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Bold Venture Press: The Unsung Hero of Pulp Publishing

Bold Venture Press: The Unsung Hero of Pulp Publishing

51WvS1lFaXL._SX331_BO1,204,203,200_PulpNoir_1280__06197.1518283264Black Gate: Bold Venture Press is, in many ways, the unsung hero of the pulp world of the 21st Century. You’ve an impressive catalog of new titles and classic reprints, but let’s start at the beginning and tell readers about Bold Venture Press’ history and accomplishments.

Bold Venture Press: Rich Harvey was working in the newspaper field, and founded Pulp Adventures Press in 1992, which eventually became Bold Venture Press. The Bold Venture imprint published The Spider and Pulp Adventures magazine, went on hiatus for a few years, then returned in 2014, reviving Pulp Adventures.

Audrey Parente was an investigative reporter and pulp historian who put her pulp connections on hiatus as her reporting career went into high gear. She rejoined the pulp fold after taking early retirement by attending Rich’s Pulp AdventureCon in New Jersey in 2012. Meeting at other pulp conventions, Rich and Audrey became reacquainted.

A fictionalized version of their romance, Pulp Noir was published by Bold Venture Press. They joined forces in Florida in 2014. Bold Venture has been cranking out several books every month, first focusing on pulp reprints and then adding new pulp and mainstream authors. Rich’s connections with Zorro Productions has led to the biggest and most exciting projects they have tackled.

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New Treasures: Bone Harvest by James Brogden

New Treasures: Bone Harvest by James Brogden

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Titan Books, April 2020. Cover design by Julia Lloyd.

I tell myself that I showcase horror novels all year round, but it’s not really true. Sure, I do a little. But as the evenings grow colder, and leaves start to turn, and night comes sooner every day, and October creeps closer… we inch towards Halloween, the natural season for creepy books of all kinds. And I find myself writing about them more often (and with more gusto).

Here’s one that came out in April: Bone Harvest, the newest from James Brogden. We covered his previous novels, Hekla’s Children (2017) and The Hollow Tree (2018), both from Titan Books. His latest is the creepy tale of a woman who battles both a sinister cult, and steadily worsening dementia, which Publishers Weekly calls a “dark, transfixing supernatural thriller… Brogden breathes new life into a classic horror setup…. electric, masterfully weaving together dark humor and suspense.” Here’s an excerpt from the feature review at Horror Hothouse.

It’s our opinion that James Brogden is the greatest living writer of folk horror in the UK… we think his latest novel Bone Harvest is the best yet…. Dennie spends much of her time on her allotment. Only the allotment holds a dark secret because its the place where Dennie helped her neighbour Sarah to hide her abusive husband’s corpse. Now twelve years after Sarah died in prison three strangers take on Sarah’s plot… things start to get weird after they invite the other plot holders to a pig roast. Plants bloom early, shadowy figures prowl the allotment at night and the people who ate the ‘pork’ seem miraculously revived as old ailments and disabilities vanish… To make things even stranger the ghost of Sarah starts to visit Dennie bringing dire warnings of things to come. What’s Dennie to do and with the onset of dementia who is going to believe her….

Brogden injects an intricately evolved ancient mythology into what on the face of it seems to be a normal mundane Midlands town populated with well developed and mostly ordinary people, but many of them harbor dreadful secrets… as the plot unwinds Brogden maintains an utterly compelling sense of foreboding and menace as Dennie seeks to find allies who she can trust to help combat the ancient evil that her new neighbours are about to unleash on her world. Compellingly fascinating we give Bone Harvest a 666/666.

Bone Harvest was published on April 7, 2020. It is 496 pages, priced at $14.95 in paperback and $7.99 in digital formats. The cover is by Julia Lloyd. See all our recent new Treasures here.

A Salute to a Science Fiction Bookseller

A Salute to a Science Fiction Bookseller

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Infinite Dreams by John Haldeman (Avon 1979, cover by Clyde Caldwell),
Chrysalis Volume 2, edited by Roy Torgeson (Zebra 1978, cover by Colin Hay)

Based on the email I get, a lot of Black Gate readers assume that I pull my Vintage Treasures out of the Cave of Wonders in my basement. It’s true that there’s a lot of paperback books down there (crammed up to the rafters in places), but the truth is that most of the books I choose to highlight in my regular Vintage Treasures column are recent acquisitions. I have a lot of regular sellers I trust, and one of them is North Dakota eBay seller pandoratim (Tim Friesen), whom I’ve purchased several titles from over the years (including Joe Haldeman’s first collection Infinite Dreams, which I talked about last year).

