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The Books of David G. Hartwell: The Canadian Anthologies

The Books of David G. Hartwell: The Canadian Anthologies

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Northern Stars-small Northern Suns-small

We lost David Hartwell on January 20th. This is our fifth article in a series that looks back at one of the most gifted editors in our industry.

By the early 90s, as a result of the success of books like The Dark Descent and its follow up, Foundations of Fear, David Hartwell had found his market niche: weighty anthologies that had a solid claim to being definitive surveys of the fantastic. David started with fantasy and horror, and quickly expanded into science fiction, with books like The World Treasury of Science Fiction (1989) and The Ascent of Wonder: The Evolution of Hard SF (1994), co-edited with Kathryn Cramer.

In the mid to late 90s, David produced two highly regarded anthologies of Canadian science fiction, both edited by Canadian SF writer and critic Glen Grant: Northern Stars: The Anthology of Canadian Science Fiction (1994) and Northern Suns (1999). The former is a fine collection of the best Canadian SF produced in the late 20th Century (1973-1994), and the latter serves as an excellent snapshot of the best Canadian writers working in the field in the late 90s.

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Vintage Treasures: The Finnbranch Trilogy by Paul Hazel

Vintage Treasures: The Finnbranch Trilogy by Paul Hazel

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Yearwood-small Undersea-small Winterking-small

I don’t know much about Paul Hazel, but I became curious recently when I stumbled on his complete Finnbranch Trilogy, a Celtic fantasy published between 1990 and 1985, on eBay. All three books, plus his only other fantasy novel, The Wealdwife’s Tale, for just $3.99.

I dithered for a bit, but hey. What can I tell you? I’m a sucker for vintage paperbacks in perfect condition. They are now mine.

Hazel remains something of a mystery though, and there isn’t a lot out there about him. I did find an entry at the online Science Fiction Encyclopedia, however. Here it is.

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Acquiring Michael Whelan’s Cover for The Bane of the Black Sword

Acquiring Michael Whelan’s Cover for The Bane of the Black Sword

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Michael Whelan The Bane of the Black Sword-small Michael Whelan The Bane of the Black Sword DAW-small

I thought I’d move a bit further ahead in time tonight than my usual pulp related posts, though it does have a bit of a pulp connection for me. I was discussing this piece with a friend of mine earlier today, so I figured I’d post it. By Michael Raymond Whelan, this is the cover for The Bane of the Black Sword by Michael Moorcock, featuring the one and only Elric of Melnibone (click the art for bigger versions). Both Deb and I loved the Elric books when we read them as teenagers, in the DAW editions featuring all those great Whelan covers, and when we had the chance to pick this up, we jumped at it.

We bought this in a hotel room many years ago, from our friend Randal Hawkins. He and his wife Donna drove up from the K.C. area with the painting, and we met them at a hotel about half way between there and Chicago to do the deal. It wasn’t the only time we did a deal like that in a hotel room with Randal — we bought other art from him that way as well, over the years, as well as many pulps. Hence the bit of a pulp connection for me. Those were good hotel rooms! Randal passed away much too young, but we have fond memories of visiting with him and Donna in K.C., looking at their great art collection, as well as their place in Las Vegas. And we often think of him when we look at this piece.

Vintage Treasures: The Science Fiction Book Club Original Anthologies

Vintage Treasures: The Science Fiction Book Club Original Anthologies

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Between Worlds-small Down these Dark Spaceways-small One Million AD Gardner Dozois-small Forbidden Planets Marvin Kaye-small

Last month I had a look back at one of my favorite Best of the Year series, Jonathan Strahan’s Best Short Novels, a delightful four-volume set collecting the best novellas of 2004-07 and published exclusively through the Science Fiction Book Club. SFBC did many exclusives, but that was the one that got me to excitedly rejoin the club for the first time in over a decade.

It was a great time to be a member. In addition to the Strahan volumes, Andrew Wheeler at SFBC also commissioned some of the top editors in the field, including Gardner Dozois, Mike Resnick, Marvin Kaye and Strahan, to produce eight original themed anthologies, each containing 6-7 new novellas by writers like Robert Silverberg, Peter F. Hamilton, Robert Reed, Nancy Kress, Greg Egan, Jack McDevitt, Alan Dean Foster, Julie E. Czerneda, Charles Stross, Stephen Baxter, Cory Doctorow, Walter Jon Williams, and many others. Each anthology was offered exclusively through the club, which means many fans never even knew they existed.

Each anthology was themed, like Gardner’s collection of far-future tales One Million A.D. Marvin Kaye’s Forbidden Planets looked at visits to strange and hostile worlds, Mike Resnick’s Down these Dark Spaceways and Alien Crimes contained science fiction mysteries, and Strahan’s Godlike Machines gathered tales of future eras where machines ruled. They were a lot of fun, and I snapped each one up as it arrived.

