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Vintage Treasures: The Trouble With Tycho by Clifford D. Simak / Bring Back Yesterday by A. Bertram Chandler

Vintage Treasures: The Trouble With Tycho by Clifford D. Simak / Bring Back Yesterday by A. Bertram Chandler

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The Trouble with Tycho-smallWhile we’re on the topic of my favorite Ace Doubles (trust me, we were), I should say a thing or two about Clifford D. Simak’s The Trouble With Tycho. Simak is not well remembered today. None of his 28 novels are in print (unless you count low-end Kindle or POD editions from specialty publishers), and he had something of a rep as a SF midlister for much of his career. But he remains one of my all-time favorite SF writers. He won three Hugos: for his 1963 novel Way Station, for the short story “Grotto of the Dancing Deer” (1980), and his 1959 masterpiece “The Big Front Yard,” perhaps the most perfect SF story ever written. He also won a Nebula (for “Grotto”).

Simak penned many fine SF adventure-mysteries. One of the first I came across was The Trouble With Tycho, the tale of a haunted crater on the moon and the desperate space miners who try to plumb its secrets. It was part of a 1961 Ace Double, with a cover by John Schoenherr and paired with A. Bertram Chandler’s Bring Back Yesterday. Here’s the blurb from the first page.

No Second Chance on the Moon

Prospecting on the Moon was pretty grim and un-rewarding. With no water, no oxygen, and almost no valuable ores, it was one helluva place to try and get rich quick. Only most of the would-be prospectors didn’t find this out until after they’d gotten there.

And Chris Jackson was no exception. He’d gotten the syndicate back home to put up the money for a moon rig and the passage out, and now he had to make good their faith in him. Had to make it on the Moon, even if it meant going into Tycho!

For Tycho was the one place on Luna where there were positive riches to be found — in salvage. The remains of three expeditions that had disappeared in Tycho would be perfectly preserved in that airless atmosphere, and the man who could get to them — and get out again alive — would have his fortune made.

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New Treasures: Reflected by Rhiannon Held

New Treasures: Reflected by Rhiannon Held

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Reflected Rhiannon Held-smallI’m not sure why, but everyone on the Internet seems to be showing the wrong cover for Reflected. The artwork — a beautifully spooky silhouette of a woman reclining by a mist-covered, moonlit lake — is correct, but the text is wrong, and the title is at the top, instead of the bottom. Amazon’s cover is wrong; so is Barnes & Noble. Even Goodreads is showing the pre-release version. The correct cover, scanned from the hot-of-the-presses copy in my hot little hands, is at right.

Well, at least they’re all talking about the book. Reflected is Rhiannon Held’s third novel, the second sequel to her very popular debut Silver, an urban fantasy which introduced the Roanoke were-pack and the deadly monsters which threaten them.

The Were have lived among humans for centuries, secretly, carefully. They came to America with the earliest European colonists, seeking a land where their packs could run free. Andrew Dare is a descendant of those colonists, and he and his mate, Silver, have become alphas of the Roanoke pack, the largest in North America.

But they have enemies, both within their territory and beyond the sea. Andrew is drawn away to deal with the problem of a half-human child in Alaska, leaving Silver to handle the pack and his rebellious daughter just as a troublemaker from Spain arrives on the scene.

Reflected is the third in the series, following Silver (2012) and Tarnished (2013). It was published by Tor Books on February 18, 2014. It is 336 pages, priced at $15.99 in trade paperback and $9.99 for the digital edition. Visit Rhiannon Held’s website here.

See all of our recent New Treasures here.

The Madness of True Detective

The Madness of True Detective

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HBO True Detective-smallSo everyone in my office has been talking about the new HBO show True Detective, starring Matthew McConaughey and Woody Harrelson.

They talk in hushed whispers. “Hey, did you watch last night?” Suddenly, the volume drops and all I hear is a low buzz over the cube wall. I hear enough to know they’re taking about McConaughey and that new HBO show — and they’re obviously riveted.

I haven’t seen it. Did see the cool ad and noticed how vastly different McConaughey looked, all gaunt in a suit. He’s really turned into an Actor’s Actor, what with terrific recent performances in Mud and Dallas Buyers Club. Although my favorite McConaughey film is probably Sahara. Man, my kids still spout quotes from that movie. Every day I hear, “Sit down… I’ll get the check.” (And, “Of course I brought the dynamite!”)