So I was a little dismayed to have my most recent purchase from Tim, Roy Torgeson’s 1978 anthology Chrysalis 2, canceled on Tuesday. In a cryptic message sent through eBay, Tim told me, “I am about to cancel your order because my health has deteriorated to the point where I can’t fulfill orders. I apologize for this poor handling of your order.” I wasn’t too concerned about the book, but I was concerned about a message like that from a trusted bookseller who’s sent me some fine volumes over the years. So I sent Tim this message.

Oh no! I’m so sorry to hear that. Don’t worry about the book at all. I appreciate you letting me know. I hope this is something you can recover from eventually. Readers need to stick together. I hope you’ll drop me a note letting me know you’re getting better. I’m at john@blackgate.com.

I was deeply saddened to get this response this morning.

Hi John, thanks a lot for writing. I’m sorry to say it’s not. I’ve gone into Palliative Care and likely have just a couple of weeks left. One of the great pleasures I gained from selling on eBay was getting to know repeat customers, like yourself. It’s one of my few regrets. However, it was my turn to draw the short straw, and I’m at peace with our decision. Best wishes to you going forward, John, please take care as you can during these crazy pandemic-filled and toxicly politicized days. It’s been a pleasure working with you,

sincerely,
Tim Friesen

There’s very little I can do for Tim, from three states away. But I can do this. In front of the collective community of Black Gate readers, I would like to thank Tim Friesen, for the great care he took with his books over the years, and the obvious joy he took in sharing them with so many others. In many ways I think that’s the highest calling a book lover can have — not simply to collect and preserve great books, but to do the real work of parting with them, and put them safely in other hands.

We salute you, Tim. Safe voyages from here.

A Dead Colony and a Deep Space Mystery: The Memory War by Karen Osborne

A Dead Colony and a Deep Space Mystery: The Memory War by Karen Osborne

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Here’s something interesting — an ambitious two-book space opera from debut novelist Karen Osborne. Opening novel Architects of Memory, which Publishers Weekly calls “a twisty, political space opera about corporate espionage and alien contact,” will be released in trade paperback on Tuesday. Book Two, Engines of Oblivion, arrives in February.

Here’s a snippet from the feature review of the first book at The Nerd Daily.

Architects of Memory by Karen Osborne is a stellar debut that explores the corruption in capitalism and what we will go through to protect the ones we love.

Salvage pilot, Ashland Jackson, just wants to finish her company indenture and get the citizenship she desperately needs to gain access to the treatment for the celestium sickness that is quickly killing her. When Ash and the crew of the Twenty-Five stumbled upon a mysterious weapon while on a salvage op, they are thrown into a world of corporate espionage and betrayals. As buried secrets and alliances become revealed, Ash and the crew must figure out who to trust and how to keep the weapon out of the wrong hands….

Architects of Memory is a good debut that leads me to believe Karen Osborne will definitely be taking up space on my favourites of science fiction bookcase. Her subtle way of building up characters brings them to life in ways that few authors can achieve. If you are looking for a science fiction story with authentic characters, twisty plots, a stuffed unicorn toy, and plenty of action and feels, then this is the one for you!

Here’s a peek at the back cover for Architects of Memory, and complete publishing deets both volumes.

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A Science Fiction Catastrophe

A Science Fiction Catastrophe

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Just another day living with COVID

When is this going to end? Will it ever truly be over? I certainly don’t know and I don’t know of anyone who does. Neither can I claim that I was prepared when the COVID era suddenly leaped out of the ground and threw itself at our throats like Ray Harryhausen’s murderous skeletons in Jason and the Argonauts, though I do like to think that we science fiction readers were taken just a little less by surprise than most folks were.

Before this happened, we’d at least spent time (in the literary sense) with people who have foreseen disasters like the one we’re living through. Perhaps no theme is more common to the genre, and any science fiction fan worth his or her salt has whole shelves full of books that describe the human race wrestling with apocalyptic attacks that come out of nowhere and change everything. (I know you were hoping the science fiction that would be realized during your lifetime would be contact with a benevolent alien civilization or antigravity cars or an endless power supply that you could carry in your pocket, not this. Me too.)

