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Experience the Best Science Fiction of 1926 with The Gernsback Awards, Volume One

Experience the Best Science Fiction of 1926 with The Gernsback Awards, Volume One

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The Gernsback Awards-smallThe Hugo Award, science fiction’s most famous prize, was first dreamed up in 1953 for the 11th World Science Fiction Convention, and they’ve been given out every year since 1955. The prestigious Nebula, awarded by the Science Fiction and Fantasy Writers of America (SFWA), was first given out in 1966.

Now, I know what you’re thinking. “But wait! What about all the marvelous science fiction and fantasy published between 1926, the year that marks the birth of Amazing Stories and hence science fiction as a genre, and 1953? With no prestigious award to draw the attention of future generations, is all that pulp fiction doomed to obscurity? Can nothing be done?!?”

Admit it — that’s exactly what you thought, over-punctuation and all. You should think about switching to decaffeinated.

Well, calm down. As usual, there’s no thought that we have that Forrest J. Ackerman hasn’t thunk before. In fact, Forry sprang into action to rectify this serious crime against science fiction way back in 1982.

His ingenious idea was The Gernsback Awards, a series of awards given retroactively to early science fiction. Each year, the ten nominees for the award would be collected in a handsome volume that would allow modern audiences to read and judge for themselves the best of the year.

At least, it was meant to be a series of awards. For unknown reasons, only one volume ever appeared: The Gernsback Awards, Volume One: 1926. Still, that one volume is packed full of terrific fiction from Edmond Hamilton, Curt Siodmak, Murray Leinster, A. Hyatt Verrill, H. G. Wells, and others — not to mention great art by Frank R. Paul.

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Summer 2013 Subterranean Magazine now Available

Summer 2013 Subterranean Magazine now Available

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Subterranean Magazine Summer 2013-smallThe Summer installment of online dark fantasy magazine Subterranean is a special K. J. Parker issue, with two short stories by the pseudonymous author of The Folding Knife and The Engineer trilogy, “The Sun And I” and “Illuminated,” and an article, “Rich Men’s Skins; A Social History of Armour.”

I wonder if the editors have any inside info on who the mysterious K.J. Parker really is? Those Subterranean guys are pretty connected; it’s their job to be in the know on industry secrets and stuff. They’ve published Parker plenty times before — most recently with “Let Maps to Others” (Summer 2012), “The Life and Sad Times of the Western Sword” (Fall 2011), and the World Fantasy Award-winning novella, “A Small Price to Pay for Birdsong” (Winter 2011).

After a lengthy association like that, you’d think they’d have shelled out a couple bucks for a private eye, and maybe have some fuzzy photos and a database of incriminating leads by now. Like the fact that K.J. Parker and John R. Fultz have never been seen in the same room together. Hmmmm.

If Lee Moyer’s cover looks familiar, it should — it was first used as the cover for Weird Tales 357 (see it here). No crime in re-using great art I guess, but you’d think they’d have chosen something less recent. That issue of WT came out just two years ago! Maybe they’re on a budget. Private eyes aren’t cheap.

They didn’t skimp on the contents though — as usual, this issue is packed with great fiction from some of the top names in the industry, including Joe R. Lansdale, Catherynne M. Valente, and Kat Howard.

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“We Thought We Were Immortal”: Robert Bloch on J. Francis McComas, Eric Frank Russell, and Leigh Brackett

“We Thought We Were Immortal”: Robert Bloch on J. Francis McComas, Eric Frank Russell, and Leigh Brackett

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Starlog Science Fiction Yearbook-smallLast week, as part of my ongoing look at Lester Del Rey’s Best of… paperbacks from the 1970s, I wrote a brief piece on The Best of Robert Bloch. In the Comments section, Tangent editor and uber-fan Dave Truesdale offered up this fascinating tidbit:

Back in 1978 David Gerrold and I edited the Starlog SF Yearbook… For the section titled In Memoriam I wrote Robert Bloch and asked if he would do the honors (Kerry O’Quinn, Starlog publisher had given me a budget and so I was of course paying authors). Bob agreed and turned in well over a thousand words on three people who had passed away in 1978: J. Francis “Mick” McComas, co-founder of F&SF; Eric Frank Russell, and Leigh Brackett. It was a marvelous piece, bookended with how the field had begun so small when everybody knew everybody else and it was a big deal when someone died — and today (1978) when hardly anyone noted the passing of folks like Hugo Gernsback or Raymond Palmer…

After Bob got the check for his piece, he wrote back to express his thanks and that Mrs. Bloch would no doubt enjoy spending it on several bags of groceries.

