Browsed by
Category: Vintage Treasures

Robert E. Howard and Appendix N: Advanced Readings in D&D

Robert E. Howard and Appendix N: Advanced Readings in D&D

Weird Tales July 1936 Red NailsGary Gygax’s famous Appendix N, the list of titles he considered essential reading for Dungeon Masters hoping to create authentic adventures for their players, is perhaps the purest distillation of the literary recipe at the heart of modern adventure gaming.

Gygax put Appendix N in the back of his Dungeon Master’s Guide in 1979. Read all the writers on that list and you’ll understand the creative gestalt underlying 20th Century fantasy that eventually exploded into Dungeons & Dragons in 1974.

That’s the theory, anyway. Plenty of people have tried it. It’s sort of the gamer’s version of going walkabout. Immerse yourself in Appendix N and spiritual understanding will be yours. Plus, as a bonus, you end up with a rockin’ library.

Tim Callahan and Mordicai Knode are attempting this spiritual journey together, and they’re chronicling it at Tor.com. They begin with a look at Robert E. Howard’s Conan story “Red Nails,” originally published in the July 1936 issue of Weird Tales:

There is a giant mega-dungeon; it hardly gets more D&D than that. The two elements that really strike home here in terms of inspiration are the populated dungeons as its own character of rivalry and strife, and black magic. The city as one massive labyrinth is great, as is the characterization of its architecture & embellishment — gleaming corridors of jade set with luminescent jewels, friezes of Babylonianesque or Aztecish builders — but it is the logic of the city that shines brightest to me. “Why don’t the people leave?” There are dragons in the forest. “What do the people eat?” They have fruit that grows just off the air. “Where do all these monsters come from?” There are crypts of forgotten wizard-kings. There is a meaningful cohesion to the place; Howard manages to stitch dinosaurs, radioactive skulls, Hatfields and McCoys, and ageless princesses into something cogent.

Read More Read More

Vintage Treasures: The Radio Planet by Ralph Milne Farley

Vintage Treasures: The Radio Planet by Ralph Milne Farley

The Radio Planet AceAnd so we come to the third volume of Ralph Milne Farley’s Radio Men series, The Radio Planet.

Like the first two, The Radio Man (aka An Earth Man on Venus, which I discussed here) and The Radio Beasts (here), The Radio Planet was originally published in Argosy All-Story Weekly, in six installments starting in June 26, 1926, following the previous novel by some fifteen months.

Farley wrote several more Radio novels, including The Radio Menace, The Radio War, The Radio Pirates, and The Radio Flyers, between 1930 and 1955. Only a few were even loosely connected to the first three; most of them were futuristic pulp adventures set on Earth, and Ace didn’t bother to reprint them.

Yes, that’s right. After three popular Radio Men novels, Ralph Milne Farley continued to merrily put Radio in every one of his titles, even though most had nothing to do with Myles Cabot, Venus, or Mars. Apparently, the man had only a rudimentary concept of brand marketing. And liked radio.

In any event, The Radio Planet was the last novel to feature Myles Cabot. Two other short adventures followed: “The Radio Man Returns,” a short story from Amazing Stories (June 1939), and “The Radio Minds of Mars,” originally published in the January 1955 issue of Spaceway magazine.

Fortunately for young teenage fans in the 1970s, such as yours truly, there were two inexpensive paperback editions of The Radio Planet, which kept it in print for roughly a decade. Both were from Ace Books.

Read More Read More

Vintage Treasures: The Radio Beasts by Ralph Milne Farley

Vintage Treasures: The Radio Beasts by Ralph Milne Farley

The Radio Beasts brightLast month I wrote a brief piece on Ralph Milne Farley’s pulp novel An Earth Man on Venus, originally published as The Radio Man in Argosy magazine in 1924.

As part of the research I dug a little into Farley, and discovered his real identity was Roger Sherman Hoar, state senator and assistant Attorney General for the state of Massachusetts.

I also discovered he produced seven (!) sequels over the next three decades: The Radio Beasts (1925), The Radio Planet (1926), The Radio Flyers (1929), The Radio Menace (1930), The Radio Gun-Runners (1930), The Radio War (1932) and The Radio Minds of Mars (1955).

