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Self-published Book Review: Sorcerer Rising by E. Nathan Sisk

Self-published Book Review: Sorcerer Rising by E. Nathan Sisk

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After a month off, I’m ready to start reviewing self-published books again. I haven’t received many new books recently, so if you have a book you’d like me to review, please follow the submission guidelines here. The fewer submissions I receive, the better your chances of getting a review. Meanwhile, this month’s book is Sorcerer Rising by E. Nathan Sisk. A submission which I received in December, not coincidentally.

SorcererRising800x600The titular sorcerer in Sorcerer Rising is one Virgil McDane. The word “sorcerer” can mean different things in different books. In some books, sorcerer, wizard, witch, and magician are all terms for the same thing. And in others, they’re very different. In Virgil’s world, a world a lot like ours, except that magic is real and public (and as a result technology is different but recognizable), the real difference is that wizards are part of the Guild, trained in its magic and responsible for following its rules, and sorcerers are self-taught. (I’m still not sure what the deal is with witches, just that Virgil considers them scarier than wizards.) Virgil is a sorcerer, but he used to be a wizard. When he was kicked out of the Guild for an act of desperation, he was Branded, and everything the guild taught him was taken away. He had to relearn magic on his own, and thus he is a Sorcerer, working outside the Guild, scraping together a living doing jobs that wizards won’t do.

At the beginning of Sorcerer Rising, that job is smuggling. Across the world are scattered clouds, mists of pure Aether, and in each cloud is a world. How the world is formed is not fully explained, but it seems that raw Aether can be influenced by the human mind and the first people to visit a world do a lot to shape what it becomes. The Guild controls access to most of these clouds, as they have the knowledge and magic to safely enter and return. They can also Inhale things in these clouds, storing them in their minds, later Exhaling them into the world. Most of the Guild’s wealth comes from trade with these clouds, retrieving rare and valuable materials and bringing them back to the mundane world.

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New Treasures: Dreamwalker by C.S. Friedman

New Treasures: Dreamwalker by C.S. Friedman

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C.S.Friedman Dreamwalker-smallC.S. Friedman is not a particularly prolific writer — but what she does write usually makes an impact. Her first novels, including In Conquest Born and The Madness Season, were science fiction; her more recent Magister trilogy (Feast of Souls, Wings of Wrath, and Legacy of Kings) returned to the sweeping epic fantasy of her popular Coldfire trilogy (Black Sun Rising, When True Night Falls, and Crown of Shadows).

Her new novel, on sale this week, is something brand new for Friedman — a contemporary fantasy. Mixing a woman gifted with visionary dreams, gaming culture, and the very roots of mythology, Dreamwalker is an ambitious new novel with an intriguing premise.

All her life Jessica Drake has dreamed of other worlds, some of them similar to her own, others disturbingly alien. She never shares the details with anyone, save her younger brother Tommy, a compulsive gamer who incorporates some aspects of Jessica’s dreams into his games. But now someone is asking about those dreams… and about her. A strange woman has been watching her house. A visitor to her school attempts to take possession of her dream-inspired artwork.

Why?

As she begins to search for answers it becomes clear that whoever is watching her does not want her to learn the truth. One night her house catches on fire, and when the smoke clears she discovers that her brother has been kidnapped. She must figure out what is going on, and quickly, if she and her family are to be safe.

Following clues left behind on Tommy’s computer, determined to find her brother and bring him home safely, Jessica and two of her friends are about to embark on a journey that will test their spirits and their courage to the breaking point, as they must leave their own world behind and confront the source of Earth’s darkest legends – as well as the terrifying truth of their own secret heritage.

Dreamwalker was published Feb. 4 by DAW Books. It is 400 pages, priced at $19.99 in hardcover, and $10.99 for the digital edition.

See all of our recent New Treasures here.

