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Conscience Place and Story Mind

Conscience Place and Story Mind

Conscience Place Joyce Thompson-small Conscience Place Joyce Thompson-back-small

Conscience Place by Joyce Thompson (Dell, 1986, cover by John Harris)

In a conversation with my son this week, the term “neurological diversity” arose. It entered the room courtesy of Greta Thornburg in conversation with Naomi Klein. Greta described her prodigious ability to research, absorb and synthesize complex information as a sort of compensation for lacking the more common gift of social intelligence. My son, who’s teaching an undergrad lit class in Berkeley’s African American Studies department about invoking and communing with ancestors surmised that the ability to see and communicate with the dead might be a real if not common human gift — another way of being differently able.

Click.

I recently read my 1984 novel Conscience Place for the first time in 35 years. It was about to be republished. My task was to proof the scanned text, and I secretly gave myself permission to make small tweaks if I thought they were needed. Thirty five years is a long time, after all, and I feared being embarrassed by a writer I no longer am telling a story in ways I no longer would to an audience of readers who might no longer give a s—t.

Click.

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Vintage Treasures: The World of Science Fiction: The History of a Subculture by Lester Del Rey

Vintage Treasures: The World of Science Fiction: The History of a Subculture by Lester Del Rey

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The World of Science Fiction: The History of a Subculture (Del Rey, November 1979)

Lester del Rey is one of the most important figures in the long history of Science Fiction. Along with his fourth wife Judy-Lynn del Rey, he was the editor at Del Rey Books, the hugely successful fantasy and science fiction imprint of Ballantine Books, from 1977 until his death in 1993. He wrote the long-running The Reference Library review column in Analog magazine, and was a member of the Trap Door Spiders, the New York supper group that was the basis for the Black Widowers, Isaac Asimov’s fictional group of dining detectives. But he was also a gifted writer, author of over three dozen novels and collections.

But I think my favorite book by Del Rey is his non-fiction SF history The World of Science Fiction: The History of a Subculture, written in 1979, which looked back at fifty years of genre history from 1926-1976. This is an entertaining and embracing read for true SF fans, one which wraps us up in a warm hug and lets us know we’re not alone in obsessing over obscure stories published in Galaxy magazine in the 1950s.

The World of Science Fiction is not an objective history of SF. There’s plenty of those out there — and besides, that’s not what we want or expect from del Rey. This is the story of an enormously successful publisher, the man who published the first true bestselling science fiction book in North America in 1977 (The Sword of Shannara, by Terry Brooks), yet who remains a steadfast fan in his heart. A man whose primary emotion, as he sits atop the publishing empire he built with his own hands, is ill-concealed resentment that it took so long for the rest of the world to finally accept the genre he loves.

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Future Treasures: Nebula Awards Showcase 2019 edited by Silvia Moreno-Garcia

Future Treasures: Nebula Awards Showcase 2019 edited by Silvia Moreno-Garcia

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Cover art by Tiffany Dae

The Nebula Awards Showcase is one of the most prestigious and honored anthologies in Science Fiction. It has appeared every year since 1966, and been published by Pyr since 2012. Pyr’s once considerable output has slowed in the last year, and I was very pleased to see the 2019 Showcase volume picked up by one of the best of the new small press publishers, Parvus Press. It’s a significant coup for them, and I hope it’s a sign of even greater things to come.

Silvia Moreno-Garcia’s introduction is one of the most powerful non-fiction pieces I’ve read in a Nebula anthology in a long time, both a celebration of the increasing diversity in our field, and a bald statement about why it’s so vitally important.

When I first harnessed the courage to start sending my stories out in 2006, it truly was a frightening prospect. I had never seen a Latina writer in any of the fantasy and science fiction magazines I read, nor at a bookstore… The science fiction and fantasy section was virtually devoid of people like me…

It’s easy to declare that diversity is a done deal, or even worse, that diversity is a trend, a fad, which has run its course. It is easy to churn lists that purport to contain the 10 Best Science Fiction Novels of all time and find out that the only woman who made the list was Mary Shelley. Or to find threads with people saying that women can’t write Lovecraftian fiction because women are able to give birth and therefore cannot understand cosmic horror (I am not making this comment up)…

What is hard is to build a better, more inclusive publishing community. It’s hard to read widely, to read beyond the things that you are used to, to organize events which feature a broad variety of guests, to write lists which go beyond the usual suspects. It’s hard, but it’s not impossible… We call speculative fiction the literature of the imagination, so why not imagine a future in which a young writer can find plenty of authors to emulate? A future in which that author is not silent and scared and feeling like she has no stories to tell, as I was 13 years ago when I began my writing journey.

This year’s volume contains some magnificent material, including “Welcome to Your Authentic Indian Experience(TM)” by Rebecca Roanhorse, “A Human Stain” by Kelly Robson, and the complete text of Martha Wells’ Hugo and Nebula Award winning novella, All Systems Red, the first Murderbot tale. Here’s the complete tale of contents.

