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New Treasures: Comics: The Complete Collection by Brian Walker

New Treasures: Comics: The Complete Collection by Brian Walker

Comics The Complete CollectionThere are coffee table books, and there are coffee table books. Brian Walker’s Comics: The Complete Collection is the latter — meaning it’s a “coffee table” book in the sense that it’s large enough to be propped up and used as a coffee table. For a family of five.

If the very existence of a 672-page, 7-pound book crammed full of vintage American comics strips from the past 110+ years isn’t enough to interest you, then you probably have no soul. But maybe this will help: this book collects 1,300 of the best newspaper strips from some of the finest comics ever created, including Walt Kelly’s Pogo, Berke Breathed’s Bloom County, Bill Watterson’s Calvin and Hobbes, Scott Adams’s Dilbert, Charles Schulz’s Peanuts, Will Eisner’s The Spirit, Gary Larson’s The Far Side, Hal Foster’s Prince Valiant, Chester Gould’s Dick Tracy, Ernie Bushmiller’s Nancy, Milton Caniff’s Terry and the Pirates, Al Capp’s Li’l Abner, Roy Crane’s Wash Tubbs, Dik Browne’s Hagar the Horrible, Jim Davis’s Garfield, Harold Gray’s Little Orphan Annie, Bill Griffith’s Zippy the Pinhead, Johnny Hart’s B.C., Geroge Herriman’s Krazy Kat, Burne Hogarth’s Tarzan, Lynn Johnston’s For Better Or For Worse, Bil Keane’s Family Circus, Hank Ketcham’s Dennis the Menace, Winsor McCay’s Little Nemo in Slumberland, Dale Messick’s Brenda Starr, Richard Outcault’s Yellow Kid, Brant Parker’s Wizard of Id, Alex Raymond’s Flash Gordon, E.C. Segar’s Popeye, Mort Walker’s Beetle Bailey, Tom Wilson’s Ziggy, and Chic Young’s Blondie.

And others. Lots and lots (and lots) of others.

It’s called The Complete Collection because it was originally published in two volumes: The Comics Before 1945 and The Comics Since 1945. These survey volumes were useful in their own right, with comics organized by decade, and well-written biographical profiles, as well as thoughtful analysis of the different genres. But the omnibus collection is both an incredible value and a beautiful piece of work, the kind of gorgeous and massive tome you could place prominently in the living room, flip through for years, and never exhaust. Or use to prop up the foundation of your house, whatever.

Comics: The Complete Collection was published in April 2011 by Abrams ComicArts. It is 672 pages in hardcover, and there is unlikely to be a softcover or digital edition. It’s a bargain at $40, and you can find copies online for around $29. Highly recommended.

Red Sonja 14

Red Sonja 14

Red Sonja 14 coverSo this issue begins with Red Sonja walking through an unnamed town at night, minding her own business. Not sure how small the town is or how late, but on page one, we see only one other person on the street and he’s sleeping on it. I’ve probably mentioned before in these reviews that I find the preponderance of unnamed towns and unnamed demons to be a bit annoying, especially coming from Roy Thomas, who’s fairly knowledgeable about all things Hyborian. Seriously, just make up a name for the town or use a real city name. No one’s going to check.

Watch. Evanston. Red Sonja’s walking through Evanston, trying to forget her beloved Suumaro (the mommy-fixated boy-king who treated his wives like slaves and wanted Sonja to join his harem – what a catch). Now let’s move along.

So Red Sonja is just minding her own business, which is pretty much all the invitation anyone seems to need to bother her. She’s approached by a glowing nobleman named Gonzallo (see, no one cares that it’s a stupid name), who offers to pay her a diamond if she’ll act as his bodyguard for a few hours. When she asks why he’s glowing, he dismisses the question by saying that he’s eccentric.

The diamond looks real, so Red Sonja lets herself be hired. The first thing Gonzallo does is guide her to his gondola (oh, so they’re in Venice) and his requisite deformed gondolier, Karon. As the three of them make their way through the canals of (Venice? Evanston? Lower Aquilonia?), Sonja notices the surroundings have begun to change and soon they’re moving through an underground canal. The chamber is lit faintly by phosphorus, just enough for Sonja to see an iron gate rising up out of the water to block the way they’d come.

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New Treasures: The Eye of the World: The Graphic Novel, Volume 3

New Treasures: The Eye of the World: The Graphic Novel, Volume 3

The Eye of the World Graphic NovelNo, you’re not a bad person because you prefer to wait for the comic versions of major bestelling fantasy series. I’m right there with you. We are what the world has made us, and it’s not our fault.

