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Interspecies Conflict in a Universe with More Aliens than the Star Wars Cantina: Sholan Alliance by Lisanne Norman

Interspecies Conflict in a Universe with More Aliens than the Star Wars Cantina: Sholan Alliance by Lisanne Norman

Lisanne Norman Turning Point-small Lisanne Norman Fortune's Wheel-small Lisanne Norman Fire Margins-small
Lisanne Norman Razor's Edge-small Lisanne Norman Dark Nadir-small Lisanne Norman Stronghold Rising-small
Lisanne Norman Between Darkness and Light-small Lisanne Norman Shades of Gray-small Lisanne Norman Circle's End-small

Covers by Romas Kukalis, Jim Burns (#6) and Chris Moore (#8,9)

There haven’t been many times when it’s better to be a science fiction fan than right now. Big-budget SF is king at the box office and on the small screen, the shelves are groaning with new releases, and truly exciting new authors are appearing every year. But there are a few things I still miss. The humble paperback original (PBO) has become less and less common as more and more top-tier SF appears first in hardcover or trade paperback, and much of it never sees a mass market paperback reprint at all.

I like hardcovers just fine, but it was paperbacks that introduced me to SF, and it’s paperbacks — compact, accessible, and cheap — that still draw in young and casual readers and gradually turn them into fans. More publishers have been turning their backs on paperbacks, and the result is our field has less to offer curious young readers browsing the SF shelves for affordable and enticing titles. And thus, fewer young fans discovering science fiction at all.

But it wasn’t just paperbacks that made me a lifetime science fiction fan in my teens — it was great science fiction series, like Frank Herbert’s Dune, Asimov’s Foundation, Farmer’s Riverworld, Fred Pohl’s Heechee Saga, David Brin’s Uplift Saga, H. Beam Piper’s Fuzzy novels, and many, many more. DAW is one of few publishers willing to make a significant investment in PBO series, and it’s paid off well for them over the years, with now-established writers like C. J. Cherryh (the Alliance-Union Universe and the long-running Foreigner series), Julie E. Czerneda (the Trade Pact Universe), Gini Koch (the Kitty Katt novels), Jacey Bedford (Psi-Tech), and many others.

For many years DAW’s bread and butter has been extended midlist SF and fantasy series that thrive chiefly by word of mouth. I’m frequently drawn to them just by the sheer number of volumes. You won’t connect with them all of course, but when you find one you like they offer a literary feast like no other — a long, satisfying adventure series you can get lost in for months.

Lisanne Norman’s Sholan Alliance is a perfect example. It only recently caught my attention, after decades of patiently waiting on the shelves. It began with Turning Point way back in 1993, and recently wrapped up with the ninth volume, Circle’s End, in 2017. In between it quietly gathered a lot of accolades. B&N Explorations called it “fast-paced adventure… [with] more alien species than the Star Wars cantina!” And SF Chronicle labeled it “big, sprawling, convoluted… sure to appeal to fans of C.J. Cherryh and others who have made space adventure their territory.”

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Future Treasures: The Priory of the Orange Tree by Samantha Shannon

Future Treasures: The Priory of the Orange Tree by Samantha Shannon

The Priory of the Orange Tree-small The Priory of the Orange Tree-back-small

Samantha Shannon, author of the bestselling Bone Season trilogy, is the latest YA author to attempt the jump to adult fantasy. Her highly anticipated The Priory of the Orange Tree — all 830 pages of it — arrives in hardcover from Bloomsbury in a month.

The transition from YA superstar to mainstream success isn’t easy, however (just ask JK Rowling). But I’m extremely intrigued about this one. Mostly because of Sarah Avery’s review of The Bone Season to be honest, published right here back in 2014. Here’s the snippet that caught my eye.

