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Meet The Mad Mummy

Meet The Mad Mummy

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Mad Mummy 1I was first introduced to Mike Vosburg’s work through my love of Sax Rohmer. His wonderful artwork graced Master of Villainy, the 1972 biography of Rohmer by the author’s widow and Cay Van Ash. Later, I would discover Mike’s artwork also appeared in The Rohmer Review fanzine.

Many more years later, I was fortunate enough to have Mike provide the back cover illustration to my second Fu Manchu book. He also gave my daughter a gift of autographed copies of some of his professional work, which made her feel like the luckiest nine year old girl on the planet. I don’t claim to know the man well, but I adore his work and know him as a genuinely kind and generous artist.

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Vintage Treasures: Orlando Furioso, the First Big Fat Fantasy Ever?

Vintage Treasures: Orlando Furioso, the First Big Fat Fantasy Ever?

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1024px-Orlando_Furioso_20
Includes …a Hippogriff — winged horse born of a mare and griffin!

I’m reading Jack Campbell’s Lost Stars series — good rip-roaring Military Space Opera with a brain — and suddenly a Marfisa is talking to a Bradamante about a love interest called Ruggerio, and I almost fall out of my armchair laughing.

It’s an Easter Egg and it feels like it’s just for me, the thirteen year-old me to be precise, in the Penguin Classics section of Edinburgh’s now-defunct James Thin bookshop.

I’d made the amazing discovery that I could actually buy translations of the medieval books I’d read about.

I’d already wandered in a fervour through Malory’s Le Morte D Arthur — untranslated, actually, and I think it had an odd effect on my speech patterns at the time — and a verse translation of Beowulf. I’d discovered the French Arthurian writers, some actually pretty awful — just ‘cos it’s old doesn’t make it good! — and now I was looking for another breath of medieval air.

And there’s a black-bound book with knights on the cover. Orlando Furioso, the adventures of Charlemagne’s paladins… oh it’s Renaissance. Yuk.

But despite the late period cooties, I find myself looking at the “Characters and Devices” at the front…

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Art of the Genre: How Paizo Continues on Where Others Have Failed, a Review of Skull & Shackles Base Set

Art of the Genre: How Paizo Continues on Where Others Have Failed, a Review of Skull & Shackles Base Set

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PZO6010_500One of the longest tenured game designers in RPG history has to be Steve Winter, as he started with TSR in the early 1980s and continued on with the company until roughly December 2012, when he was finally ‘let go’ by Wizards of the Coast.  If those 30 years translate to anything, I would think it is an in-depth knowledge of the business of RPGs.

Once Winter was on his own, he posted an incredibly candid blog article concerning how ‘broken’ a business model  any company building around an RPG actually is.  To sum it up, he basically indicated that after the three core books (Player’s Handbook, DMG, and Monster Manual), all other products are A: unnecessary to the system as a whole, and B: that continued supplements ‘break’ any game’s mechanic system eventually and require a ‘reset’ to both correct the system and also increase company profits which will have flagged since the initial release.

That said, it is easy to see why once powerful companies like TSR, FASA, Game Designers Workshop, and White Wolf eventually collapsed under the weight of an impossible business model.  It also helps us understand why self-replenishing profit systems like miniatures and cards actually do work as a business model in the hobby sector.  Look no further than Games Workshop to understand this, and later Wizards of the Coast with their Magic the Gathering bonanza, and finally Privateer Press with Warmachine & Hordes, that directly mimic Warhammer.

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Three Men And A Dog: The Elfin Ship by James P. Blaylock

Three Men And A Dog: The Elfin Ship by James P. Blaylock

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oie_222310129FBVSmfjWhen word comes to the good people of Twombly Town that the traders of Willowwood Village have vanished and the whole town has been abandoned, they are worried there will be no honeycakes from the great dwarf baker, Ackroyd, or elfin toys for Christmas. When the mayor calls for an expedition down the Oriel River to the city of Seaside to procure the cakes and toys from their source, the only man deemed capable of the task is the cheeser, Jonathan Bing. Despite his own misgivings, but to the townspeople’s delight, Bing agrees.

Clearly inspired by Kenneth Grahame’s Wind in the Willows, The Elfin Ship (1982) is James P. Blaylock’s first published novel. Like Grahame’s book, it is a paean to adventure, home comforts, food, and male camaraderie. For those who take note of these things, only one female character makes a brief, wordless appearance and a second is just mentioned. Nonetheless, it’s not set in a world labeled “NO GIRLS!”, but rather one where the men are more interested in a good bottle of ale, good pipe tobacco, and a raft trip down a meandering river than the whereabouts of the absent women.

