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Rebellion in an Alternate, Magic-drenched Britain: The Dark Gifts Trilogy by Vic James

Rebellion in an Alternate, Magic-drenched Britain: The Dark Gifts Trilogy by Vic James

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Gilded Cage Vic James-small Tarnished City Vic James-small Bright Ruin Vic James-small

Newcomer Vic James scored some enviable attention with the first two novels in her Dark Gifts trilogy, Gilded Cage (which we covered here), and Tarnished City (covered here), set in a modern England where magically gifted aristocrats rule and commoners are forced to serve. Andrew Liptak at The Verge included the first in his list of the top SF and fantasy novels of February 2017, saying,

Gilded Cage is the start to a new series by debut author Vic James. The world belongs to a class of gifted magical aristocrats, and commoners must serve them for a decade. A woman named Abi is a servant to a powerful family and discovers a secret that can upend the power in society, all while her brother toils away in a factory town, building a revolution.

Kirkus Reviews said Gilded Cage “Conjures up the specters of Les Misérables and Downton Abbey… an intriguing new fantasy series,” and Aliette de Bodard called it “A dark and intriguing vision of an alternate, magic-drenched Britain… kept me up long into the night.”

The third and final volume Bright Ruin, in which the people of Britain rise up against their magically gifted masters, was published in October, and was a Pick of the Month from Library Journal. Bookreporter calls it “A triumphant conclusion to this outstanding fantasy series,” and Publishers Weekly said “Rebellion comes to a deadly boil in the final chapter… [An] intricate tale of ruthless scheming and bloody betrayals.” All three volumes are now available from Del Rey. I bought the first, and I’m well tempted to complete the set.

New Treasures: Green Jay and Crow by DJ Daniels

New Treasures: Green Jay and Crow by DJ Daniels

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DJ Daniels’s first novel What the Dead Said (2012) was an odd little mystery set in 2021 Sydney, Australia where ghosts are everywhere, everyone can see them, and a hapless member of the Apparitions Group deals with living and dead underworld figures, an eccentric inventor and his robot creation, and an otherworldly plot to open the gateway between the living and the dead. The back cover text of her new novel Green Jay and Crow caught my eye on my bi-weekly trip tp B&N (“The half-forgotten streets of Barlewin… are a good place to hide: among the aliens and the couriers, the robots and the doubles, where everyone has secrets”), and I brought it home with me.

In his December book launch column at the Barnes & Noble Sci-Fi & Fantasy Blog, Joel Cunningham gives it an enthusiastic rec.

Daniels’ novel earns its comparisons to Philip K. Dick: weird, difficult, and occasionally obscure… In the city of Barlewin, Kern Bromley is a human known as Crow, tasked with delivering a time-locked box to a dangerous criminal. Crow becomes linked to the box and begins jumping to alternate realities, meeting himself and glimpsing multiple possible realities. Eva, the Green Jay, is an artificial body double printed from plant matter. Eva lives in the memories of her creator, and should have disintegrated long ago, but is still struggling to find her way into reality, and has managed to remain in one piece through the assistance of a pair of robots named Felix and Oscar (the Chemical Conjurers)… This is a story that explores what it means to be real, to be human — and to be neither.

Green Jay and Crow was published by Abaddon on December 11, 2018. It is 338 pages, priced at $9.99 in paperback and $5.99 in digital formats. The cover is by Pye Parr. See all our recent New Treasures here.

Future Treasures: The Smoke by Simon Ings

Future Treasures: The Smoke by Simon Ings

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The Smoke-small The Smoke-back-small

I’m familiar with the name Simon Ings, but for the life of me I can’t remember from where. His bio says he’s the author of eight previous novels, including his “widely acclaimed” debut Hot Head and the British Science Fiction Association/Campbell Award nominee Wolves (2014), but I dunno, those don’t ring any bells either. However, his short fiction has appeared in Asimov’s SF, Meeting Infinity (2015), and Year’s Best volumes from David Hartwell, Rich Horton and Jonathan Strahan, and it seems likely I’ve encountered him in more than a few TOCs over the years. But his upcoming novel The Smoke already looks like one of major SF novels of 2019, and has been getting plenty of advance notice, including a very enthusiastic review from Gary K. Wolfe at Locus for the original UK hardcover.