Anyway. I’ve been seeing a strange flurry of articles about Robert W. Chambers’s brilliant collection The King in Yellow crop up on Facebook recently, and I saw the headline of that io9 piece, “The One Literary Reference You Must Know to Appreciate True Detective.” But I didn’t really make the connection until I saw this article at The Daily Beast, “Read The King in Yellow, the True Detective Reference That’s the Key to the Show.”

The key to understanding HBO’s enthralling series True Detective might be the references to the Yellow King and Carcosa, which the killer Reggie Ledoux talks about and the show hints at to be figures and symbols of a satanic cult of some sort. But the Yellow King is an allusion to The King in Yellow, an 1895 book of horror and supernatural short stories by the writer Robert W. Chambers…

Holy cow… True Detective is based on The King in Yellow?

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Before and After

Before and After

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The Door Into SummerOver the last few weeks, I’ve been talking about apocalyptic and post-apocalyptic Fantasy and SF, and something that’s come up a couple of times in the comments is the idea of a “precursor” civilization. On the one hand, we’ve more or less agreed that the existence of one doesn’t automatically mean that the present story is post-apocalyptic. On the other hand, unless we’re writing about Neanderthals, we’re pretty much always dealing with a pre-existing civilization, aren’t we?

In SF, the precursor society is easy to figure out. It’s us. SF is the fiction of change, and the social/scientific/technological world that it changes from is the one the writer/reader is living in. There seem to be two basic approaches to this concept, one in which the story is set in the near future, and one in which today’s society lies somewhere in the distant past.

With the exception of people like Isaac Asimov, and works like his Foundation Trilogy, most of the early SF writers were using the near future premise. Heinlein’s The Door into Summer, for example, written in the 1950’s, was set in the 1970’s. The movie Blade Runner is set in 2017.

I know. As SF fans have been saying for years, “Where’s my flying car?” This gives you a hint as to why the near future premise isn’t used much anymore. The future got here a lot faster, and in many ways differently, than anticipated. We might have microwave ovens, but we’re not colonizing the moons of Jupiter.

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The Series Series: The End Is Nigh: The Apocalypse Triptych, edited by John Joseph Adams and Hugh Howey

The Series Series: The End Is Nigh: The Apocalypse Triptych, edited by John Joseph Adams and Hugh Howey

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The End is Nigh John Joseph Adams-smallThe end of the world turns out to be heartbreaking. Who would have guessed?

This anthology of end-of-the-world stories from two dozen big-name and up-and-coming writers is nothing like the Hollywood blockbuster apocalypse experience, all stirring music and flashy effects, tidily wrapped up with a life-affirming ending in under two hours. Nor is it much like the sprawling genre novels of cosmic disaster that we like so much. You could stack the dead characters in George R.R. Martin’s A Song of Ice and Fire like cordwood and get a wall longer than Hadrian’s, but we keep reading because there are still characters to root for, and moments of hope for a world that hasn’t altogether ended.

Adams and Howey’s planned three-volume anthology series The Apocalypse Triptych opens with a volume of stories that cover the moment the old world ends. A second volume, The End Is Now, will feature stories set in the midst of the chaos between, and The End Has Come will focus on the beginnings of whatever gets built from the ashes.

The structure of The End Is Nigh shapes a very specific emotional rhythm and, if you try to read the book straight through over a few days, a reading experience unlike any other I’ve had. Each author has come up with a different take on how the world might end, and each story presents a different vision of what the world that’s ending is like.

The viewpoint characters are all deliciously different from each other and their predicaments grow increasingly extreme in their deliciously different and often absurd ways, until the not-so-delicious moment when the worlds and stories end. No matter how funny, juicy, or satirically entertaining the story has been up to that moment, the world’s end hits like a knife to the gut. You’re still reeling when the story slams into its last sentence and ejects you before you can find some way to ask, But what happened next?

And then, dear reader, you turn the page and go through it all again. You try not to get too attached to the main characters, whose odds of survival two weeks past the final paragraph range from pretty slim to definitely toast.

