Black Gate

There have been a lot of intriguing fantasy debuts already in 2018, and to really stand out you need to do something different. Julia Whicker’s Wonderblood, set in a post-apocalyptic America where magic is openly practiced, sounds like it will fit the bill nicely.

Margot Livesey calls it “A stunning debut… Julia Whicker evokes an apocalyptic America where medicine is illegal, everyone is searching for portents and only a severed head can offer protection.” That’s plenty different, anyway. Wonderblood was published in hardcover last month by St. Martin’s Press.

Set 500 years in the future, a mad cow-like disease called “Bent Head” has killed off most of the U.S. population. Those remaining turn to magic and sacrifice to cleanse the Earth.

Wonderblood is Julia Whicker’s fascinating literary debut, set in a barren United States, an apocalyptic wasteland where warring factions compete for control of the land in strange and dangerous carnivals. A mad cow-like disease called “Bent Head” has killed off millions. Those who remain worship the ruins of NASA’s space shuttles, and Cape Canaveral is their Mecca. Medicine and science have been rejected in favor of magic, prophecy, and blood sacrifice.

When traveling marauders led by the bloodthirsty Mr. Capulatio invade her camp, a young girl named Aurora is taken captive as his bride and forced to join his band on their journey to Cape Canaveral. As war nears, she must decide if she is willing to become her captor’s queen. But then other queens emerge, some grotesque and others aggrieved, and not all are pleased with the girl’s ascent. Politics and survival are at the centre of this ravishing novel.

Wonderblood was published by St. Martin’s Press on April 3, 2018. It is 304 pages, priced at $26.99 in hardcover and $13.99 in digital formats. The cover was designed by Ervin Serrano.

Frances Hardinge has twice been nominated for the Andre Norton Award for Young Adult Science Fiction and Fantasy, for her novels Cuckoo Song and The Lie Tree. Verdigris Deep has previously been published in the US under the title Well Witched (2008), and was nominated for the Locus Award for Best Young Adult Book. Amulet has now released it under its original title as part of a set of matching editions with Fly By Night, Fly Trap, and others. Farah Mendlesohn at Strange Horizons said:

Verdigris Deep confirms what I already suspected: Frances Hardinge is the best new fantasy writer for children since Diana Wynne Jones. There is simply no one to match her…

Three children, Josh, Ryan, and Chelle… steal money from an old wishing well. Initially, nothing much happens: then Ryan looks in a mirror and sees water running from his eyes, and passes a poster on which a woman comes alive, her eyes streaming like a fountain. The woman commands him to fulfil the wishes attached to each coin they stole. When Ryan contacts Chelle and Josh he discovers that each of them has acquired “powers” to aid this directive: Josh can now affect electricity and any item that can carry current, while Chelle has become a radio receiver for the wishers—in their vicinity she spills their every thought. Ryan’s “power” remains hidden for a while, mere warts on his hand; but as things proceed the warts develop into eyes which can see the wishes people make as long smoky threads emerging from the chest.

Serving the spirit in the well begins as empowering fun: Ryan, Chelle, and Josh help a young man to win a Harley Davidson, and facilitate a young woman none of them like in finding her true love, but as the story develops it darkens: wishes become more worrying, some of them are out of date and no longer accord with people’s desires yet must still be fulfilled, others are downright nasty or require nastiness to achieve… As the book rolls on to its crescendo, water and emotions flood the page. The ending is deeply satisfying: it is incomplete, problematic, and flows off the edge of the page.

Verdigris Deep was published by Amulet on April 10, 2018. It is 287 pages, priced at $10.99 in hardcover and $9.99 for the digital edition. The cover is by Vincent Chong.

Emily Devenport has written six novels under her own name, including Larissa (1993), Eggheads (1996), and The Kronos Condition (1997).

Under the name Maggy Thomas, she was a finalist for the Philip K. Dick Award for Best Novel, for Broken Time (2000). She’s also produced two novels set on the Belarus planet under the pseudonym Lee Hogan.

But it’s been fifteen years since she’s published a novel, so anticipation is high for her new book Medusa Uploaded. Most of the major genre sites — including io9, The Verge, and Kirkus — have selected it as one of the most interesting books of the month. It arrived in trade paperback from Tor last week.

My name is Oichi Angelis, and I am a worm.

They see me every day. They consider me harmless. And that’s the trick, isn’t it?

A generation starship can hide many secrets. When an Executive clan suspects Oichi of insurgency and discreetly shoves her out an airlock, one of those secrets finds and rescues her.

Officially dead, Oichi begins to rebalance power one assassination at a time and uncovers the shocking truth behind the generation starship and the Executive clans.

Medusa Uploaded was published by Tor Books on May 1, 2018. It is 317 pages, priced at $16.99 in trade paperback, and $9.99 for the digital edition. The cover is by Sam Weber.

See all of our recent New Treasures here.

Well, this is something of a guilty pleasure: an anthology with the subtitle Bigs Ships. Blowing Things Up. It’s the kind of thing you didn’t even know was missing from your life until you see it.

IN SPACE, SIZE MATTERS!

Boomers. Ships of the Line. Star Destroyers. The bigger the ship, the better the bang. From the dawn of history onward, commanding the most powerful ship around has been a dream of admirals, sultans, emperors, kings, generalissimos, and sea captains everywhere. For what the intimidation factor alone doesn’t achieve, a massive barrage from super-weapons probably will.

Thus it was, and ever shall be, even into the distant future. From the oceans of Earth, to beneath the ice of Europa, to the distant reaches of galactic empires, it is the great warships and their crews that sometimes keep civilization safe for the rest of us—but sometimes become an extinction-level event in and of themselves.

In “Superweapon” by David Drake, a fight for possession of an ancient alien warship will determine the fate of two vast interstellar powers. Then in “Hate in the Darkness” by Michael Z. Williamson, a team of libertarian Freeholders must think outside the box to do battle with the might of the United Nations and its powerful navy. And in “A Helping Hand,” Jody Lynn Nye posits an interstellar submarine on a rescue mission behind enemy lines — with the fate of an entire species hanging in the balance.

Big, bold, and edge-of-your-seat space opera and military science fiction from David Drake, Sharon Lee & Steve Miller, Michael Z. Williamson, Steve White, Robert Buettner, Susan R. Matthews, Dave Bara, and many more!

If you like modern space opera — and really, who doesn’t? — this book is Bean’s gift to you. It contains stories from 15 top-notch writers, most of whom have ongoing space opera series from a wide range of publishers, including Dave Bara (DAW), Christopher Ruocchio (DAW), Robert Buettner (Orbit), Mark L. Van Name (Baen), and many others. Here’s your chance to try a rich smorgasboard of writers under one cover, and maybe find yourself a few new favorites.

Here’s the complete Table of Contents.

…

Read More Read More