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Two New Canadian SF Anthologies

Two New Canadian SF Anthologies

lazarusI know I’ve mentioned before that I’m a big fan of the original anthology, and I’d like to take the opportunity to draw your attention to two new ones that have crossed my table in the last month or so.

The first is Lazarus Risen, edited by Hayden Trenholm and Mike Rimar. Here’s how the editors describe the premise:

Lazarus Risen presents sixteen stories from around the world that explore the economic, political, social and psychological consequences of life extension, human cloning, the hard upload and other forms of The Biological Singularity.

It’s very rare that I find an anthology where I thought every single story was a winner, but this is one of them. Here are some of my favourites: Sean McMullen’s “The Life and Soul of the Party” tells us about the steampunk-style resurrection of Oscar Wilde. Matthew Shean’s “Sylvia and Larry,” where a woman needs a new body before her husband’s Alzeimers makes it impossible for him to recognize her new self, is vaguely reminiscent of Spider Robinson’s “Antimony” but hits harder, I think.

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New Treasures: The Diabolic by S. J. Kincaid

New Treasures: The Diabolic by S. J. Kincaid

the-diabolic-sj-kincaid-smallS. J. Kincaid’s debut novel Insignia, the tale of a war between governments and corporations that rages across the solar system, grew into an ambitious trilogy, and was optioned by 20th Century Fox.

Her newest novel is a story of galactic court intrigue, the tale of what happens when the galaxy’s most deadly weapon masquerades as a senator’s daughter and a hostage of the galactic court. It is available now in hardcover from Simon & Schuster.

A Diabolic is ruthless. A Diabolic is powerful. A Diabolic has a single task: Kill in order to protect the person you’ve been created for.

Nemesis is a Diabolic, a humanoid teenager created to protect a galactic senator’s daughter, Sidonia. The two have grown up side by side, but are in no way sisters. Nemesis is expected to give her life for Sidonia, and she would do so gladly. She would also take as many lives as necessary to keep Sidonia safe.

When the power-mad Emperor learns Sidonia’s father is participating in a rebellion, he summons Sidonia to the Galactic court. She is to serve as a hostage. Now, there is only one way for Nemesis to protect Sidonia. She must become her. Nemesis travels to the court disguised as Sidonia — a killing machine masquerading in a world of corrupt politicians and two-faced senators’ children. It’s a nest of vipers with threats on every side, but Nemesis must keep her true abilities a secret or risk everything.

As the Empire begins to fracture and rebellion looms closer, Nemesis learns there is something more to her than just deadly force. She finds a humanity truer than what she encounters from most humans. Amidst all the danger, action, and intrigue, her humanity just might be the thing that saves her life — and the empire.

The Diabolic was published by Simon & Schuster on November 1, 2016. It is 403 pages, priced at $17.99 in hardcover and $10.99 for the digital edition. The cover art is by There Is Studio.

Where Fae Inhabits Diners, Dive Bars and Trailer Parks: The Gallow & Ragged Books by Lilith Saintcrow

Where Fae Inhabits Diners, Dive Bars and Trailer Parks: The Gallow & Ragged Books by Lilith Saintcrow

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By following so much independent and standalone fantasy, I think I tend to neglect a lot of fantasy series — especially urban fantasy. But much of the most popular fantasy being published today is in the form of exciting and fast paced urban fantasy series. Like Lilith Saintcrow’s Gallow & Ragged dark fantasy trilogy, which Patricia Briggs calls “A true faery story, creepy and heroic by turns… I could not put it down.”

All three volumes in the series have appeared in the last sixteen months — a pretty fast paced publishing schedule, too. The books are:

Trailer Park Fae (352 pages, $14.99 trade paperback/$7.99 digital, June 23, 2015)
Roadside Magic (368 pages, $14.99 trade paperback/$7.99 digital, January 26, 2016)
Wasteland King (352 pages, $15.99 trade paperback/$9.99 digital, July 26, 2016)

This is an intriguing series that’s been getting a lot of attention. Publishers Weekly called the opening volume “far darker and lovelier than the title suggests.” If you enjoy adventure fantasy, it could be well worth checking out. Click on any of the images for bigger versions.