After thinking on it a bit more, Dave got in touch with Robert Bloch’s daughter, Sally (Bloch) Francy, to ask for permission to reprint the piece. Here’s part of her reply:

I’m sure Dad would be very pleased, and I hope he and Rich Matheson are chatting about it as I ‘speak.’ I babysat for Matheson’s kids and rode horseback with their oldest daughter, Tina… Rich’s passing, though not a surprise, given his age and health issues, was still a shock. He and Harlan Ellison are the two people I knew from when I was a teenager, and to whom I still feel strong emotional ties to my father. They are the last of his generation of the people I knew. I miss my dad every day, still!

Thanks to Dave’s efforts, the complete text of her letter and her father’s 1978 piece are reprinted on the Tangent Online website.

Galaxy Science Fiction, March 1951: A Retro-Review

Galaxy Science Fiction, March 1951: A Retro-Review

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Galaxy Science Fiction March 1951-smallGalaxy’s March, 1951 issue is succinct, offering only five pieces of fiction.

I noticed this on the table of contents: “Next issue at your newsstand first week in March,” which means that the March, 1951 issue was available in early February. That’s fairly standard for magazines (probably so the reader feels like an issue is current), but I admit I still find it confusing.

“The Wind Between the Worlds” by Lester Del Rey – Instead of exploring the solar system, mankind inadvertently figures out how to transport between worlds, drawing the attention of the Galactic Counsel. As a provisional member, Earth can exchange matter with other members of the council. When someone sabotages one of the matter transmitters, it remains open, sucking in large amounts of air from Earth every second. It’s up to a couple of engineers and a bureaucrat to figure out how to switch off the transmitter before the U.S. (under increasing pressure to fix the problem) bombs the facility, which would leave the transmitter permanently open.

I like science fiction like this, where there are a variety of alien races with vastly different cultures and appearances. I also enjoyed how mankind never figured out how to travel through space; we simply figured out how to transport matter to distant areas. Plausible and entertaining.

“The Other Now” by Murray Leinster – Jimmy’s wife is killed in a car accident. But in the weeks that follow, he begins to see glimpses of another reality within his home – her cigarette butts in the ashtray, doors opened that he knows were closed. Then he sees her diary open and reads the latest entry. Not only is it the current date, but she writes of missing Jimmy since his untimely death.

This has a great Twilight Zone feel to it. Yes, I know it predates the show, but the comparison is still valid. Leinster may have been the first author to use the idea of parallel universes, given that his story “Sideways in Time” appeared in the June, 1934 issue of Astounding. I leave this open for discussion.

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Amazing Stories, January 1962: A Retro-Review

Amazing Stories, January 1962: A Retro-Review

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Amazing Stories January 1962-smallThis seems to me a fairly significant issue of Amazing, in its way, though  it doesn’t feature any of the really significant Goldsmith discoveries (no Zelazny, no Le Guin, no Bunch); nor are any of the stories lasting classics. But all of the writers are reasonably well-known, and it does feature one somewhat important sort-of-debut, as well as a near farewell.

The cover is by Ed Emshwiller, illustrating Ben Bova’s “The Towers of Titan.” (His wife Carol appears in form-fitting spacesuit.) There is a back cover illustration too, in black-and-white, by Virgil Finlay, for the serial, Mark Clifton’s “Pawn of the Black Fleet.” Interiors are by Finlay, Emshwiller, Adkins, Summers, and Kilpatrick.

The letter column, “… Or So You Say,” has letters from Ken Winkes, H. James Hotaling, and Bob Adolfsen, none of the names familiar to me, discussing among other things the question of whether serials are a good idea.

The book review column, The Spectroscope, by S. E. Cotts, reviews Daniel F. Galouye’s Dark Universe (very favorably – and indeed the novel became a Hugo nominee), Lester Del Rey’s Winston juvenile Moon of Mutiny (very unfavorably), Arthur C. Clarke’s non-fiction collection The Challenge of the Spaceship, John C. Lilly’s Man and Dolphins, an account of the author’s research on dolphins and in particular their intelligence and capacity for language (Cotts reveals himself as rather a skeptic in this area); and also a curious review of an Ace Double, Kenneth Bulmer’s No Man’s World backed with Poul Anderson’s Mayday Orbit.