Read this book. Just read it. Ignore the reviews that call Samantha Shannon the next J.K. Rowling, or call the series that opens with The Bone Season the next Hunger Games… It’s the book you would get if Philip K. Dick decided to write about the wild Victorian occult scene that flourished under Madame Blavatsky, blossomed again in the time of W.B. Yeats and Aleister Crowley, lingering until it faded with its evenstar, Dion Fortune. That is, if Philip K. Dick decided to take all that supernatural grandiosity, and steampunk adaptations of Victoriana, and turn them on their heads by transposing them into a dystopian near-future historical moment that feels intermittently like hard SF with its what-ifs scrambled.

The early reviews of The Priory of the Orange Tree have been very promising. Marie Brennan calls it “An astonishing achievement,” and Laini Taylor labels it a “magnificent epic of queens, dragonriders, and badass secret wyrm-slaying priestesses.” Publishers Weekly says it’s a “massive standalone epic fantasy with court intrigue, travel through dangerous lands, [and] fantastical religions.” Here’s the description.

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Vintage Treasures: Space, Time & Crime edited by Miriam Allen deFord

Vintage Treasures: Space, Time & Crime edited by Miriam Allen deFord

Space Time & Crime-small Space Time & Crime-back-small

Genre blending these days is very popular. So you have steampunk space operas like RJ Theodore’s Flotsam, SF noir like K.R. Richardson’s Blood Orbit, near-future police procedurals such as Serial Box’s Ninth Step Station, and every conceivable genre mash-up in between. But there was a time when daring to mix genres like science fiction and mystery was exciting and new. One of the first paperback anthologies to try it was Miriam Allen deFord’s Space, Time & Crime, published by Paperback Library in 1964, when I was just six months old. But even then, as deFord rather astutely observes in her introduction, it had been going on quietly in the genre for for time.

I believe it was Sam Moskowitz who praised Caves of Steel, by Frederik Pohl and the late Cyril Kornbluth, for “accomplishing the impossible by successfully combining detective stories with science fiction.”

As a matter of fact, that intermixture is so far from impossible that it has (as this book attests) attracted a great many of the best known writers in both fields. And it is natural that this should be so. Both mystery and science fiction are concerned primarily with X, the unknown quantity. In the mystery story — both the detective and the suspense story — X is the criminal; in science fiction X may be, for example, life on planets other than ours, life in the future, life in an alternate parallel universe, or some other extrapolation of known scientific fact into imaginative probability. The interest in the unknown, but knowable, which moves the mystery story writer moves the science fiction writer as well. In consequence, both writers often turn out to be the same person.

Setting aside that jaw-dropping gaff in the very first line (um, Caves of Steel was written by Isaac Asimov, not Pohl and Kornbluth), Space, Time & Crime is a terrific anthology, with stories from Fredric Brown, Anthony Boucher, Frederik Pohl, Avram Davidson, Ron Goulart, Isaac Asimov, Reginald Bretnor… plus a Solar Pons story August Derleth and Mack Reynolds and a Change War tale by Fritz Leiber. Here’s the complete Table of Contents.

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Golden Age of Science Fiction: The 1973 Phoenix Award

Golden Age of Science Fiction: The 1973 Phoenix Award

The Weirwoods-small The Dolphin and the Deep-small Day of the Minotaur-small

Ace edition covers by Gray Morrow

Steven Silver has been doing a series covering the award winners from his age 12 year, and Steven has credited me for (indirectly) suggesting this, when I quoted Peter Graham’s statement “The Golden Age of Science Fiction is 12″, in the “comment section” to the entry on 1973 in Jo Walton’s wonderful book An Informal History of the Hugos. You see, I was 12 in 1972, so the awards for 1973 were the awards for my personal Golden Age. And Steven suggested that much as he is covering awards for 1980, I might cover awards for 1973 here in Black Gate.

And, indeed, 1972 is when I discovered Science Fiction in the adult section of Nichols Library in Naperville, IL. Mind you, I’d already read and loved The Zero Stone by Andre Norton, and read and kind of liked Robert Silverberg’s Revolt on Alpha C, and read and loved a ton of fantasies such as the Narnia books, The Hobbit, and George MacDonald’s The Princess and Curdie and At the Back of the North Wind. But I found all those in the children’s section. When I was 12 two things happened. In my seventh grade class we were introduced to a variety of books via a huge set of large folded cards, each of which had a substantial extract from a book. You were supposed to read the extract and answer a quiz about it, but the real motive of the developers was to try to get kids interesting in reading the whole of some of these books.