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Vintage Treasures: The Spell of Seven, edited by L. Sprague de Camp

Vintage Treasures: The Spell of Seven, edited by L. Sprague de Camp

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The Spell of Seven-smallIt takes real effort to keep on top of even a fraction of the exciting new work in the fantasy genre every week. Between the print magazines, online outlets like Subterranean and Beneath Ceaseless Skies, paperbacks, hardcovers, and self-published and independent work from talented folks just outside mainstream publishing, it’s exhausting. Luckily, it’s also extremely rewarding, and I feel fortunate indeed to be part of such a lively and vibrant branch of literature.

Of course, there are also weeks when I say, “The hell with it,” and settle in with a great vintage paperback.

This was one of those weeks. And the book that lured me away from the latest crop of promising new writers clamoring for my attention was L. Sprague de Camp’s The Spell of Seven, a slender sword & sorcery anthology from 1965.

I’ll admit up front that I thought that The Spell of Seven was a standalone title. I’m a child of the late 20th Century; when a book is part of a series, I expect the publisher to sell me on that up front. (It’s easier to mug me for more money that way.)

Fortunately, I have the collective hive-mind of Black Gate to call upon. One of the great lobes of that mind is Brian Murphy, who pointed out that the book was a follow-up to De Camp’s seminal S&S anthology Swords and Sorcery, and part of a successful series that would eventually evolve into a four volume survey from Pyramid Books covering the most important heroic fantasy of the time.

Here are Brian’s comments, taken from his 2011 review of The Fantastic Swordsmen.

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A Certain Charm Marred by an Air of the Horrible: Count Bohemond by Alfred Duggan

A Certain Charm Marred by an Air of the Horrible: Count Bohemond by Alfred Duggan

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oie_174413CCNNRiqmHistory provides us with real life characters who seem to have stepped straight out of myth. The scale of their ambition or power seems beyond the reach of mortals. Their successes verge on the unbelievable. And yet they are real. Bohemond de Hauteville, Prince of Taranto, was one of those people.

Alfred Duggan’s posthumous 1965 novel Count Bohemond presents the first half of Bohemond’s life: his rise to fame and victory set against the background of the faltering Byzantine Empire and culminating with the near miraculous victories of the First Crusade. This dense and captivating book covers the thirty-five years from Bohemond’s childhood to the height of his success and the capture of the fortified city of Antioch in 1098.

Though she disliked all Normans, and Bohemond in particular, Anna Komene, daughter of Emperor Alexius described him quite laudably in the Alexiad, a history of the Byzantine Empire in the 11th and 12th centuries:

Now he was such as, to put it briefly, had never before been seen in the land of the Romans (that is, Greeks), be he either of the barbarians or of the Greeks (for he was a marvel for the eyes to behold, and his reputation was terrifying). Let me describe the barbarian’s appearance more particularly — he was so tall in stature that he overtopped the tallest by nearly one cubit, narrow in the waist and loins, with broad shoulders and a deep chest and powerful arms. And in the whole build of the body he was neither too slender nor overweighted with flesh, but perfectly proportioned and, one might say, built in conformity with the canon of Polycleitus… His skin all over his body was very white, and in his face the white was tempered with red. His hair was yellowish, but did not hang down to his waist like that of the other barbarians; for the man was not inordinately vain of his hair, but had it cut short to the ears. Whether his beard was reddish, or any other color I cannot say, for the razor had passed over it very closely and left a surface smoother than chalk…

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New Treasures: Wildside Double #6 — Alien StarSwarm by Robert Sheckley / Human’s Burden by Damien Broderick & Rory Barnes

New Treasures: Wildside Double #6 — Alien StarSwarm by Robert Sheckley / Human’s Burden by Damien Broderick & Rory Barnes

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Alien Starswarm Robert Sheckley-smallWith all the recent attention we’ve been giving to the classic Ace Doubles by Andre Norton, Harlan Ellison, Murray Leinster, and others, I would be remiss to not point out that Wildside Press has recently revived the tradition of the Ace Double with a handsome series of back-to-back short novels (novellas, really). It looks like they’re pairing hard-to-find reprints with original fiction, which I think is a terrific idea.

