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Time Travel, Shoggoths, and the Land of the Witches: The Year’s Best Science Fiction & Fantasy 2018 edited by Rich Horton

Time Travel, Shoggoths, and the Land of the Witches: The Year’s Best Science Fiction & Fantasy 2018 edited by Rich Horton

The Year's Best Science Fiction & Fantasy 2018-smallI always enjoy Rich Horton’s introductions to his annual Year’s Best collection, and this one doesn’t disappoint. I was especially delighted to see him select one of my favorite stories of last year for this year’s volume, and to see him call it out in the intro:

One source of originality is new voices, and thus I am excited every [year] to see new writers producing excellent work… But one of the reasons I choose stories by some writers over and over again is that they are always fresh. What story this year is stranger than C.S.E. Cooney’s “Though She Be But Little?”

This year’s volume is dedicated to Gardner Dozois, who passed away in May, and I was particularly touched by Rich’s thoughtful reminiscence.

As for Gardner Dozois, who was closer to me in a personal sense — I was really shaken by news of his passing. He was one of the greatest editors in the field’s history (an argument can be made — and I’ve made it — that he ranks at the top); and he was also a very significant science fiction writer…

We who produce these similar books, the best of the year volumes, never regard ourselves as rivals. Our books are paragraphs in a long conversation about science fiction. I talked with Gardner about science fiction for years, in different ways — face to face, or on message boards, discussing our different ideas about who should have won the Hugo in 1973 or whenever; month by month in our columns in Locus; or in the tables of contents of these books, each of us proposing lists of the best stories each year. I always looked eagerly for Gardner’s “list,” and his stories for me represented a different and completely interesting angle on what really mattered each year.

I already miss that voice.

Rich’s 2018 volume is so crammed with fiction that the publisher had no room for the traditional “About the Authors” and “Recommended Reading” sections in the print edition; instead they’ll make them available online for free at the Prime Books website (and in the ebook version). They’re not available yet — and in fact the Prime website looks like it hasn’t been updated since 2016? — but presumably they will be soon.

This year’s volume has stories by Samuel R. Delany, Rich Larson, Sarah Pinsker, Michael Swanwick, Peter Watts, Nina Kiriki Hoffman, Kathleen Ann Goonan, Charlie Jane Anders, Robert Reed, Maureen McHugh, Sofia Samatar, Yoon Ha Lee, Kameron Hurley, and many others. Here’s the complete Table of Contents.

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New Treasures: Stars Uncharted by S. K. Dunstall

New Treasures: Stars Uncharted by S. K. Dunstall

Stars Uncharted-small“S. K. Dunstall” is the sibling writing duo of Sherylyn and Karen Dunstall. In 2016 I wrote about their successful Linesman Trilogy from Ace Books.

Their newest novel is Stars Uncharted, a fast-paced space opera that follows a ragtag band of explorers who make the greatest find in the galaxy. John DeNardo at Kirkus Reviews says “It combines the best parts of space action and space opera,” and Booklist says it “Masterfully [weaves] hard science… with engaging characters and a touch of romance, resulting in a brilliant female-driven tale.” It arrives in trade paperback from Ace Books next week.

On this space jump, no one is who they seem…

Captain Hammond Roystan is a simple cargo runner who has stumbled across the find of a lifetime: the Hassim, a disabled exploration ship — and its valuable record of unexplored worlds.

His junior engineer, Josune Arriola, said her last assignment was in the uncharted rim. But she is decked out in high-level bioware that belies her humble backstory.

A renowned body-modification artist, Nika Rik Terri has run afoul of clients who will not take no for an answer. She has to flee off-world, and she is dragging along a rookie modder, who seems all too experienced in weapons and war…

Together this mismatched crew will end up on one ship, hurtling through the lawless reaches of deep space with Roystan at the helm. Trailed by nefarious company men, they will race to find the most famous lost world of all — and riches beyond their wildest dreams…

Stars Uncharted will be published by Ace on August 14, 2018. It is 416 pages, priced at $16 in trade paperback and $9.99 for the digital edition. The cover is by John Harris. Read the complete 15-page first chapter here.

See all our recent New Treasures here.

Lauren C. Teffeau Talks Her Debut Novel, Her Career to Date, and Dealing with Annoying Writers Group-mates

Lauren C. Teffeau Talks Her Debut Novel, Her Career to Date, and Dealing with Annoying Writers Group-mates

teffeaulauren-4818webresimplanted_144dpi-1Lauren C. Teffeau’s debut novel Implanted was published yesterday!

When college student Emery Driscoll is blackmailed into being a courier for a clandestine organisation, she’s cut off from the neural implant community which binds the domed city of New Worth together. Her new employer exploits her rare condition which allows her to carry encoded data in her blood, and train her to transport secrets throughout the troubled city. New Worth is on the brink of Emergence – freedom from the dome – but not everyone wants to leave. Then a data drop goes bad, and Emery is caught between factions: those who want her blood, and those who just want her dead.