The Least-Expected Trumpet of Apocalypse: Leonora Carrington’s The Hearing Trumpet

The Least-Expected Trumpet of Apocalypse: Leonora Carrington’s The Hearing Trumpet

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The Hearing TrumpetA little while ago, I followed a retweeted link to a blog post by writer Sofia Samatar, presenting the syllabus for a class on weird world fiction she’ll be teaching this semester. It was an interesting list. Some names were new to me, so I set about looking them up. And found a library near me had a book by one of these writers: The Hearing Trumpet by Leonora Carrington. Which turned out to be a constantly surprising read, a short book that opened doors to places I didn’t expect.

Carrington died in 2011 at the age of 94. She was primarily known as a painter; as a young artist she left school to live with Max Ernst, and with him became a part of the Surrealist movement. When the German Ernst was arrested by the French government in September of 1939, Carrington suffered a mental breakdown and, after fleeing France, was institutionalised in Spain. She ultimately fled to Mexico, where she lived for the rest of her life, producing paintings, sculptures, novels, plays, and short stories. (You can see a selection of her works at her page at wikipaintings.org.)

The Hearing Trumpet may have been first written in 1950, or perhaps in the early 1960s; it was first published in French in 1974, then in Engish in 1976. It’s a story about a 92-year-old woman, Marian Leatherby, given a hearing trumpet by her friend Carmella (a character widely believed to be based on Carrington’s close friend, the surrealist painter Remedios Vero — see more of her work here). The trumpet sharpens Marian’s hearing to a fantastic degree and she at once hears her family planning to put her in a home for old women. This institution turns out to be marked by strange architecture — buildings in the shape of “toadstools, swiss chalets, railway carriages, one or two ordinary bungalows, something shaped like a boot, [and] another like what I took to be an outsize Egyptian mummy,” with the main building a castle at the centre — and is run by highly idiosyncratic Christians. A picture of a one-eyed female saint seems to grin mockingly in the dining hall. Strange things follow: one of the other inmates dies, perhaps murdered; Marian is given a peculiar book outlining the history of the painted saint and her quest for the Holy Grail; and then things get much, much weirder.

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Vintage Treasures: A Touch of Infinity/ The Man With Nine Lives by Harlan Ellison

Vintage Treasures: A Touch of Infinity/ The Man With Nine Lives by Harlan Ellison

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A-Touch-of-Infinity-smallI enjoy collecting vintage SF and fantasy paperbacks of all kinds. But I get the most pleasure out of the Ace Doubles.

The Ace Doubles have a lot of things going for them in terms of raw collectibility. They were edited by Donald A. Wollheim, one of the most accomplished editors our genre has ever seen, and the authors in their stable reads like a Who’s Who of major talent of the era. Best of all, they had some really terrific covers, including some truly iconic SF images.

Of course, even among the Ace Doubles, some are more collectible than others. Certainly the early novels of Philip K. Dick are near the top of the list, as are novels by Asimov and Dean Koontz. But speaking as someone who’s bought and sold Ace Doubles for many years, I think Harlan Ellison’s A Touch of Infinity (paired with The Man With Nine Lives) may be the most in demand.

Lots of reasons for this. Ed Valigursky’s classic cover, featuring a spacesuit-clad future person hiding in the rubble from invading flying saucers, clearly didn’t hurt. 54 years after this book went on sale, I still want to find out what that’s all about. A Touch of Infinity is also Ellison’s first short story collection and that alone makes it remarkable. And the novel on the flip side, The Man With Nine Lives, has never been reprinted… so if you’re an Ellison collector, this is the only way to get it.

On top of all of that though, this little book is simply a pure slice of 60s nostalgia. It’s a way to transport yourself back half a century, to a time when science fiction was still fresh and new; when Harlan Ellison was an unknown name, a hotshot young writer with only two previous books to his name; and when a mainstream publisher still tried their best to package his singular voice as typical paperback SF.

It wasn’t long before books by Ellison became a major event in the genre, so his first humble releases have a unique appeal to collectors — almost as if he were appearing in a secret identity.