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The Golden Age of Science Fiction: “Songhouse,” by Orson Scott Card

The Golden Age of Science Fiction: “Songhouse,” by Orson Scott Card

Cover by Paul Lehr
Cover by Paul Lehr

Cover by Lucinda Cowell
Cover by Lucinda Cowell

Analog Award was launched in 1979 for works published in the magazine in the preceding year. The award for Best Novelette has been given every year. The first award, presented in 1979, was presented to “Fireship” by Joan D. Vinge, although Orson Scott Card’s “Mikal’s Songbird” was also up for the award. In 1980, Card won the award for the sequel to “Mikal’s Songbird,” “Songhouse,” which appeared in the September, 1979 issue.

“Songhouse” related the story of a young boy over several years, although the passage of time is vague, as he is being trained in the Songhouse on Tew. Ansset Originally came to the Songhouse as an orphan, although the story does mention that he was a kidnap victim, a background feature which is mostly ignored within the confines of this specific novella. The Songhouse trains singers, who use songs, melodies, and harmonies to communicate on a variety of levels. Ansset is early on pegged to be trained for the highest honor of the house, the position of Songbird, and then to be given over to Mikal, the benevolent dictator of the galaxy.

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New Treasures: A Choir of Lies by Alexandra Rowland

New Treasures: A Choir of Lies by Alexandra Rowland

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Alexandra Rowland’s first novel with Saga Press, A Conspiracy of Truths, was published just last year (and we covered it here). Publishers Weekly called it “An impressive and thoroughly entertaining fantasy,” and editor Navah Wolfe offered up this intriguing synopsis: “In a bleak, far-northern land, a wandering storyteller is arrested on charges of witchcraft… His only chance to save himself rests with the skills he has honed for decades — tell a good story, catch and hold their attention, or die.” The sequel A Choir of Lies was published earlier this month, and Paul Weimer at Tor.com gave it an enthusiastic review, saying:

In A Conspiracy of Truths, we are introduced to Chants, a self-selected group of people who travel the world, collecting and telling stories. Our main characters, Chant… and Ylfing, wind up in the country of Nuryevet, where Chant runs afoul of the law, winds up in prison, and — with the power of stories, and the help of a few people outside the prison — manages to overthrow a society…

In A Choir of Lies, the focus is on the former Ylfing, several years later… In Heyrland (a setting reminiscent of the heights of Early Modern Holland) he takes a job as a translator, helping to create a booming market for an odious but beautiful plant. And as the prices and money spent on these blooms increases and increases to the benefit of his employer, the dangers of a tulip-mania start to become painfully clear… But there is more going on than just that. The book, such as we have, is annotated, by someone who knows about Chants and who and what they are… Throughout the book, “Mistress Chant” extensively comments on what is written down, giving her own perspective, and criticism, and it is sometimes sharp indeed. And it challenges everything we think we know about Chants… My decision on whether I enjoy the metafictional, metatextual, cosmopolitan, erudite and engaging fantasy that Alex Rowland creates is clear – I most certainly do.

A Choir of Lies is a far cry from a typical fantasy, and that’s a huge part of its appeal (and a fantasy retelling of Holland’s infamous Tulip Mania of 1637 sounds fascinating). It was published by Saga Press on September 10, 2019. It is 464 pages, priced at $26.99 in hardcover, and $7.99 for the digital version. The cover is by Nick Sciacca (I think).

See all our recent New Treasures here.

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of September 2019

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of September 2019

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After leaving The Verve, Andrew Liptak has landed at Polygon. Or at least his monthly New Science Fiction and Fantasy column did, anyway. He’s in top form in September as he looks at 13 New science fiction and fantasy books to check out this September, including new books by Becky Chambers, Margaret Atwood, Tamsyn Muir, and Stan Lee and Kat Rosenfield.

I was going to feature some of Andrew’s suggestions, but then I checked out Jeff Somer’s Best Science Fiction & Fantasy Books of September 2019 list at the Barnes & Noble Sci-Fi and Fantasy Blog, which features a whopping 32 titles, and it won me over. Sorry Andrew, we’ll get you next time. Here’s a few of the highlights from Jeff’s list.

The Harp of Kings, by Juliet Marillier (Ace, 464 pages, $16 trade paperback/$7.99 digital, September 3)

Liobhan and her brother Brocc are talented musicians and singers training as warriors on Swan Island in the kingdom of Breifne. When the sacred Harp of Kings — vital to the successful coronation of a new king — goes missing just weeks before the Midsummer Day ceremony, they are drafted to pose as traveling musicians on a quest to retrieve the harp before disaster strikes. Soaked in gorgeous Celtic imagery and mythology, this standalone fantasy from the author of the Sevenwaters novels offers a perfect entry point for readers of Naomi Novik and Anne Bishop eager for a book that offers similar pleasures.

The Harp of Kings is Book 1 of Warrior Bards. Our previous coverage of Juliet Marillier includes The Blackthorn & Grim Trilogy.

