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New Treasures: Snowblind by Christopher Golden

New Treasures: Snowblind by Christopher Golden

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Snowblind Chistopher Golden-smallI think I speak for the entire country when I say that this winter stinks.

Seriously. I grew up in Canada; I know cold, miserable winters. When I was five, I spent a year in northern Quebec, where it snowed in June and the winter was one constant snow storm. I remember I climbed the snowdrift by our driveway until I was able to step up onto the house, and my Dad came out and yelled at me to get off the roof. Now that’s a lot of snow.

But I can’t ever recall a winter as cold or as miserable as this one. Here in Chicago, the weathermen tell us we’re only a few inches away from a snowfall record and a few more sub-zero days away from the coldest winter on record.

The things that frighten each generation are very different. And it’s only our very best best horror writers who are so plugged into the national psyche that they know what frightens us before we know it ourselves. And after the winter of 2013-2014, I think we’ll all look back and appreciate just how brilliant Christopher Golden is and how he picked the right year to write a novel about a killer snow storm.

The small New England town of Coventry had weathered a thousand blizzards… but never one like this. Icy figures danced in the wind and gazed through children’s windows with soul-chilling eyes. People wandered into the whiteout and were never seen again. Families were torn apart, and the town would never be the same.

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New Treasures: The Year’s Best Dark Fantasy & Horror 2013, edited by Paula Guran

New Treasures: The Year’s Best Dark Fantasy & Horror 2013, edited by Paula Guran

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The Year's Best Dark Fantasy and Horror 2013-smallYou don’t have time to keep up on all the great work produced in the fantasy and horror fields, year after year.

You may think you do. But trust me, you don’t. There are fantastic new novelists emerging all the time — folks like Laird Barron, Theodora Goss, Genevieve Valentine, and Ekaterina Sedia — and new masters of the short story, like Karen Tidbeck, Ken Liu, Rachel Swirsky, Mike Carey, and many others. How are you going to keep up?

Believe it or not, that’s not a rhetorical question. I have the answer right here: Paula Guran’s indispensable annual collection The Year’s Best Dark Fantasy & Horror. It’s like a cheat sheet covering all the exciting new — and established — writers in the genre. Read it every year, and I guarantee you’ll be talking intelligently about the latest literary trends in dark fantasy at your next party. (You’re on your own picking out what to wear, though. Just remember: no white after Labor Day.)

Paula Guran doesn’t provide the lengthy annual summary typical of some Year’s Best collections. Instead she gives the space over to fiction — over 500 pages of the best short stories of 2013, culled from magazines like Beneath Ceaseless Skies, Postscripts, Cemetery Dance, F&SF, Clarkesworld, Subterranean, Lightspeed, Apex, and Shimmer, and anthologies like The Book of Cthulhu 2, Hex Appeal, Shotguns v Cthulhu, Dark Tales of Lost Civilizations, Black Wings II, and many others.

This is the fourth volume of The Year’s Best Dark Fantasy & Horror, but the first one I’ve gotten around to. In our defense, we’ve at least covered several of Paula’s other recent anthologies, including Season of Wonder and Weird Detectives.

Here’s the book description.

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Vintage Treasures: The Man Who Awoke by Laurence Manning

Vintage Treasures: The Man Who Awoke by Laurence Manning

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The Man Who Awoke-smallI love dollar bins. If you’ve ever been in the Dealer’s Room at a convention, or any decent bookstore, you know what I’m talking about. The jumbled box at the foot of the booth, virtually ignored, with a hand-scrawled note on the lid: “All books — $1.”

I was at Capricon 34 this weekend here in Chicago and dropped by Greg Ketter’s booth in the Dealer’s Room. Greg is a great guy, owner of DreamHaven Books in Minneapolis, one of the last great science fiction bookstores. I’m pretty sure I was in the middle of a conversation with someone when I saw three boxes peeking under from under his booth with a hand-written “$1” sign. Next thing I know, I’m sitting on the floor, surrounded by neat little stacks of books on the carpet.

There’s nothing like finding a book you’ve always wanted in a dollar bin. Except maybe finding a treasure you didn’t even know existed. And that’s what happened when I pulled out a pristine copy of Laurence Manning’s 1975 paperback The Man Who Awoke from the bottom of the box.