It’s especially not our fault that the world keeps throwing all these enticing graphic novels our way. The latest series to catch my eye has been The Eye of the World, the ambitious adaptation of the first novel in Robert Jordan’s 14-volume, 10,000+ page fantasy epic The Wheel of Time.

This isn’t the first Jordan comic project. New Spring, based on his 2004 Wheel of Time prequel novel, was published by Tor in 2011 and became a New York Times bestseller — a pretty good indicator that more would be in the works. (It’s currently heavily discounted at Amazon.com.)

The first volume of the comic version of The Eye of the World was released in 2011; volume two in June of last year. Chuck Dixon, who also scripted New Spring, returned for this project; with this volume he’s paired with new artists: Marcio Fiorito, illustrator of Anne Elizabeth’s Pulse of Power, and Francis Nuguit, a comic-book illustrator from the Philippines.

Volume 3 collects issues thirteen to eighteen of the ongoing series published by Dynamite comics. It finds our heroes — Rand, Mat, Perrin, Egwene, Moiraine, Lan Mandragoran, and the rest — split into three groups while fleeing the ancient, dead city of Shadar Logoth. Pursued by the deadly Mashadar, Perrin and Egwene attempt a dangerous river crossing and encounter a mysterious stranger, while Rand and Mat disguise themselves as apprentices on a cargo ship.

The Eye of the World: The Graphic Novel, Volume 3 was published by Tor Books on January 29, 2013. It is 176 pages in hardcover, priced at $24.99. There is no digital edition.

Red Sonja 13

Red Sonja 13

Red Sonja 13 coverSo this is the big wrap up to the storyline that began back in issue 8. Red Sonja sneaks back into Skranos in order to reinstate Suumaro as the rightful heir to the throne. Never mind that, over the last four issues, we’ve seen that Suumaro is a misogynistic momma’s boy who can’t seem to accomplish anything on his own. His half-brother Oryx (the current heir to the throne) is even worse. The first plan is to sneak past a sleeping guard.

The next step is to steal a harem girl’s outfit. More specifically, she pays the harem girl a gold coin to remove her outfit. There’s a great panel of the harem girl covering herself in shock at the thought of removing her clothes, even though, really, that must be part of the job description. So Red Sonja has to hold a dagger to the girl’s throat, urging her to forego her usual modesty and strip off the two-piece translucent outfit. Keep in mind, Sonja’s in the girl’s room, so it’s not like anyone else will even see her before she just puts on another outfit. In fact, why doesn’t Sonja just ask her for a spare outfit, since the harem girls can’t wear the same thing every day (and if they do, um, yuck).

Once again, Red Sonja takes to the streets, dressed in a harem slave outfit that leaves more to the imagination than a chainmail bikini. But she’s in disguise now. Because, apparently, no one was looking at her face the last time she was in Skranos. It’s a pretty stupid plan, but of course it works.

One page later, she walks right up to Oryx and starts flirting with him, face uncovered. Keep in mind, this is the man who ordered her to be hung just a couple weeks earlier. Red Sonja was standing at the gallows, insulting Oryx, before his half-brother swung in and rescued her. I’m just saying, she’s someone he’s going to remember. But with a worse disguise than Clark Kent, she manages to get close to him.

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Red Sonja 12

Red Sonja 12

Red Sonja 12 coverWhere were we? Red Sonja and the polygamist exile prince Suumaro were trying to break free of a prison palace, which was built on top of a tree by Suumaro’s sorceress mother Apah Alah shortly after her husband left her. They’d met a horned centaur who used a glass-blowing pipe to create leather eggs that hatched into thumb-sized peacocks that grew to thousands of times their original size in a matter of minutes. The centaur died. The giant peacocks died. Sonja went blind for a while. And after she got her sight back, she was approached by a demon who wanted her to steal something called the Emblem. The demon’s name is Kthonn and he offers both Sonja and Suumaro great wealth if they retrieve this issue’s mystic doodad. That’s page one.

Sonja stabs him on page two. Basically, she knows he’s going to betray her, so why not cut out a lot of useless effort and kill him now? Her logic is sound, but her blade has no effect on the demon. So instead she agrees to find the Emblem. Apparently, among other things, the Emblem has the power to free them all from the prison palace.

Suumaro uses his magic to get a general fix on the talisman’s location. Turns out it’s in yet another tower of the increasingly large prison complex. So the two of them go off in search of the thing and, as soon as they’re out of earshot, Kthonn reveals that (spoiler) he’s planning to sacrifice them as soon as they return with the Emblem. Who’s he going to sacrifice them to? We’re never told. An even bigger demon, probably.