Maybe that’s why the opening of H.G. Wells’s great book (and the granddaddy of all such end-of-the-world nightmares), The War of the Worlds, has been much on my mind lately.

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New Treasures: Children of the Fang and Other Genealogies by John Langan

New Treasures: Children of the Fang and Other Genealogies by John Langan

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Cover by Matthew Jaffe

Word Horde, Ross E. Lockhart’s small press, has produced some knockout titles over the past few years, including Vermilion by Molly Tanzer, the Bram Stoker Award-winning novel The Fisherman by John Langan, and The Children of Old Leech, edited by Ross E. Lockhart and Justin Steele. Last month they released Children of the Fang and Other Genealogies, the big new collection by horror master John Langan. The Publishers Weekly review teased some of the stories within nicely.

Langan (The Fisherman) draws inspiration from Stephen King, H.P. Lovecraft, David Lynch and other masters of the strange and horrific to create an impressive collection of 21 tales as terrifying as they are mysterious. The exceptional title story finds two siblings investigating family secrets hidden away in their grandfather’s basement and stumbling on a horrific realization. “With Max Berry in the Nearer Precincts” offers a disturbing vision of the afterlife, while “Ymir” ventures into a Canadian mine with an eccentric billionaire and his female bodyguard. True Detective meets Stephen King’s It in “The Communion of Saints,” about a detective whose faith is tested when the Catholic saints are revealed to be other than they appear… This well-crafted collection will delight fans of dark, literary horror.

On his website Langan notes, “This is a big book, modeled after collections like King’s Skeleton Crew and Barker’s Books of Blood.” Here’s the complete table of contents.

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Vintage Treasures: Merchanter’s Luck by C.J. Cherryh

Vintage Treasures: Merchanter’s Luck by C.J. Cherryh

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Merchanter’s Luck (DAW, 1982). Cover by Barclay Shaw

I haven’t covered many C.J. Cherryh novels in my ongoing Vintage Treasures project, and that seems like a serious oversight. Cherryh was a constant presence on the paperback racks in my youth. She sold her first novel Brothers of Earth to Donald A. Wollheim at DAW in 1975; since then she’s published more than 80 science fiction and fantasy books, including the most ambitious and successful first contact saga in science fiction, The Foreigner Series. Volume 21, Divergence, arrives in hardcover next week.

I recently picked up a copy of the author’s 1982 paperback original Merchanter’s Luck, and I thought it would be a good place to start. It’s the first novel in her Company Wars saga, set in the Alliance-Union universe where humanity has split into three space-faring power blocs: Union, the Merchanter’s Alliance and Earth. I remembered Jo Walton’s Tor.com review of Merchanter’s Luck from a decade ago, enticingly titled “A girl on a haunted spaceship.” Here’s an excerpt.

Ben JB and I were talking about Gothics, and Ben JB asked if you could have a Gothic on a spaceship. My immediate response was Merchanter’s Luck, a 1982 novel by C.J. Cherryh. It has a girl and a haunted spaceship and a mysterious man with lots of secrets in his past. But on re-reading it, I have to admit that it doesn’t quite work as a Gothic… Allison is far from a gothic heroine — she’s empowered, and most of the time in the novel she is the one in the position of power. She goes onto the spaceship and goes into abandoned cabins, full of the possessions of the dead, but she doesn’t go alone. She’s not virginal, not isolated, and never helpless…

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Future Treasures: The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020 edited by Jonathan Strahan

Future Treasures: The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020 edited by Jonathan Strahan

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Cover design by Richard Yoo (click to embiggen)

Jonathan Strahan’s The Year’s Best Science Fiction Vol. 1 feels like a beginning. Probably because it is a beginning, in more ways than one. Jonathan has been editing Year’s Best books since 2003, and he curated thirteen volumes of the excellent Best Science Fiction and Fantasy of the Year, the first seven with Night Shade (2007-2013) and the last six with Solaris (2014-19). He’s now switched publishers to Saga Press/Gallery Books, and with that transformation comes other changes as well.

Most obvious is a switch in title, to The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020, a reset in the numbering scheme (back to #1), and a refocus (dropping fantasy altogether). But the most interesting alteration (to me, anyway) is foreshadowed by the touching dedication:

In memory of my dear friend Gardner Dozois (1947-2018), who would have loved these stories.