Future Treasures: Jack Ketchum’s Off Season: 35th Anniversary Edition From Dark Regions Press

Future Treasures: Jack Ketchum’s Off Season: 35th Anniversary Edition From Dark Regions Press

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Jack Ketchum’s debut novel Off Season created something of a sensation when it first appeared as a Ballantine paperback in 1980. Partially based on the legend of the Scottish cannibal clan led by Sawney Bean (which also inspired Wes Craven’s The Hills Have Eyes), the novel was heavily critiqued for its over-the-top violence, and Ballantine eventually withdrew it from circulation. Now, to celebrate the book’s 35th anniversary, Dark Regions Press is returning the book to print in a special unexpurgated edition, with a new short story and afterword by the author, and a gorgeous wraparound cover by David Stoupakis.

The Ultimate Edition of Jack Ketchum’s Debut Novel That Shocked the Horror Scene in 1980

Jack Ketchum’s debut novel Off Season made a huge impact on the horror scene with its initial publication in 1980. It became so controversial that the original publisher withdrew their support of the novel. Now award-winning specialty publisher Dark Regions Press is bringing Ketchum’s debut novel back in its best form yet.

The 35th anniversary edition of Off Season includes the author’s originally intended version of the novel (unexpurgated), a new short story based in the Off Season universe, a new afterword from the author, the novelette “Winter Child,” five full page interior illustrations by Tomislav Tikulin and stunning full color wraparound dust jacket artwork by David Stoupakis.

Here’s the complete wraparound cover.

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Last Term: Honor’s Paradox by P.C. Hodgell

Last Term: Honor’s Paradox by P.C. Hodgell

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Another tawdry Caldwell cover

Can you tell I really like P.C. Hodgell’s Kencyrath series? Not once have I followed up a review of an author’s book with a review of her next one. And in three weeks I’ll review the next one as well. In between there’ll be a short story roundup and then, provided the Canadian mail runs well, Chris Carlsen’s Shadow of the Wolf.

Last week, I wrote that Bound in Blood (2010) was essentially a story where just a bunch of stuff happens to Hodgell’s cat-clawed heroine, Jame. That’s pretty much the feel in Honor’s Paradox (2011) as well, but this time there’s more apparent purpose. The story is told in Hodgell’s usual mix of the funny, the tragic, and the sublime. One final time, the setting is the Kencyrath military school, the randon academy.

Again, the setup:

Thirty thousand years ago, Perimal Darkling began to devour the series of parallel universes called the Chain of Creation. To fight against it, the Three-Faced God forged three separate races into one: feline-like Arrin-Ken to serve as judges; heavily-muscled Kendar to serve as soldiers and craftsmen; fine-featured humanoid Highborn to rule them. For 27,000 years, the Kencyrath fought a losing battle, one universe after another falling to the darkness. Three thousand years ago, the High Lord Gerridon, fearful of death, betrayed his people to Perimal Darkling in exchange for immortality. Fleeing yet again, the Kencyrath landed on the world of Rathilien. Since then, they haven’t heard from their god and Perimal Darkling has seemed satisfied to lurk at the edges of their new home. Monotheists trapped on an alien world with many gods, the Kencyrath have had to struggle to make a life on Rathilien.

Now, the power of the Three-Faced God seems to be reappearing. The Kencyrath believe that only the Tyr-ridan, three Highborn reflecting the three aspects of their god — destroyer, preserver, and creator — will be able to defeat Perimal Darkling. Jame, raised in the heart of Perimal Darkling, is fated to be the Regonereth, That-Which-Destroys.

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Self-published Book Review: Bookbound by Aonghus Fallon

Self-published Book Review: Bookbound by Aonghus Fallon

If you have a book you’d like me to review, please see this post for instructions to submit. I’d love to get more submissions.

bookboundBookbound by Aonghus Fallon is actually two stories. One is a sword and sorcery epic, “The Emperor of the Red Planet”, about a tyrant who rules his people with an iron fist, and the five people who unite to defeat him. The other story is about six school boys, including Odran, the first person narrator.