I read a bunch of things – Exodus by Leon Uris is one I recall – but I quickly realized it was the Science Fiction that lit me up. Books I recall reading because of that class include The Currents of Space, by Isaac Asimov; Against the Fall of Night, by Arthur C. Clarke; The Universe Between, by Alan E. Nourse; Time is the Simplest Thing, by Clifford Simak; and Galactic Derelict, by Andre Norton. And, of course, to find those books I had to go the adult section of the library. Where I quickly also found other stuff by those authors, and then other authors, and perhaps more important, anthologies. The Science Fiction Hall of Fame was a revelation. And so were the Nebula anthologies. And Anthony Boucher’s Treasury of Great Science Fiction. So I was hooked forever.

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New Treasures: For the Sake of the Game: Stories Inspired by the Sherlock Holmes Canon edited by Laurie R. King and Leslie S. Klinger

New Treasures: For the Sake of the Game: Stories Inspired by the Sherlock Holmes Canon edited by Laurie R. King and Leslie S. Klinger

For the Sake of the Game-smallLaurie R. King and Leslie S. Klinger have edited four popular Holmes-themed anthologies: A Study in Sherlock (2011), In the Company of Sherlock Holmes (2014), and Echoes of Sherlock Holmes (2016). Their newest features contributions from a stellar list of authors, including Peter S. Beagle, F. Paul Wilson, William Kotzwinkle and Joe Servello, Duane Swierczynski, and Gregg Hurwitz. Publishers Weekly says it presents a wide range of genres “from cozy to horror;” here’s a snippet from their full review.

The 14 selections include a poem, Peter S. Beagle’s “Dr. Watson’s Song,” which provides a deeper look at the doctor’s emotional life, and a comic, William Kotzwinkle and Joe Servello’s “The Case of the Naked Butterfly,” which continues the exploits of insects Inspector Mantis and Dr. Hopper. Fans of the BBC’s Sherlock will appreciate Alan Gordon’s take on Holmes’s relationship with Mycroft in “The Case of the Missing Case.” Reed Farrel Coleman weighs in with one of the more memorable contributions, the metaphysical “A Study in Absence,” in which a book editor asks for help tracing an author using the pseudonym of I.M. Knott. The best light entry is Harley Jane Kozak’s “The Walk-in,” featuring a Sherlockian British intelligence agent, which opens with the tantalizing line “It’s not every day that you walk into your apartment and find that your cat has turned into a dog.”

Here’s the description.

For the Sake of the Game is the latest volume in the award-winning series from New York Times bestselling editors Laurie R. King and Leslie S. Klinger, with stories of Sherlock Holmes, Dr. Watson, and friends in a variety of eras and forms. King and Klinger have a simple formula: ask some of the world’s greatest writers ― regardless of genre ― to be inspired by the stories of Arthur Conan Doyle.

The results are surprising and joyous. Some tales are pastiches, featuring the recognizable figures of Holmes and Watson; others step away in time or place to describe characters and stories influenced by the Holmes world. Some of the authors spin whimsical tales of fancy; others tell hard-core thrillers or puzzling mysteries. One beloved author writes a song; two others craft a melancholy graphic tale of insectoid analysis.

This is not a volume for readers who crave a steady diet of stories about Holmes and Watson on Baker Street. Rather, it is for the generations of readers who were themselves inspired by the classic tales, and who are prepared to let their imaginations roam freely.

Leslie S. Klinger’s previous books include In the Shadow of Edgar Allan Poe and The Annotated Watchmen; Elizabeth Crowens interviewed him for Black Gate last year. For the Sake of the Game was published by Pegasus Books on December 4, 2018. It is 264 pages, priced at $25.95 in hardcover and $12.99 in digital formats. The cover was designed by Christine Van Bree.

