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The B&N Blog on Nine New Horror Books to Keep You Terrified Until Halloween

The B&N Blog on Nine New Horror Books to Keep You Terrified Until Halloween

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Sam Reader at the Barnes & Noble Sci-Fi & Fantasy Blog has assembled a delicious list of nine new horror books to keep you terrified until Halloween — including several we’ve already covered here at Black Gate, such as The Fisherman, by John Langan, Disappearance at Devil’s Rock by Paul Tremblay, and Hex, by Thomas Olde Heuvelt.

But he’s also highlighted several intriguing selections we overlooked, like Brom’s new novel Lost Gods, Ellen Datlow’s collection Nightmares, and The Graveyard Apartment, by Mariko Koike.

The Graveyard Apartment tells something of a conventional story: a troubled couple, their adorable daughter, and their pets move into an apartment that seems too good to be true. Naturally, the apartment happens to be in a building surrounded on three sides by a graveyard and a crematorium. On the day they move in, their pet bird dies. Other tenants quickly move out of the building. It doesn’t take a horror aficionado to tell the place is haunted and that things will go downhill quickly, but Koike brings a sense of claustrophobia and progressive isolation to a story that keeps the dread ticking right along, as its stubborn protagonists refuse to follow the example of their neighbors and leave the creepy apartment.

See the complete list here.

Get Cozy with Tor.com Publishing’s Winter 2017 Titles

Get Cozy with Tor.com Publishing’s Winter 2017 Titles

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Tor.com Publishing has given us a peek at their upcoming fall and winter titles, and it looks like another dynamite line-up, with novellas by Black Gate author Ellen Klages (“A Taste of Summer,” BG 3), Seanan McGuire, Caitlín R. Kiernan, Adam Christopher, Emma Newman, Paul Cornell, Maurice Broaddus, and many others — including the sequel to the Nebula Award-winning Binti by Nnedi Okorafor. Here’s the complete line-up:

Dusk or Dark or Dawn or Day by Seanan McGuire (192 pages, $15.99, January 10, designed by Jamie Stafford-Hill)
The Fortress at the End of Time by Joe M. McDermott (268 pages, $19.99/$4.99 digital, January 17, cover by Jaime Jones)
Passing Strange by Ellen Klages (220 pages, $14.99, January 24, cover by Gregory Manchess)
Binti: Home (Binti #2) by Nnedi Okorafor (176 pages, $14.99, January 31, cover by David Palumbo)
Idle Ingredients (Sin du Jour #4) by Matt Wallace (192 pages, $15.99, February 7, designed by Peter Lutjen)
Cold Counsel by Chris Sharp (368 pages, $21.99/$4.99, February 21, cover by David Palumbo)
Agents of Dreamland by Caitlín R. Kiernan (128 pages, $11.99, February 28, designed by Christine Foltzer)
Standard Hollywood Depravity (L.A. Trilogy) by Adam Christopher (176 pages, $14.99, March 7, cover by Will Staehle)
Brother’s Ruin by Emma Newman (160 pages, $14.99, March 14, cover by Cliff Neilsen)
Chalk by Paul Cornell (260 pages, 17.99/$4.99, March 21, designed by Peter Lutjen)
Buffalo Soldier by Maurice Broaddus (168 pages, $14.99. March 28, cover by Jon Foster)
Winter Tide (The Innsmouth Legacy, Book 1) by Ruthanna Emrys (368 pages, $25.99 in hardcover/$12.99 digital, April 4, cover by John Jude Palencar)
Proof of Concept by Gwyneth Jones (176 pages, $14.99, April 11, designed by Drive Communications)
Lightning in the Blood (Cold-Forged Flame #2)  by Marie Brennan (112 pages, $11.99, April 25, cover by Greg Ruth)

All are published in trade paperback. Unless otherwise noted, the digital prices for each is $2.99. See all the details here.

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In 500 Words or Less: Chasing the Dragon by Nicholas Kaufmann

In 500 Words or Less: Chasing the Dragon by Nicholas Kaufmann

chasing-the-dragon-nicholas-kaufmann-smallChasing the Dragon
By Nicholas Kaufmann
ChiZine Publications (170 pages, $10.95 in trade paperback, $7.99 digital, March 15, 2010)

Chasing the Dragon is the sort of novel that you would probably never see from a big publishing house. It’s a tiny paperback at only 133 pages, an urban fantasy/mythology/horror blend with an added literary focus on the topic of addiction – the sort of combination that fits right in with the kind of excellent, outside-the-box work that ChiZine Publications produces. It also functions as a tight, focused narrative that could probably work just as well as a short story if some things were cut away. But I would never want that to happen.

