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Category: Vintage Treasures

Andre Norton: Are Her Men Really Women?

Andre Norton: Are Her Men Really Women?

Norton Star RangersIt’s been my experience that Andre Norton is extremely popular among women of my generation, those who grew up reading SF when there were few women writing, and even fewer female protagonists. When I was looking at Norton’s Witch World last time, I found myself wondering whether this popularity was due to how Norton feminized her male protagonists, making them easier for female readers to relate to.

By feminizing, I mean that Norton gives her male protagonists the same kind of “otherness” that is normally associated with the female. Women have long been defined by how they aren’t men, and similarly Norton’s male protagonists are almost always defined by how they’re not the standard socially/politically accepted norm.

Even the positive qualities they may have are somehow the very things that set them apart, and define them as “other.” These are invariably qualities that the standard norm don’t wish to have, even though they’re demonstrably useful.

In Star Rangers Kartr, although a member of the Patrol, is a second class citizen, as are all of the Ranger class of combatants. In fact, he’s excluded from the class of regular Patrol in a number of ways. Even though he’s human, he’s from a frontier world, and is therefore a “barbarian”; he’s a “sensitive” in that he has certain mental abilities which can include telepathy – and it’s significant that this valuable ability is either distrusted by those who believe in its existence, or simply denied by those who don’t. Lastly, he’s a “bemmy lover”* in that he doesn’t join in excluding his nonhuman comrades from social or political status.

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When Men Were Men and Aliens Were Green and Up to No Good: The Pulp Tales of Robert Silverberg

When Men Were Men and Aliens Were Green and Up to No Good: The Pulp Tales of Robert Silverberg

In the Beginning Tales from the Pulp Era Robert Silverberg-small Early Days More Tales from the Pulp Era Robert Silverberg-small

Robert Silverberg’s career as a science fiction writer spans over six decades. His first short story, “Gorgon Planet,” appeared in the February 1954 issue of Nebula Science Fiction, when he was 19 years old, and his first novel, Revolt on Alpha C, was published in 1955. He won a Hugo in 1956 for “Best New Writer,” and for the next few years — until the market for SF magazines collapsed in 1959 — he was extraordinarily prolific, routinely publishing five stories a month, and producing roughly a million words a year.

He published over 80 stories in 1958 alone, in magazines like Imaginative Tales, Fantastic, Amazing Stories, Imagination, and many others. His story “Re-Conditioned Human” appeared in the February 1959 issue of Super-Science Fiction (see the cover below left), and he had two novelettes in the April issue (below right): “Vampires from Outer Space” (under the name Richard F. Watson) and “Mournful Monster” (as Don Malcolm).

Those magazines are almost impossible to find now (unless you’re Rich Horton, of course), but Subterranean Press has done a favor for Silverberg fans — and pulp fans — everywhere by assembling two handsome volumes of his early work. In the Beginning: Tales from the Pulp Era was published in hardcover in February 2006, and Early Days: More Tales from the Pulp Era will arrive on August 31, 2016.

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Fantastic, August and September 1964: A Retro-Review

Fantastic, August and September 1964: A Retro-Review

Fantastic Stories of Imagination August 1964-small Fantastic Stories of Imagination September 1964-small

My most recent forays into Cele Goldsmith Lalli’s editing career have concentrated on Amazing, so here’s a look at a couple of issues of Fantastic. These two issues include a complete John Jakes serial, so I’ll consider them together.

During this period Fantastic was subtitled “Stories of Imagination,” and though it concentrated on fantasy it also published some SF. (The letter column, when one existed, occasionally included complaints about this, to which the response was “sometimes there just isn’t enough good fantasy.”) Fantastic was also thin on features, usually the only one being an editorial from Norman Lobsenz and a brief Coming Next Month blurb. The August editorial is about psychic research, particularly that of the Greek scientist Angelos Tanagras. I thought Lobsenz was a bit too credulous. The September issue’s editorial complains about the quality of SF on TV: instead of adaptations of Isaac Asimov’s robot stories we got Living Doll, and instead of The Martian Chronicles we got My Favorite Martian.

August’s cover is by Ed Emshwiller, with interiors by Emsh, Virgil Finlay, and George Schelling. Robert Adragna does the September cover, and the interiors are by Adragna, Finlay, Emsh, and Schelling.

The stories, then.