Odran is disliked and bullied at the all-boys’ school he attends, and like many such boys, he daydreams about his antagonists getting their comeuppance. And in his dead grandmother’s house, instead of the elephant figurine he’d been promised, Odran finds a copybook, and in it reads the story of Nardo. Like himself, Nardo is lonely and unhappy, but Nardo is also an heir of the line of Starnovers, the family that rules the red planet. And with the Empress’s death, he claims her talisman, an elephant figurine that allows him to control the demonic creatures behind the Starnovers’ power.

The story in the copybook grows longer with the reading, each chapter seeming to reflect Odran’s life, fulfilling his dreams in Nardo. So that when Odran’s bullies steal and damage his lunchbox, he next reads about how the now aged Emperor Nardo gets revenge on his enemies by stealing those things that are most precious to them. But Odran can’t entirely control the story, and when the five enemies unite in order to defeat Nardo, he can conceive of the obstacles they face, but the characters themselves are too real to play along. Soon Odran realizes that the reason the characters are so real is that the book seems to be stealing pieces of the people he knows, giving life to the characters in the story while removing critical pieces from the personalities of the originals. And as the five enemies in the book are growing into the heroes of a dark Sword and Sorcery story, the real life counterparts are becoming worse and worse.

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The Public Life of Sherlock Holmes: ‘Dirk Gently’ is Not ‘Timeless’

The Public Life of Sherlock Holmes: ‘Dirk Gently’ is Not ‘Timeless’

gently_circleI love Dirk Gently’s Holistic Detective Agency, the novel by Douglas Adams. Which you know because you read my Black Gate post about it. And I liked the sequel, The Long Dark Tea Time of the Soul. And there were some good bits in the third novel, unfinished at Adams’ death.

And, I thought that the BBC miniseries starring Houdini & Doyle’s Stephen Magnon was worth watching. I own audio books of Adams reading Dirk Gently and the excellent BBC radio play of it. So, I’m a fan. I was leery after seeing the trailer for the new BBC miniseries starring Elijah Wood (not as Gently, however). It didn’t look like it was very true to the style of Adams’ books.

I’ve watched the first two episodes. Except for discussing BBC’s Sherlock post-season two, I’m usually pretty positive with my Black Gate posts here. If you are looking for more of that sunshine, skip the following and scroll on down to my review of the new show, Timeless.

With six of eight episodes yet to air, the new Dirk Gently is a festering pile of tripe. It bears almost no resemblance to Adams’ character, and even disregarding that, it’s a ridiculous mess of a show in its own right. Max Landis, who it appears wanted to imitate Quentin Tarentino while showing everyone how talented he is, all but completely ignores Adams’ work.

There is barely a shadow of the actual Dirk Gently in this series. Samuel Barnett’s character is totally clueless, almost completely helpless and neither clever nor funny. He just rolls along with no real insights or ability to influence events. That sound like Adams’ character? And, he’s not even the star, as the show is really about Gently’s reluctant assistant, Todd, played by Wood.

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New Treasures: The Rise of Io by Wesley Chu

New Treasures: The Rise of Io by Wesley Chu

the-rise-of-io-smallWesley Chu burst onto the scene with The Lives of Tao, the opening novel in the Lives of Tao trilogy. His Tor hardcover, Time Salvager, was optioned by Michael Bay. His new novel from Angry Robot, The Rise of Io, is the first in a new trilogy. Earth is in the aftermath of a civil war between two alien factions, when Ella Patel stumbles upon a couple being chased by a heavily armed gang. Soon she’s caught up in an alien investigation, and listening to a strange new voice in her head.

