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The Daily Beast on the Surreal Science Fiction Art of Richard Powers

The Daily Beast on the Surreal Science Fiction Art of Richard Powers

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The Man in the High Castle Richard Powers-smallRichard Powers was one of the greatest paperback artists of all time. He revolutionized science fiction art in the early 1950s, and over the next four decades — during which he painted some 1,200 cover illustrations for SF and fantasy novels, including Arthur C. Clarke’s Against the Fall of Night (1954), Kurt Vonnegut, Jr. ‘s The Sirens of Titan (1959), and Philip K. Dick’s The Man in the High Castle (1974) — he was one of the most instantly recognizable artists on the shelves.

Over at The Daily Beast, author Mark Dery kicks off what he promises will be a series of articles celebrating book cover art and design with a detailed look at Richard Powers, sampling some of his most famous covers.

Haunted moonscapes. Alien cenotaphs whose shadows stretch from here to forever, tracing the geometry of dreams. Emissaries from the unconscious, their features running like melting wax. Cancerous cities a trillion light years from now, the undifferentiated growth of their lumpy, tumorous sprawl now silent, still as a fumigated wasp’s nest. Richard M. Powers’s science-fiction book-jacket landscapes are usually depopulated but not always: sometimes, a splinter of a man — an inch-high relative of one of Giacometti’s stick figures — stands alone in the emptiness, contemplating infinity…

Robert de Graff had launched the paperback revolution with his Pocket Books in 1939 and now publishers like Jason Epstein at Doubleday and Ian and Betty Ballantine at Ballantine Books were in the thick of it…. The Ballantines believed in science fiction as a literature of ideas, not gadget porn for ham-radio buffs, so when they opened their doors in 1952 they thought of Powers. His modernist sensibility, steeped in things seen at New York’s Museum of Modern Art, set him apart from the pulp-magazine style — astronauts rippling their pectorals at bug-eyed aliens while space babes cowered in fear — that had dominated the genre for decades. “One of the things that appealed to me about science fiction,” he says, in The Art of Richard Powers, “is that it was possible to do Surrealist paintings that had validity … in their own right, and not necessarily functioning as the cover of a book.”

Read the complete article here.

Vintage Treasures: Book of the Isle by Nancy Springer

Vintage Treasures: Book of the Isle by Nancy Springer

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The White Hart-small The Silver Sun-small The Sable Moon-small

I have to admit that I was always confused by this series. For several decades, to be perfectly honest.

The problem was that I could never quite figure out what order the books were meant to be read in — or even how many there were. I never did sort it out it on my own… in my first draft of this article, I arranged them in the wrong order, and I was convinced I was missing a volume. (I wasn’t.) I eventually had to turn to ISFDB and Wikipedia to get a definitive answer.

Anyway, the end result was that I never read them, despite having the entire series on my shelves (filed in the wrong order) for over 30 years. I guess it’s true what they say: books are like pretty girls… if they make you feel awkward and stupid, you rarely ask them out.

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West of January, Probably Near the Middle of Wednesday

West of January, Probably Near the Middle of Wednesday

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Duncan WestA few weeks ago I was talking about Dave Duncan’s series The Great Game, and that led me to reread his brilliant 2002 novel West of January.

West of January is science fiction that doesn’t, at first, seem to have any science in it. The story is an odyssey, narrated in first person by the main character, Knobil , who tells the tale of his life, from his childhood as part of a herdmaster’s family on the great plains, through to his days as an old man, teaching the young.

Knobil is expelled from his family at puberty and vows revenge on the intruder who murdered his father and mother. While he never completely loses sight of this objective, circumstances take him on a journey through most of the other societies on the world of Vernier, from the Sea People, the Miners, the Traders, and even the Angels in Heaven. It becomes apparent that this world is not Earth, and that while it is suitable for human habitation, its rotation and relationship with its sun causes a cyclical and catastrophic climate change which necessitates the virtual rebuilding of civilization each time.

West of January is a testament to just how important point of view can be. As in the best fiction of any kind, Knobil doesn’t explain anything to the reader that he takes for granted himself – though he might explain things that he knows to his young listeners:

The angels define the world by strips – twelves strips running north and south, seven east and west. The names of these are very old, given by the firstfolk. It is a sensible arrangement with only nineteen words to be learned. Any place can be located by reference to this grid. The west of January is but one example. Geographical features can be named also, like the March Ocean or the Wednesday Desert. This is much easier than remembering an endless arbitrary list, and much more practical when a forest may soon become a desert, or a desert ocean.

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An Astounding Science Fiction Testimonial

An Astounding Science Fiction Testimonial

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Astounding Science Fiction February 1958-smallI started reading Astounding with the February 1958 issue. 1958 was the last good year under editor John W. Campbell.

Consider the short fiction:

L. Sprague de Camp’s “Aristotle and the Gun”
Charles V. de Vet and Katherine MacLean’s “Second Game”
Fritz Leiber’s “Try and Change the Past”
Jack Vance’s “The Miracle Workers”
Clifford D. Simak’s “The Big Front Yard”
Rog Phillips’s “The Yellow Pill”
Katherine MacLean’s “Unhuman Sacrifice”
J.F. Bone’s “Triggerman”

(Also Randall Garrett’s “The Queen Bee,” but we won’t think about that right now.)