I’ve had the privilege of knowing Lauren for several years now and watching her writing go from strength to strength. She has a master’s degree in Mass Communication and worked for several years as a researcher in that field before moving to New Mexico. There, she attended the Taos Toolbox Writer’s Workshop and sold several short stories before earning her first contract with Angry Robot.

We recently sat down to talk about Implanted, her career to date, and her future projects.

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Future Treasures: The Moons of Barsk by Lawrence M. Schoen

Future Treasures: The Moons of Barsk by Lawrence M. Schoen

Barsk The Elephants' Graveyard-small The Moons of Barsk-small

Lawrence M. Schoen’s novel Barsk: The Elephants’ Graveyard was nominated for a Nebula Award, and Nancy Hightower at The Washington Post gave it a concise and enthusiastic review, saying:

Barsk is set 62,000 years into a human-less future, where anthropomorphic animals rule the galaxy. There is no record of human existence, and while the different species get along relatively well, the Fant, an elephant-like hybrid, are completely shunned and exiled to live on a rainy planet called Barsk. While labeled less intelligent and “dirty,” the Fant nonetheless are the only species to produce a drug that allows clairvoyants known as Speakers to commune with the dead. When the planet is threatened with invasion and annihilation by the galaxy Senate, Jorl, a Fant Speaker, must race to save it by communing with ancient beings who hold even darker truths. Suspenseful and emotionally engaging, Barsk brings readers into a fascinating speculative world.

It was widely praised in the genre. Walter Jon Williams called it “a work of singular imaginative power,” and Karl Schroeder proclaimed it “a compulsive page-turner and immensely enjoyable.”

I’ve been looking forward to the sequel, and I’m not the only one. It was selected as one of the the Best Sci-Fi and Fantasy Books of August 2018 by both Unbound Worlds and the Barnes & Noble Sci-Fi 7 Fantasy Blog; the latter said, “With a cast of uplifted animals of all stripes and unparalleled worldbuilding, this series is a sorely under-appreciated, highly original delight.” It arrives in hardcover next week from Tor.

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Birthday Reviews: Élisabeth Vonarburg’s “Cogito”

Birthday Reviews: Élisabeth Vonarburg’s “Cogito”

Cover by Ron Lightburn
Cover by Ron Lightburn

Élisabeth Vonarburg was born on August 5, 1947.

She has twice been nominated for the Philip K. Dick Award and once for the James Tiptree, Jr. Memorial Award. Her greatest recognition came from the Canadian Casper/Aurora Awards, which she has won ten times. Vonarburg won the French language award in 1987 for her story “La Carte du Tendre” (“Readers of the Lost Art”). That same year, she received a second Aurora for her fannish contributions to Solaris. She won three additional short story Auroras for “Cogito” (1990), “Ici, des tigres” (1991), and “La Course de Kathryn” (2004) and five Auroras for Best book for Histoire de la Princesse et du Dragon (1991), Ailleurs et au Japon (1992), Chroniques de Pays des Mères (1993), Les Voyageurs malgré eux (1996), and Reine de Mémoire 4. La Princesse de Vengeance (2007). She won the Prix Rosny-Ainé and the Prix Boreal in 1982 for her novel Le Silence de la Cité. She also won the Boreal for Chroniques de Pays des Mères (1993), Les Rêves de la mer (1997), Reine de Mémoire 1. La Maisson d’oubli (2006) and Reine de Mémoire 4. La Princesse de Vengeance (2007). Prior to 1990, the Aurora Award was known as the Casper Award and in 2011, the Prix Aurora and Prix Boreal combined.

Vonarburg originally published “Cogito” in French in Imagine #46 in December 1988, and it was translated into English with the same title for Tesseracts 3, edited by Candas Jane Dorsey and Gerry Truscott in 1990. The next year, it was published in French in Vonarburg’s collection Ailleurs et au Japon. Algis Budrys reprinted the story in English in issue 21 of Tomorrow SF in 1996 and Vonarburg again included the French version in her 2013 collection La Musique du Soleil. The story received the 1990 Aurora Award for Meilleur nouvelle en français (Best Short-Form Work in French).

“Cogito” is a strangely chatty story about a young girl, Nathany, who is growing up on Cybland, a planet settled by humans who left Earth in search of a life made better through cybernetic implants. The narrator begins by describing Nathany’s life in her communal school, originally EdBlock 6 until her teachers determined that she was precocious and moved into SpecBlock D. As the story continues, the narrator takes breaks from the action, such as it is, to address the reader directly, providing the background for the world necessary to understand upcoming events.