Ella Patel – thief, con-artist and smuggler – is in the wrong place at the wrong time. One night, on the border of a demilitarized zone run by the body-swapping alien invaders, she happens upon a man and woman being chased by a group of assailants. The man freezes, leaving the woman to fight off five attackers at once, before succumbing. As she dies, to both Ella and the man’s surprise, the sparkling light that rises from the woman enters Ella, instead of the man. She soon realizes she’s been inhabited by Io, a low-ranking Quasing who was involved in some of the worst decisions in history. Now Ella must now help the alien presence to complete her mission and investigate a rash of murders in the border states that maintain the frail peace.

With the Prophus assigned to help her seemingly wanting to stab her in the back, and the enemy Genjix hunting her, Ella must also deal with Io’s annoying inferiority complex. To top it all off, Ella thinks the damn alien voice in her head is trying to get her killed. And if you can’t trust the voices in your head, who can you trust?

Our previous coverage of Wesley Chu includes:

An Origin Story Mashed With a First-Contact Story: A Review of The Lives of Tao by Kelly Swails
New Treasures: The Lives of Tao
Time Salvager
Time Siege

The Rise of Io was published by Angry Robot on October 4, 2016. It is 352 pages, priced at $14.99 in trade paperback and $6.99 for the digital edition. The cover is by Tommy Arnold.

A State of Suspension: Iain Banks’ The Bridge

A State of Suspension: Iain Banks’ The Bridge

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Iain Banks, the Scottish science fiction writer, established himself as a major presence in the genre with his Culture series, the first of which, Consider Phelebas, appeared in 1987. Set in a far future, post-scarcity universe teeming with human and alien societies, the Culture books are wide screen space operas with a decidedly sociological-political perspective. Banks wrote a new Culture book every few years until there were ten volumes. The final one, The Hydrogen Sonata, appeared in 2012, shortly before Banks died of cancer in 2013, at the age of 59.

In 1986, right before beginning the series that would dominate the rest of his career, Banks published something rather different: The Bridge, a book that stands high in the ranks of a significant sub-genre of fantasy, those stories that deal with pre or after life states, or that take place in the nebulous regions between life and death.

The Bridge begins as a nameless man (we eventually learn that he is an affluent Glasgow professional named Alex) has a moment of inattention while driving back from a weekend of nostalgic dissipation; as he gazes at the Forth Railway Bridge that crosses the Firth of Forth just west of Edinburgh, he fails to notice the shifting traffic patterns in front of him and crashes his car. He is trapped in the wreckage of his vehicle, praying that it doesn’t burst into flames before he can be rescued. Crushed and bleeding, he lapses into unconsciousness… and awakens, whole and uninjured, on the bridge.

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Vintage Treasures: The Best of John Brunner

Vintage Treasures: The Best of John Brunner

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In 1974 Lester Del Rey hit on the idea for a series of collections showcasing the best early SF writers in the field — especially those who had a publishing contract with his Del Rey imprint, naturally enough. The Classic Science Fiction line grew to roughly two dozen volumes, creating an essential library of early science fiction. It became one of the seminal SF series of my childhood, introducing me to such writers as C.L. Moore, Leigh Brackett, Edmond Hamilton, Fritz Leiber, Henry Kuttner, John W. Campbell, Philip K. Dick, Fredric Brown, Murray Leinster, Robert Bloch, Jack Williamson, and many others. James McGlothlin has been reviewing them at Black Gate. So far he’s covered The Best of Stanley Weinbaum and The Best of Frederik Pohl, two of the finest books in the set.

I always thought I had a complete collection, but just a few months ago I discovered there was a late entry — The Best of John Brunner, published fourteen years after the first volume in the series. How the heck did that manage to elude me for nearly 30 years? I scrambed to find one, and soon enough located a virtually new copy on eBay for just $4 — just five cents more than the 1988 cover price. It arrived a few weeks ago.

It has been a genuine treat. Brunner is one of science fiction’s finest 20th Century practitioners, and while I’m well familiar with his novels, I’ve discovered that I’m much less knowledgeable regarding his short fiction. In fact, while I haven’t finished reading it, I’m pretty sure I’ve never read any of these stories before.

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