Black Gate

The 2019 Hugo Awards Finalists were announced this week and, as usual, I immediately wanted to track down the short fiction nominees I missed last year (which turns out to be most of ’em, but I won’t let this digress into a cranky rant about the precious little short fiction I get to read these days.) Many of the nominees are online of course, but scattered across numerous sites. So it made me laugh when I saw this tongue-in-cheek post from editor Jonathan Strahan on Facebook this morning:

Hugo Awards nominees? Shortlists? If only there were somewhere you could read a whole bunch of the nominees all in one place, right now. Hmmm.

He’s referring, of course, to his upcoming book The Year’s Best Science Fiction and Fantasy Volume Thirteen, arriving from Solaris in two weeks. It contains 30 stories, including a whopping seven Hugo nominees. I know this because Piet Nel conveniently did the counting for me in the comments:

I’d go for a book that had at least four of the Nebula finalists, seven up for the Hugo, and six on the final Sturgeon ballot. If only I knew of such a book…

While I don’t mean to imply that a pure nominee count is the best measure of success for a Year’s Best anthology, you still have to give it up for Strahan. The man has excellent taste, and no mistake.

While it’s great to have a single volume packed with so much Hugo nominee goodness, the arrival of Volume Thirteen is still bittersweet. It is the final book in the series, which has been one of the most rewarding of the Year’s Best in the modern era. This is a book that I have looked forward to each and every year, and it will be much missed.

But when God closes a door, He opens a window, as they say (and what the heck does that even mean?) In any event, without missing a beat Jonathan announced a brand new Year’s Best series with Saga Press, the inaugural volume of which ships next year. In the meantime, we have Volume Thirteen of this series to look forward to, with stories by John Crowley, Jeffrey Ford, N K Jemisin, Naomi Kritzer, Ken Liu, Rich Larson, Garth Nix, Kelly Robson, Tade Thompson, Alyssa Wong, Elizabeth Bear, Daryl Gregory, Maria Dahvana Headley, Andy Duncan, and many others. Here’s the complete table of contents.

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In his enthusiastic review of Nathan Ballingrud’s first collection, James McGlothlin wrote:

Ballingrud’s fiction is an amalgamation of some of the best elements of current dark fiction. The stories of North American Lake Monsters are poetic and literary (think Kelly Link or Caitlin Kiernan), forbidding and nihilistic (think John Langan), very real and raw (think Nic Pizzolatto), while also scaring the bejesus out of you (think Laird Barron).

Ballingrud’s 2015 novella The Visible Filth was filmed as Wounds, directed by Babak Anvari and originally scheduled for release March 29; it does not currently have a release date. Next month Saga Press is releasing a brand new hardcover collection of Ballingrud’s horror stories, Wounds: Six Stories from the Border of Hell, which includes The Visible Filth, the acclaimed “Skullpocket” (which James called “an absolutely amazing story. It offers humor, sadness, and sheer creepiness throughout” in his review of Nightmare Carnival, 2014), a brand new novella, and three other stories. Here’s the description.

A gripping collection of six stories of terror — including the novella The Visible Filth, the basis for the upcoming major motion picture — by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado — “one of the most heavyweight horror authors out there” (The Verge).

In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives — both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books).

Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

Wounds: Six Stories from the Border of Hell will be released by Saga Press on April 9. It is 275 pages, priced at $26.99 in hardcover, $15.99 in trade paperback, and $7.99 in digital formats. See all our recent coverage of the best in upcoming fantasy here.