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A review of Chase the Morning, by Michael Scott Rohan

A review of Chase the Morning, by Michael Scott Rohan

chaseSteve is a very normal man, perhaps even a bit boring. He works at an English shipping company, handling inventories and looking forward to a career in politics once he climbs the business ladder as far as it will take him. One day, for no particular reason, a sudden fit of discontent sends him down to the docks looking for something different, perhaps a restaurant he hasn’t visited. In an alley, he sees a man being attacked . . .

Chase the Morning, by Michael Scott Rohan, doesn’t have all that much in common with modern urban fantasies like The Dresden Files. It does, however, feature a magic world hiding in the shadows and back streets of this one, so it may fit the category. The setting of Chase the Morning is easily my favorite part of the book — not because the rest of the book is bad, but because the setting touches my sense of wonder.

It’s nicely built up, too. The man Steve rescues is named Jyp, and as Steve’s wounds are stitched up in an old-fashioned gaslit pub, Jyp casually discusses his ship’s exotic cargo: black lotus, conqueror root, merhorse hide. But the pub proves elusive the next time Steve searches for it, the sailing ships he saw at the dock don’t exist, and as for the cargo, Steve actually finds it in his computer — on a ship from 1868. Ass he slips in and out of the mundane world, he keeps seeing an illusory landscape in the clouds — the same landscape. The magical world starts intruding into Steve’s world, to find out who he is and why he’s interfering; this culminates in the kidnapping of his secretary, Clare, by not-quite-human savages called Wolves. In search of Clare, in search of Jyp’s help, he manages to locate the magical version of the docks, the one that’s packed with sailing ships from all eras. And then, too desperate to be skeptical, he watches a ship sail off into the sky, into the landscape of clouds.

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Worlds Within Worlds: The First Heroic Fantasy (Part I)

Worlds Within Worlds: The First Heroic Fantasy (Part I)

William MorrisWho was the first person to write high fantasy?

It seems like a simple enough question. By “high fantasy” I mean a story set in a world that is not this one. John Clute, in The Encyclopedia of Fantasy, defines high fantasies as stories “set in otherworlds, specifically secondary worlds, and which deal with matters affecting the destiny of those worlds.” In this definition, ‘Secondary worlds’ is Tolkien’s useful term for a fictional, self-consistent world with its own geography and history.

There’s a bit of ambiguity here, though. A secondary world is not necessarily a wholly other world. Tolkien intended his world of Arda to represent this world in a mythic, pre-historic time. Similarly, Robert E. Howard’s stories of Conan and Kull were meant to take place before the dawn of recorded history, and even most (if not all) of Clark Ashton Smith’s stories are given a precise relation to reality. In fact, Smith locates his stories almost everywhere in the existing universe that a fantasy could conceivably be placed: in the past (Hyperborea, Poseidonis), in the far future (Zothique), on other worlds known (Mars) or unknown (Xiccarph).

These choices of settings justify the fantasy. They explain how the fantasy can be imagined to exist, and make suspension of disbelief easier by linking the fantasy to reality. They frame the fantasy, if you like, in a connection to the real. That’s interesting, but it makes you wonder who the first person was that discarded the frame, and stepped wholly outside of reality. Or, to reframe my original question: who was the first person to come up with the idea of setting a story entirely in a world that is not our own? Who told the first story that had no link to the real world?

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The Collecting Game: Urban Legends and What Entropy Means to Me

The Collecting Game: Urban Legends and What Entropy Means to Me

entropy2There are indeed urban legends at work in the Collector’s market. For example, the entire print order of George Alec Effinger’s first novel, What Entropy Means to Me (Doubleday, 1972) was supposedly pulped before publication (almost certainly untrue).

We associate Doubleday with very short print-runs, quickie pulpings, and fabulously high collector’s prices. Many of the most expensive books in our field are Doubledays. (Specifically, early Heinlein, early Zelazny, early King.)