Future Treasures: The Gutter Prayer by Gareth Hanrahan

Future Treasures: The Gutter Prayer by Gareth Hanrahan

The Gutter Prayer-small The Gutter Prayer-back-small

Gareth Hanrahan has written or co-written an impressive number of gaming supplements for several of our favorite systems, including Ashen Stars, Trail of Cthulhu, Traveller, and 13th Age. His debut fantasy novel The Gutter Prayer, set in a world of strange monsters, dark gods and dangerous magic, explodes onto shelves next week, and it’s currently my most anticipated fantasy novel of the month. Peter McLean (Priest of Bones) calls it “A groundbreaking and extraordinary novel,” and Nicholas Eames (Kings of the Wyld) says “Guerdon is a city that seethes with history, horror, and hidden secrets, and Hanrahan’s assured style is reminiscent of China Mievelle in the best way possible.” Michael W. Everest at Fantasy Hive gave it a rave review, saying:

The Gutter Prayer is a mercurial masterpiece… Welcome to Guerdon. A city of cities, built upon the brick and block of those cities and civilisations before it. And like its construction, its citizens stand on the shoulders of those beneath them, those ‘low lifes’ whose only crime (or at least, their first crime) was to be born into a lower rank than the rich and the ruthless above them. Politicians and priesthoods, alchemists and ancient forces, sorcerers and saints, thieves and Tallowmen, golems and ghouls – Guerdon’s streets are a hive of scum and villainy that would spit out any Chosen One farmboy (or girl!).

This one looks like it will command my attention the day it arrives. Here’s the description.

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Three Miles Around but Infinitely Deep: Mythago Wood by Robert Holdstock

Three Miles Around but Infinitely Deep: Mythago Wood by Robert Holdstock

Mythago Wood Grafton-small Mythago Wood Berkley-small Mythago Wood Avon-small

Here’s a shout-out for one of my favorite books, Robert Holdstock’s amazing, 1985, World Fantasy award winning novel Mythago Wood. Holdstock’s book dovetailed neatly with my other favorite of that time, David Brin’s The Postman.

I really can’t recommend Mythago Wood enough. In a time when everyone else was echoing Tolkien, Holdstock created a completely different take on fantasy (rural fantasy — if that’s a genre). I loved this story of two brothers, their estranged and absent father, and a patch of wood that was only three miles around but infinitely deep.

Of all the books I’ve read, none has impacted me as strongly at the end as this novel. Endings are hard, so when I read a perfect one, I take notice.

Stylistically, Holdstock nailed it too. I didn’t notice the smoothness and rhythm of his work at first, but on subsequent rereads I paid much more attention to his sentence and paragraph building. He has taught me a lot. If you are looking for an outstanding read to start your 2019, give Mythago Wood a try.

I’m always looking for my next, great novel. Do you have a recommendation of a book that exists in your personal canon of classics?

The 2019 Philip K. Dick Nominees

The 2019 Philip K. Dick Nominees

Alien Virus Love Disaster-small Time Was Ian McDonald-small THE BODY LIBRARY by Jeff Noon-small

The nominees for the 2019 Philip K. Dick Award, given each year for distinguished science fiction originally published in paperback in the United States, have been announced. They are (links will take you to our previous coverage):

Time Was by Ian McDonald (Tor.com)
The Body Library by Jeff Noon (Angry Robot)
84K by Claire North (Orbit)
Alien Virus Love Disaster: Stories by Abbey Mei Otis (Small Beer Press)
Theory of Bastards by Audrey Schulman (Europa Editions)
Ambiguity Machines and Other Stories by Vandana Singh (Small Beer Press)

Special shout-out to Small Beer Press for placing two fine collections on the ballot.