That’s a lot of radio action.

A lot of things have changed since the 1920s. But one aspect of pop culture remains consistent: when a property has seven sequels, someone somewhere made a lot of money.

We can safely assume that by the time The Radio Minds of Mars (great title) appeared in 1955, America had had its fill of radio adventure. But in the intervening years, the Radio novels were a hot property.

The Radio Beasts affirms that. It had multiple editions, beginning with its 1925 four-part serialization in Argosy All-Story Weekly. It was reprinted (in one installment) in Fantastic Novels Magazine in January 1941 — with a Frank R. Paul cover, no less.

Read More Read More

Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories October 1964I continue my peregrinations through the Cele Goldsmith Lalli years at Amazing/Fantastic.

This issue features a George Schelling cover. I don’t know if there are Schelling fans out here – but I have to say I found it quite poor, with absurdly stiff human characters, a particularly strange looking female character, a quite inaccurate representation (as to size) of the Tharn antagonist, and also not representing the scene it apparently depicts very well. Other than that… it’s kind of colorful.

(Click on the image at left to get a full-size version).

Curiously, the cover features no author’s name – only the title of the serial, “Seed of Eloraspon,” and the description: “Magnanthropus returns in a new novel.”

The interiors are by Arndt, Schelling (rather better than the cover), Finlay, and Andragna.

The ads are mostly Ziff-Davis house ads, with one full page ad for the Rosicrucians. The editorial, as usual by editorial director Norman M. Lobsenz, is about progress towards a real life version of Donovan’s Brain (and many other stories). The only other feature is a single column on what’s “Coming Next Month.”

The fiction:

Novelet:

“Beyond the Ebon Wall,” by C. C. MacApp (18,700 words)

Read More Read More

Adventures in Bookselling: The Paperback Harry Dresden

Adventures in Bookselling: The Paperback Harry Dresden

Summer Knight first edition (2002, Roc Books). Cover by Lee MacLeod
Summer Knight first edition (2002, Roc Books). Cover by Lee MacLeod

Paperback collecting is an odd hobby. For one thing, unlike stamps or coins, virtually no paperback is out of reach for the determined collector.

Want examples? As I mentioned in Jack Vance’s obituary last week, the first edition of The Dying Earth is one of the rarest and most sought-after genre paperbacks — it had a tiny print run, and no one knew who Jack Vance was when it first appeared in 1950.

What does that mean to your pocketbook? I paid just under $20 for a copy in mint condition a few years ago. As of today, around half a dozen are available at Amazon.com, with Very Good copies starting at $10.

Think about that. A first edition of one of the rarest science fiction books, by one of the top authors in the field, a full six decades after it went out of print, will set you back… around the same price as a brand new paperback today.

Perhaps that’s just our genre, you think. Let’s face it, half of the folks who read science fiction and fantasy are anal-retentive fanboys. Probably 50% of the print run of The Dying Earth ended up in protective mylar bags by 1955.

Maybe that’s an exaggeration. Still, the situation for mystery and western fans is pretty much the same. If you’re a paperback collector, it’s a buyer’s market. Walk into the Dealer’s Room at the Windy City Pulp and Paper show (or virtually any paperback show in America) with a crisp $20 bill, and you can walk out with a heavy bag of paperbacks published before you were born.

Hard to believe? Just have a look at the gorgeous assortment of 103 vintage titles I bought for around $50 at Windy City just last year.

Perhaps it’s different if we look outside genre fiction entirely. What’s the rarest and most expensive paperback known?

Read More Read More

The Nightmare Men: “The Phantom Fighter”

The Nightmare Men: “The Phantom Fighter”

adventuresdegrandin‘He was…rather under medium height, but with military erectness of carriage that made him seem several inches taller than he actually was. His light blue eyes were small and exceedingly deep set and would have been humorous had it not been for the curiously cold directness of their gaze. With his blonde moustache waxed at the ends in two perfectly horizontal points and those twinkling, stock taking eyes, he reminded me of an alert tom-cat.’