The Man Who Awoke is a collection of five novelettes originally published in Wonder Stories in 1933. It follows the adventures of Norman Winters, a scientist who finds a way to put himself into suspended animation and wake up every 5,000 years. He encounters vastly changed human civilizations at every stop, until he awakens one last time in the year 25,000 A.D.

I read the first story in the pages of that pinnacle of Western Modern Literature, Isaac Asimov’s pulp anthology Before the Golden Age, and really enjoyed it. Winters awakens in 5,000 A.D. to find the city of New York gone, and in its place a thick forest — and humanity struggling to survive.

It was a rip-snortin’ slice of pulp escapism… or was it?

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Self-published Book Review: Sorcerer Rising by E. Nathan Sisk

Self-published Book Review: Sorcerer Rising by E. Nathan Sisk

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After a month off, I’m ready to start reviewing self-published books again. I haven’t received many new books recently, so if you have a book you’d like me to review, please follow the submission guidelines here. The fewer submissions I receive, the better your chances of getting a review. Meanwhile, this month’s book is Sorcerer Rising by E. Nathan Sisk. A submission which I received in December, not coincidentally.

SorcererRising800x600The titular sorcerer in Sorcerer Rising is one Virgil McDane. The word “sorcerer” can mean different things in different books. In some books, sorcerer, wizard, witch, and magician are all terms for the same thing. And in others, they’re very different. In Virgil’s world, a world a lot like ours, except that magic is real and public (and as a result technology is different but recognizable), the real difference is that wizards are part of the Guild, trained in its magic and responsible for following its rules, and sorcerers are self-taught. (I’m still not sure what the deal is with witches, just that Virgil considers them scarier than wizards.) Virgil is a sorcerer, but he used to be a wizard. When he was kicked out of the Guild for an act of desperation, he was Branded, and everything the guild taught him was taken away. He had to relearn magic on his own, and thus he is a Sorcerer, working outside the Guild, scraping together a living doing jobs that wizards won’t do.

At the beginning of Sorcerer Rising, that job is smuggling. Across the world are scattered clouds, mists of pure Aether, and in each cloud is a world. How the world is formed is not fully explained, but it seems that raw Aether can be influenced by the human mind and the first people to visit a world do a lot to shape what it becomes. The Guild controls access to most of these clouds, as they have the knowledge and magic to safely enter and return. They can also Inhale things in these clouds, storing them in their minds, later Exhaling them into the world. Most of the Guild’s wealth comes from trade with these clouds, retrieving rare and valuable materials and bringing them back to the mundane world.

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New Treasures: Dreamwalker by C.S. Friedman

New Treasures: Dreamwalker by C.S. Friedman

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C.S.Friedman Dreamwalker-smallC.S. Friedman is not a particularly prolific writer — but what she does write usually makes an impact. Her first novels, including In Conquest Born and The Madness Season, were science fiction; her more recent Magister trilogy (Feast of Souls, Wings of Wrath, and Legacy of Kings) returned to the sweeping epic fantasy of her popular Coldfire trilogy (Black Sun Rising, When True Night Falls, and Crown of Shadows).

Her new novel, on sale this week, is something brand new for Friedman — a contemporary fantasy. Mixing a woman gifted with visionary dreams, gaming culture, and the very roots of mythology, Dreamwalker is an ambitious new novel with an intriguing premise.

All her life Jessica Drake has dreamed of other worlds, some of them similar to her own, others disturbingly alien. She never shares the details with anyone, save her younger brother Tommy, a compulsive gamer who incorporates some aspects of Jessica’s dreams into his games. But now someone is asking about those dreams… and about her. A strange woman has been watching her house. A visitor to her school attempts to take possession of her dream-inspired artwork.

Why?

As she begins to search for answers it becomes clear that whoever is watching her does not want her to learn the truth. One night her house catches on fire, and when the smoke clears she discovers that her brother has been kidnapped. She must figure out what is going on, and quickly, if she and her family are to be safe.