So, Sonja, Suumaro, and Kthonn all know this is a bad deal. But everyone’s going along with it anyway, presumably because seventeen pages aren’t going to fill themselves. And when they reach the (unguarded) chamber where the Emblem is kept, they find four items on a table: a wand, a sword, a coin, and a cup.

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Red Sonja 11

Red Sonja 11

Red Sonja 11 coverThe story opens with Red Sonja and Suumaro in the talons of a giant peacock, being flown away from the ruins of the sorceress Apah Alah’s honeymoon suite. It was explained (though not very clearly) last issue, but to catch up with the story (and the series in general), all you have to know is that a lot of crazy things happen to Red Sonja and she usually ends up stabbing most of those crazy things. Oh, and she’s blind after being covered in the blood of a peacock-blowing man-stallion (seriously, not half as sick as you’re thinking).

If you’re honest with yourself, you know how you’d react to being blinded, then clutched in the talon of a giant peacock. I’d be terrified. Red Sonja’s first line this issue: “I’d hoped that when death arrived for me – I’d at least be able to see well enough to spit in its face!” And that’s really all you have to know about Red Sonja.

The giant bird drops them on the upper section of the palace, where they are greeted by a bald woman with a crossbow named Narca. It turns out Narca is angry at the bird for trying to take Sonja and Suumaro out of the palace (even though the bird wasn’t taking them out of the palace, just the crumbling part of it). So she shoots the giant peacock with her crossbow, then has her army of albino gorillas drag its corpse to a giant vat of blood, where it is dumped.

Why is she so mad about Sonja and Suumaro’s escape attempt? Because she’s trapped there too. In her own wing of the palace. With an army of gorillas. And a blood pit that she uses for demonic summoning. And this isn’t even the dumbest prison set-up I’ve seen in the series (see issue two).

Sonja can’t see Narca, but Suumaro tells her that she’s “purely evil,” which he seems to conclude from the fact that she’s bald and shot a big bird. Then she shoots a second giant peacock and has it tossed into the blood pit as well. Some demon is apparently very thirsty.

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Red Sonja 10

Red Sonja 10

Red Sonja 10 coverSo this story opens with Red Sonja and the inexplicably-still-unslain Suumaro on a reconnaissance mission. They’re traveling by raft into the least-fortified part of Skranos to gather intelligence on its fortifications. After I wrote that sentence, I realized that if they already know what part of the city is least-fortified, then haven’t they already scoped out the fortifications?

Never mind. They never make it into the city this issue anyway. Before the first page is turned, Sonja, Suumaro, and the retinue of soldiers they brought with them are attacked by winged demon-people. Suumaro is all-too-familiar with the creatures, saying that his sorceress mother, Apah Alah, created them as guardians. Sonja asks what she used them to guard.

A better question might be what kind of spy mission includes the leader of the resistance movement, a woman who drunkenly challenged the entire army to kill her, a dozen armed men, and their horses? How exactly were they expecting to slip in unnoticed?

Again, never mind. We’ve got harpies to fight. Well, for a page and a half. The harpies (or whatever) kill all the other men, as well as the horses. (Have I mentioned how badly horses get treated in this series?) Leaving Red Sonja and Suumaro on the shore of a forest. Capping the trunk of one of the largest trees is a castle.

Yeah, a castle is growing out of a tree. It’s just there, by the shore between Skranos and the rebel encampment. And nobody noticed a castle growing out of a tree up until now.

And since this Red Sonja, you guessed it. She freaks out for one panel, then moves on. Because mildly freaked out is just how she’s learned to function.

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The Pop Culture Class of 1960 – 1969: Marvel Firsts: The 1960s

The Pop Culture Class of 1960 – 1969: Marvel Firsts: The 1960s

Marvel Firsts The 1960s-smallI remember the first time I read Origins of Marvel Comics, Stan Lee’s seminal 1974 anthology collecting the first appearances of the Fantastic Four, the Hulk, Spider-Man, Thor, and Doctor Strange. It was memorable because, for one thing, Stan’s bombastic introductions were frequently more entertaining than the comics themselves, and for another… the comics sure looked old.

Stan knew that, and he also knew a collection of first issues didn’t necessarily reflect Marvel Comics at its best. So alongside each origin story he also reprinted a tale that did showcase what made these characters special, including the FF’s epic battle with the Silver Surfer (from issue #55), Spider-Man’s tussle with the Shocker (issue #72), and others classic stories from the late 60s.

It made for a terrific book — and a great seller. Stan followed it a year later with Son of Origins of Marvel Comics, and then Bring on the Bad Guys; all told Marvel produced a total of 24 different books in similar format with publishing partner Fireside Books.