The premise is straightforward: Young Georgia Quincey is the latest in a long line of warriors tasked with hunting and killing the Dragon, a task that each generation of her family has failed at. In tiny Buckshot Hill, she has another chance to fulfill her family’s destiny – if she can manage her heroin addiction. Kaufmann takes the idea of the flawed hero to a different level with Georgia, as her desperate hunt for both dragons (“chasing the dragon” is also a term for your first, perfect high) and her guilt and depression over losing her parents push her to the edge again and again. As the people around Georgia fall victim to her family’s curse and their undead bodies forced into serving the Dragon, I couldn’t decide what would be better for her: to succeed in her family’s quest or finally be given a measure of peace by dying at the hands of her enemy.

My one main criticism of Chasing the Dragon is that the novel’s ending is telegraphed pretty early in the novel, and I can’t quite decide whether the subtle reveal (and the fact that Georgia doesn’t realize her ace in the hole until the end) is meant to be noticed by the reader or not. I hope that Kaufmann intended for the reader to catch it; the information needed is, I think, pretty common knowledge. If it isn’t, that might say something about me (and I promise the last few sentences will make sense after you read the novel; I just don’t want to give anything away). At the end of the day, though, the way that Georgia ultimately faces the Dragon isn’t nearly as important as watching her deal with her demons and wondering whether she’ll make it to the end, both physically and mentally. There’s more than enough carnage and death around her, involving a series of really well-developed supporting characters, to make it hard to predict whether she will.

Cliched as it might sound, Chasing the Dragon is unlike any other novel I’ve read, and easily one of my favorite reads of 2016. It is definitely worth checking out if you like fantasy, horror, stories about the darker side of things (cuz heroin addiction is pretty dark) and deep, unique character work.


An Ottawa teacher by day, Brandon has published work in On Spec, Third Flatiron Anthologies, and elsewhere. Learn more at brandoncrilly.wordpress.com or on Twitter: @B_Crilly.

Get a Fresh Take on Dungeons & Dragons in Volo’s Guide to Monsters

Get a Fresh Take on Dungeons & Dragons in Volo’s Guide to Monsters

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There have been 18 different iterations of the Dungeons & Dragons Monster Manual since Gary Gygax authored the first one in 1977. Over at Polygon.com, Charlie Hall has authored a fascinating article about the upcoming 5th Edition resource book Volo’s Guide to Monsters, which takes a fresh angle to the D&D monster book — by adding a story. Hall talked to lead designer Mike Mearls to get the scoop.

This time around, [Mearls] and his team have decided to do something a little bit different. Their next take on the Monster Manual will be called Volo’s Guide to Monsters and, for the first time, it will have a lot more character to it.

“It’s risky,” Mearls said. “In the end, it’s still a giant book full of monsters. No one would argue with that. But I just think that if that’s all the Monster Manual is, then we’re selling ourselves short. So the idea was, the kind of genesis of it, was that want to do something that’s more story oriented.”

Volo’s Guide will have a narrator — two actually. One will be Volothamp Geddarm, an over-the-top, braggadocious explorer. The other will be Elminster, the wise Sage of Shadowdale. And the two will often be at odds with one another. Their differing accounts will be scattered throughout the book, and take the shape of comments scribbled in the margin.

Put simply, the goal is to create a book that high-level players and dungeon masters will enjoy reading. The goal, in the end, is to inspire new stories at the table, not simply reinforce the lore of the Forgotten Realms and ram storylines down player’s throats.

“I have this pet phrase I use,” Mearls said. “I like to say that we’re living in a post Game of Thrones world. Fantasy has changed.”

Read the complete article, “Dungeons & Dragons is changing how it makes books,” here. It includes several full-color sample pages from the upcoming book.

Volo’s Guide to Monsters will be published by Wizards of the Coast on November 15, 2016. It is 224 pages, priced at $49.95 in hardcover. There is no digital edition.

New Treasures: A City Dreaming by Daniel Polansky

New Treasures: A City Dreaming by Daniel Polansky

a-city-dreaming-daniel-polansky-smallDaniel Polansky is a writer on the move. His novel Low Town was called “A fantasy-crime hybrid with serious noir chops… festooned with sorcerers and demons in a pre-industrial otherworld setting” by the Winnipeg Free Press, and his Tor.com novella The Builders was nominated for a Hugo Award.

His newest novel, in which a powerful magician returns to New York City and reluctantly finds himself in the middle of a war between the city’s two most powerful witches, was released in hardcover from Regan Arts earlier this month. David S. Goyer, screenwriter for the Dark Knight Trilogy and Man of Steel, says “Imagine a mash-up of Trainspotting and Harry Potter and you might end up with something as wonderfully gonzo as A City Dreaming.”