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The Fionavar Tapestry Book 2: The Wandering Fire by Guy Gavriel Kay

The Fionavar Tapestry Book 2: The Wandering Fire by Guy Gavriel Kay

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oie_2251331IZpxRuY1When I set out to delve into epic high fantasy late last year, I deliberately chose some stories I’d read already and remember liking. Rereading The Summer Tree, first volume of Guy Gavriel Kay’s The Fionavar Tapestry, justified my fond memories of it. I ended my review stating: “This is how epic high fantasy can look if it doesn’t want to merely ape LotR or regurgitate the same bits and pieces over and over again.” Those words do not apply to the second book, The Wandering Fire (1986).

Upon finishing the second volume I remembered that, when I read it the first time, I didn’t rush to read the concluding book, The Darkest Road. In fact, it was several years before I picked it up. It won’t be so long this time, but I sure don’t feel like reading it tomorrow.

In The Summer Tree, five Canadian grad students were magically transported from Toronto to Fionavar, the primary universe. Over the course of the novel, they were transformed spiritually and, some of them, even physically. Dave Martyniuk became Davor, adopted member of the nomadic Dalrei, and keeper of the horn that unleashes the Wild Hunt. Kimberly Ford became the Seer, able to manipulate certain magics and see the future. More drastically, Paul Schaefer, distraught over the death of his girlfriend a year earlier, sacrificed himself on the Summer Tree to summon, and become a conduit for, the god Mornir. Jennifer Lowell was kidnapped and raped by Rakoth Maugrim, Fionavar’s dark lord. Only happy-go-lucky Kevin Laine seemed to escape unchanged, yet Fionavar was stimulating his natural mournful romantic tendencies to some unseen end.

While The Wandering Fire purports to move the group deeper into the heart of the growing fight against Maugrim, what was once exciting and focused now feels hurried and slapdash. Momentous events come and go in the space of a few paragraphs. In one case a major secret is discovered but so little time was invested in it beforehand, it seems tossed off and rather inconsequential instead of horrifying, as intended.

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Retro Reviews: Amazing Science Fiction, June 1960 and July 1960

Retro Reviews: Amazing Science Fiction, June 1960 and July 1960

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Amazing Science Fiction June 1960-small Amazing Science Fiction July 1960-small

Two more issues from 1960, which more and more seems to me to be the year Cele Goldsmith really began to hit her stride. I’m covering these two because they contain both parts of a serial, James Blish’s …And All the Stars a Stage.

The June cover is by Leo Summers, illustrating Robert Bloch’s “The Bald-Headed Mirage.” Interiors are by Finlay and Varga. For July the cover is by Harrel Gray, not illustrating any story. Interiors are by Finlay, Varga, and Grayam.

Norman Lobsenz’ June editorial is about death rays, and sterilization schemes. The book review column, The Spectroscope, by S. E. Cotts, covers Chad Oliver’s Unearthly Neighbors and John Brunner’s Slavers of Space, both favorably. The letter column features Mike Deckinger; B. Joseph Fekete, Jr.; Paul Shingleton, Jr.; Paul Zimmer, Scott Neilson; Bob Adolfsen, N. C., Lenny Kaye; and A. D. Scofield. The only names I recognized were Zimmer (Marion Zimmer Bradley’s brother) and Kaye, whose letter is his first, wherein he calls himself “the loneliest fan in the state of New Jersey.” Kaye’s second letter appeared the next issue … I’ll discuss him in the next paragraph. Mike Deckinger was also a pretty prominent fan, and folks who were around back them remembered Fekete and Shingleton as well.

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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part Two: “The Zayat Kiss”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part Two: “The Zayat Kiss”

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NOTE: The following article was first published on March 14, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

ZayatInColliersfumanchu1It has often been noted that Nayland Smith and Dr. Petrie are cut from the same cloth as Sherlock Holmes and Dr. Watson and yet they display as many differences as they do similarities to their more famous progenitors. When Sax Rohmer incorporated “The Zayat Kiss” into the first three chapters of his first novel, British readers had a distinct advantage over their American counterparts in that the UK edition, The Mystery of Dr. Fu-Manchu contains chapter titles that The Insidious Dr. Fu-Manchu is lacking. The first chapter is titled, in a direct reference to the opening chapter of the first Holmes novel, “Mr. Nayland Smith of Burma.”

