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Category: Pulp

Blogging Sax Rohmer’s The Island of Fu Manchu, Part One

Blogging Sax Rohmer’s The Island of Fu Manchu, Part One

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PanamaLibFuNextSax Rohmer’s Fu Manchu and the Panama Canal was first serialized in Liberty Magazine from November 16, 1940 to February 1, 1941. It was published in book form as The Island of Fu Manchu by Doubleday in the US and Cassell in the UK in 1941. The book serves as a direct follow-up to Rohmer’s 1939 bestseller, The Drums of Fu Manchu, and is again narrated by Fleet Street journalist, Bart Kerrigan.

The previous book in the series was published just prior to the outbreak of the Second World War in Europe. Rohmer chose to portray characters such as Hitler and Mussolini under thinly disguised aliases. More critically, he chose to have these threats to world peace removed by the conclusion of the book as he naively believed a Second World War would be avoided at all costs. Over a year into the war, Rohmer had to address these issues for his readers. His excuse was a brilliant one. The prior narrative had been censored by the Home Office. Bart Kerrigan was forced to alter names and events. Hitler and Mussolini yet lived.

Interestingly, Rohmer chose to pick up the story some months after the last title and reflect changes in the lives of his characters. The Si-Fan has fallen under an unnamed pro-Fascist president who counts Fu Manchu’s duplicitous daughter among his closest allies. The Devil Doctor himself has fallen from grace within the Si-Fan, as he opposes fascism at all costs. This rift threatens to tear the secret society apart as much as the war was doing the same to governments around the world.

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Vintage Treasures: Doc Sidhe by Aaron Allston

Vintage Treasures: Doc Sidhe by Aaron Allston

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Aaron Allston Doc Sidhe-smallWe lost prolific game designer and author Aaron Allston last week and, as often happens after we lose someone of importance in the industry, I find myself dwelling on their contributions. By the time of his death, Allston was renowned chiefly for his popular Star Wars books. But the first of his novels I ever purchased — and indeed, the one I still think of first — was his homage to Doc Savage, the 2001 novel Doc Sidhe. Doc Sidhe is an unabashed salute to thirties pulp fiction. Here’s the book description:

Olympic kickboxer Harris Greene’s career has just self-destructed, and both his manager and his fiance, Gaby, have dumped him. While looking for Gaby, he interrupts a bizarre trio as they are kidnapping her, and he is hurled into another, very weird, universe. His only hope is Doc Sidhe, this Art Deco universe’s greatest champion of justice.

And here’s Blue Tyson’s spot-on review:

Imagine if there was a counter earth, stuck in the 30s, where, basically, elves and trolls are real. The coolest thing, however, is that Doc Savage is real, too. Except for the fact he is a Daoine Sidhe sorcerer, and has a higher mortality rate for his crew.

A down on his luck kickboxer and his girlfriend end up there, via a conjurer’s circle, and a plot to change the magical rules of relations between the two worlds. Oh, and the evil villain is Doc’s son. This is an excellent homage, a good urban fantasy, and a bit of The Untouchables, to boot…

Doc Sidhe had one sequel: Sidhe-Devil, published by Baen in 2001. It was published by Baen Books in May 2001. It is 352 pages, originally priced at $5.99. It is currently out of print; there is no digital edition. See all of our recent Vintage Treasures here.

Travel the Magic Highways with The Early Jack Vance, Volume Three, edited by Terry Dowling and Jonathan Strahan

Travel the Magic Highways with The Early Jack Vance, Volume Three, edited by Terry Dowling and Jonathan Strahan

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Magic Highways The Early Jack Vance-smallLast February, I wrote about how excited I was to find a copy of Dream Castles: The Early Jack Vance, Volume Two in the Dealer’s Room at Capricon. I had purchased Volume One, Hard Luck Diggings, when it was released in 2010; it is now long out of print and new copies start at around $450 at Amazon.com. Dream Castles is now sold out as well and prices are already starting to creep up, so I was pretty jazzed to find a copy when I did.