Cotts modestly praises No Man’s World as “plain uncomplicated entertainment” – no real argument there from me – but he dismisses Mayday Orbit as a “minor trifle” – in itself not an absurd judgment, but if it is a minor trifle then so too surely is No Man’s World!

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Weird Tales 361 Now on Sale

Weird Tales 361 Now on Sale

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Weird Tales 361-smallThe latest issue of the world’s oldest — and arguably greatest — fantasy magazine is now on sale.

Weird Tales #361 is the special demented Fairy Tale issue, with fiction by Peter S. Beagle, Tanith Lee, Jane Yolen, Morgan Llywelyn, and many others.

There’s also articles from Darrell Schweitzer (“Ninety Years of Weird Tales“), an interview with J. David Spurlock on the artwork of Margaret Brundage, and “An Inside Look at Weird Tales,” a step-by-step look at the evolving cover concept for this issue, by editor John Harlacher and artist Jeff Wong.

It’s always a delight to see a new issue of Weird Tales, especially one as jam-packed as this. This fat issue contains no less than 19 stories and four poems, alongside several feature interviews, book reviews, and copious interior art.

The PDF review copy we received is beautifully laid out and easy to navigate and read. This is the second issue produced by Nth Dimension Media, under new editor Marvin Kaye.

Here’s the complete Table of Contents:

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July/August Magazine of Fantasy & Science Fiction now on Sale

July/August Magazine of Fantasy & Science Fiction now on Sale

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Magazine of Fantasy and Science Fiction July August 2013Pretty sedate cover on the latest F&SF. Especially when you consider recent covers have featured deadly sea creatures, dragons, and floating eyeballs. But hey – magical cats are a time-honored tradition in American fantasy, so who am I to judge?

Colleen Chen at Tangent Online finds lots to like about this issue’s cover story, “The Color of Sand” by KJ Kabza, magical cats and all:

I always have high expectations when reading F&SF, but I found this issue particularly delightful. Much of it read like a selection of folk and fairy tales, complete with talking animals and legendary folk, interspersed with a couple of science fiction stories and a dash of horror for variety.

“The Color of Sand” by KJ Kabza is a whimsical tale of a five-year-old boy named Catch who lives on the edge of the dunes with his mother and his only neighbor, a talking sandcat named Bone. Catch and his mother, who pick up mysterious colorful pebble-like objects on the beach to trade and sell, discover one day that the objects, called refulgium, are magic. Catch swallows a red one and becomes a giant. Guided by Bone, he and his mother embark on a journey along the coast to the perilous Final Atoll to seek a black refulgium that will return him to normal size.

This story was such a pleasure to read. It’s smart and funny enough to appeal to adults but would also enrapture children of any age.

The issue also contains fiction by Eleanor Arnason, Tim Sullivan, Adam Rakunas, Chen Qiufan, Harry R. Campion, and many others. In a startling development, there is no contribution from Albert E. Cowdrey this issue – for the first time in two years.

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Professor Jameson’s Space Adventures, or Zoromes Make the Happiest Cyborgs

Professor Jameson’s Space Adventures, or Zoromes Make the Happiest Cyborgs

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Amazing Stories April 1938-smallI first ran across Neil R. Jones’s Prof. Jameson stories in junior high while reading Isaac Asimov’s Before the Golden Age — which, by the way, is one of my favorite anthologies.

Neil R. Jones’s first Prof. Jameson adventure appeared in the July 1931 issue of Amazing Stories. In this first story, “The Jameson Satellite,” Mr. Jones gives us all the background information that we’ll ever need to follow this wonderful over-the-top space adventures of Professor Jameson and his Machine Men colleagues, the Zoromes!

Within the first few pages, we learn that Professor Jameson of the 20th century had a horrible revulsion against being buried and subsequently becoming worm food after his death. So, to ease his mind, he arranged to have his body placed in a hermetically sealed rocket after his death and then launched into orbit around the Earth.

Following me so far? Good. So now we skip ahead 40,000,000 years to find the Professor’s orbiting Tupperware bowl still circling a now-dead Earth, which is itself orbiting a dying Sun which has cooled off and become a Red Giant (we now figure that this’ll actually take somewhere around 5 billion years to happen). So far so good? Good!