I’ve loved this book for decades and have read it several times over the years, chuckling each time. I was inspired to pick it up after reading and contemplating M Harold Page’s piece “Why Humorous Fantasy Isn’t Popular” here at Black Gate a few weeks ago. Most of the comedy here is gentle and might even be deemed old-fashioned. If that doesn’t deter you — and I don’t think it should — give The Elfin Ship a read for some good-hearted goofiness.

Jonathan Bing is a stolid man with little experience beyond the warm and comforting confines of his home, but one who has always dreamed of adventure. Among his prized possessions are several well-read volumes by G. Smithers of Brompton Village, with titles like The Tale of the Goblin Wood and The Troll of Ilford Hollow. When Mayor Bastable suggests to Bing he is a “stout enough lad to sail downriver yourself, all the way to Seaside with your cheeses and back again with cakes and elfin gifts,” despite some trepidation, the cheeser decides he is indeed the man best suited for the job.

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The Ballantine Adult Fantasy Series: Land of Unreason by Fletcher Pratt and L. Sprague de Camp

The Ballantine Adult Fantasy Series: Land of Unreason by Fletcher Pratt and L. Sprague de Camp

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Land of UnreasonLand of Unreason
Fletcher Pratt and L. Sprague de Camp
Ballantine Books (240 pages, January 1970, $0.95)
Cover art by Donna Violetti

Lin Carter ended the inaugural year of the BAF series with a reprint of a novel from the pulp Unknown, Hannes Bok’s The Sorcerer’s Ship. His first selection for the series’ first full calendar year was another tale from Unknown (the October 1941 issue), a collaboration between Fletcher Pratt and L. Sprague de Camp.

Land of Unreason followed the first two Harold Shea stories among their collaborations. In this story, they introduce a new character, a young diplomat named Fred Barber, who is taking a medical rest in the Irish country-side.

One night, he notices his hostess leaving some milk out for the fairies, so that her infant son won’t be taken and a changeling left in his place. Fred is contemplating his bottle of single malt to help him get to sleep and decides he’s rather have the milk since that has been his proven cure for insomnia all his life. Also, milk is strictly rationed, and he doesn’t want to see it wasted. He drinks most of it, leaving just a little, into which he pours a generous amount of his whiskey.

Fred then goes to bed and quickly drops off to sleep. The fairy who finds the whiskey drinks it and gets plastered. Since he didn’t get any milk, he goes into the house to take the baby and leave a changeling. Only in his inebriated state, he takes Fred rather than the infant sleeping in the next room.

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Horror of the Highest Kind: A Review of The Weird

Horror of the Highest Kind: A Review of The Weird

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The Weird-smallI’ve just finished the largest book I’ve ever read: The Weird: A Compendium of Strange and Dark Stories, edited by Ann and Jeff VanderMeer.

This massive tome comes in at a whopping 1126 double-columned pages. The weight, length, and scope of this massive paperback give you the sense that you’re reading some old Bible! This being the case, I think The Weird should probably be referenced in the coming years as the Bible of twentieth (and early twenty first) century weird stories.

But what exactly is the weird? What sort of stories fit in this genre? As the foreweird contributor Michael Moorcock and the afterweird contributor China Miéville seem to agree, it’s a bit hard to categorize. Surprise, surprise.

For myself, I’ve often associated the genre term “weird” with a certain kind of horror, a horror of the highest kind that leaves you with a feeling of unease. (This is actually fairly close to what Moorcock and Miéville both seem to gesture at.)

The VanderMeers’ anthology seeks to make a case that the weird is more than just one slice of horror: it covers a vast array of examples, from the typical horror and ghost stories all the way to the absurd and dark fantasy. Thus the spread of stories within The Weird are quite sundry.

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Book Pairings: Ancillary Justice and Cordelia’s Honor

Book Pairings: Ancillary Justice and Cordelia’s Honor

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Ancillary Justice Ann Leckie-smallI’ve creaked into reading again, dipping hesitant toes into the fathomless waters of What’s Out There.

One of the hardest things is trying to balance the books I discover for myself–for love of discovery–with the books I should read because everyone should read them, and has already read them, and I’m the only one in the world who hasn’t.

I come to the latter kind of reading quite reluctantly, and am rewarded by not only the virtue of what I felt to be a tricky chore completed, but also by becoming (in my own estimation) a shave more professional and an ingot less ignorant. “Yes, now I have read this book. I too can geek out about it on the Interwebs!”

Lately, after finishing a book I’ve determinedly set out to read, I’ve been struck with a keen sensation of, “Ah! Now, this would be a good book to read near or about the same time as this book.”