When I wrote enthusiastically about Dream Castles last year, I said:

Jack Vance, who at 96 years old is still with us, is one of the last remaining writers from the Golden Age of Science Fiction (the only other one I can think of is Fred Pohl). He is the author of some of the most celebrated SF and fantasy of the 20th Century, including “The Dragon Masters,” “The Last Castle,” and The Dying Earth novels.

Jack Vance died on May 26th of last year, and Frederik Pohl passed away less than four months later, robbing us of two of our genre’s brightest lights.

Still, their words are still with us — and what words they are. I have no idea how many volumes are projected in The Early Jack Vance (Volume Four, Minding the Stars, is scheduled to be released this month), but every one is a delight.

Part of that is the gorgeous covers by Tom Kidd; part is the high quality production and design from publisher Subterranean, and of course part of it is simply finally having the early pulp fiction of one of the greatest fantasy writers of the 20th Century collected for the first time.

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Leigh Brackett, J.R.R. Tolkien, and Appendix N: Advanced Readings in D&D

Leigh Brackett, J.R.R. Tolkien, and Appendix N: Advanced Readings in D&D

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The Galactic Breed-smallAnd so we come to the end of our extended journey through Gygax’s Appendix N, at the hands of our intrepid guides Tim Callahan and Mordicai Knode at Tor.com.

We haven’t always agreed with the opinions of Messieurs Callahan and Knode. But that’s okay. More than okay, really… what’s the point of following along with a literary survey if we don’t get to pound the table occasionally and shout “You lunkheads!” Really, the primary pleasure we old-timers get these days is disagreeing with self-proclaimed experts. Loudly, and at length.

But overall I think Callahan and Knode, the Lewis and Clark of Appendix N, have done a fine job. They’ve surveyed every entry in Gary Gygax’s original list of authors who influenced Dungeons and Dragons, just as they promised when they set out nine months ago. Along the way, they’ve shared their opinions — sometimes as informed experts, sometimes as newbies coming to the work of the masters for the first time.

And at every stop, they’ve been honest with us on whether or not the books spoke to them as modern readers. I don’t think we can ask for anything more than that.

I’m going to miss following along with Tim and Mordicai. Whether I agreed with them or not — nodding along with “Yup, yer darn tootin’,” or banging my head on the table and cursing every reader born after 1990 — they were always entertaining, enlightening, and frequently very funny.

But we still have two last articles to examine: Mordicai’s appreciation of the grand old lady of science fantasy, Leigh Brackett, and Mordicai and Tim’s wrap-up of the entire series, their salute to J.R.R. Tolkien. Let’s see if these last two pieces bring more nodding, or table-banging.

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Vintage Treasures: The Spell of Seven, edited by L. Sprague de Camp

Vintage Treasures: The Spell of Seven, edited by L. Sprague de Camp

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The Spell of Seven-smallIt takes real effort to keep on top of even a fraction of the exciting new work in the fantasy genre every week. Between the print magazines, online outlets like Subterranean and Beneath Ceaseless Skies, paperbacks, hardcovers, and self-published and independent work from talented folks just outside mainstream publishing, it’s exhausting. Luckily, it’s also extremely rewarding, and I feel fortunate indeed to be part of such a lively and vibrant branch of literature.

Of course, there are also weeks when I say, “The hell with it,” and settle in with a great vintage paperback.

This was one of those weeks. And the book that lured me away from the latest crop of promising new writers clamoring for my attention was L. Sprague de Camp’s The Spell of Seven, a slender sword & sorcery anthology from 1965.

I’ll admit up front that I thought that The Spell of Seven was a standalone title. I’m a child of the late 20th Century; when a book is part of a series, I expect the publisher to sell me on that up front. (It’s easier to mug me for more money that way.)

Fortunately, I have the collective hive-mind of Black Gate to call upon. One of the great lobes of that mind is Brian Murphy, who pointed out that the book was a follow-up to De Camp’s seminal S&S anthology Swords and Sorcery, and part of a successful series that would eventually evolve into a four volume survey from Pyramid Books covering the most important heroic fantasy of the time.

