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Existence of Unpublished Stieg Larsson Novel is Confirmed

Existence of Unpublished Stieg Larsson Novel is Confirmed

dragon-tattooCBS and The New York Times are reporting that the long-rumored fourth novel in Stieg Larsson’s Millennium series does, in fact, exist.

Whether it will ever be published in another matter. The complete text has yet to surface, and the only person reportedly in possession of a copy is his longtime companion Eva Gabrielsson, who is believed to have a laptop containing the manuscript. However Gabrielsson does not control the rights to the book, which are held by Larsson’s family. CBS is reporting the Larssons have, to date, forbidden publication.

The Millennium trilogy began with The Girl With the Dragon Tattoo and continued in The Girl Who Played with Fire and The Girl Who Kicked the Hornet’s Nest.  Larsson reportedly planned to write 10 volumes.

Larsson, who died of a heart attack at the age of 50, did not live to see the books published.  They have become an international phenomenon, with roughly 30 million copies sold. All were published originally in Sweden and then translated into English.

Among the disclosures today was the fact that the manuscript is believed to be the fifth book in the 10-volume series, rather than the fourth, “because he thought that was more fun to write.”

I bought these books for my mother on her birthday, only to discover she’d already read them.  That pretty much makes me the last person in North America not to have read them.  On the bright side, at least now I have copies.

The E-book Revolution

The E-book Revolution

star-soldier1An atomic bomb has exploded in the world of writing. The mushroom cloud expanding over us awes some and terrifies others. Many claim it’s a passing thing and will blow away in time.

“Fah! I’ve seen other explosions before,” say the critics. “This, too, will fade.”

“Look,” they add, “only ten percent of readers will use Kindle, Nook, iPad or read on their computers. Everyone else will stick with print.”

The critics have a masterful argument, too. Smell. “A book smells sooo good,” they say. “I love the odor.”

I call them snifffers. Until the E-book Revolution, I had no idea so many people lovingly lifted their books to their nose like a bouquet of roses and inhaled the odor.

“Ahhh, just smell this, honey. Oooo, it gets me in the mood.”

Like Guttenberg’s printing press, the E-book Revolution is changing the dynamics of the game.

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Black Gate: Your Definitive Source for Sword & Sorcery

Black Gate: Your Definitive Source for Sword & Sorcery

swordssorcery2So I finally had a chance to sit down this week with Swords & Dark Magic, the new anthology from Jonathan Strahan and Lou Anders.

It’s well worth your time.  It has a terrific new story by James Enge, “The Singing Spear,” in which Morlock faces off against an indestructible weapon of his own design. It also includes a new Black Company tale by Glen Cook, and a fresh Elric novella from Michael Moorcock.

Additional contributors include Robert Silverberg, with a new Majipoor story, and Michael Shea with a tale of Cugel the Clever, as well as Joe Abercrombie, Garth Nix, Gene Wolfe, Steven Erikson, C.J. Cherryh, and many others.

The introduction by the editors, “Check Your Dark Lord at the Door,” is a fine retrospective of Sword & Sorcery through the decades. And the editors salute this publication with:

Black Gate magazine… has been the definitive source for sword and sorcery short-form works since its launch in 2000.

Kind words indeed. Always a pleasure to be honored by such distinguished gentlemen. And now I know what book I’ll be giving as a Christmas gift to all my relatives and in-laws. If you’re interested in a copy, better find one before I buy them all.

A Peek at The Way of the Wizard

A Peek at The Way of the Wizard

WAY OF THE WIZARD hits stores on Nov. 16.
The Wizard hits stores on Nov. 16.

It’s almost here! Next month Prime Books releases its new fantasy anthology paperback, THE WAY OF THE WIZARD. It features 32 stories of sorcerers, wizards, magicians and the like. In addition to luminaries like Neil Gaiman,  George R. R. Martin, Robert Silverberg, and Peter S. Beagle (among others) it features my own story, “The Thirteen Texts of Arthyria.”