The serials: two substantial ones by Poul Anderson, “The Man Who Counts” (a/k/a War of the Wing Men) and “We Have Fed Our Sea” (a/k/a The Enemy Stars), Hal Clement’s admirable if clumsy Close to Critical, and another Anderson, very lightweight but appealing to a 10-year-old, “A Bicycle Built for Brew” (The Makeshift Rocket).

Then the bottom dropped out. The only short fiction in 1959 on a level with the 1958 items cited were Ralph Williams’ “Cat and Mouse,” Chad Oliver’s “Transfusion,” A. Bertram Chandler’s “Familiar Pattern” (undeservedly obscure), and Theodore L. Thomas’s “Day of Succession” — and that’s being generous.

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Vintage Treasures: Sheila Gilluly’s Greenbriar Trilogy

Vintage Treasures: Sheila Gilluly’s Greenbriar Trilogy

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Greenbriar Queen-small The Crystal Keep-small Ritnym's Daughter-small

Sheila Gilluly had a brief career as a fantasy writer. She published two trilogies in the late 80s and early 90s, and has produced nothing else for the last 20 years. But I’ve always been curious about her Greenbriar Trilogy — composed of Greenbriar Queen (1988), The Crystal Keep (1988), and Ritnym’s Daughter (1989) — mostly because of the beautiful covers (click the images above for bigger versions). I’ve tried to identify the artist, but the art is uncredited in my copies, and so far an internet search has been fruitless.

Greenbriar Queen opens in a pretty dark place, with the Dark Lord’s reign about to begin, the heroes scattered, the king dead, and a traitor on the throne. If you like high stakes and desperate battles, The Greenbriar Trilogy might be for you.

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Representations of the Amazon in Poul Anderson’s Virgin Planet and in DC’s Wonder Woman

Representations of the Amazon in Poul Anderson’s Virgin Planet and in DC’s Wonder Woman

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Legolas_portrait_-_EmpireMagBut first, I’d like to ask readers a very important question:

Do Tolkien’s Elves have pointy ears?

This came up after my last post, in which I wondered why Anderson and Tolkien (and many other fantasy writers) agree that elves are tall and have pointy ears. After reading this, Frederic S. Durbin contacted me to say,

Does Tolkien ever say that the elves have pointed ears? To my knowledge, he never does. Please correct me if I’m wrong! This is a bone I had to pick a few years back, when some writer somewhere described hobbits as having “hairy toes and pointed ears.” I think this misconception about Tolkien’s elves and hobbits has come from artwork. Artists need to have a way of making magical races look different from humans, so they go for the ears. We need Spock to look different from humans in a cheap and easily-reproducible way from day to day in the studio, so we give him pointed ears. People have been seeing illustrations of pointy-eared elves and hobbits for so long that they’ve begun to believe Tolkien described them that way. I don’t think it’s true. (Again, I’m willing to stand corrected if someone shows me a passage!)

So there you have it, folks! Please help! Is there a passage anywhere in Tolkien’s writings that suggest that Elves (or even Hobbits) have pointy ears?

And now let’s turn our attention to Poul Anderson’s Virgin Planet.

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Robert Silverberg on the First Year of Galaxy Science Fiction

Robert Silverberg on the First Year of Galaxy Science Fiction

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The First Issue of Galazy Magazine-smallGalaxy magazine was founded in 1950; its legendary first editor was H.L. Gold. At the time Astounding Science Fiction, under John W. Campbell, was the leading SF magazine, publishing such writers as Isaac Asimov, Robert A. Heinlein, Clifford D. Simak, and H. Beam Piper. Within a single year, Gold wrestled the mantle of leadership away from Campbell, making Galaxy the top magazine in the industry. In his first two years Gold published some of the most memorable SF of the century, including Ray Bradbury’s “The Fireman” (later expanded as Fahrenheit 451), Robert A. Heinlein’s The Puppet Masters, and Alfred Bester’s The Demolished Man.

Author Robert Silverberg (who credits the first issue of Galaxy with saving him from becoming a smoker) offers his own comments on the effect Galaxy had on the field, saying:

It is impossible to overestimate the impact that Galaxy had on us in its first twelve or fifteen issues. There had never been such a succession of brilliant stories in an s-f magazine, not even in the Campbell Astounding of 1941, which had plenty of future classics but also a high percentage of pulp filler.

That first year of Galaxy left us all gasping, and I still look at those early issues with reverence and awe. It was as if Campbell’s whole stable had been holding in its best work, which Gold now was able to set free. Alas, by 1954 much of the magic was gone, and from 1955 on Galaxy was a good magazine indeed but no longer, well, astounding.

Rich Horton has been reviewing individual issues of Galaxy (and other vintage science fiction digest magazines) for us for the past few years. And Matthew Wuertz has taken on the ambitious project of reading and reviewing the Gold issues of Galaxy for Black Gate, starting with issue 1, dated October, 1950. His most recent review was the July 1952 issue, containing stories by John Wyndham and Richard Matheson, and the second installment of Frederik Pohl and C. M. Kornbluth’s serial novel The Space Merchants.