Here are Brian’s comments, taken from his 2011 review of The Fantastic Swordsmen.

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Vintage Treasures: The Last Planet by Andre Norton

Vintage Treasures: The Last Planet by Andre Norton

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The Last Planet-smallAndre Norton’s The Last Planet may have been the first Ace Double I ever saw.

Memory is a tricky thing, so I can’t really be sure. It may have been Daybreak — 2250, which sat enticingly in the spinner racks of the St. Francis Junior High School library in Halifax, Nova Scotia. But The Last Planet was almost certainly the first Ace Double I laid eyes on which I was aware was an Ace Double, with a sister book on the flip side and everything (in this case, Alan E. Nourse’s futuristic thriller A Man Obsessed.)

By then, I had begun to build my own collection of SF paperbacks and this fascinating relic of early SF adventure helped pull me towards the entire Ace Double line, like a shipwrecked sailor drawn towards a desert island. A big, lush desert island with a gorgeous library.

It’s Harry Barton’s classic cover for the 1955 paperback that really did it for me. I’ve never read The Last Planet — it took me years just to track down a copy — but nonetheless it has loomed large in my imagination for decades. Three stalwart space explorers, walking through the ruins of an alien city as their crashed spacecraft cools in the foothills behind them, about to stumble upon a metal robot, hiding in the rubble and clutching a rudimentary weapon.

How could it not? For me, at least, it’s one of the signature works of 20th Century SF artwork.

In the years that I searched for a copy, I imagined the story of those three explorers. Would they shoot the robot? Was it friendly? Could be friendly, with those big google-eyes and curious gaze. Those red-shirted explorers looked awfully trigger happy though, with their steely gazes and twitchy hands on their futuristic sidearms. Lords knows, you can’t blame a redshirt for being trigger-happy on an away mission.

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Two-Fisted Justice in an Abandoned Cemetery: Will Esiner’s The Spirit

Two-Fisted Justice in an Abandoned Cemetery: Will Esiner’s The Spirit

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The Spirit 23-smallWill Eisner is one of the most revered comic creators of the 20th Century, and for good reason. I’m continually astounded at the skill and command of the medium he exhibited, even at an early age.

He was inducted into the Academy of Comic Book Arts Hall of Fame in 1971 and he virtually created the graphic novel with his 1978 masterwork A Contract with God. Comic’s most prestigious awards, the Eisner Awards, were created in his honor in 1988.

So I’m a little disappointed that his most famous creation, the good humored crime-fighter The Spirit, isn’t more well known today.

The Spirit is flat-out one of my favorite early comics. Beginning his career as detective Denny Colt, shot and left for dead in the first three pages of his premiere appearance, the Spirit awakens in the abandoned and overgrown Wildwood Cemetery. From this new base of operations, and with his past virtually obliterated, The Spirit throws himself into life as a crime fighter, disguising his identity with a small domino mask (which he wears even while sleeping), an amazingly resilient business suit, fedora hat, and gloves.

With his sidekick Ebony White, an uneducated but resourceful black orphan (who sleeps in a sock drawer), the Spirit traveled the world, bringing justice to criminals and con men all over the world.

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Lust, Women, and the Devil: Seven Decades of Fritz Leiber’s Conjure Wife

Lust, Women, and the Devil: Seven Decades of Fritz Leiber’s Conjure Wife

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Conjure Wife-small There are a lot of fascinating things you can learn about 20th Century America — and America today — by being a compulsive paperback collector. Seriously. It’s like being a Cultural Anthropologist.

Let’s take a look at Fritz Leiber’s first novel, Conjure Wife. In fact, it’s a near perfect example. The book has been reprinted around a dozen times by roughly as many publishers over the last 70 years, and each time the cover art and marketing copy tell you as much about society as they do about the book. More, even.