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Future Treasures: Fog Season, Book II of Tales of Port Saint Frey by Patrice Sarath

Future Treasures: Fog Season, Book II of Tales of Port Saint Frey by Patrice Sarath

The Sisters Mederos Patrice Sarath-small Fog Season Patrice Sarath-small

I was proud to publish Patrice Sarath’s short story “A Prayer for Captain LaHire” in Black Gate 4, and see it reprinted in Year’s Best Fantasy 3 (2003). She turned to novels with the popular Gordath Wood trilogy (Gordath Wood, Red Gold Bridge, and The Crow God’s Girl). But her real breakthrough came last year with her first release from Angry Robot, The Sisters Mederos, the tale of a once-great family fallen on hard times, and the two sisters — one a masked bandit, and another with secret supernatural powers — who reverse their family’s downfall. Louisa Morgan (A Secret History of Witches) called it:

A colorful Dickensian fantasy that leads the reader on an unpredictable path of murder, intrigue, and mystery… It’s a tale of magic lost and recovered, fortunes made and squandered, and broken lives healed, all of it engineered by Yvienne and Tesara, two resourceful and delightful protagonists, in the company of some charming and often dangerous sidekicks.

Publishers Weekly gave it a rousing review saying,

The young women, newly returned from boarding school to a fantasy version of a preindustrial European port city, are determined to restore their family’s fortune and revenge themselves on the corrupt Merchant’s Guild, whose machinations lie behind House Mederos’s downfall. Yvienne, “the smartest girl in Port Saint Frey,” provokes through newspaper editorials, takes a governess job as an entrée into the houses of the powerful, and eventually discovers the excitement of committing armed robbery. Tesara, who conceals supernatural powers that she blames for the shipwreck that ruined her family, ingratiates herself with the upper classes at gambling tables… [The] heroines are entertaining company, and the dynamic between the two sisters — occasionally contentious, often secretive, always loving — is the most enjoyable part of this effervescent tale.

I’m delighted to see the sequel, Fog Season, scheduled to arrive February 5, less than a year after the release of the first, and I hope it’s the sign of more to come. Here’s the description.

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A Gritty Medieval Fantasy of Battles, Treachery, and Monsters: The Tales of Durand by David Keck

A Gritty Medieval Fantasy of Battles, Treachery, and Monsters: The Tales of Durand by David Keck

In the Eye of Heaven-small In a Time of Treason-small A King in Cobwebs-small

The Christmas break, traditionally my longest reading holiday of the year, is over, and it’ll be a month or two at least before I can contemplate tackling another epic fantasy trilogy. But it’s not too early to start stacking by my bedside in preparation.

I’ve already picked out a promising series to start the new stack: David Keck’s Tales of Durand. Publishers Weekly praised the first book, In the Eye of Heaven (2006) as a “winning debut, a gritty medieval fantasy full of enchantment… deftly told,” and called the sequel, In a Time of Treason (2008) “grand-scale storytelling.” But they reserve their strongest praise for the long-awaited concluding volume A King in Cobwebs, saying

Keck concludes his Tales of Durand trilogy with this superlative fantasy epic, which sees the warrior Durand Col take his place among battles and treachery that threaten the kingdom of Errest the Old. Durand stands as champion to Abravanal, Duke of Gireth and holder of the Duchy of Yrlac. Although the Yrlacies are restless under Abravanal’s rule, the duke is commanded to ride with his household to the Fellwood Marches by his unhinged king, Ragnal. Yrlaci rebels harry the soldiers of Gireth on the road to the Fellwood, and, once there, they are chased by the inhuman host of maragrim, “hideous in their innumerable deformities.” … Keck sends the stalwart Durand through darkness and a lost land, facing terrors and beset by the dead. Human politics and dreadful foes are combined in this tale that stands with the very best fantasies.

A King in Cobwebs was published by Tor Books on December 4, 2018. It is 444 pages, priced at $28.99 in hardcover, $17.99 in trade paperback, and $9.99 for the digital edition. The cover is by David Grove. Read an excerpt from In the Eye of Heaven here, and see all our recent coverage of the best in new fantasy series here.