“It would help if you did not think of it as magic. M certainly had long ceased to do so.”

M is an ageless drifter with a sharp tongue, few scruples, and the ability to bend reality to his will, ever so slightly. He’s come back to New York City after a long absence, and though he’d much rather spend his days drinking artisanal beer in his favorite local bar, his old friends — and his enemies — have other plans for him. One night M might find himself squaring off against the pirates who cruise the Gowanus Canal; another night sees him at a fashionable uptown charity auction where the waitstaff are all zombies. A subway ride through the inner circles of hell? In M’s world, that’s practically a pleasant diversion.

Before too long, M realizes he’s landed in the middle of a power struggle between Celise, the elegant White Queen of Manhattan, and Abilene, Brooklyn’s hip, free-spirited Red Queen, a rivalry that threatens to make New York go the way of Atlantis. To stop it, M will have to call in every favor, waste every charm, and blow every spell he’s ever acquired—he might even have to get out of bed before noon.

Enter a world of Wall Street wolves, slumming scenesters, desperate artists, drug-induced divinities, pocket steampunk universes, and demonic coffee shops. M’s New York, the infinite nexus of the universe, really is a city that never sleeps — but is always dreaming.

Our previous coverage of Daniel Polansky includes Those Below, the second book of The Empty Throne, Low Town, and The Builders.

A City Dreaming was published by Regan Arts on October 4, 2016. It is 304 pages, priced at $25.95 in hardcover, and $9.99 for the digital edition.

The Best British Fantasy & Horror from Salt Publishing

The Best British Fantasy & Horror from Salt Publishing

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With the surprising number of Years Best anthologies on the market these days — nearly a dozen, by my count — it takes something pretty darn special to get me to pry open my wallet for another one.

Salt Publishing has accomplished exactly that with their dual series, The Best British Fantasy, edited by Steve Haynes. and Best British Horror, edited by Johnny Mains. Where the other Years Best series mine the same American magazines and anthologies for the same batch of writers year after year, these books have the compelling advantage of drawing from a wholly different market. Featuring top-notch authors like Lavie Tidhar, Mark Morris, Ramsey Campbell, Sam Stone, Steph Swainston, Nina Allan, Guy Hayley, V.H. Leslie, Robert Shearman, Michael Marshall Smith, Helen Marshall, and many others, these books offer a refreshing change of pace for jaded SF and fantasy readers.

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Future Treasures: Boy Robot by Simon Curtis

Future Treasures: Boy Robot by Simon Curtis

boy-robot-smallSimon Curtis is a young musician who’s had a lot of success as an independent recording artist. His debut novel introduces us to seventeen-year-old Isaak, who discovers he’s not truly human…  and that there’s a secret government organization dedicated to eradicating those like him. Boy Robot is is fast-paced science fiction debut from SImon & Schuster’s teen imprint, Simon Pulse, arriving in hardcover at the end of the month.

There once was a boy who was made, not created.

In a single night, Isaak’s life changed forever.

His adoptive parents were killed, a mysterious girl saved him from a team of soldiers, and he learned of his own dark and destructive origin. An origin he doesn’t want to believe, but one he cannot deny.

Isaak is a Robot: a government-made synthetic human, produced as a weapon and now hunted, marked for termination. He and the Robots can only find asylum with the Underground — a secret network of Robots and humans working together to ensure a coexistent future.

To be protected by the Underground, Isaak will have to make it there first. But with a deadly military force tasked to find him at any cost, his odds are less than favorable.

Now Isaak must decide whether to hold on to his humanity and face possible death… or to embrace his true nature in order to survive, at the risk of becoming the weapon he was made to be.

Boy Robot will be published by Simon & Schuster on October 25, 2016. It is 415 pages, priced at $17.99 in hardcover and $10.99 for the digital edition. The cover is by Will Staehle.

Weird Frontier: California’s Strange Fiction

Weird Frontier: California’s Strange Fiction

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Southern California exists on borrowed life. Four hundred miles of water, sucked from the Sierra Nevada into a river of steel and rebar and concrete. It plows through hot basins of Joshua trees, up barren hills dusted with scrub oaks, through sunblasted pumping stations that roil and hiss. It traces a line along the edge of Lancaster, California, springing tract homes and strip malls, green lawns and chlorine-wet children. It is a thing that does not belong, and like all such things, there is an old story at its heart.
~  Five Tales of the Aqueduct, By Spencer Ellsworth

I have a few distinct childhood memories: racing through my great-grandfather’s orange groves on his retired cowponies with my cousins; attending a funeral for the son of my grandfather’s clients, Mexican ranchers from Monterey, after the man was gunned down by an LA gang; the colors and scents of San Francisco’s Chinatown; learning how to avoid stumbling over cartel drug fields; the effigy hanging over Main Street, celebrating my hometown’s violent judicial past; visiting my uncle, who was employed as an electrical engineer on the Predators. A mélange of cultures and histories, the weird and illegal and far-future all mixed into that wild, weird empire-state known as California.