Legion from the Shadows by Karl Edward Wagner

Legion from the Shadows by Karl Edward Wagner

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oie_9192021nLnODdJxFor those raised in this day of pure unadulterated Robert E. Howard texts, it may interest you to learn that once upon a time a flourishing industry of pastiche publication existed. There were only so many Howard stories to satisfy hordes of swords & sorcery fans, so the powers that were created more. Sprague de Camp and Lin Carter, the masterminds as it were, behind the pastiche industry were either greedy exploiters of Howard’s legacy or passionate fans who saw the need for further Howardian adventures. As a fan myself at the time, I was quite happy to buy and read a lot of them. Most weren’t better than alright but they scratched an itch.

De Camp (who fiddled mercilessly with Howard’s own short stories) and Carter wrote some of the weakest pastiches. For all his involvement with Howard’s fiction, de Camp never seemed to understand its nuance and why it worked. By education he was an engineer, and the need for things to be logical and systematic undermines his fiction. Carter, sadly, just didn’t have the talent to mimic the writer whose work he loved so dearly.

Unknown Swedish author, Bjorn Nyberg wrote The Return of Conan (1957). Decades later famous authors such as Poul Anderson and Andrew Offut tried their hands at the game. Howard Andrew Jones wrote a good piece on the pasticheurs a while back. Eventually a critical mass of fans and academics rose up, rightly so, to decry the inferior copies — and really, most were — of Howard’s creations.

There’s one Conan pastiche novel I remember truly liking: The Road of Kings (1979) by Karl Edward Wagner. It was good; equal parts dark and exciting. You can read Charles Rutledge’s review from a few years back here.

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Adventures In History: George MacDonald Fraser’s Flashman

Adventures In History: George MacDonald Fraser’s Flashman

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First FlashmanA few months back, I was (ever so gently) castigated for not giving proper credit to the screenwriter of the Michael York / Oliver Reed rendition of The Three Musketeers. That man was George MacDonald Fraser, he who wrote the Flashman books, a series into which I had never delved.

That has now been corrected, and just in time, too: no lesser a light than Ridley Scott (Alien; Blade Runner) is developing a reboot of Flashman with 20th Century Fox. As the fool on the hill once opined, everything old is new.

So let’s set aside fantasy for just a moment and allow for historical action-adventure as a sideline of the vast cultural behemoth that is now Black Gate. Swords, after all, form a big part of heroic fantasy, and in Flashman (first published in 1969, never out of print), swords of many types are on display and put to use. Lances, too. Plus primitive rifles, dueling pistols, and cannons.

The only thing missing? The heroism of our anti-hero, Harry Paget Flashman. He’s a survivor, and an accurate judge of other people’s character and abilities, but beyond that, he’s the very definition of reprehensible. He’s a cad, a coward, and an unrepentant racist; he’s treacherous, larcenous, and vindictive besides. Let’s leave off his appalling treatment of women, at least for now, and accept him for what he’s best at: looking sharp in military regalia. Ah, if only looks could kill…

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Vintage Treasures: The Chronicles of Corum by Michael Moorcock

Vintage Treasures: The Chronicles of Corum by Michael Moorcock

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The Chronicles of Corum-smallI need to read more Michael Moorcock.

I discovered Moorcock in the late 70s with An Alien Heat, the first novel in a trilogy featuring Jherek Carnelian and the Dancers at the End of Time. I discovered Elric shortly thereafter. But the other incarnations of his famous Eternal Champion — including Jerry Cornelius, Dorian Hawkmoon, and Corum — managed to escape me. Lately, however, I’ve been growing increasingly intrigued by The Chronicles of Corum, partly triggered by Fletcher Vredenburgh’s comments in his review of the entire series, “The Shout of a Young Man Who Finds the World a Complicated Place: The Eternal Champion by Michael Moorcock.”

Most preferred the morose albino, Elric, of doomed Melniboné. Dressed in black armor, wielding the evil soul-drinking sword Stormbringer, and riding a dragon — I totally get it. A few liked Dorian Hawkmoon von Koln and his adventures across post-apocalyptic Europe and America better. Personally, I did and still do enjoy the two trilogies about Corum Jhaelen Irsei, last of the Vadhagh. Steeped in Irish myth and a gloomy Celtic miasma, I think they’re the most intense and beautiful books in the series.

The two trilogies Fletcher’s talking about are The Swords Trilogy, which gathered the first three Corum novels, and The Chronicles of Corum, which collects the last three. I frequently find these books referred to as perhaps Moorock’s most enduring works. Here’s Tor.com writer Tim Callahan, quoted from as part of our Appendix N series, in “Andre Norton, Michael Moorcock and Appendix N: Advanced Readings in D&D“:

I read The Swords Trilogy and The Chronicles of Corum early, and they made an impact. They exploded inside my mind in a way I have never forgotten… I didn’t really feel like I tuned into Elric until halfway through the first reprint volume, when we get the four novellas of Stormbringer…

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