Yet it is not Nayland Smith who conjures the most indelible image of Sherlock Holmes so much as it is the brilliant, but eccentric criminal pathologist, Chalmers Cleeve who we meet as he crawls beetle-like about the crime scene. Cleeve is stumped by the murder of Sir Crichton Davey as much as Scotland Yard’s Inspector Weymouth (who Smith and Petrie meet for the first time in this tale) for it requires more than deductive reasoning to successfully combat Dr. Fu-Manchu. The Devil Doctor can only be matched by an opponent destined to defeat him. Fate, in its distinctly Eastern concept, is the deciding factor in restoring order to the frenzied paranoiac world that Rohmer vividly creates for his readers in sharp contrast with Sir Arthur Conan Doyle’s prevailing belief that trained reasoning can solve any problem.

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The Body’s Upstairs at Hangover House

The Body’s Upstairs at Hangover House

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HangoverColliersHangoverRandomSax Rohmer’s last title to receive a hardcover edition in the US during his lifetime was Hangover House. It was Rohmer’s final showing on the bestseller lists and his only novel published by Random House. It was first serialized in Collier’s from February 19 to March 19, 1949 prior to its hardcover publication by Random House in the US and Herbert Jenkins in the UK.

Interestingly, Collier’s had published an earlier iteration as the short story, “Serpent Wind” in their November 7, 1942 issue. This story was part of a series later collected in book form in 1944 by Robert Hale as Egyptian Nights in the UK and by McBride & Nast under the title Bimbashi Baruk of Egypt in the US. “Serpent Wind” was retitled “The Scarab of Lapis Lazuli” for its hardcover publication. The story later appeared under its original title in the anthologies, Murder for the Millions in 1946 and Horror and Homicide in 1949.

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Galaxy Science Fiction, March 1953: A Retro-Review

Galaxy Science Fiction, March 1953: A Retro-Review

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Galaxy Science Fiction March 1953-smallI’ve already covered the $6,500 novel-writing sham announced in this issue in a previous post. So let’s jump straight into the contents.

“The Old Die Rich” by H. L. Gold — Periodically, senior citizens are dying of starvation, yet they have large sums of money in banks or in cash. Mark Weldon tags along with his friend, Officer Lou Pape, whenever the police find out about the incidents. Mark’s intrigued by the circumstances and feels compelled to understand the pattern, even if it’s a matter of being too fearful to deplete their savings.

Mark’s investigation leads him to May Roberts, a young woman who hires seniors for unspecified purposes. He tries to break into her apartment at night, only to be captured. She decides to use him as her latest employee.

The job is to travel into the past and place bets on known outcomes or invest in the stock market at key moments. Mark slips from one time period to the next, spending a varying amount of time in each destination. But anything he interacts with in the past, such as food, can’t come forward to the present with him; it ages as though it’s still part of the past, becoming dust.

Gold’s story has good pacing, but I couldn’t get past his rules of time travel. If someone moves into the past and can’t eat because anything ingested becomes dust, then how could someone breathe? It didn’t seem reasonable to me.

“Games” by Katherine MacLean — Ronny plays outside, imagining a Native American battle scene. Except that as he’s acting it out, he becomes one of them. And then he becomes an old man, dying of starvation — someone who refuses to give information to those who’ve held him imprisoned. It’s frightfully real for Ronny, and he doesn’t understand how it’s happening.

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New Treasures: Black Arts by Andrew Prentice and Jonathan Weil

New Treasures: Black Arts by Andrew Prentice and Jonathan Weil

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Black Arts Andrew Prentice-smallOne thing about being part of the Black Gate community… you never lack for great book recs. This morning I was at Peadar Ó Guilín’s blog, Frozen Stories, and stumbled on this brief review.

I very much enjoyed Prentice and Weil’s Black Arts. It’s a YA fantasy about a thief in Elizabethan London. I know, I know, you think you’ve seen this movie before. But this has a delightful creepyness about it — just read the prologue in the Amazon free sample chapters. I also like how when the main character messes up, the consequences are often very severe. It brings out the peril, I find, oh yes.

The gorgeous cover on the UK edition (at right) didn’t hurt either. Black Arts is the opening volume of The Books of Pandemonium. Here’s the description.

Devils in the stones. All around us…

London, 1592 – a teeming warren of thieves and cut-throats. But when scrunty Jack the nipper cuts the wrong purse, he stumbles into a more dangerous London than he has ever imagined — a city where magic is real and deadly.

Moving through a shadow world of criminals and fanatics, spies and magicians, Jack is set on a path of revenge. But he is starting to see London for what it truly is.

A city of devils.

Black Arts was published by David Fickling Books on March 1, 2012 in the UK. It is 496 pages in hardcover. The Fickling paperback edition will be released in the UK on May 5 2016, priced at £7.99. US readers can also order the earlier edition (with a different cover) through most online sellers.