What Entropy Means to Me is not a rare book, even in non-ex-library copies. I have one. It may be that the price is still low because the demand is low, but this is not a hard book to obtain.

What I have always heard is that it was Zelazny’s Creatures of Light and Darkness which was mistakenly pulped prematurely. Apparently they planned to pulp something else, most likely Nine Princes in Amber, and pulped the wrong one, which resulted in Creatures only being in print a few months.

Meanwhile, most copies of Nine Princes were sold to libraries and were either defaced or destroyed. In retrospect this became a very sought-after title, and thus one of the great collector’s items of SF. There is one on Abebooks right now for $8,500.

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Black Gate Zeppelin to Dragon*Con Update

Black Gate Zeppelin to Dragon*Con Update

zepplein-brochure2bThere’s a temporary lull in operations and the skies are clear over Oklahoma, so I thought I’d take the time to set the record straight about our expedition to Dragon*Con via the Black Gate zeppelin, the Harold Lamb. John described the start of our journey just after we departed the Black Gate rooftop headquarters Thursday.

Those of you who know publisher John O’Neill are aware that he has a tendency to exaggerate. For instance, he stated that the zeppelin is capable of Mach 2, but it usually maxes out around 1.5. He’d probably report that we were attacked by a flock of cybernetic pterodactyls, but in truth it was really only a half dozen, and Bill Ward and I took out most of them with the electric railguns. John was only blown back a few feet when the aft railgun exploded, too, so just nod politely if he tells you he was smashed into the hull and stunned.

I really wish John hadn’t broadcast our route, because I’m afraid it’s attracted unwanted attention. I’m fairly certain Dr. Zaius sent the cybernetic pterodactyls after us, but John Fultz tells me he sent mocking letters to both Aquaman AND the Legion of Doom on Black Gate letterhead, so there’s just no telling. Still, we’re prepared for pretty much anything on our journey, and we’ve decided to stick with the plan.

Now I thought I’d take a few moments to respond to some questions that have come in during our trip.

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Blogging Alex Raymond’s Flash Gordon – Part One: “Flash Gordon on the Planet Mongo”

Blogging Alex Raymond’s Flash Gordon – Part One: “Flash Gordon on the Planet Mongo”

Alex Raymond created Flash Gordon for King Features Syndicate to compete with the successful science fiction strip, Buck Rogers in the 25th Century. Raymond’s creation was decidedly more space fantasy than science fiction, combining elements borrowed from Edgar Rice Burroughs, Sax Rohmer, Alexandre Dumas, and Anthony Hope to great effect. Flash Gordon debuted January 7, 1934 with the strip, “Flash Gordon on the Planet Mongo” which would be serialized each Sunday through April 15, 1934.

fg-blb-1The strip kicked off with an exciting documentary-style depiction of an unforeseen catastrophe assailing our world. An unknown planet mysteriously appears in our solar system and is hurtling rapidly toward Earth. Destruction seems unavoidable. We are quickly introduced to a scientist, Dr. Hans Zarkov who is rapidly completing a rocket ship which he plans to man on a suicide mission to try and divert the oncoming planet from Earth’s trajectory.

“Flash” Gordon is a Yale-educated world-renowned polo player (I’m sure we can all name a handful of world-renowned polo players). He and a young woman named Dale Arden are the only known survivors of a plane struck down by a meteor heralding from the approaching planet. Flash and Dale parachute just outside of Dr. Zarkov’s observatory. Paranoid from overwork, Zarkov pulls a gun on the startled plane crash survivors and forces them to accompany him on his suicide mission to space. The first installment ends with Zarkov’s rocket ship on a collision course with the rapidly hurtling planet.

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Howard Andrew Jones’ The Desert of Souls available for pre-order on Amazon

Howard Andrew Jones’ The Desert of Souls available for pre-order on Amazon

whispers-from-the-stone-small3Howard Andrew Jones’ Dabir and Asim stories are some of the most popular we’ve published in Black Gate. His first novel featuring his 9th Century adventurers, The Desert of Souls, is now available for pre-order from Amazon.com.