They’ve assembled a crackerjack list of writers, too — including Robert Sheckley, Damien Broderick & Rory Barnes, Edmond Hamilton, Harl Vincent, Lawrence Watt-Evans, Brian Stableford, Howard V. Hendrix, Philip Jose Farmer, Randall Garrett, Robert Silverberg, Pamela Sargent, and many others. So far, they’ve produced over 30, which is pretty darned impressive.

I bought an assortment of titles to try them out, and the one that commanded my attention immediately was #6 — Robert Sheckley’s Alien StarSwarm, paired with Human’s Burden, by Damien Broderick & Rory Barnes. Likely that’s due to the gorgeous covers by Emsh (Ed Emshwiller), one of the greatest (if not the greatest) cover artists our genre has ever seen. The Sheckley side features a nicely re-colored version of the cover of the February 1957 issue of the short-lived magazine Infinity Science Fiction. Here’s the book description for Alien StarSwarm.

Salvatore commands the battleship Endymion. He’s seen his share of battles and fought them bravely, too. So he doesn’t hesitate when beautiful Princess Hatari pleads for his help. She wants to regain her throne, but it may be more than Salvatore can accomplish, for the deadly race known as the Balderdash has taken over the planet Melchior — and now, even his own men have turned against him. Bred to fight, he accepts the challenge!

Alien StarSwarm was originally published as a 96-page chapbook from a company called DimeNovels way back in 1990. It certainly qualifies as hard-to-find… I’ve never even seem a copy (here’s a snap of the cover, just to prove it exists.) It has never before been reprinted — so if you’re a Sheckley fan, this may be the only way you’re going to find it.

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The Adventure Continues: the Return of Renner and Quist

The Adventure Continues: the Return of Renner and Quist

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Sleeping Bear coverWhen I first dreamed up my odd-couple pair of Renner & Quist, one of the many goals I had in mind was to write their stories specifically and consciously as adventures. This was not perhaps the most sensible decision, given a literary market polarized between nominally realistic “grown-up” fare and the highly fantastical tomes aimed at teens. (I shall not deign to even mention Romance; call me biased, go ahead. I can take it.) Nor did my conception of Renner & Quist allow for them to don armor, wield swords, or inhabit some far-flung or alternate world. No, these two, Reverend Renner being a Unitarian Universalist minister and Dale Quist a former P.I. and ex-linebacker, required a contemporary setting; to emplace them elsewhere would be to guarantee that any stories woven around them would be untruthful.

This is not to say that I’m against high fantasy; quite the opposite. I’m here, aren’t I? For further proof, take a gander at my Black Gate trilogy concerning Gemen the Antiques Dealer.

But not all ideas trend that direction and with Renner & Quist, I knew I had nearer waters to chart. Now that their second novella, Sleeping Bear, is out in the world, and with their first proper novel, Check-Out Time, very much in the production pipeline, it seems high time to explore what remains, in the 21st century, of that cracking good term, “adventure.”

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Future Treasures: Irenicon by Aidan Harte

Future Treasures: Irenicon by Aidan Harte

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Irenicon by Aidan Harte-smallI get a lot of advance proofs. I used to treasure them. I remember I got this advance proof for an upcoming novel by George R.R. Martin back in 1996 called A Game of Thrones. Looked pretty good. I took it with me to Archon in St. Louis and sat in on a very lightly-attended reading — just six of us in a cozy room, listening to George act out the character of a dwarf named Tyrion — and George was gracious enough to sign my copy. I eventually gave it away. No sense holding on to proofs once they’ve been reviewed; you just clutter up your house.

Point is, it’s got to be pretty special to grab my attention these days. The latest fantasy epic from Jo Fletcher books got my attention for two reasons. First, I couldn’t make out the title. What that heck is that? Frenicon? Srenicon? (renicon? That’s bizarre. Alice, help me out here. I think it’s some kind of eye test.

Second, the book features a sentient river. That’s right, a sentient river — and not a happy one. That’s worth a read right there.

The river Irenicon is a feat of ancient Concordian engineering. Blasted through the middle of Rasenna in 1347, using Wave technology, it divided the only city strong enough to defeat the Concordian Empire. But no one could have predicted the river would become sentient — and hostile.

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