Early on, we are given to understand that the “Great War” ended in 1916 with the nuking of Berlin and the irradiation of Europe, that a Yellowstone Eruption in 1874 devastated North America and led to a decade-long global winter, and that – more to the immediate point of how this world diverged from ours – the real-life Russian embryologist Alexander Gurwitsch perfected a “biophotonic ray,” which led to a form of biotech that eventually led to “the speciation of man­kind.”… At the top of the sociobiological heap is an enhanced class of urbanites call the Bund, who have taken over large swaths of London (usually referred to as “the Smoke”), and whose advanced technology has already sent robot miners to the moon… [a] haunting tale.

The Smoke will be published by Titan Books on January 22, 2019. It is 309 pages, priced at $14.95 in trade paperback and $7.99 in digital formats. The striking cover is, sadly, uncredited.

See all of coverage of the best upcoming SF and Fantasy releases here.

Birthday Reviews: Wynne Whiteford’s “Night of the Wandjina”

Birthday Reviews: Wynne Whiteford’s “Night of the Wandjina”

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Cover by Nick Stathopoulos
Cover by Nick Stathopoulos

Wynne Whiteford was born on December 23, 1915 in Melbourne, Australia. He died on September 30, 2002.

In 1987, Whiteford received a short story award from the Epicurean and Cultural Society. Whiteford’s novel The Specialist was nominated for the Ditmar Award in 1991. In 1995 he was presented with the Chandler Award, presented for Outstanding Achievement in Australian Science Fiction.

“Night of the Wandjina” was Whiteford’s final published work and appeared in the 1998 anthology Dreaming Down Under, edited by Jack Dann and Janeen Webb. When the anthology was split into two volumes for a paperback printing, the story appeared in volume one. It has not, otherwise been reprinted.

When a company is preparing to drill for oil, one of their employees, Kel, warns them that he is uncomfortable that they plan to drill near an aboriginal site. Asked whether he believes they might disturb the spirits, Kel proceeds to tell a story about one of his earlier forays in oil exploration.

Kel tells his Director that he once went into the Outback with a team of four. When they found some aboriginal symbols looked like aliens, their aboriginal teammate, Djerri, commented that it represented a Wandjina, which he explained was a sort of wind spirit. When they decided to dig anyway, Djerri took one of their motorbikes and headed back to their camp, unwilling to be a part of the drilling team. They found a glass cylinder which they carefully unearthed, but when it broke it released a small whirlwind which seemed to take control of one of them and caused him to run until his body gave out.

The story treats the aboriginal culture and beliefs with respect, but at the same time carries a certain amount of “there are somethings man is not meant to know” and “don’t disturb the ancient spirits.” Kel and his mates approach the area knowing that they have a job to do and although Djerri can’t convince them not to, they are try to do the least amount of damage they can, although they also give into their natural curiosity, with dire consequences.

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A Ride into the Darkness: The Long Way Home by Richard Chizmar

A Ride into the Darkness: The Long Way Home by Richard Chizmar

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The Long Way Home Richard Chizmar.small

Richard Chizmar (publisher, editor, author) is one of those writers that I define as “dependable,” meaning that you can count on him to deliver tales that are entertaining, thought provoking and extremely well written. And these features are particularly important for an author devoted to short stories, where time and space are short, and suspension of disbelief must be elicited from the very first sentence.

Chizmar’s latest collection The Long Way Home assembles twenty stories in which the reader meets the many faces of the darkness which surrounds our lives and lurks in the deep of our souls. Sometimes the topic is overtly horrific (a wild serial killer, for instance), sometimes more subtle and occasionally deceiving.

Good examples of the former are “Mischief,” a witty piece where a serial killer’s confession to a journalist leads to an unexpected development; “The Man Behind the Mask,” a tense story with a terrifying twist, about a mysterious Bogeyman abducting, raping and killing girls; and “Roses and Raindrops,” a tale of graphic horror, deeply unsettling and not for the squeamish.

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A Space Opera of Surpassing Weirdness: The Amaranthine Spectrum by Tom Toner

A Space Opera of Surpassing Weirdness: The Amaranthine Spectrum by Tom Toner

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the-promise-of-the-child-small the-weight-of-the-world-small The Tropic of Eternity-small

I’m off work for the holidays. Sixteen long days of Christmas food and home improvement tasks. It’s my longest break of the year, and also the time when I can get a little more ambitious with my reading. 

You know what that means. It means I procrastinate big reading projects until the end of the year. And here at the end of 2018 I find myself with several large stacks of unfinished fat fantasies, trilogies, and longer series.