Howard’s tales of Dabir and Asim have appeared in many fine venues, including the anthology Sages and Swords, and Paradox, the magazine of historical and speculative fiction. In “Sight of Vengeance” (Black Gate 10), our intrepid heroes investigate a fiendish foe who claims the eyes of his victims.  In “Whispers From the Stone” (Black Gate 12), Dabir and Asim find themselves trapped in an ancient tomb, up against an sinister conspiracy led by a long-dead — and very formidable — opponent.

Howard has discussed the fascinating details of selling his novel here on the Black Gate blog (“How to Get a Book Deal“). We’ll publish an excerpt from the novel in our next issue, Black Gate 15. But for now you’ll have to content yourself with the enticing plot summary from the Amazon listing:

In 9th century Baghdad, a stranger pleads with the vizier to safeguard the bejeweled tablet he carries, but he is murdered before he can explain. Charged with solving the puzzle, the scholar Dabir soon realizes that the tablet may unlock secrets hidden within the lost city of Ubar, the Atlantis of the sands. When the tablet is stolen from his care, Dabir and Captain Asim are sent after it, and into a life and death chase through the ancient Middle East. Stopping the thieves — a cunning Greek spy and a fire wizard of the Magi — requires a desperate journey into the desert, but first Dabir and Asim must find the lost ruins of Ubar and contend with a mythic, sorcerous being that has traded wisdom for the souls of men since the dawn of time. Debut author Howard Jones breathes new life into the glittering tradition of sword-and-sorcery, combining the masterful fantasy of Robert E. Howard with the high-speed action of Bernard Cornwell.

Already being described as “A thrilling, inventive cross between One Thousand and One Nights and Sherlock Holmes,” The Desert of Souls will appear in hardcover in February, 2011, from St. Martin’s imprint Thomas Dunne Books.

Art by Storn Cook for “Whispers From the Stone.”

Blood of Ambrose Nominated for World Fantasy Award

Blood of Ambrose Nominated for World Fantasy Award

thewolfageLocus Online reports that James Enge’s first novel Blood of Ambrose, part of his Morlock series, has been nominated for a World Fantasy Award for Best Novel of the Year.

The other nominees are The Red Tree by Caitlín R. Kiernan, China Miéville’s The City & The City, Finch by Jeff VanderMeer, and In Great Waters by Kit Whitfield.

Morlock first appeared in “Turn Up This Crooked Way” in Black Gate 8. Since then he’s returned to our pages a total of four times, most recently in the novella “Destroyer” in Black Gate 14. All the Black Gate stories, plus many others, were collected in This Crooked Way, the second volume in the series.

Howard Andrew Jones also published three Morlock tales in the late, lamented Flashing Swords e-zine. Morlock’s most recent appearance was in the new Eos anthology Swords and Dark Magic. You can learn more about the origin of Morlock in Howard’s lengthy Black Gate interview with Enge here.

The complete list of World Fantasy Award nominees is here.

In other Enge news, Publisher’s Weekly has given the third Morlock volume, the upcoming novel The Wolf Age, a starred review, saying:

Werewolves clash with legends in the harrowing and beautiful third novel (after 2009’s This Crooked Way) detailing the epic travels of enchanter Morlock Ambrosius. Following a string of bad luck, Morlock is incarcerated in the werewolf fortress of Vargulleion… Enge’s elegant prose perfectly captures Morlock’s terse and morbid nature, which thrives in the vicious, honorable werewolf nation. Numerous intimate, complicated, and contentious relationships provide depth and gravity to the grim tale, which will enthrall fans of the dark and sinister.

The Wolf Age will be published by Pyr in October.

Congratulations James — on both the boffo review, and the nomination!  They are richly deserved.