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Alaric’s Biggest Secret: “The Desert of Vanished Dreams” by Phyllis Eisenstein

Alaric’s Biggest Secret: “The Desert of Vanished Dreams” by Phyllis Eisenstein

In the Red Lord's Reach and Born to Exile Phyllis Eisenstein-small

Phyllis Eisenstein’s wandering minstrel Alaric, one of the most beloved characters in modern fantasy, appeared in eight short stories in Fantasy & Science Fiction between 1978-1998, and in two novels: Born to Exile (1978) and In the Red Lord’s Reach (1989). He recently made a long-overdue reappearance in George R.R. Martin and Gardner Dozois’ massive 2014 anthology Rogues, in the novelette “The Caravan to Nowhere.”

He’s reappeared again, this time in the new novelette “The Desert of Vanished Dreams” in the latest issue of The Magazine of Fantasy and Science, still on sale at better bookshops. In honor of the occasion, F&SF has interviewed Phyllis on their website, and Phyllis reveals several secrets about the magical world she’s been nurturing for nearly four decades.

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A Southern Tale of Spectral Revenge: Cold Moon Over Babylon by Michael McDowell

A Southern Tale of Spectral Revenge: Cold Moon Over Babylon by Michael McDowell

Cold Moon Over Babylon Michael McDowell-1980-small Cold Moon Over Babylon Michael McDowell-1980-back-small Cold Moon Over Babylon Valancourt-small

Leave it to Valancourt Books to produce the first reprint of Michael McDowell’s spooky southern gothic Cold Moon Over Babylon. It was originally published in paperback by Avon in February 1980 (above left and middle, cover artist unknown).

Stephen King called McDowell “The finest writer of paperback originals in America.” McDowell’s other novels include the Blackwater series, The Amulet (1979), and Toplin (1985). I first discovered him with the Valancourt reprint of The Elementals (1981). I was standing in front of the Valancourt booth at the 2014 World Fantasy Convention, gazing in amazement at their incredible back catalog, and that was the book that forced me to open my wallet.

Last year Valancourt brought most of McDowell’s back catalog back into print as part of their 20th Century Classics line, starting with Cold Moon Over Babylon, now available in a handsome new trade paperback with a wonderfully spooky new cover by Mike Mignola.

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Return to Balumnia: The Stone Giant by James P. Blaylock

Return to Balumnia: The Stone Giant by James P. Blaylock

oie_930526XfElVMASix years after the second Balumnia novel, The Disappearing Dwarf, James P. Blaylock returned one last time to the series with The Stone Giant (1989). Instead of continuing the adventures of Master Cheeser Jonathan Bing, Blaylock went back in time to reveal the origins of the scandalous, piratical-looking Theophile Escargot. If the previous volumes seem inspired by the adventures of Mole and Rat in The Wind in the Willows, this one reads Toad all the way. Click on the links to read my reviews of the other two Balumnia novels: The Elfin Ship and The Disappearing Dwarf.

A secretive, conniving fellow in the two previous volumes, here we get a peek into just how Escargot’s mind operates, and what leads him to leave Twombly Town and take to the roads and high seas in search of adventure. Stirred by a fit of pique, he steals a pie his wife had locked in the cupboard. This act of domestic thievery eventually leads him into the path of certain dangerous characters, which convinces him to get out of town as fast as he can.

Escargot’s wife regularly locks all the pies she bakes in the cupboard, doling them out to him only a slice at a time in order to get him to lead a respectable life, get a job, and attend church. Unwilling to do any of those things, one night, while his wife and their daughter, Annie, are sleeping, Escargot breaks the locks and steals a peach pie. He then wanders off for a stroll in the moonlight.

When he comes home the next morning (after a run-in with a pack of goblins), he finds the door to his house padlocked and a note inviting him to never return home. Most of the town, long familiar with Escargot’s approach to life and responsibility, is on his wife’s side, leaving him with nowhere to turn. Living on river squid and apples, he relocates to a drafty, abandoned windmill for shelter while he tries to figure out what to do next.

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Beau Geste: Myth vs. Reality

Beau Geste: Myth vs. Reality

Beau_Geste_novelOn my last trip to Tangier I purchased a 1925 edition of Beau Geste, one of those classic novels that I’ve always intended on reading but never had. It’s a swashbuckling tale of three brothers who join the French Foreign Legion a few years before the start of the First World War.

The novel opens with a mystery. Mild spoilers follow. A French officer in the Legion leads his troops to an isolated fort, responding to a call for help. Once there, he finds all the legionnaires dead inside, apparently shot by the warlike Tuareg. The commanding officer, however, has a French bayonet sticking out of his chest and the private beside him, although shot, has been carefully laid out with his hands across his chest. The private’s hat rests nearby, torn open. In the hands of the dead officer is a mysterious letter in English that contains a confession. . .