We then meet a group of intergalactic explorers who are at this very moment investigating our dying solar system. Their sensors pick up a metallic object orbiting the Earth.

Now of course the reader knows immediately what the object actually is. When they finally approach Earth and discover Prof. Challenger’s coffin-ship, they take it aboard their own greatly larger ship.

It turns out that the Zoromes aren’t your run-of-the-mill extra-terrestrial explorers. Nope, they are actually cyborgs! The Zoromes wanted dearly to explore the galaxy, but knew their mortal bodies wouldn’t survive a journey that might entail thousands of years, so they traded flesh and bone for metal and circuitry. Makes sense to me.

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The Best New Sword & Sorcery of the Last Twelve Months

The Best New Sword & Sorcery of the Last Twelve Months

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stormbringerMy name’s Fletcher Vredenburgh and I blog and yammer on the Internet (and comment here on Black Gate) as the Wasp. When Dale Rippke’s super-informational swords & sorcery site Heroes of Dark Fantasy went dark, I wanted to create a site to fill that void, but I wasn’t sure what shape it would take.

Initially, Swords & Sorcery: A Blog was going to be dedicated solely to classic heroic fiction. I figured I would just re-read and write about the books I already knew and loved, like Death Angel’s Shadow or Stormbringer, and that would be enough.

Then I discovered I was living in the midst of a S&S revival. Spurred by magazines like Black Gate and fueled by authors like James Enge and Howard Andrew Jones, new stories at least as good as anything from the genre’s heyday in the seventies were being created.

That led me on a hunt for anything new in S&S. I quickly learned that for every Enge or Jones, there were a dozen writers regularly gracing the electronic pages of numerous online magazines.

For what I now wanted, which was to get a sense of what was going on down on the ground and then convey that to any readers I might have, the standout publications were Heroic Fantasy Quarterly, edited by Adrian Simmons, David Farney, and William Ledbetter and Beneath Ceaseless Skies, edited and published by Scott H. Andrews.

For over a year now I have continually struck genre gold in both magazines.

Over the past year of reviewing, I’ve read thirty stories from HFQ and BCS. Re-reading my reviews, I was struck both by how many of the stories I liked, and how many I recalled in detail. In fact, there was only one story I actively disliked. There was straight up no-holds-barred swords & sorcery, techno-fantasy, some chinoiserie, and an Arthurian tale thrown in for good measure.

I went out looking for heroic fantasy, and was rewarded instead with an antidote for all the monstrously long and never-ending series weighing down Barnes & Noble’s shelves.

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Kirkus Looks at Galaxy Science Fiction

Kirkus Looks at Galaxy Science Fiction

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Galaxy February 1951Over the last few months, Matthew Wuertz and Rich Horton have been tag-teaming a series of Retro Reviews here at Black Gate, looking at science fiction digests from the 1950s and 60s — especially H.L. Gold’s Galaxy, which Matthew has been covering issue by issue since the very first, cover-dated October 1950.

Meanwhile, Andrew Liptak at Kirkus Reviews has done his own retrospective, “Changing the Playing Field: H.L. Gold & Galaxy Science Fiction,” a detailed and affectionate look at Gold and the superb magazine he created:

Galaxy appeared in October 1950 as a monthly publication. It paid far better than its competitors, and Gold proved to be a far better editor than his counterpart at Astounding… With Gold at the helm, Galaxy Science Fiction began to change the tone of the genre. Astounding had taken advantage of the scientific rush that followed the development of the atomic bomb, and the resulting doomsday stories that followed. Gold went in another direction, explaining in an editorial that “The shape humanity is in is cause for worry, I believe, but not the kind of paralyzing terror that clutches science fiction writers in particular… Look, fellers, the end isn’t here yet.”

Strong, socially aware and satirical fiction became the mainstay with Galaxy, and 1951 proved to be an excellent year for the publication: “The Fireman,” by Ray Bradbury, appeared in the February issue, set in a dystopian world where literature was burned by government agents, and was later expanded into his landmark novel Fahrenheit 451. April brought Cyril Kornsbluth’s story “The Marching Morons,” and September saw Gold bring Robert Heinlein away from Astounding with his three-part story The Puppet Masters…

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