It’s no wonder that California is the land of science fiction and weird fantasy. There’s a little bit of everything there, all mixed together and blurring together, and where the lines cross, it can get weird. One of my favorite authors, Clark Ashton Smith, wrote about my hometown, referencing El Dorado moonshine and the Placerville Bank. He corresponded with H.P. Lovecraft, the masters of Eastern and Western Weird frequently mingling their tales and sharing characters and mythologies.

And that’s just one example. A small sample of founding SF authors from, inspired by, or living in California includes Bradbury, Le Guin, Dick, Vance, Gibson, Powers, and Heinlein. The state still inspires many authors and series, and Silicon Valley itself is like something out of a science fiction novel.

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Into the Mystic: The Mask of the Sorcerer by Darrell Schweitzer

Into the Mystic: The Mask of the Sorcerer by Darrell Schweitzer

oie_1852341b75ezo3oI read a lot of fantasy — most of it older works — and yet Darrell Schweitzer’s mesmerizing The Mask of the Sorcerer (1995) had escaped my attention until fairly recently. Around the time I reviewed another of Schweitzer’s books, Echoes of the Goddess (2013), John Fultz told me that if I was looking for something really wild, Mask was where to go, so I bought it. And for two years it sat there on the virtual TBR stack. When John (who described it as “Harry Potter in Hell” and wrote an appreciation of Schweitzer here at Black Gate ten years ago) and others recently recommended it as a work of S&S horror, I finally picked it up. I have read some extraordinary novels this year, several of which I will positively reread in the years to come. The Mask of the Sorcerer (MotS) is one of those.

MotS is about the education of sixteen-year-old sorcerer, Sekenre. In a land inspired by ancient Egypt, he learns that magic and sorcery are two very different things:

Sorcery is not magic. Do not confuse the two. Magic comes from the gods. The magician is merely the instrument. Magic passes through him like breath through a reed pipe. Magic can heal. It can satisfy. It is like a candle in the darkness. Sorcery, however, resides in the sorcerer. It is like a blazing sun.

Sorcerers draw on deep forces, often by evil means. When one sorcerer kills another, the killer absorbs his victim’s soul and knowledge. There’s a cumulative effect to this, so one victory can yield the spirits of dozens of previously defeated opponents.

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New Treasures: High Stakes: A Wild Cards Novel, edited by George R.R. Martin & Melinda M. Snodgrass

New Treasures: High Stakes: A Wild Cards Novel, edited by George R.R. Martin & Melinda M. Snodgrass

wild-cards-high-stakes-smallWild Cards is one of the longest-running shared universes in existence, outlasting Robert Asprin’s Thieves World, Emma Bull and Will Shetterly’s Liavek, C. J. Cherryh’s Merovingen Nights, and many others (the only one with a comparable run I can think of is Janet and Chris Morris’ Heroes in Hell, which began in 1986). The first volume, Wild Cards, was published in 1987 by Bantam Books; there have been 23 novels and anthologies since then, from 31 authors and four different publishers. That’s a heck of a run.

The premise of the series is pretty appealing for anyone who likes superheroes or pulp fiction.

In the aftermath of World War II, an alien virus struck the earth, endowing a handful of survivors with extraordinary powers. Some were called aces – those with superhuman mental & physical abilities. Others were termed jokers – cursed with bizarre mental or physical disabilities. Some turned their talents to the service of humanity. Others used their powers for evil.

Wild Cards is their story.

It’s been in the news recently primarily because it’s the next big series licensed to television by George R.R. Martin, hot on the heels of his globe-spanning success with Game of Thrones. Universal Cable Productions (The Magicians, Mr. Robot) acquired the rights this summer, and brought on co-editor Melinda Snodgrass as executive producer.

The 23rd book (excuse me, “mosaic novel” — really an anthology with a fancy name) in the series is High Stakes, written by Melinda M. Snodgrass, John Jos. Miller, David Anthony Durham, Caroline Spector, Stephen Leigh, and Ian Tregillis, and edited by George R.R. Martin and Melinda M. Snodgrass. It was released in hardcover by Tor on August 30.

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