From that tantalizing beginning we cut to England, where three rich brothers have to flee home and end up in the French Foreign Legion. Add a cruel officer, hordes of Tuaregs, and some boon companions and you have the recipe for adventure. Author P.C. Wren writes in a breezy, wry style halfway between pulp pulse pounders and more highbrow literature. The style never feels dated although Wren’s worldview certainly does. There’s a definite hierarchy in this book, with the aristocratic Englishmen firmly at the top, the various Europeans and Americans they meet ranged further down depending on their social class, and the Arabs and Tuaregs right at the bottom. Women hardly figure in this book at all which, considering how agonizingly maudlin the one love scene comes off, is probably for the best.

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Blogging Marvel’s Master of Kung Fu, Part Two

Blogging Marvel’s Master of Kung Fu, Part Two

MOKF19Master of Kung Fu #19 was the final issue scripted by Shang-Chi’s creator, Steve Englehart. While the idea of a guest appearance from Marvel’s swamp creature, Man-Thing was an offbeat idea, the issue is more notable for the influence of the television series, Kung Fu. This influence is felt strongest in the philosophical discourse on pacifism conducted throughout the issue by Shang-Chi and his fellow Chinese visitor to  the Everglades, Lu Sun (a character clearly based on Kwai Chang Caine from Kung Fu). Shang-Chi admires the pacifist philosophy but the unremitting pursuit of a pair of Si-Fan assassins, (an Asian and Arab double act known as Jekin and Dahar) make it impossible to put it into practice.

Shang-Chi’s memories are colored by the realization of his father’s immorality. The childhood flashback (a familiar conceit from the Kung Fu television series) employed here serves to underscore the point that as the pieces of the puzzle come together for Shang-Chi, he is left more fragmented than before. This conundrum is one that Steve Englehart was leaving for future issues to build upon.

An intriguing sub-plot sees Sir Denis Nayland Smith and Black Jack Tarr launch an assault on Fu Manchu’s convoy of trucks as he abandons Florida following Shang-Chi’s successful sabotage of his operations in the preceding issue. While the casualties on the side of the Si-Fan are heavy, the mastermind makes his escape in the Everglades leaving Sir Denis facing another hollow victory. The Man-Thing is almost superfluous to the plot, but his position as an unwitting pawn in others’ games mirrors Shang-Chi’s own place as a man who strives for peace on a battleground.

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A Tremendously Disappointing Re-Read: The Soaked-in Misogyny of Piers Anthony’s Xanth

A Tremendously Disappointing Re-Read: The Soaked-in Misogyny of Piers Anthony’s Xanth

Xanth Piers Anthony-small

When my life is super-busy, I tend to reread books that won’t invite my brain to start analyzing to see what I could learn. I reread Edgar Rice Burroughs’ biography, and recently, I thought I’d reread Piers Anthony’s Xanth series.

I first read the first novel, A Spell for Chameleon, in grade six and reread it maybe later in my teens. I remember it being charming and punny, but my memories were pretty dim. I was also wondering if I could recommend it to my 11-year old son after he finished with the Percy Jackson opus.

A Spell for Chameleon is about Bink, a person who lives in the North Village of the land of Xanth, where every plant and animal is magical and every person has a single magical talent, everyone except for Bink. If he doesn’t find out his magical talent, he’ll get kicked out of Xanth upon turning 25.

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Galaxy Science Fiction, June 1953: A Retro-Review

Galaxy Science Fiction, June 1953: A Retro-Review

Galaxy June 1953-smallThe June, 1953 issue of Galaxy didn’t include any serial fiction. If you’re looking for a good issue to read just to get a flavor of Galaxy without any commitment, I’d suggest this one.

“Tangle Hold” by F. L. Wallace — Jadiver’s autobath malfunctions, burning him with steam to the point that he nearly dies. A doctor replaces his skin with a synthetic version, and he’s eventually released from care to continue with his life.

Jadiver used to be a robot designer on Earth, but Earth was too crowded. He moved to Venus two years ago, but his skills aren’t as useful to society — except criminal society. He can design body costumes to change people’s appearances to help them go wherever they want without restriction.

When Jadiver becomes aware that his entire body has been redesigned as a type of surveillance unit for the police, he tries to understand its limitations and how he might be able to escape from the planet.

Wallace’s story has great pacing. There are enough questions to keep readers interested and engaged, and the answers come at the right moments, without being obvious.

“The Water Eater” by Win Marks — The narrator fixes his oil stove and dumps the excess oil into a roaster. To clean the roaster, he combines multiple cleaners together with hot water.

After dinner, he finds that the combination of oil and cleaners has become gelatinous. And it expands when water is added. Not only does it expand, but it tries to reach out toward the source of water to consume more.

The narration of the story works really well. He had a strong voice.

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