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Egyptian Dystopian Fiction: The Queue by Basma Abdel Aziz

Egyptian Dystopian Fiction: The Queue by Basma Abdel Aziz

the_queue_basma_abdel_aziz-smallSince the Arab Spring, there has been an upsurge in dystopian fiction coming out of the Middle East. The dashed hopes of that widespread popular uprising have found their expression in pessimistic novels such as Otared, (reviewed in an earlier post) and several other notable works of fiction.

One of the most lauded in the West is The Queue by Basma Abdel Aziz, an Egyptian writer and social activist.

In The Queue, we are transported to a strange near future where the civilian government has been taken over by a faceless entity called the Gate. The Gate issues a series of edicts that become ever more baffling and hard to obey. Companies are forced to changed what they produce, individuals need to get signed forms for even the most mundane matters, and little by little the Gate forces its way into every aspect of the city’s life.

The people rebel, in what the Gate refers to as the Disgraceful Events, which are suppressed with predictable police brutality. One of the casualties is a young man named Yehya, who is shot by a police officer. Yehya needs a form signed in order to have the bullet removed, but the Gate closes right after the Disgraceful Events.

As Yehya languishes, the Gate issues a continuous torrent of edicts, prompting more and more citizens to line up in front of the Gate hoping to get their forms filled out. The line soon stretches for miles, developing its own economy and culture. Street preachers rail against the citizens for their lack of faith in the Gate, shopkeepers try to make a living selling tea and snacks to the other people in line, and salesmen give away free mobile phones that are bugged.

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Birthday Reviews: John Bellairs’s “The Pedant and the Shuffly”

Birthday Reviews: John Bellairs’s “The Pedant and the Shuffly”

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Art by Marylyn Fitschen

John Bellairs was born on January 17, 1938 and died on March 8, 1991. He is best known for his novel The Face in the Frost. Most of his focus was on young adult fiction, including the Anthony Monday series, the Cubby Lewis Barnavelt series, and the Johnny Dixon series. After Bellairs’ death, Brad Strickland wrote novels in the Barnavelt and Dixon series.

Occasionally Bellairs turned his attention to short fiction. His short story “The Pedant and the Shuffly” was originally published as a stand-along book in February 1968 with illustrations by Marylyn Fitschen. Mythopoeic Press reprinted it in 2001 and it was included in the NESFA Press Bellairs omnibus Magic Mirrors in 2009. Both reprintings included Fitschen’s illustrations.

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New Treasures: Go Forth and Multiply, edited by Gordon Van Gelder

New Treasures: Go Forth and Multiply, edited by Gordon Van Gelder

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Here’s a fun thing, especially for fans of classic SF such as myself. An anthology celebrating a popular theme in science fiction magazines of the 50s and 60s: repopulating a planet.

It’s the kind of story that fell out of fashion by the early 70s, when overpopulation and pollution became hot-button topics, gradually eclipsing colonial and expansionist themes in SF. As a result many of the stories in Go Forth and Multiply have never been reprinted since they originally appeared in magazines like Astounding and New Worlds in the 1950s, including Randall Garrett’s “The Queen Bee,” Rex Jatko’s “On the Care and Breeding of Pigs,” and E. C. Tubb’s “Prime Essential.”

F&SF publisher (and editor emeritus) Gordon Van Gelder has gathered a terrific collection of what Tangent Online calls “twelve great classic science fiction stories,” including Kate Wilhelm’s acclaimed novella  “Where Late the Sweet Birds Sang,” Richard Wilson’s Nebula Award-winning “Mother to the World,” and stories by John Brunner, Poul Anderson, Robert Sheckley, Damon Knight, and many others.

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A Gentle Book about Harsh Times: The List by Patricia Forde

A Gentle Book about Harsh Times: The List by Patricia Forde

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“Extinction is the saddest word,” Letta’s mentor tells her on his deathbed. “You don’t understand. In the old days, before the Melting, no one would listen. No one. The politicians just talked and talked. They used words to keep the people in ignorance.”

A dystopian novel, Patricia Forde’s The List takes place in our world after the polar ice caps have disappeared and sea levels have risen. Letta, our seventeen-year-old heroine, is only an apprentice when she abruptly inherits her master’s position as Wordsmith. Now a member of the elite, she’s one of the few people in the town of Ark who’s allowed to use the full scope of language. Everyone else must speak “List,” 500 words that leader John Noa has approved. (Yes. Letta lives in Noa’s Ark.)

The List doesn’t include words like “hope,” “love,” or “dream.” Noa considers these words too dangerous, since they encourage people to think about the future. Most articles are gone, as well as “Hello,” “Thank you,” and “Please.” People are only allowed to use specialized vocabulary if it’s necessary for them to do their jobs. Art and music of all kinds likewise have been forbidden.