Well, they’re all going to have to wait. Because I want to start with Tom Toner’s Amaranthine Spectrum, an ambitious trilogy set in the far-distant 147th Century (How ambitious? The third volume has a 19-page glossary). The series just concluded with The Tropic of Eternity, published by Night Shade in August, and it has been one of the most acclaimed space operas on the market. Tor.com called “Among the most significant works of science fiction released in recent years,” and Locus proclaimed it “Marvelous…. a space opera of surpassing gracefulness, depth, complexity, and well, all-round weirdness.”

Here’s the description for the third volume, and all the publishing details. Now don’t bother me, I’m headed to my big green chair with some hot chocolate and a warm lap cat.

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Birthday Reviews: P.D. Cacek’s “A Book, by Its Cover”

Birthday Reviews: P.D. Cacek’s “A Book, by Its Cover”

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Cover by John Picacio
Cove by John Picacio

P.D. (Patricia Diana Joy Anne) Cacek was born on December 22, 1951.

Cacek won the Bram Stoker Award for Superior Achievement in Short Fiction in 1996 for her story “Metalica” and the World Fantasy Award for Best Short Fiction in 1998 for the story “Dust Motes.” She has been nominated for the Stoker five additional times as well as for the International Horror Guild Award.

“A Book, By Its Cover” was published in Greg Ketter’s anthology Shelf Life: Fantastic Stories Celebrating Bookstores in 2002. David G. Hartwell and Kathryn G. Cramer selected it for inclusion in their collection Year’s Best Fantasy 3 the following year. It has not, otherwise, been reprinted.

Cacek has set “A Book, By Its Cover” in February 1939, three months after November 9 when Nazi Sturmabteilungen moved through Jewish areas to destroy buildings and arrest men, a night that became known as Kristallnacht. On that night, young Yavin Landauer watched his grandfather’s tailor shop burn after the Nazis killed him and saw one of his former friends, now a member of the SA, burning the books that they used to read together in Reb Shendelman’s shop. The Nazis spared Shendelman because they were amused that the old man would be more concerned over the burning of books than the deaths of his neighbors.

When the story opens, Yavin is disgusted with Shendelman for the very reason the Germans let him live. Living in the remains of his grandfather’s shop and scrounging food where he can, he notices a man visiting Shendelman each day. On each visit, the man brings a child to Shendelman’s shop and leaves the child there, walking away with a package traded for the child. Yavin decides to confront Shendelman for his disgusting crimes of trafficking in children.

The confrontation doesn’t go as Yavin expects, with Shendelman welcoming the young boy into his empty shop and feeding him soup, the first time Yavin has felt full since before Kristallnacht. Shendelman tells him a fairy tale about his own activities, one that Yavin can’t believe until he receives some proof, but even then he is skeptical. Their discussion takes a darker turn when Yavin’s friend, Karl, who is now with the SA, decides to pay a visit and finish the job started in November.

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How do You Find Someone You Can’t Remember? Guardians of Aandor by Edward Lazellari

How do You Find Someone You Can’t Remember? Guardians of Aandor by Edward Lazellari

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Awakenings Edward Lazellari-small The Lost Prince Edward Lazellari-small Blood of Ten Kings Edward Lazellari-small

When I first saw Edward Lazellari’s Awakenings back in 2011, I was struck by Chris McGrath’s cover. I’d never seen anything quite like it. Featuring a creepy-eyed dude in a hoodie and a square-jawed street cop, it looked like a cross between dark fantasy and a modern police procedural. Maybe? It sure made me pick up a copy, anyway, and the name Edward Lazellari stuck in my mind.

That doesn’t mean I’m top of things, of course. When I received a review copy of Blood of Ten Chiefs from Tor last week, it took a few days for me to realize it was part of the same series. In fact, I didn’t even knew it was a series. Probably because I missed the second book, The Lost Prince, released in 2013.

All three are part of what’s now being called the Guardians of Aandor. Without getting into specifics (because I’m too lazy to read all three book blurbs), a cop and a photographer who don’t know each other get stalked by interdimensional beings, find out they’re from an alternate reality with castles and knights and stuff, who came across to our world to hide an infant royal, but ended up with lost memories and no knowledge of the current whereabouts of the young prince. The first novel earned praise from fantasy master Glen Cook (“Read Awakenings and get in on the ground floor with a great new writer,”) and Library Journal (“Urban fantasy reminiscent of Jim Butcher in a hard knocks action tale,”) but I dunno, I think they had me with McGrath’s cover. I dug Awakenings out of limbo in the basement, and hope to settle down with it this weekend.