First, it helps to know a little about the novel. Conjure Wife was written in 1943; it’s a supernatural horror novel that imagines that witchcraft is an ancient secret shared by most women. Our protagonist Norman Saylor, a professor at a small town college, accidentally discovers that his wife Tansy is a witch. When he convinces her to abandon the mysterious art, the couple rapidly find their luck changing for the worse. Turns out that Tansy’s various charms were the only thing protecting them from an intricate web of curses and counter-spells cast by the women around them.

I always thought that was a fascinating premise. If it seems familiar, it’s because the story has filtered into public consciousness since 1943 — it’s been filmed at least three times: the Lon Chaney, Jr. feature Weird Woman (1944), the Charles Beaumont and Richard Matheson collaboration Burn, Witch, Burn! (1962), and Lana Turner’s final film, Witches’ Brew (1980). Of course, the concept of a community of witches and warlocks living secretly among us has gradually become a popular fantasy trope — used in Jimmy Stewart’s 1958 fantasy Bell, Book and Candle, just for example, as well as the 1964 to 1972 TV series Bewitched, and even the Harry Potter novels.

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Vintage Treasures: The Man Who Awoke by Laurence Manning

Vintage Treasures: The Man Who Awoke by Laurence Manning

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The Man Who Awoke-smallI love dollar bins. If you’ve ever been in the Dealer’s Room at a convention, or any decent bookstore, you know what I’m talking about. The jumbled box at the foot of the booth, virtually ignored, with a hand-scrawled note on the lid: “All books — $1.”

I was at Capricon 34 this weekend here in Chicago and dropped by Greg Ketter’s booth in the Dealer’s Room. Greg is a great guy, owner of DreamHaven Books in Minneapolis, one of the last great science fiction bookstores. I’m pretty sure I was in the middle of a conversation with someone when I saw three boxes peeking under from under his booth with a hand-written “$1” sign. Next thing I know, I’m sitting on the floor, surrounded by neat little stacks of books on the carpet.

There’s nothing like finding a book you’ve always wanted in a dollar bin. Except maybe finding a treasure you didn’t even know existed. And that’s what happened when I pulled out a pristine copy of Laurence Manning’s 1975 paperback The Man Who Awoke from the bottom of the box.

The Man Who Awoke is a collection of five novelettes originally published in Wonder Stories in 1933. It follows the adventures of Norman Winters, a scientist who finds a way to put himself into suspended animation and wake up every 5,000 years. He encounters vastly changed human civilizations at every stop, until he awakens one last time in the year 25,000 A.D.

I read the first story in the pages of that pinnacle of Western Modern Literature, Isaac Asimov’s pulp anthology Before the Golden Age, and really enjoyed it. Winters awakens in 5,000 A.D. to find the city of New York gone, and in its place a thick forest — and humanity struggling to survive.

It was a rip-snortin’ slice of pulp escapism… or was it?

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As Tartary Burns

As Tartary Burns

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As-Tartary-Burns-smalltumblr_makahwr3RL1rs6hqwo1_500-smallAs Tartary Burns is the debut novel by Riley Hogan and is newly published by Airship 27. Calling the novel pulp fiction isn’t completely accurate. Hogan finds himself in the same position as the standout talents of the pulp world of the 1920s and 1930s who were published in the pulps, but whose prose was more polished and literate than most of their peers to the degree that it seems an oversight they were passed up by the slicks. Many of those talents today are recognized as having lasting literary value. So it is with As Tartary Burns, an ambitious fast-paced historical adventure that presents an alternate history of the Cossacks, Ottomans, and Crimeans.

Hogan’s book has been likened to Robert E. Howard and Harold Lamb. One reviewer suggests comparison to the film Braveheart. I felt it read like a stream-lined Game of Thrones with the explicit sex and language excised. Hogan is possessed not only of an obvious passion for history, but a pride in the culture, folklore, and religion of these people to the degree that one wonders if it is his own heritage. His reshaping of world events makes one curious if he plans not so much a conventional follow-up, but rather an expanding alternate history of the world set in different epochs.

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