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Voices in Fantasy Literature, Part III

Voices in Fantasy Literature, Part III

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Sir_Hereward_and_Mister_Fitz_by_Garth_Nix_200_294This is the third installment in a series of posts highlighting fantasy short fiction (here are Part I and Part II).

Over the course of the last eight years, I’ve read or listened to a lot of short fiction and the variety out there is astonishing. And I love to try to introduce new readers to some of the stuff that impressed me. This week, the three stories I picked were by Garth Nix, Nancy Hightower, and Daniel Abraham.

“Hereward and Mr Fitz Go To War Again,” by Garth Nix, appeared originally in Jim Baen’s Universe,  then in Podcastle (where I heard it), and then in a collection by Subterranean Press (ebook available here). This is one of three Sir Hereward and Mister Fitz stories I heard and I absolutely fell in love with the weird swashbuckling world Nix created.

Hereward is a knight, artillerist, and swordsman, as able with gunpowder as with the blade. Fitz is an animated wooden puppet and dangerous sorcerer, whose sorcery is structured around sewing and knitting, with his accouterments being needles, thread, and sometimes a portable sewing desk. Their job is to enforce a treaty against rogue gods that is so old that some of the nations to the treaty no longer exist.

This is pure buddy picture story, a grand adventures against old gods. Loads of fun and the Sir Hereward and Mister Fitz stories are now available as an ebook, so no reason not to check it out.

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As Tartary Burns

As Tartary Burns

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As-Tartary-Burns-smalltumblr_makahwr3RL1rs6hqwo1_500-smallAs Tartary Burns is the debut novel by Riley Hogan and is newly published by Airship 27. Calling the novel pulp fiction isn’t completely accurate. Hogan finds himself in the same position as the standout talents of the pulp world of the 1920s and 1930s who were published in the pulps, but whose prose was more polished and literate than most of their peers to the degree that it seems an oversight they were passed up by the slicks. Many of those talents today are recognized as having lasting literary value. So it is with As Tartary Burns, an ambitious fast-paced historical adventure that presents an alternate history of the Cossacks, Ottomans, and Crimeans.

Hogan’s book has been likened to Robert E. Howard and Harold Lamb. One reviewer suggests comparison to the film Braveheart. I felt it read like a stream-lined Game of Thrones with the explicit sex and language excised. Hogan is possessed not only of an obvious passion for history, but a pride in the culture, folklore, and religion of these people to the degree that one wonders if it is his own heritage. His reshaping of world events makes one curious if he plans not so much a conventional follow-up, but rather an expanding alternate history of the world set in different epochs.

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Apocalypse Then, and Now

Apocalypse Then, and Now

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Robert Heinlein Farnham’s Freehold-smallLast week, I was talking about Paul O. Williams’s The Pelbar Cycle,  which generated a comment about the changing nature of the apocalypse. After all, nowadays we hardly ever see that word without “zombie” in front of it. As my commentator noted, the idea of a nuclear apocalypse largely disappeared after the 1980s. Perhaps this is a natural outcome of the ending of the Cold War – with the two big nuclear powers no longer at odds with one another, the threat of nuclear war effectively disappeared.

Or did it? It’s not a plot point for any of the books, so it’s not a spoiler for me to tell you that the events of The Pelbar Cycle follow both a natural and a nuclear disaster. The (then) big two nuclear powers knew that an impending meteor strike would look like nuclear events and agreed not to react, but other, smaller nuclear nations either weren’t aware, or didn’t believe, and they did react, bringing about the world that Williams describes.

That didn’t happen in Larry Niven and Jerry Pournelle’s phenomenal Lucifer’s Hammer (1977). In their case (again, no real spoilers here), the apocalyptic event is a comet strike and the nuclear powers refrain from “mistaking” it for an attack. There’s plenty of politics in the story, but it’s the politics of survival and not so much the politics of war.

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Goth Chick News: The Kids Who Put You Off Kids – Where Are They Now?

Goth Chick News: The Kids Who Put You Off Kids – Where Are They Now?