Such is the stout Dr. Trowbridge’s description of Jules de Grandin, late of Paris, the Surete, and the Sorbonne, upon first meeting the irascible little French physician in the 1925 story, “Terror on the Links”.  Cat-eyed and ebullient, de Grandin is the epitome of the phrase ‘it’s not the size of the dog in the fight, but the size of the fight in the dog.’ He defends Harrisonville, New Jersey, and by extension, all of mankind, against the spawn of Satan, using forbidden knowledge and firearms alike.

Jules de Grandin and his ever-present companion, Dr. Trowbridge, were created in 1925 by Seabury Quinn for Weird Tales and went on to feature in close to a hundred stories, with the last, “The Ring of Bastet”, appearing in 1951. Quinn, in the introduction to the 1976 Popular Library collection, The Adventures of Jules de Grandin, says that de Grandin is ‘…a sort of literary combination of Topsy and Minerva, that is, he just growed.’

It’s hard to imagine it being otherwise, given the sheer vibrancy of de Grandin from the start. De Grandin, like his more passive predecessor Dr. Hesselius, is a physician, and approaches the supernatural as an illness to be confronted. Unlike the kindly Hesselius, however, de Grandin is no amiable general practitioner, but a surgeon — flamboyant, precise, and ruthless.

Read More Read More

Fantasy Face-Off: Henry Kuttner’s Elak of Atlantis vs. Robert E Howard’s Conan the Cimmerian

Fantasy Face-Off: Henry Kuttner’s Elak of Atlantis vs. Robert E Howard’s Conan the Cimmerian

Weird Tales, July 1938, featuring Elak of Atlantis in "Spawn of Dagon"
Weird Tales, July 1938, featuring Elak of Atlantis in “Spawn of Dagon”

Now, before I start actually looking at these two heroes, I should probably explain why I’m doing what I’m doing.

You see, when Robert E Howard — creator of the sword and sorcery sub-genre, bare-fisted boxer, and all-round amazing writer — killed himself at the age of thirty, he left a pretty substantial gap in the pulp fiction market, one that was very hard to fill, but one that had to be filled. So Henry Kuttner, a fellow writer more famous for his science fiction than his fantasy, was called in to take up the sword and sorcery mantle — and stumbled in doing so.

The blurb describes the Elak stories as “exciting tales that helped establish a genre,” and “a major step in the evolution of the genre.” (I read Gateways kindle collection.)

Yeah that’s… an overstatement, not much more than a writer’s hyperbole. To be frank, the Elak tales are most easily comparable to a Saturday morning cartoon or a SyFy B-movie, what with all the hackneyed prose and clichéd characters.

Kuttner makes no attempt to advance the formula that Howard established, no attempt to evolve the genre as the over-enthusiastic blurb suggests. What you get instead is a readable adventure, entertaining, but not much more; it’s plot and prose, its action and characters merging with all the other yarns you’ve read and books you’ve consumed.

But then perhaps that’s the point. Pulp is meant to entertain; it’s not The Lord of the Rings or The Game of Thrones, it’s not supposed to make you think or take sides, not intended to evolve anything. Just to entertain.

Read More Read More

Galaxy Science Fiction, February 1951: A Retro-Review

Galaxy Science Fiction, February 1951: A Retro-Review

Galaxy February 1951The February, 1951 issue of Galaxy Science Fiction is groundbreaking. The first story is a novella by Ray Bradbury titled “The Fireman.”

My heart skipped a beat when I saw this, and I quickly discovered that Bradbury later expanded this tale into the classic novel Fahrenheit 451.

In “The Fireman,” Mr. Montag works as a fireman – not one who douses flames, but one who starts them in order to destroy books. Books, after all, are upsetting and challenge the brain-numbing entertainment of the day. People who are well-read might unbalance a society of non-thinkers.

I read Fahrenheit 451 in school, and I didn’t understand all of the warnings Bradbury issues throughout the novel. When I read “The Fireman,” there were parts that really concerned me as I considered our own society. Replace references to “television” with “Internet” or “Facebook,” and suddenly Bradbury’s dystopia doesn’t seem so distant anymore. This is a story I wish everyone would read – and think about while reading it. It really is quite chilling.

“…And it comes out here” by Lester del Rey – A man travels back in time to prepare his younger self for an expedition. The mission is to retrieve a device from the future and claim it as his own invention.