Editor extraordinaire John Joseph Adams just announced the book’s complete table of contents:

WAY OF THE WIZARD

– Table of Contents –

-Introduction by John Joseph Adams
In the Lost Lands — George R.R. Martin
Family Tree — David Barr Kirtley
John Uskglass and the Cambrian Charcoal Burner — Susanna Clarke
Wizard’s Apprentice — Delia Sherman
The Sorcerer Minus — Jeffrey Ford
Life So Dear Or Peace So Sweet — C. C. Finlay
Card Sharp — Rajan Khanna
So Deep That the Bottom Could Not Be Seen —  Genevieve Valentine
The Go-Slow — Nnedi Okorafor
Too Fatal a Poison — Krista Hoeppner Leahy
Jamaica — Orson Scott Card
The Sorcerer’s Apprentice — Robert Silverberg
The Secret of Calling Rabbits — Wendy N. Wagner
The Wizards of Perfil — Kelly Link
How to Sell the Ponti Bridge — Neil Gaiman
The Magician and the Maid and Other Stories — Christie Yant
Winter Solstice — Mike Resnick
The Trader and the Slave — Cinda Williams Chima
Cerile and the Journeyer — Adam-Troy Castro
Counting the Shapes — Yoon Ha Lee
Endgame — Lev Grossman
Street Wizard — Simon R. Green
Mommy Issues of the Dead — T. A. Pratt
One Click Banishment — Jeremiah Tolbert
The Ereshkigal Working — Jonathan L. Howard
Feeding the Feral Children — David Farland
The Orange-Tree Sacrifice — Vylar Kaftan
Love is the Spell That Casts Out Fear — Desirina Boskovich
El Regalo — Peter S. Beagle
The Word of Unbinding — Ursula K. Le Guin
The Thirteen Texts of Arthyria — John R. Fultz
The Secret of the Blue Star — Marion Zimmer Bradley

So I’m sandwiched in between Ursula K. LeGuin and Marion Zimmer Bradley. Not a bad place to be!

You can pre-order WAY OF THE WIZARD at Amazon.com

Cheers!
John

Mary Shelley’s Frankenstein and the Power of Myth-Making

Mary Shelley’s Frankenstein and the Power of Myth-Making

wrightson-frankensteinMary Shelley’s Frankenstein: or, The Modern Prometheus is a remarkable work. The book had its origin as a ghost story concocted during a weekend gathering of the literati on Lake Geneva. It became the modern myth best reflecting the ethical and moral issues that arise when technology consistently outpaces its maker’s ability to reconcile progress with the established strictures of society. It remains a classic cautionary tale that has lost none of its relevance nearly 200 years since its publication. Despite this fact, it is an intensely personal story with strong autobiographical touches.

frankenstein2Mary Wollstonecraft Godwin was born in the late eighteenth century to outspoken liberal political theorist William Godwin and pioneering feminist Mary Wollstonecraft. Her mother died of complications giving birth to Mary. She grew up revering her parents’ work and was encouraged by it to ceaselessly question authority in any form. At age 16, Mary began an affair with one of her father’s most ardent followers, the poet Percy Bysshe Shelley who was five years her senior and married with small children.

Percy left his wife and family to travel the continent with Mary and her stepsister, Claire. He enjoyed affairs with both young women. Their unconventional living arrangement engendered much public outrage and ostracism wherever they went. Mary became pregnant with Percy’s child, but the little girl died shortly after birth. Mary’s father, who had criticized the institution of marriage in his writings, inexplicably turned his back on his unwed daughter for her licentious behavior.

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Mario Vargas Llosa wins Nobel Prize for Literature

Mario Vargas Llosa wins Nobel Prize for Literature

war-of-the-end-of-the-worldPeruvian author Mario Vargas Llosa, one of the finest writers in the world — perhaps, indeed, the finest writer — was awarded the 2010 Nobel Prize for Literature by the Royal Swedish Academy yesterday.

Vargas Llosa wrote two of the best novels I’ve ever read: Time of the Hero, based on his experiences at a Peruvian military academy — which caused such an uproar that a thousand copies were publicly burned by military authorities — and The War of the End of the World, which he’s called his finest book. This historical novel of End-of-the-19th-Century Brazil reads like epic fantasy, chronicling the apocalyptic fate of the small town of Canudos, in the grip of a visionary prophet and home to the country’s outcasts — prostitutes, bandits, and beggars — and a place where money, taxation, and marriage do not exist. Until the Brazilian government deems it must be destroyed at any cost.

In total he’s written over 30 novels and plays, including The Green House, Conversation in the Cathedral, Aunt Julia and the Scriptwriter, and In Praise of the Stepmother.

Vargas Llosa ran for President of Peru in 1990, but lost to Alberto Fujimori, who was later convicted of bribery, embezzlement, and human rights violations and sentenced to 25 years in prison. In 1976 Vargas Llosa famously punched his former friend Gabriel García Márquez (author of One Hundred Years of Solitude and a 1982 Nobel Prize winner himself) in Mexico City, and the two have reportedly not spoken in decades.

The Nobel Prize for Literature is regarded as the highest award a writer can receive. Previous winners have included Guenter Grass, Toni Morrison, William Golding, Saul Bellow, Samuel Beckett, Jean-Paul Sartre, John Steinbeck, Ernest Hemingway, Winston Churchill, William Faulkner, and George Bernard Shaw.