Under the Mountain

Under the Mountain

under-the-moutain-penguinUnder the Mountain (1979)
By Maurice Gee

Although not a household name outside of New Zealand, Maurice Gee is one of the island nation’s most prominent and respected novelists. Born in Auckland, Gee established himself as an author starting in the 1960s with his novels A Special Flower, In My Father’s Den, and A Glorious Morning, Comrade. His later acclaimed books include Plumb and Crime Story. All these novels are mainstream adult works, but Gee turned his hand to books for younger readers and made a parallel career in the field of the young adult science fiction. It started with Under the Mountain in 1979, which gained popularity outside of New Zealand with a television mini-series released in 1981. (For more about the mini-series, read my post on its appearance on the Nickelodeon program The Third Eye.)

Why did Gee decide to write a science-fiction book for younger readers? The author explained his choice in 2004 upon receiving the Storyline Gaelyn Gordon Award:

It all began with having two red-headed daughters—not twins though. Then there was my desire to write a fantasy—get away from the real world of my adult novels—but set it in a place New Zealand children would recognise, so that they might get “our story” feeling. What better place than Auckland’s volcanic cones? It was seeing Mt. Eden looming in the mist one morning that really got it started. Everything, monsters and all, followed from that.

It ended up as his best-selling book, never out of print in its home country. But, unfortunately, not so easily available in the U.S. It struggled even to get published in New Zealand in the first place, and finally ended up first released by the Oxford University Press. It has had a long home with Penguin since then.

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The Locus Index, Galactic Central, and other Fantasy Resources

The Locus Index, Galactic Central, and other Fantasy Resources

amazing_193203aNewcomers to fantasy collecting may be unaware of the scope of pertinent and very useful information on the web, and particulary the resources assembled by members of the Yahoo Fictionmags Group. The terms “Big List,” “FMI,” “Galactic Central,” “Locus Index” and many others crop up without necessarily being understood. Fictionmags includes the authors of some of the most seminal and definitive reference works on magazine Science Fiction, Fantasy, and General Fiction. Not only is this material substantial and providing of answers to many questions, but it is also FREE to anyone conversant in accessing the internet.

The major portal to this trove is www.philsp.com, the website of Fictionmags’ Phil Stephensen-Payne. This place is rather like a fantasy collector’s version of the Smithsonian. Just about everywhere you turn, there is something of interest. The site opens directly onto Phil SP’s  “Galactic Central.” If you’ve ever wondered what a full run of Amazing Stories, Astounding/Analog, New Worlds or most any other SF prozine looks like, this is where you get to scroll through pages of color cover images arranged chronologically as illustrated checklists (including, for example, an up-to-date Black Gate checklist).

There are tens of thousands of these images from SF/F/H, Western, Crime, Adventure, Romance and general fiction  titles. I’ve contributed images to this project from my own collection as have many others, and Phil has also gathered the content from many sources on the internet as well. There is also an accounting (The Big List) provided of all of the magazine titles pictured in Galactic Central showing where else they are more fully indexed.  Huge as it is, this project is still not done, and Phil will probably have to come back in another lifetime to complete it.

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The High House and the False: James Stoddard’s Evenmere

The High House and the False: James Stoddard’s Evenmere

The High HouseIn 1998, American writer James Stoddard published his debut novel, The High House, and two years later followed it with a sequel, The False House. They’re two of the more remarkable fantasies I know.

The High House is Evenmere, a fantastic old rambling edifice that was the boyhood home of Anderson Carter. His father was Master of Evenmere, but the machinations of Anderson’s step-mother, Lady Murmer, led to him being sent away from the High House. Years later, he returns — just as evil forces are emerging to threaten the house, and by extension, all of creation.

For Evenmere, we learn, is not simply a house among houses. In a way, it is the world, and a stranger world than we know. Its doors open onto an endless series of hallways, home to whole nations. The clocks and lamps of Evenmere are the clocks and lamps that keep the universe in motion; for them to run down, or go out, is the ruination of all things, and it is the responsibility of the Master to ensure this does not happen. But the elder Anderson has disappeared, and the sinister Society of Anarchists is stirring …

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