With the title change, it seems to me that Jonathan assumes the mantle of Dozios (who edited 35 volumes of his own The Year’s Best Science Fiction between 1984-2018), and the duties and responsibilities that go with it. For example, Gardner’s introductions to his volumes were legendary, an annual summation of the Year in Science Fiction that fans looked forward to and read with relish. Jonathan’s summations have always been more modest — his intro to last year’s edition was a humble 8 pages — but with this one, titled A New Beginning, Jonathan stretches his legs admirably. His introduction to The Year’s Best Science Fiction Vol. 1 clocks in at 23 pages, room to weigh in not just on the best stories of the year, but the finest novels, collections, anthologies, magazines, and nonfiction, and well as report on rumblings in publishing, deaths in the field, award news, and more. Jonathan is a natural at this kind of opinionated writing, and he nails it.

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Andrew Liptak on 20 Sci-fi and Fantasy Books to Check Out in August

Andrew Liptak on 20 Sci-fi and Fantasy Books to Check Out in August

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Cover art: uncredited, Dan dos Santos, and Anthony Ramondo (click to embiggen)

I’ve grown to rely on Andrew Liptak’s newsletter to keep me up-to-date on the latest releases, especially during the era of the pandemic. He’s got a keen eye, and roves far and wide to compile a list of the best new books every month. His list of August’s most noteworthy titles does not disappoint, with new releases from Carrie Vaughn, Tamsyn Muir, Seth Dickinson, L. Penelope, Lavie Tidhar, Lisbeth Campbell, Marina J. Lostetter, Emily Tesh, Gardner Dozois and Michael Swanwick, Karen Osborne, Carole Stivers, and Ashley Blooms. Here’s a few of the highlights.

By Force Alone by Lavie Tidhar (Tor Books, 416 pages, $27.99/$14.99 digital, August 11, 2020)

Over the years, I’ve really enjoyed Lavie Tidhar’s work — particularly The Violent Century and Unholy Land. (I still need to read Central Station). He likes to play with tropes, upending conventional characters and stories, and his next is an intriguing-sounding take on the King Arthur mythos.

Tidhar puts a gritty edge to the Arthurian legend, portraying Arthur and his companions as gangsters and criminals running drugs and weapons through a London that’s been abandoned by Rome. Writing for Locus, Ian Mond writes that “For all its foul language and radical deconstruc­tion, of which I’ve provided only a taste (you should see what Tidhar does with the Holy Grail), By Force Alone isn’t a desecration of the Arthurian romances. Instead, he pays homage to the writers and poets who took their turn in adapting and refining Monmouth’s text.”

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New Treasures: grotesquerie by Richard Gavin

New Treasures: grotesquerie by Richard Gavin

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Cover by Mike Davis (click to embiggen)

Undertow Publications commands my attention these days. Editor Michael Kelly has a truly keen eye for fiction, and he’s published some of the most acclaimed short story collections of Weird Horror in the last decade, including Simon Strantzas’s Nothing is Everything, V. H. Leslie’s Skein and Bone, and Kay Chronister’s Thin Places. On Tuesday he adds another to that impressive list, grotesquerie by Richard Gavin.

Gavin is the author of five previous collections, including Omens (Mythos Books, 2007), At Fear’s Altar (Hippocampus Press, 2012), and Sylvan Dread: Tales of Pastoral Darkness (Three Hands Press, 2016). Ramsey Campbell said, “Richard Gavin’s tales are genuinely evocative of the strange and alien,” and Publishers Weekly reviewed grotesquerie warmly last month, saying:

The 16 dark tales in this collection from Gavin (Sylvan Dread) are distinctive and macabre… The strongest — including “Neithernor,” in which a man stumbles upon his cousin’s uncanny art show at a strange gallery; “Scold’s Bridle: A Cruelty,” about a mask used as a torture device; and “Three Knocks on a Buried Door,” about a man who discovers an elaborate residence occupied by a mysterious being just beneath his apartment building — are richly articulated nightmares that will delight horror fans… the heady, transportive atmosphere of many of these stories… will put readers in mind of both classic weird fiction and the supernatural mysteries of the 1970s. Dedicated weird fiction readers will find this worth a look.

grotesquerie will be published by Undertow Publications on September 1, 2020. It is 292 pages, priced at $17.99 in paperback and $5.99 in digital formats. The hypnotic cover is by Mike Davis. Order copies directly from Undertow.

See all our recent New Treasures here.