Through the course of the story, Vonarburg reveals that people on Cybland have all five of their senses removed at a very young age and are implanted by “cybes,” which allow them not only to have heightened senses, but also to present themselves in any way they want while they can also switch around the way their senses interact with the world, creating their own personal synesthesia.

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Don’t Let Go the Coat: The Greatcoats by Sebastien de Castell

Don’t Let Go the Coat: The Greatcoats by Sebastien de Castell

Traitors-Blade-smaller Knights-Shadow-smaller Saints-Blood-smaller Tyrant's Throne-smaller

Rather foolishly, I thought Sebastien de Castell’s Greatcoats trilogy was, er, a trilogy. But that was before the fourth novel, Tyrant’s Throne, showed up in hardcover last year. Jo Fletcher Books reprinted it in trade paperback on May 1 of this year, and this time it seems that de Castell has indeed bought his popular debut series to a close.

In her review of Knight’s Shadow Sarah Avery said,

De Castell is carving himself an enduring place in the fantasy canon…. Knight’s Shadow is so strong, the only way I can see the Greatcoats series failing to achieve eventual wide recognition as a classic is if the author meets an untimely demise.

Fortunately that hasn’t happened, and in fact de Castell just launched a brand new four-volume series, Spellslinger (which we discussed here). The second volume arrives this month, and the next two before the end of the year. With productivity like that, Sebastien de Castell may well be the hardest working man in fantasy.

Here’s the description for Tyrant’s Throne.

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Vintage Treasures: Conquerors from the Darkness by Robert Silverberg

Vintage Treasures: Conquerors from the Darkness by Robert Silverberg

Conquerors from the Darkness Master of Life and Death Silverberg-small Conquerors from the Darkness Master of Life and Death Silverberg-back-small

1979 Ace edition, paired with Master of Life and Death. Cover by Frazetta.

Robert Silverberg’s novella “Spawn of the Deadly Sea” appeared in the April 1957 issue of Science Fiction Adventures. He expanded it to novel length in 1965, retitling it Conquerors from the Darkness in the process. It wasn’t one of Silverberg’s more successful novels, at least from a commercial standpoint. Today it’s considered a juvenile, and it was reprinted only a handful of times, including a 1979 Ace paperback in which it was paired with Master of Life and Death and given a typically colorful Frank Frazetta cover (above).

In his introduction to the Ace edition Silverberg talks about Robert E. Howard, and it’s one of Silverberg’s few early SF novels with a clear Howard influence. Perhaps as a result, the book certainly has its fans. Here’s an extract from James Reasoner’s enthusiastic review on his blog.

Conquerors from the Darkness is exactly the sort of vivid, galloping action yarn that made me a science fiction fan in the first place. At first it seems like a heroic fantasy novel, set in some totally different universe than ours. The oceans cover the entire planet except for a few floating cities. The only commerce is between those cities, and keeping the seas safe for the merchant vessels is a Viking-like group known as the Sea-Lords. The hero of the novel, a young man named Dovirr, lives in one of the cities but wants to be a Sea-Lord and take to the oceans. He gets his wish and rapidly rises in the ranks, and along the way the reader learns that this is indeed Earth, a thousand years after alien invaders flooded the planet for reasons known only to them, preserving a little of humanity in those floating cities… the alien Star Beasts return to take over the planet again, and Dovirr and his comrades have to find some way to stop them with swords and sailing ships.

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When Traveller Meets Tiptree: The Wayfarers Trilogy by Becky Chambers

When Traveller Meets Tiptree: The Wayfarers Trilogy by Becky Chambers

The Long Way to a Small Angry Planet-small A Closed and Common Orbit-small Record of a Spaceborn Few-small

I love a good science fiction series, though I don’t get to indulge that love very often. But I’ve got some vacation time coming up this month, and I plan to put it to good use. I’ve had to ruthlessly pare down my to-be-read pile to an achievable size (man, that was painful), and only one SF series survived the culling: Becky Chambers Wayfarers trilogy.

There’s been a lot of praise heaped on these books — including making numerous Best of the Year lists, and a Hugo nomination for the second volume, A Closed and Common Orbit — but what’s really drawn me to them has been the intriguing reviews. Niall Alexander at Tor.com called the opening novel, The Long Way to a Small, Angry Planet, “A genuine joy,” and Publishers Weekly labeled the second “Superb work from one of the genre’s rising stars.” But I think my favorite review came from James Nicoll, who admitted up front that he read the first one expecting a Traveller novel.

I picked it up because, over on Livejournal, Heron61 said:

It’s basically what you’d get if you took Firefly (minus the unfortunate Civil War metaphors) or an average campaign of the Traveller RPG and focused more on interpersonal dynamics and character’s emotional lives, while substantially reducing the level of violence.