As Wordsmith, Letta prepares basic Lists for Ark schoolchildren and specialized Lists for apprentices. She also thinks it’s part of her job to preserve non-List words so that humans can recover language at some future time, when our ancestors have proven they can handle it responsibly. What she doesn’t know is that Noa destroys her note cards, believing humans must be stripped of language completely.

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The 2018 Philip K. Dick Nominees

The 2018 Philip K. Dick Nominees

The Book of Etta-small After the Flare Deji Bryce Olukotun-small All Systems Red-small

The nominees for the 2018 Philip K. Dick Award, given each year for distinguished science fiction originally published in paperback in the United States, have been announced. They are (links will take you to our previous coverage):

The Book of Etta by Meg Elison (47North)
Six Wakes by Mur Lafferty (Orbit)
After the Flare by Deji Bryce Olukotun (The Unnamed Press)
The Wrong Stars by Tim Pratt (Angry Robot)
Revenger by Alastair Reynolds (Orbit)
Bannerless by Carrie Vaughn (Mariner/Houghton Mifflin Harcourt)
All Systems Red by Martha Wells (Tor.com)

This is a terrific ballot, with something for every reader. Over at the Barnes & Noble Sci-Fi & Fantasy Blog, Joel Cunningham sums things up nicely.

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Birthday Reviews: Robert Silverberg’s “When We Went to See the End of the World”

Birthday Reviews: Robert Silverberg’s “When We Went to See the End of the World”

 Cover by Dean Ellis
Cover by Dean Ellis

Robert Silverberg was born on January 15, 1935. In 1956, he won a Hugo for being the Most Promising New Author, nearly two decades before the John W. Campbell, Jr. Award debuted. He has subsequently won two Hugo Awards for Best Novella and one for Best Novelette. Silverberg has also received two Nebula Awards for Best Short Story, two more for Best Novella, and one for Best Novel.

He has won or been nominated for numerous other awards. Silverberg was a Guest of Honor at Heicon ‘70, the 28th Worldcon, held in Heidelberg, Germany. He was inducted into the Science Fiction Hall of Fame in 1999 and named an SFWA Grand Master in 2004. Other lifetime achievement awards include the Big Heart Award, the Forry Award, the Prix Utopia, the Skylark Award, the Milford Award.

“When We Went to See the End of the World” was published in Universe 2 in 1972 by Terry Carr. The story was nominated for both the Hugo and Nebula Award. Carr reprinted it the following year in The Best Science Fiction of the Year #2, and Isaac Asimov included it in Nebula Award Stories Eight. Lester del Rey also included it in his Best Science Fiction Stories of the Year, Second Annual Collection. It has since been included in several collections and anthologies and has been translated into Italian, Dutch, German, French, and Russian.

“When We Went to See the End of the World” is set at a cocktail party which in many ways seems very much of the early seventies when the story was written. Casual sex and marijuana are routine, but the main focus of the story is Nick and Jane telling the rest of the attendees about their recent excursion to see the end of the world.

Such excursions are new, only recently having come down from a price where only millionaires could afford to go, so Nick and Jane gained social status by being the first in their neighborhood to see the end of the world, and Nick sees the opportunity to have an affair with a neighbor’s wife.

Their status, and Nick’s chances for an affair, appear to be ended when a couple of latecomers to the party indicate that they have also taken the journey to the end of the world, although the world they saw was extremely different from what Nick and Jane had experienced. Before either couple can accuse each other of lying about their experiences, another couple announces that they completed the journey and saw someone else when they were there.

The story is a reasonably light-hearted look at a common idea in science fiction and presents a reasonable explanation for the multiple experiences the party-goers who visited the end of the world had. At the same time, since all of the activity takes place in the confines of the cocktail party, it is quite possible to read “When We Went to See the End of the World” is a story about people trying to one up each other, rather than relating their actual experiences.

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Vintage Treasures: Dark Imaginings: A Collection of Gothic Fantasy edited by Robert H. Boyer and Kenneth J. Zahorski

Vintage Treasures: Dark Imaginings: A Collection of Gothic Fantasy edited by Robert H. Boyer and Kenneth J. Zahorski

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Dark Imaginings is the first dark fantasy anthology I can remember lusting after in a bookstore. It was published in 1978, when I was 14 years old, at the lordly price of $4.95 — pretty steep in an era when a typical paperback was a buck fifty, even for a big oversized trade paperback.

In those days I would make weekly sojourns to downtown Ottawa every Saturday afternoon to hunt through the used bookstores on Bank Street for science fiction paperbacks, and I would gaze at it longingly on the bookshelf at WHSmith, or take it down and thumb through it. Joel Schick’s beautiful cover, featuring a canopy of dead, grasping trees in a twisted wood, spoke to me of dark tales whispered by strangers on Halloween. Man, I wanted this book.