I don’t think of it as the whole Amazon/Kindle/Library E-Zone suggestion thing of, “If you like X book, you’ll probably like Y book too! Because it’s pretty much exactly the same book formulaically, only the names are different, and instead of a werewolf and a vampire, it’s an ANDROID and ALIEN, but the protagonist is plucky and first person present tense and a real CIPHER, with no distinguishing personality traits to distract you, you’ll get right in her head right away, and come away thinking you were she the whole time!”

No, I think of it more like a perfect wine pairing with a certain sort of dinner.

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Blogging Sapper’s Bulldog Drummond, Part Six – The Female of the Species

Blogging Sapper’s Bulldog Drummond, Part Six – The Female of the Species

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female altFemale HC 1stSapper’s The Female of the Species (1928) is quite likely the best book in the long-running Bulldog Drummond thriller series. Its one failing comes late in the narrative and spoils it as assuredly as Mickey Rooney’s bucktoothed yellow-face performance as Mr. Yunioshi sours Breakfast at Tiffany’s (1961) for modern audiences. As a devoted fan of both Blake Edwards and Sapper, I do my best to make exceptions for both artists’ failings, particularly when they were acceptable in the times they lived in.

In the case of the former, the suggestion of pornographic photos in Truman Capote’s novella could never have been transferred to the screen with an Asian actor in the role of Audrey Hepburn’s frustrated landlord. Edwards soft-pedaled the material and defused a scene that never would have slipped by the Production Code if handled dramatically by offering Mickey Rooney in a broad caricature of an Asian. It was a star cameo in a comic stereotype still common in television sitcoms of the 1960s and Jerry Lewis films. Audiences at the time laughed at the fact that it was Mickey Rooney making a fool of himself and nothing more. Today, the classic status of the film makes the sequence stick out as an unfortunate example of racial insensitivity in a fashion that does not taint comedies of the day which are now viewed as an example of what then passed for juvenile humor.

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Fantasy and Science Fiction, April 1966: A Retro Review

Fantasy and Science Fiction, April 1966: A Retro Review

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Fantasy and Science Fiction April 1966-smallI called the last magazine I covered (Fantastic for April 1960) “determinedly minor.” This issue of F&SF seems much more significant to me.

The cover is by Jack Gaughan, illustrating Jack Vance’s Cugel the Clever novelet “The Sorcerer Pharesm.” The features include a Gahan Wilson cartoon, a poem by Doris Pitkin Buck, a very short science snippet by Theodore L. Thomas, Judith Merril’s Books column and Isaac Asimov’s Science column.

Asimov’s column is one of his lesser ones: little but a list of the Nobel Prize winners in the Science fields by nationality. That’s a long list, so it takes up most of his page count. He does a tiny amount of analysis of the numbers, but not much.

Merril begins by reviewing two very ’60s-ish popular science books: LSD: The Consciousness Inducing Drug (edited by David Solomon, with contributions from those you’d expect, like Alan Watts, Aldous Huxley, and Timothy Leary), and Games People Play by Eric Berne. She recommends the LSD book, but is quite negative about Games People Play.

In the way of SF, she begins by looking at two John Brunner books, The Day of the Star Cities and The Squares of the City. She identifies the first as “up there with the best of his earlier work” and the second as a step beyond, building on his growth that started with The Whole Man. I think that jibes with the consensus view of Brunner’s career. She ends up saying, “[I]t leaves me very eager to see Brunner’s next.”

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There Is No Lovely End by Patty Templeton

There Is No Lovely End by Patty Templeton

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There is no Lovely End-smallRegular readers of Black Gate will no doubt have noticed the return of infrequent interviewer Patty Templeton. For those who were wondering why Ms. Templeton wasn’t conducting more of her fantastic interviews with an eclectic rogues gallery of writers, the reason was, quite simply, that she was too busy writing a novel of her own. There Is No Lovely End was published back in July and has been garnering universally positive reviews. Here’s another one.

The book starts in pre-Civil War America and follows the lives of several seemingly unrelated characters whose lives will all eventually come crashing together in one disastrous night. Not all of these characters will survive to the end. In fact, one of them dies very early in the story, but continues to move events forward as a ghost. These early chapters can be a bit disorienting as the reader jumps from one subplot to another, each with its own main character and supporting cast. But once you get a feel for each character, the jumping about is much easier to follow and gives the story a frantic pace (which would otherwise be difficult, considering that it takes place over a 32-year period).

Hennet Daniels has undertaken a decades-long hunt for the medicine man who inadvertently poisoned his brother. Sarah Pardee is coping as best she can with a loveless marriage to a man who cares more about his dead daughter than his living wife. Graham Johnson is a suicidal newsman who falls hopelessly in love with a remorseless psychopath. Hester Garlan is a remorseless psychopath, searching for the lost son whom she believes has stolen her psychic abilities. Nathan Garlan is a young man trying to cope with his ability to speak with the dead.

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