Black Gate

Here’s an odd little book.

It was fairly routine for publishers to use sex to sell paperbacks in the 60s and 70s (and 80s, and 90s, and….) But usually they teased the reader with sexy cover art, or code words like “sensuous” and “spicy” (or “French”) to signal sexual content. The Pollinators of Eden has a more overt sexual theme, dealing with an intelligent and sexually voracious species of tulip discovered on a distant planet.

It was Boyd’s second novel, following The Last Starship from Earth (1968), and preceding The Rakehells of Heaven (1969) and Sex and the High Command (1970), and critics at the time didn’t really know what to make of it. Analog reviewer P. Schuyler Miller praised it as “A treat for its picture of intra- and interagency intrigue alone… a worthy candidate for the next round of ‘best novel’ awards,” but M. John Harrison called it “a feebler look at The Ring of Ritornel,” and Kirkus Reviews said it “has enough Freudian fertilizer to swamp any Eden.”

It was not a hit in the US, and has never been reprinted here. But in the UK it appeared in four separate paperback editions between 1970-78,  from Gollancz, The Science Fiction Book Club (UK), Pan, and Penguin. It has been out of print for 38 years.

The Pollinators of Eden was published by Dell in November 1970. It is 212 pages, priced at 75 cents. I bought the copy above (along with The Last Starship From Earth) in an online lot for $2.99. The cover is by Paul Lehr; click the images above for bigger versions. There is no digital edition.

There are precious few debut novels that receive the outpouring of acclaim that greeted Connie Willis’s Lincoln Dreams when it first appeared. There are even fewer that remain in print for as long as five years. The Bantam Spectra edition of Lincoln’s Dreams has now been in print for an astounding 24 years… that’s got to be some kind of record.

Willis’ first novel, Water Witch, was co-written with Cynthia Felice, and published in 1982. Lincoln’s Dreams, which appeared in hardcover from Bantam Spectra in May 1987, was her true solo debut, and it established her immediately as a major novelist. Twilight Zone Magazine called it “A tight, solid fantasy with a stiletto-in-the-heart epiphany at the end… fascinating,” and Watership Down author Richard Adams called it “Moving and beautiful… a most original and fascinating novel.” Fantasy Review said it “clearly marks Connie Willis as one of our foremost young novelists.” And Harlan Ellison said:

Every once in a while a talent leaps up to announce itself as important. Connie Willis is such a talent: a magisterial intelligence at work… to miss Lincoln’s Dreams is to risk the loss of your immortal soul.

Lincoln’s Dreams was published by Bantam Spectra in July 1992. It is 229 pages (plus 2-page foreword by the author, and a 12-page preview of her 1992 novel Doomsday Book), priced at $4.99. The cover is by Jean-François Podevin. Click the images above for bigger versions.

R.A. Lafferty is one of the finest short story writers our genre has seen, and “Nine Hundred Grandmothers,” a compact masterpiece originally published in the February 1966 issue of IF magazine, is one of the best short stories ever written. The tale of an asteroid miner who can’t stop himself from asking the deep questions, and what happens when he comes across a strange and ancient race of aliens who remember how life began, it’s funny, thought provoking, and totally, totally unique. A description you could apply to much of Lafferty’s output, now that I think about it.

Nine Hundred Grandmothers, Lafferty’s first collection, was published as an original paperback in Terry Carr’s legendary Ace Science Fiction Special line in 1970, and it contained much of his finest work, including “Slow Tuesday Night,” “Snuffles,” and “Thus We Frustrate Charlemagne.” The front cover (above left) was by Leo Dillon and Diane Dillon; the back cover is above center. It was reprinted in paperback by Ace in January 1982 with a new cover by Charles Mikolaycak (above right). While the Ace Special edition was first, the 1982 paperback is actually the more rare of the two, and highly sought by collectors.

Here’s the blurb from the inside front cover of the 1970 edition, with brief but tantalizing descriptions of some of the stories within.

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Clifford D. Simak has been experiencing something of a renaissance recently, thanks chiefly to David W. Wixon, editor of the six-volume Complete Short Fiction of Clifford D. Simak from Open Road Media. That’s a delightful series, and it makes Simak’s previous collections largely superfluous. But nonetheless, I still find myself compelled to track down the last few missing titles to complete my Simak collection.

Right now, the most elusive is The Best of Clifford D. Simak, edited by Angus Wells. It was published in paperback by Sphere in 1975 with a knockout wraparound cover by Eddie Jones.

Simak had two Best Of collections in the US, Best Science Fiction Stories of Clifford D. Simak (Paperback Library, 1972) and Skirmish: The Great Short Fiction of Clifford D. Simak (Berkley, 1978). Those contain the classic tales you’d generally expect, including “Huddling Place,” “The Ghost of a Model T,” “All the Traps of Earth,” “Skirmish,” and his masterpiece “The Big Front Yard.”

Angus Wells’ The Best of Clifford D. Simak is a different beast. It skips all the stories I mentioned above, and contains instead an eclectic mix of stories, including a handful of his early pulp tales and two Hugo nominees, “The Thing in the Stone” and “The Autumn Land.” Needless to say, it’s highly prized among Simak collections — yours truly included.

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