And who wouldn’t? Dark Imaginings is packed with classic tales of gothic fantasy, including a Kull tale by Robert E. Howard, a Northwest Smith novelette by C. L. Moore, an Averoigne story by Clark Ashton Smith, a Fafhrd and the Gray Mouser tale by Fritz Leiber, a Cthulhu Mythos story by H. P. Lovecraft, a novel excerpt from Poul Anderson, and ten more stories. Each is illustrated with a sparse b&w pencil sketch by James Cagle. It’s a fine volume to curl up by the window with on a blustery winter evening, as I learned when I finally bought a copy, over a decade later.

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Future Treasures: The Beauty by Aliya Whiteley

Future Treasures: The Beauty by Aliya Whiteley

The Beauty Aliya Whiteley-smallI don’t know about you lot, but I like my dystopian horror filled with cosmic weirdness, strange fungi, and terrifying tales told around post-apocalyptic campfires.

Okay, that’s fairly specific. I blame the pre-release copy for Aliya Whiteley’s novella The Beauty, which has admittedly sparked my imagination. The Beauty was originally published in the UK in 2014 by Unsung Stories, where it was promptly nominated for the Shirley Jackson and Saboteur awards, and chosen by Adam Nevill as one of his favorite horror tales. He calls it “A story of cosmic fecundity and fungal weirdness that I couldn’t put down.” Kirkus Reviews labeled it “gut-wrenching… renders a world that exists somewhere between post-apocalyptic and fable-esque… unforgettably grotesque.” It arrives in trade paperback next week from Titan Books.

Somewhere away from the cities and towns, in the Valley of the Rocks, a society of men and boys gather around the fire each night to listen to their history recounted by Nate, the storyteller. Requested most often by the group is the tale of the death of all women.

They are the last generation.

One evening, Nate brings back new secrets from the woods; peculiar mushrooms are growing from the ground where the women’s bodies lie buried. These are the first signs of a strange and insidious presence unlike anything ever known before…

Discover the Beauty.

The Beauty will be published by Titan Books on January 16, 2018. It is 288 pages, priced at $12.95 in trade paperback and $7.99 for the digital version.

See all our coverage of the best in upcoming fantasy, SF and horror here.

The Top Five Books I Read in 2017

The Top Five Books I Read in 2017

Ghost-Talkers-Mary-Robinette-Kowal-smaller Red Country Joe Abercrombie-small Revenger-Alastair-Reynolds-smaller

Another year has passed, dear readers, which means that I’m mandated to assess the books I read in 2017 and declare my favorites. Of course, this mandate is self-imposed, and the difficulty of figuring out which books to pick this year is also self-inflicted. I’ve learned how to put down a book after 50 pages if I don’t enjoy it and move on, which means that the books I finished this year are all ones that I enjoyed on some level. I know, woe is me. But cut me some slack, because instead of a cop-out top ten list like last time, this year I forced myself to cut down my selections and present you with a Top Five. Note that these aren’t necessarily all books released in 2017; I just happened to read them in the last year.

Last year, I made an offhand comment that if I was forced under pain of death to absolutely pick a #1 title for 2016, I’d have chosen An Inheritance of Ashes by Leah Bobet. I’ve decided that for each of these annual posts (presuming I’m still around here in a year’s time) I’m going to nominate one book as my top pick for the year, and then list the rest in alphabetical order. Any ranking beyond #1 is going to be arbitrary anyway, since each of these novels is amazing in different ways.

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New Treasures: The Red Men by Matthew de Abaitua

New Treasures: The Red Men by Matthew de Abaitua

The Red Men Matthew de Abaitua-small The Red Men Matthew de Abaitua-back-small

The Red Men, Matthew de Abaitua’s debut novel, was originally published in trade paperback in 2009 by British fantasy small press Snowbooks. This is the first US edition. It follows de Abaitua’s two previous novels with Angry Robot, IF THEN and The Destructives.

In his acknowledgements de Abaitua says the theory of time as a solid state that he explores in the book “was put to me in an Italian restaurant in Northampton by Alan Moore.” The Red Men was shortlisted for the Arthur C. Clarke award, and filmmakers Shynola adapted the first chapter into a gripping short called Dr. Easy, which you can watch here. The book was widely praised when it first appeared; Will Self said “De Abaitua operates on the smiling face of the present to reveal the grimacing skull of the future.” And Golden Apples of the West said “With The Red Men, De Abaitua joins the ranks of Philip K Dick, J G Ballard, Rudy Rucker and Lavie Tidhar, writers who see and understand what’s happening to reality before the rest of us do.”

The Red Men was published by Angry Robot on November 7, 2017. It is 368 pages, priced at $7.99 in paperback and $6.99 for the digital version. The cover is by Raid71.