Following clues left behind on Tommy’s computer, determined to find her brother and bring him home safely, Jessica and two of her friends are about to embark on a journey that will test their spirits and their courage to the breaking point, as they must leave their own world behind and confront the source of Earth’s darkest legends – as well as the terrifying truth of their own secret heritage.

Dreamwalker was published Feb. 4 by DAW Books. It is 400 pages, priced at $19.99 in hardcover, and $10.99 for the digital edition.

See all of our recent New Treasures here.

The Least-Expected Trumpet of Apocalypse: Leonora Carrington’s The Hearing Trumpet

The Least-Expected Trumpet of Apocalypse: Leonora Carrington’s The Hearing Trumpet

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The Hearing TrumpetA little while ago, I followed a retweeted link to a blog post by writer Sofia Samatar, presenting the syllabus for a class on weird world fiction she’ll be teaching this semester. It was an interesting list. Some names were new to me, so I set about looking them up. And found a library near me had a book by one of these writers: The Hearing Trumpet by Leonora Carrington. Which turned out to be a constantly surprising read, a short book that opened doors to places I didn’t expect.

Carrington died in 2011 at the age of 94. She was primarily known as a painter; as a young artist she left school to live with Max Ernst, and with him became a part of the Surrealist movement. When the German Ernst was arrested by the French government in September of 1939, Carrington suffered a mental breakdown and, after fleeing France, was institutionalised in Spain. She ultimately fled to Mexico, where she lived for the rest of her life, producing paintings, sculptures, novels, plays, and short stories. (You can see a selection of her works at her page at wikipaintings.org.)

The Hearing Trumpet may have been first written in 1950, or perhaps in the early 1960s; it was first published in French in 1974, then in Engish in 1976. It’s a story about a 92-year-old woman, Marian Leatherby, given a hearing trumpet by her friend Carmella (a character widely believed to be based on Carrington’s close friend, the surrealist painter Remedios Vero — see more of her work here). The trumpet sharpens Marian’s hearing to a fantastic degree and she at once hears her family planning to put her in a home for old women. This institution turns out to be marked by strange architecture — buildings in the shape of “toadstools, swiss chalets, railway carriages, one or two ordinary bungalows, something shaped like a boot, [and] another like what I took to be an outsize Egyptian mummy,” with the main building a castle at the centre — and is run by highly idiosyncratic Christians. A picture of a one-eyed female saint seems to grin mockingly in the dining hall. Strange things follow: one of the other inmates dies, perhaps murdered; Marian is given a peculiar book outlining the history of the painted saint and her quest for the Holy Grail; and then things get much, much weirder.

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Vintage Treasures: A Touch of Infinity/ The Man With Nine Lives by Harlan Ellison

Vintage Treasures: A Touch of Infinity/ The Man With Nine Lives by Harlan Ellison

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A-Touch-of-Infinity-smallI enjoy collecting vintage SF and fantasy paperbacks of all kinds. But I get the most pleasure out of the Ace Doubles.

The Ace Doubles have a lot of things going for them in terms of raw collectibility. They were edited by Donald A. Wollheim, one of the most accomplished editors our genre has ever seen, and the authors in their stable reads like a Who’s Who of major talent of the era. Best of all, they had some really terrific covers, including some truly iconic SF images.

Of course, even among the Ace Doubles, some are more collectible than others. Certainly the early novels of Philip K. Dick are near the top of the list, as are novels by Asimov and Dean Koontz. But speaking as someone who’s bought and sold Ace Doubles for many years, I think Harlan Ellison’s A Touch of Infinity (paired with The Man With Nine Lives) may be the most in demand.

Lots of reasons for this. Ed Valigursky’s classic cover, featuring a spacesuit-clad future person hiding in the rubble from invading flying saucers, clearly didn’t hurt. 54 years after this book went on sale, I still want to find out what that’s all about. A Touch of Infinity is also Ellison’s first short story collection and that alone makes it remarkable. And the novel on the flip side, The Man With Nine Lives, has never been reprinted… so if you’re an Ellison collector, this is the only way to get it.

On top of all of that though, this little book is simply a pure slice of 60s nostalgia. It’s a way to transport yourself back half a century, to a time when science fiction was still fresh and new; when Harlan Ellison was an unknown name, a hotshot young writer with only two previous books to his name; and when a mainstream publisher still tried their best to package his singular voice as typical paperback SF.