I love the second-person narrative of this tale, and I equally enjoyed the way that everything circuitously ties together. It was interesting how del Rey used the protagonist both as a character and as a narrator, and because time travel was involved, these were essentially two different people.

Oh, and in case you’re wondering — yes, this is the same man who started Del Rey Books.

Read More Read More

Vintage Treasures: The World Invisible by Shulamith Oppenheim

Vintage Treasures: The World Invisible by Shulamith Oppenheim

The World InvisibleI just found a dusty plastic bag stuffed full of paperbacks tucked in a corner of my living room. Hidden behind another pile of books, of course. Near as I can figure, I bought them at Capricon back in February (possibly at the same time as Peter Haining’s Vampire anthology.) Man, I need a better filing system.

There’s some good stuff in it, though. If I did indeed buy them, and the bag didn’t just spontaneously materialize from the ether, then I clearly have great taste. Or maybe I just patronize fabulous booksellers. Whatever the case, the bag was filled with vintage paperbacks by Norman Spinrad, Robert Silverberg, Jerry Sohl, and Lloyd Arthur Eshbach. The most intriguing item, however, was a slender Ace paperback from 1984, The World Invisible by Shulamith Oppenheim.

Beware the world invisible.

It lies in forest shadows beneath the hills, and below the waves that pound so fiercely on Scotland’s shores.

It is a world of beauty and magic, of fey creatures wondrous beyond imagination.

But beware.

Do not cross its boundaries or consort with its denizens. Or you will never be content with the human world again…

Okay, I have no idea who Shulamith Oppenheim is. According to some hasty research at her website, she’s a children’s writer with 14 books to her credit, including one about Albert Einstein, who was best man at her wedding (!). The World Invisible appears to be her only adult fantasy. It was reprinted in 2007 by White River Press, with the world’s most boring cover (what is that? An island? A fog machine? It’s like a travel book for blind people). Seriously, if you want to read it, the Ace version with the Don Maitz cover is the one to get (click on the image at right for a full-sized version).

The World Invisible was published by Ace Books in 1984. It is 198 pages in paperback, with an original price of $2.75. I figure I paid around two bucks for my copy. It is currently in print in both paperback and digital formats from White River Press.

See all of our recent Vintage Treasures articles here.

Paul Di Filippo on “A” is for Android and Other Tales: Masters of Science Fiction Vol. #8

Paul Di Filippo on “A” is for Android and Other Tales: Masters of Science Fiction Vol. #8

Milton Lesser A is for AndroidOver at Locus Online, Paul Di Filippo has a look at the latest Masters of Science Fiction reprint from Armchair Fiction, this one focused on Milton Lesser, author of Slaves to the Metal Horde and The Thing from Underneath.

If you do not know the enchantingly retro line of SF/F/H books published by Armchair Fiction… then I offer you now an eye-popping introduction. Visit his site and marvel at the vast range of vintage fiction, long out of print, lovingly repackaged with period artwork. Names as seminal as those of Fritz Leiber, Clifford Simak and Edmond Hamilton consort with the bylines of lesser craftsmen… The Armchair Fiction catalogue opens an essential window onto a vital and overlooked and still enjoyable portion of our history.

The latest entry in their “Masters of Science Fiction” series is awarded to Milton Lesser, who bears a name the majority of modern fans will probably be unfamiliar with. Lesser was one of those working-stiff writers back in the day who turned out intelligent, yet perhaps sometimes over facile, goods to suit whatever market was looking for material and paying a decent word rate… Truly the work of a Master? Did it exhibit a genuine affinity for the mode, a sense of wonder, some unique ideation? Does it seem hokey and clunky today, or do its narrative virtues still engage and reward?

We last looked at Armchair Fiction — via Paul W. Fairman’s The Girl Who Loved Death and Murray Leinster’s Planet of Dreadlast January.

Curiously, this book is listed under the variant title “A” as in Android at Amazon.com and other places. I haven’t seen a copy myself, so I can’t confirm which title is correct.

“A” is for Android (or maybe “A” as in Android) was published January 30 by Armchair Fiction. It is 320 pages in trade paperback, priced at $16.95. There is no digital edition. See more details at the Armchair Fiction site here, and you can read Paul’s complete review here.