Here’s the back covers of the first two books, because they’ll do a better job explaining all this than I’m doing right now.

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Birthday Reviews: Nalo Hopkinson’s “Whose Upward Flight I Love”

Birthday Reviews: Nalo Hopkinson’s “Whose Upward Flight I Love”

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Cover by Mark Harrison
Cover by Mark Harrison

Nalo Hopkinson was born on December 20, 1960 in Kingston, Jamaica.

Hopkinson’s first novel, Brown Girl in the Ring, won the first Warner Aspect First Novel Contest in 1997 and led to its publication. In 1999 Hopkinson won the John W. Campbell Award for Best New Writer. She won the World Fantasy Award for her collection Skin Folk and she shared the British Fantasy Award for co-editing the anthology People of Colo(u)r Destroy Science Fiction with Krisitne Ong Muslim. Hopkinson’s novel Sister Mine won the Andre Norton Award in 2015. She shared the Aurora Award for co-editing the anthology Tesseracts Nine with Geoff Ryman and won her own Aurora Award for the novel The New Moon’s Arms. Her novel The Chaos won a Copper Cylinder Award and she won a Gaylactic Spectrum Award for The Salt Roads. She has won the Sunburst Award twice, for the collection Skin Folk and the novel The New Moon’s Arms. She has collaborated on fiction with Nisi Shawl and his co-edited anthologies and magazines with Kristine Ong Muslim, Geoff Ryman, and Uppinder Mehan.

“Whose Upward Flight I Love” was originally published in Dark Planet Webzine in 2000, edited by Lucy A. Snyder. Hopkinson included it in her collection Skin Folk the following year as well as her late collection Falling in Love with Hominids in 2015. It was reprinted in the magazine Cicada in March of 2017.

Hopkinson writes about a crew whose job it is to secure trees planted in a public park against a wind storm. Their task seems prosaic enough and they work even as the wind threatens to uproot the trees, to the extent that one of the women has to catch an uprooted tree before it flies away. Despite her efforts, all she winds up with is a root, which she tosses to the ground.

As the crew members work, they call to each other, continuing conversations about their lives. The woman has a long-time relationship with Derek, which has its ups and downs and she is sharing the latest information about their lives with her crewmate to pass the time while they do their work to protect the trees. Everything is completely normal and there is nothing that sets this particularly day’s work apart from any other day.

Decisions, and actions, have consequences, even if they can’t be foreseen. Consequences also often can’t be traced back to the decision that caused them. The crewmember catching the tree and then dropping the root on the ground is one of those. While she and her crewmates are finishing their task, the dropped root begins to move on its own.

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New Treasures: Creatures of Want and Ruin by Molly Tanzer

New Treasures: Creatures of Want and Ruin by Molly Tanzer

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Creatures of Will and Temper-small Creatures of Want and Ruin-small

When Molly Tanzer’s novel Creatures of Will and Temper was published last year, I confidently predicted that it would be huge.

Molly Tanzer’s Creatures of Will and Temper looks like a breakout book. It’s got all the classic elements — fabulous setting, swordplay, and the supernatural — while also being totally original. And there’s no doubt in my mind that Molly is poised for a break-out. Her first novel Vermilion received rave reviews (“A splendid page-turner of a Weird West adventure… hugely entertaining” — Publishers Weekly), and her most recent book was the anthology Swords vs Cthulhu, co-edited with Jesse Bullington. How cool is that?

I’m pleased to see that the book was very warmly received — it was nominated for the Locus Award for Best Fantasy Novel, and critics praised it widely. Jeff VanderMeer said it was “A delightful, dark, and entertaining romp,” and Outlander author Diana Gabaldon called it “An artful, witty, Oscar Wilde pastiche with the heart of a paranormal thriller.”

Molly’s follow up, Creatures of Want & Ruin, arrived from John Joseph Adams Books last month, and was selected as a Barnes & Noble Best Science Fiction Fantasy Book of November 2018. Tor.com‘s Liz Bourke calls it “A measured, atmospheric novel, with compelling characters and a deeply disturbing undercurrent of horror,” and the B&N Sci-Fi Blog says “Molly Tanzer does it all; from her debut novel, named best book of 2015 by i09, to the “thoughtful erotica” she edits at her magazine, Congress, she’s proven to be one of the most distinct voices in contemporary SFF.”

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