It wasn’t long before books by Ellison became a major event in the genre, so his first humble releases have a unique appeal to collectors — almost as if he were appearing in a secret identity.

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Voices in Fantasy Literature, Part III

Voices in Fantasy Literature, Part III

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Sir_Hereward_and_Mister_Fitz_by_Garth_Nix_200_294This is the third installment in a series of posts highlighting fantasy short fiction (here are Part I and Part II).

Over the course of the last eight years, I’ve read or listened to a lot of short fiction and the variety out there is astonishing. And I love to try to introduce new readers to some of the stuff that impressed me. This week, the three stories I picked were by Garth Nix, Nancy Hightower, and Daniel Abraham.

“Hereward and Mr Fitz Go To War Again,” by Garth Nix, appeared originally in Jim Baen’s Universe,  then in Podcastle (where I heard it), and then in a collection by Subterranean Press (ebook available here). This is one of three Sir Hereward and Mister Fitz stories I heard and I absolutely fell in love with the weird swashbuckling world Nix created.

Hereward is a knight, artillerist, and swordsman, as able with gunpowder as with the blade. Fitz is an animated wooden puppet and dangerous sorcerer, whose sorcery is structured around sewing and knitting, with his accouterments being needles, thread, and sometimes a portable sewing desk. Their job is to enforce a treaty against rogue gods that is so old that some of the nations to the treaty no longer exist.

This is pure buddy picture story, a grand adventures against old gods. Loads of fun and the Sir Hereward and Mister Fitz stories are now available as an ebook, so no reason not to check it out.

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As Tartary Burns

As Tartary Burns

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As-Tartary-Burns-smalltumblr_makahwr3RL1rs6hqwo1_500-smallAs Tartary Burns is the debut novel by Riley Hogan and is newly published by Airship 27. Calling the novel pulp fiction isn’t completely accurate. Hogan finds himself in the same position as the standout talents of the pulp world of the 1920s and 1930s who were published in the pulps, but whose prose was more polished and literate than most of their peers to the degree that it seems an oversight they were passed up by the slicks. Many of those talents today are recognized as having lasting literary value. So it is with As Tartary Burns, an ambitious fast-paced historical adventure that presents an alternate history of the Cossacks, Ottomans, and Crimeans.

Hogan’s book has been likened to Robert E. Howard and Harold Lamb. One reviewer suggests comparison to the film Braveheart. I felt it read like a stream-lined Game of Thrones with the explicit sex and language excised. Hogan is possessed not only of an obvious passion for history, but a pride in the culture, folklore, and religion of these people to the degree that one wonders if it is his own heritage. His reshaping of world events makes one curious if he plans not so much a conventional follow-up, but rather an expanding alternate history of the world set in different epochs.

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Apocalypse Then, and Now

Apocalypse Then, and Now

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Robert Heinlein Farnham’s Freehold-smallLast week, I was talking about Paul O. Williams’s The Pelbar Cycle,  which generated a comment about the changing nature of the apocalypse. After all, nowadays we hardly ever see that word without “zombie” in front of it. As my commentator noted, the idea of a nuclear apocalypse largely disappeared after the 1980s. Perhaps this is a natural outcome of the ending of the Cold War – with the two big nuclear powers no longer at odds with one another, the threat of nuclear war effectively disappeared.

Or did it? It’s not a plot point for any of the books, so it’s not a spoiler for me to tell you that the events of The Pelbar Cycle follow both a natural and a nuclear disaster. The (then) big two nuclear powers knew that an impending meteor strike would look like nuclear events and agreed not to react, but other, smaller nuclear nations either weren’t aware, or didn’t believe, and they did react, bringing about the world that Williams describes.

That didn’t happen in Larry Niven and Jerry Pournelle’s phenomenal Lucifer’s Hammer (1977). In their case (again, no real spoilers here), the apocalyptic event is a comet strike and the nuclear powers refrain from “mistaking” it for an attack. There’s plenty of politics in the story, but it’s the politics of survival and not so much the politics of war.

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