Yes, this book reminds me of Traveller… I was more strongly reminded of James Tiptree, Jr.’s short story “And I Awoke and Found Me Here on the Cold Hill’s Side”… that is, if James Tiptree, Jr. instead of being relentlessly, inexorably depressing, had been a cheerful optimist. The book isn’t quite what I was expecting, but it was a refreshing change of pace.

The third volume, Record of a Spaceborn Few, arrived last week. I’ve been looking for something fun and different — and new — and this series very definitely fits the bill.

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New Treasures: A Study in Honor by Claire O’Dell

New Treasures: A Study in Honor by Claire O’Dell

A Study in Honor Claire O'Dell-small A Study in Honor Claire O'Dell-back-small

Beth Bernobich is the author of the River of Souls trilogy (Passion Play, Queen’s Hunt, and Allegiance) and Fox and Phoenix (which Rich Horton reviewed for us here.) In his July wrap-up at Kirkus Reviews John DeNardo tipped me off to her latest, A Study in Honor, her first science fiction/mystery, and her first title released under the pen name Claire O’Dell:

Claire O’Dell’s futuristic mystery A Study in Honor is not set in space but is no less thrilling. It’s a gender-flipped re-imagining of Sir Arthur Conan Doyle’s famous detective Sherlock Holmes. In near future Washington, D.C., Dr. Janet Watson, recently and honorably discharged from the Civil War, teams up with covert agent Sara Holmes to find a murderer targeting veterans.

Early notices for the book have been excellent. Liz Bourke at Tor.com called it “a tense, gripping story, excellently paced, and Janet is an amazingly compelling narrator. This novel is really hard to put down, and I’m looking forward to the sequel with great anticipation.” And Publisher’s Weekly said,

This riveting mystery (fantasist Beth Bernobich’s first work under the O’Dell pseudonym), set in near-future Washington D.C., spotlights delightfully fresh adaptations of Arthur Conan Doyle’s most famous characters. After Dr. Janet Watson loses her arm in an attack by the New Confederacy, she is discharged from the Army and returns home. She meets the fascinating, if infuriating, Sara Holmes, and they become roommates in Georgetown, Va., where, as two black women, they are not entirely welcome. Watson observes troubling patterns in her new job at the VA, and these, along with prompts from Holmes’s top secret connections, send the women on a high-stakes search for answers… This is a real treat for fans of Conan Doyle and SF mysteries.

A Study in Honor was published by Harper Voyager on July 31, 2018. It is 304 pages, priced at $15.99 in trade paperback and $9.99 for the digital version. The cover is by Chris McGrath. Read an excerpt at Unbound Worlds.

Birthday Reviews: Robert Holdstock’s “Magic Man”

Birthday Reviews: Robert Holdstock’s “Magic Man”

Cover by Alun Hood
Cover by Alun Hood

Robert Holdstock was born on August 2, 1948 and died on November 29, 2009.

He won a British Science Fiction Award (BSFA) for the original novelette “Mythago Wood” in 1981, and the novel version earned him the 1984 BSFA and the 1985 World Fantasy Award. The second book in the series, Lavondyss, won the BSFA in 1988. Holdstock’s novella “The Ragthorn” won the World Fantasy Award in 1992 and the BSFA Award the following year. He won a third BSFA in 1989 for Best Artist for the anthology Other Edens III, shared with Christopher Evans. He won a special Prix Imaginaire in 2003 for La forêt des mythagos, tome 1 and tome 2, two volumes that contained five Mythago Wood novels. The following year, he won the Prix Imaginaire for his novel Celtika. He was awarded the Karl Edward Wagner Award posthumously in 2010.

“Magic Man” was originally published in Mary Danby’s anthology Frighteners 2 in 1976 and reprinted in Danby’s 65 Great Tales of the Supernatural three years later. Holdstock included it in his collection The Bone Forest and it showed up in the reprint anthology Great Vampires and Other Horrors. The story was translated into German for an appearance in Heyne Science Fiction Magazin #5 in November 1982 and into French in 2004 for a collection of Holdstock’s works, Dans la vallée des statues et autres récits.

On the face of it, “Magic Man” seems to be a face-off between One Eye, the old man in a group of prehistoric hunters who paints images of the hunt on the walls of the shrine-cave, and He Who Carries a Red Spear, the leader of the bands hunting bands. There is clearly no love lost between the men and the situation is made worse because Red Spear’s son enjoys hanging around with One Eye and wants to learn to draw.

One Eye teaches Red Spear’s son to paint in the cave, but, while he teaches technique and discusses proper topics, he fails at the most basic level to explain to the boy the importance of painting in the shrine-cave. While some poo-poo the cave’s effectiveness, it is clear that what is painted there influences the day’s hunt, down to the number of bison the hunters capture. When the clash between Red Spear and One Eye escalates, One Eye instructs the boy to paint a scene which clearly shows that One Eye plans to murder Red Spear, which would put the entire tribe at risk.

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