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Danny Torrance and the twins back then
Danny Torrance and the twins back then

By this time, it’s no surprise to any of you that The Shining is one film I just can’t get enough of. I like the source material of course, but the movie version never gets old and I can say that with some authority, having seen it about a gazillion times (and written about it here a fair amount as well).

Back in 2010, inspired by a then-recent documentary on the Stanley Hotel (the real Overlook) I did some of my best ever cyber-stalking on a quest to find little Danny Torrance; or really the 38 year-old Danny Lloyd he is today.

Back then, I did manage to track down “Professor Lloyd” at the university in Kentucky where he now teaches, only to be entirely ignored. Not surprising, considering his students posted comments about the verbal smack down you’re likely to receive if you ever brought up the good professor’s past life.

But you know what? A little taste of fame, no matter how brief or how long ago, will inevitably leave you craving more at some point in the future. And apparently that future for Danny Lloyd was the publishing of King’s Shining sequel Doctor Sleep.

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Four History Books for Heroic Fantasy Readers (and Writers)

Four History Books for Heroic Fantasy Readers (and Writers)

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BabylonI can never be sure whether I like History because it’s Fantasy, but real, or whether I like Fantasy because it’s History in a different sandbox. Or maybe I like travel, adventure, battles, and sword fights…

Whatever the truth, in my reading, I pretty much alternate mostly-historical non-fiction with SF&F.

In no particular order, here’s some of my favorite History books, the ones that strike a fantasy chord.

1. The Mystery of the Hanging Garden of Babylon: An Elusive World Wonder Traced – Stephanie Dalley

Well-written, but probably for the enthusiastic amateur or somebody inoculated by academia, this book digs into the reality behind the Hanging Garden of Babylon, and in doing so plunges into the slow-motion brawl that is Babylonian, Assyrian, and Persian history.

We glimpse the lost Indiana Jones era of Middle Eastern Archaeology, scrabble through the roots of Western Civilization, and get a sense of a world of ancient kings, their empires, and the massive structures they created.

It just needs Conan to wander in from the desert…

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The Series Series: Marshal Versus the Assassins by M. Harold Page

The Series Series: Marshal Versus the Assassins by M. Harold Page

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Marshall Versus the Assassins-smallOf the many excellences in Marshal Versus the Assassins, M. Harold Page’s story of a real historical crusader trying to avert a crusade, the most remarkable is Page’s rendering of physical combat. There are so many reasons this stand-alone adventure in the Foreworld Saga could be subtitled Don’t Try This at Home.

Since you’re here reading Black Gate, odds are you’re a fight scene connoisseur. You’ll have read some classic set-pieces, and some classic blunders. You may even have read this post, which discusses the biggest pitfall most writers face when they set out to learn how to write a fight scene: the counterintuitive way a blow-by-blow approach to even the most exciting events can turn tedious. Writers who overcome that problem generally do it by intertwining the physical blow-by-blow fight choreography with the things fiction can render and film can’t — most of them aspects of the viewpoint character’s inner life.

What Page does more and better than any other fantasy writer I know is intertwine the viewpoint character’s complete sensory experience during combat. As a practitioner and historian of Europe’s lost martial arts traditions, Page knows in muscle memory how each weapon his crusader characters use feels in the hand, in the heft, and in the mailed body it strikes. All of us who write fantasy that includes fight scenes try to convey this kind of sensory vividness and immediacy. The difference in results between a writer who’s relying on research or imagination and a writer who has dedicated years to mastering the things his characters have mastered is immediately apparent.

I was about to say the difference was apparent on the page, but for much of the time I spent reading the fight scenes, I wasn’t really paying attention to the existence of a page. It would be more accurate to say the difference is apparent in the reader’s mirror neurons.

I love reading a book that I couldn’t have written, one that displays writerly chops totally different from mine. Of course, the thing Page makes look easy that I struggle with as a writer is not the only virtue of this book.

For instance, there’s the delightful blank spot in history that Page imagines his way into.

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