), I mentioned some things in passing that I thought I’d cover in more detail. For instance, how did I get the offer? By air mail? Phone call? Candygram?

My friend Scott Oden had submitted my manuscript to his editor at Thomas Dunne Books, Pete Wolverton. A little over three weeks later, I received an e-mail from Pete asking me to give him a call at my convenience.

When I’d sent previous novels to other publishers, at best I had only ever received pleasant e-mail rejections, or, in olden times, a letter. Sometimes my novels had just disappeared, with nary a response at all. I had never received a request to call, and with Sherlockian-like deductive reasoning figured that was a promising sign.

I deliberately slowed down, made myself a cup of tea, and took my time drinking it. About twenty minutes later I dialed the number Pete had provided.

I found myself on the phone with a bright, friendly professional who’d enjoyed my book and wanted to talk about it, and to talk to me to get a sense of who I was… and to discuss a book offer.

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Rogue Blades Announces Challenge! Writing Contest

Rogue Blades Announces Challenge! Writing Contest

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2010-discoveryRogue Blades Entertainment (RBE) has published some terrific fantasy anthologies over the past few years, including Return of the Sword and Rage of the Behemoth, featuring original work from writers such as E.E. Knight, James Enge, Bill Ward, Michael Ehart, Thomas M. MacKay, S.C. Bryce, Steve Goble, Brian Ruckley, C.L. Werner, Harold Lamb, and many others.

This week Rogue Blades publisher Jason M. Waltz announced the first annual RBE Challenge! Writing Contest. The competition is open to anyone, and the top stories will be printed in the competition anthology, Discovery (cover at right).

Submissions must consist of heroic adventure in any genre, and must arrive between June 1st and September 1st, 2010.  The top twelve stories will recevie a copy of the anthology; the top three will also receive cash awards, and a detailed critique from the contest judges.

The entry fee is only $10, almost criminally cheap. If you’re any aspiring writer looking for an opportunity to show your stuff, now’s your chance to appear in a new anthology from one of the top publishers of modern heroic fantasy.

More information is on the Official Announcement page, including this invitation from Jason Waltz:

Using V Shane’s artwork and the title Discovery as inspiration, pen me mighty and mysterious tales of action and adventure. Speculative fiction is NOT required… Sword & Sorcery, Sword & Planet, Soul & Sandal, Western, Mystery, Dark Fantasy, Epic Fantasy, Sci-Fi, even Horror and Romance! You name it, so long as it’s heroic fiction, you can submit it.

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How to Get a Book Deal

How to Get a Book Deal

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vengence-small2In late July of 2009 I got an offer for a historical fantasy novel from St. Martin’s imprint Thomas Dunne featuring my series characters, Dabir and Asim.

The deal itself reads anti-climatically, which is why I delayed posting about it. But I think that there’s something to be learned from the story of publication, so I’ve decided to share it.

I finished revising a book, I gave it to a friend, he showed it to his editor, I got an offer, I talked to agents of two writer friends, agonized about which agent to select, then chose one.

Boiled down, the process sounds simple; after all, I’m just one of those lucky guys who wrote a novel and showed it to a friend, then got a book deal after just a few weeks from the first pro who looked at it. Easy as pie, right?

This account of events manages to miss a couple of things.

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Because One Frederick Faust Post Isn’t Enough: The Sacking of El Dorado

Because One Frederick Faust Post Isn’t Enough: The Sacking of El Dorado

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frederick-faust-in-brentwood“So it will be when we are dead that perhaps our lives will stand for something.”

“A typewriter is almost like a human being to me.”

“Have recently sent thirty-eight poems to our leading magazines and received thirty-eight poems back from our leading magazines.”

“All that can save fiction is enormous verve, a real sweep, plus richness of character, blood that can be seen shining through.”

“Why is my verse so difficult, so dead, so dull to other people?”

—Frederick Faust, from various letters

I was surprised but pleased to see the positive reaction that my post about Frederick Faust, a.k.a. Max Brand, received last week. It was enough for me to want to spend an extra week on the author, specifically to take a closer look at an individual volume of his work. Faust has rarely received this sort of attention, as John C. Hocking pointed out in the comments last week, and so I’ll spend another Tuesday of your time talking about a man who was not only the most prolific of the pulpsters, but one of the most skilled and literary.

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Somebody Has to Talk about Frederick Faust

Somebody Has to Talk about Frederick Faust

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…and I guess it’s going to be me.

When I first started blogging officially here at Black Gate, I wondered what would constitute “on topic.” Obviously, writing about new crop developments in Iowa would be “off topic” (and I don’t know anything about that anyway) but would writing about Godzilla (about which I know far too much for my own good) be considered “on topic” because I could count on at least half the site’s readership thinking it was interesting? I still wrestle with these questions, and perhaps that’s why I don’t sleep as well at night as other people.

One thing that I’m certain now is “on topic” is anything that has to do with pulp magazines. I’ve written about Norvell Page’s Spider novels (and will do so again soon) and mystery and suspense author Cornell Woolrich, and nobody’s taken me to task for either. So now I throw caution to the four winds and write about Frederick Faust because somebody has got to do it. If I’m going to write about pulp magazines, I have an obligation to write a post about Frederick Faust. You have no obligation to read it, but I strongly urge you to look below the cut because … this fellow is seriously interesting and you should give him a glance some time.

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Writers, Readers, and Glorious Fools

Writers, Readers, and Glorious Fools

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Novels vs. Short Stories, and Why We Write

fool-11
The Fool -- a leap of faith.

“What fools these mortals be…”
–Puck, A Midsummer Night’s Dream

 “But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning around…”
–The Beatles, “Fool On the Hill”

 

A colleague of mine recently asked the question: “Why do we write short stories?” Good question. It set me to thinking: “Why do people READ short stories?”

Which set off a whole line of thought involving the reasons why writers write, and conversely, why readers choose to read what they read.

Readers: Which do you like best, novels or short stories? I may be a writer but I’ve been a reader a lot longer and my answer has to be “It depends on the novel or story.”

I’ve read novels that touched my soul and changed my life…and I’ve read short stories that did the same thing. In most of those instances, the novels seem to stay with me longer…maybe because of their greater size and time commitment. Yet I could never discount the power of marvelous short stories like Harlan Ellison’s “I Have No Mouth and I Must Scream,” Robert Silverberg’s “The Reality Trip,” or Clark Ashton Smith’s “Xeethra.” (To name only three of hundreds.)

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