E-Books That Cost More Than Hardcovers?

E-Books That Cost More Than Hardcovers?

fall-of-giantsThe New York Times is reporting that two recent bestsellers — Fall of Giants by Ken Follett, and Don’t Blink by James Patterson and Howard Roughan — are priced higher in their e-book versions than in print by Amazon.com.

As of press time, Fall of Giants, published by Dutton on Sept 28, is $19.99 for the Kindle edition, and just $19.39 for the physical book (all 1,008 pages).   Don’t Blink is $14.99 for the e-book, or just $14 for the hardcover.

As you can imagine, this has ignited something of a firestorm in Amazon’s Customer Reviews section, resulting in both novels taking a critical drubbing.

Fall of Giants has 63 five-star reviews versus over 200 one-star reviews, with comments ranging from:

Refuse to pay this much for an ebook

and

Let’s boycott the gougers

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Rigor Amortis: Love and Zombies

Rigor Amortis: Love and Zombies

rigoramortisRigor Amortis, a collection of zombie erotica and romance flash fiction edited by Jaym Gates and Erika Holt, was officially released October 1.

According to Jaym, who came by our booth and entertained us during slow moments at Dragon*con, Rigor Amortis started out as a joke on Twitter, and quickly snowballed into a  real book.  A bizarre and strange book, but still a book. Check out this description:

Horror and erotica. Zombies and romance. Rigor Amortis.
       Maybe a tender love story is your thing, a husband doting on his wife’s rotting corpse. Or perhaps a forbidden encounter in a secret café, serving up the latest in delectable zombie cuisine, or some dirty, dirty dancing in the old-time honky-tonk. Voodoo sex-slaves and vending machine body-parts? You’ll find those here, too.
       Whatever your flavor, these short tales of undead Romance, Revenge, Risk, and Raunch will leave you shambling, moaning, and clawing for more.

Contributors include Armand Rosamilia, Jennifer Brozek, Annette Dupree, Alex Masterson, Edward Morris, and dozens more. The sexy and disturbing cover is by Robert “Nix” Nixon.  Rigor Amortis is $14.95 (print) and $2.99 (e-Book) for 148 pages, and published by Absolute XPress.

More details are available on the website.  Show us a little zombie love, and support a quality small press.

A Review of The Witches of Karres, by James H. Schmitz

A Review of The Witches of Karres, by James H. Schmitz

witches-karres-aI decided to review The Witches of Karres mostly because I remember seeing some sequels, written by different authors, as James H. Schmitz died in 1981.

I’m not surprised; The Witches of Karres feels like it should have been a series all along. The setting seems designed for multiple adventures. The book itself is less a space opera than a space operetta — it never takes itself too seriously — but it’s still distinctly an adventure story, not a straight-up comedy.

Captain Pausert is a decent and friendly man, perhaps a touch too in love with his notion of himself as a square-jawed space adventurer. For instance, we find out quite early in the book that he faked a log entry about a desperate fight against pirates when he actually just spent a few hours blowing up asteroids — partly to test his ship’s guns, partly for the fun of it.

Still, he can’t resist helping someone in trouble, especially when that someone is an apparently helpless teenage slave girl. Despite the anti-slavery laws of his native planet, he’s quickly maneuvered into buying her, then her two younger sisters.

Pausert may be a bit bumbling at this point in the story, but he’s not quite stupid; he notices that the slave-owners are extremely eager to sell, and that there’s something slightly off about the three girls.

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War, Peace, and Fantasy

War, Peace, and Fantasy

War and PeaceIn one of my first posts here, I mentioned that I was hoping to figure out what it is, exactly, that I like about fantasy fiction; what it is I get from fantasy that I get nowhere else.

I found myself thinking about that question a fair bit over the past couple of weeks. I was reading a 1500-page novel about a world-shaking clash of armies, a prose epic whose subjects ranged from the politics of high society to battles shaped by cavalry charges, and which presented a struggle against a would-be world conqueror viewed by some as divinely gifted and by others as a Satanic force of utter chaos.

It wasn’t a fantasy, though. It was War and Peace.

I found myself fascinated by how much Tolstoy’s great novel (Tolstoy claimed the book wasn’t a novel, in a formal sense, but the term fits better than any other) looks like an epic fantasy — even while feeling like nothing of the sort. Why is that? Why is something that seems so close to fantasy in form so different in actuality?

Obviously it’s a different kind of book. Obviously Tolstoy was aiming at something — many things — quite different from an epic fantasist. But what sort of things? How do they determine the feel of the novel?

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