Origins of Marvel Comics hasn’t been in print in nearly three decades (ignoring the oddity with the same title released last May, which condenses the origin of each of the Marvel’s most popular characters into a single page), which is a shame. However, Marvel finally rectified this oversight late in 2011, kicking off an ambitious program to collect the first appearances of virtually every one of its major and minor characters.

This is a massive undertaking, and while I miss the partner tales Stan included alongside his selections, it’s an understandable sacrifice for the sake of completeness. While another reprinting of The Fantastic Four #1 or Amazing Fantasy #15 wouldn’t normally get me to crack open my wallet, an omnibus volume that also collects The Rawhide Kid #17 (from 1955), Daredevil #1 (1964), Western comic The Ghost Rider #1 (1967) and numerous others was definitely worth a look.

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Red Sonja 9

Red Sonja 9

Red Sonja 9 coverI really don’t want to be “that guy.” Long-time comic fans know “that guy.” The one who can say with authority whether the Batmobile is stick or automatic, how Wonder Woman can find her invisible jet, and who would win in the oldest comic grudge match: Superman or the Hulk. I don’t want to be one of those fans who tells the writer that he’s writing his characters wrong.

But I’ve been following Red Sonja for a while and I think I have a feel for how she thinks, what she values. I come back every month to follow her adventures partially because I like how she handles said adventures. So when I read a story that just goes against so much of what’s been established up to this point, it just pulls me out of the tenuous suspension of disbelief I have to enter to take any of this seriously.

When the story opens and Red Sonja is having dinner with Suumaro, a man who openly keeps a harem of a chained women, something doesn’t ring true. She set them free last issue; but there’s no mention of what happened to them. She should be helping them escape from their indifferent master or, better yet, training them into a fighting force that can exact revenge. At the very least, she should run her sword through this Tarzan wannabe.

As it is, she excuses herself from the meal to go into the nearby woods and sleep in a tree. Hey, who doesn’t have to get away from it all once in a while? After drowning one of Suumaro’s generals in mammoth innards last issue, she’s now taken over his post. The rigors of command are no doubt getting to her; but honestly, why does she want to work for this creep?

Sure enough, she’s not dozing for half a page before the jerk comes trolling after her. She jumps off the limb and he moves to embrace her. She pushes him away, explaining that she’s made a vow, which I have to believe is her way of being polite. I have no idea why she’s trying to be polite to this guy.

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MAKE THIS TRUE OR HARVEY SMASH! Planet Hulk to Come after Avengers 2

MAKE THIS TRUE OR HARVEY SMASH! Planet Hulk to Come after Avengers 2

HulkPlanetHulkHCHULK SMASH MARVEL STUDIOS FOR SENDING HULK INTO SPACE!

Maybe he will and maybe he won’t, because that is how “scoops” work, and in this case we are dealing with a scoop for a film quite a few years out.

However, Latino Review and their esteemed El Mayimbe have a long history of accuracy with breaking movie news, so when El Mayimbe says that Marvel wants to make a movie version of Planet Hulk as a follow-up to 2015’s upcoming The Avengers 2, it bears serious consideration.

And, if true, damn I’m psyched and ready to Hulk-out. You should be too.

(Caution that El Mayimbe’s video may be considered mildly “spoilery” about the possible end of The Avengers 2. My comments below may also infer bits about Avengers 2.)

Planet Hulk is a long 2006 arc from The Incredible Hulk comic book (with tie-ins) by writer Greg Pak and illustrator Carlo Pagulayan. The gist: A small group known as the Illuminati, composed of the most powerful heroes on Earth, decide that the Hulk is simply too dangerous for the planet, so they shut him in a spaceship and blast his green butt off into space to land on a peaceful planet to spend the rest of his days. Only… this is a comic book and such a development would be boring. Nobody wants to see Hulk traipsing through a shady copse, smiling, and picking up alien daisies. TRA-LA-LA, HULK NO SMASH! HULK LOVE RHODODENDRONS!

Instead, the Hulk’s ship goes through a wormhole, and he crashes on the violent planet of Sakaar. What follows is basically a sword-and-sorcery epic with the Hulk playing a Robert E. Howard hero who battles his way from gladiatorial slavery all the way to becoming the ruler of the planet. Trust me, it’s awesome — breaking away from the traditional “Hulk vs. General Ross” storylines on Earth and fulling embracing the Leigh Brackett and ERB style of muscular planetary romance. (Try to imagine Hulk as the star of The Sword of Rhiannon!) And the whole enormous thing is available digitally from Amazon.

Our own Bill Ward did an excellent write-up of the comic in 2009 if you desire more details.

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