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Vintage Treasures: The Opener of the Way by Robert Bloch

Vintage Treasures: The Opener of the Way by Robert Bloch

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Panther edition paperbacks (1976). Covers by Anthony Roberts.

The Opener of the Way was Robert Bloch’s very first collection, published by Arkham House way back in 1945, when he was all of 28 years old. It contained 21 stories, all but two of which originally appeared in Weird Tales, including classics such as “Waxworks,” “Yours Truly, Jack the Ripper,” and the Cthulhu Mythos tale “The Shambler from the Stars,” which inspired Lovecraft to write “The Haunter of the Dark,” his last work.

The Opener of the Way was to be Bloch’s only fantasy collection until Pleasant Dreams—Nightmares was published by Arkham fifteen long years later. Like most early Arkham House collections, it is a very expensive book these days. It has never been reprinted in the US, which hasn’t hurt its collectability any. Fortunately Panther reprinted it in the UK in 1976, splitting it into two paperback volumes: The Opener of the Way and House of the Hatchet.

Of course, those two paperbacks are now highly sought after as well (the set pictured above sold on eBay this summer for $72.51). Which figures. I only learned about the Panther reprints recently, and after a brief search tracked down a copy of The Opener of the Way paperback for $9.95, which made me happy. Here’s a look at the contents.

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The Golden Age of Science Fiction: The 1973 Hugo and Nebula Awards for Best Novel: The Gods Themselves by Isaac Asimov

The Golden Age of Science Fiction: The 1973 Hugo and Nebula Awards for Best Novel: The Gods Themselves by Isaac Asimov

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Galaxy and IF magazines serializing Asimov’s The Gods Themselves in 1972. Covers by Jack Gaughan

In 1973 the Hugo, Nebula, and Locus Awards for Best Novel were each won by The Gods Themselves, by Isaac Asimov. The Gods Themselves also won Australia’s Ditmar Award for Best International Novel.

Isaac Asimov had won two previous Hugos, but neither was a “Regular” Hugo – he won a Special Award for his F&SF Science articles in 1963, and in 1966 the Foundation Series was named Best All-Time Series, a one-time category, beating out (to his expressed great surprise) Robert A. Heinlein’s Future History, Doc Smith’s Lensmen novels, Edgar Rice Burroughs’ Barsoom series, and J. R. R. Tolkien’s The Lord of the Rings. Asimov had largely stopped writing fiction in the late 1950s, slowing down to roughly a short story a year through the 1960s. Beginning in the early ‘70s, however, he began to produce more fiction, including the Black Widower mysteries, and some more SF. Robert Silverberg coaxed a story out of him for his new original anthology series, New Dimensions, and Asimov wrote “Plutonium-186,” but soon realized it should be a full novel. (He gave Silverberg another story, “Take a Match.”) “Plutonium-186” became The Gods Themselves, his first novel in 15 years (not counting the novelization of the movie Fantastic Voyage.)

The novel was first serialized in a strange way. Galaxy and If were sister magazines, each published bi-monthly. So the three (fairly separate) parts of The Gods Themselves appeared in Galaxy for March-April 1972, If for March-April 1972, and then Galaxy for May-June. The hardcover appeared from Doubleday in May.

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Deep Diving into Comic Book History with Ron Goulart

Deep Diving into Comic Book History with Ron Goulart

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Two weeks ago, I blogged about my reread of Chabon’s The Amazing Adventures of Kavalier and ClayLooking back on it, I’ve been consuming comic book history for about the last year.

After having my appetite whetted by Chabon for a bit more of the Golden Age of comic books, I pulled Ron Goulart’s Great History of Comic Books off my shelf and really enjoyed my evening reading. It’s a history book published in 1986, so while it has the disadvantage of being out of print (unless you buy second-hand books on Abebooks.com — I saw copies for $7), it has the advantage that Goulart himself started collecting in the early Golden Age in 1938 and spoke directly with many of the early creators to source this book.

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Future Treasures: The Best American Science Fiction and Fantasy 2019, edited by Carmen Maria Machado and John Joseph Adams

Future Treasures: The Best American Science Fiction and Fantasy 2019, edited by Carmen Maria Machado and John Joseph Adams

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Cover by Galen Dara

For the fifth volume of The Best American Science Fiction and Fantasy, series editor John Joseph Adams asked Carmen Maria Machado (Her Body and Other Parties) to narrow down 80 contenders from the US and Canada into 20 finalists, 10 fantasy and 10 science fiction. In her introduction, Machado says that to make her selection she ignored the distinction between “literary” and “genre” fiction, instead asking if the stories were a pleasure to read.

Does she succeed? Booklist thinks so (“Among the many and varied pleasures of the collection are stories that share Machado’s love of formal experimentation…this brilliant and beautiful collection is a must-read.”) And Publishers Weekly says,

Standouts include Annalee Newitz’s “When Robot and Crow Saved East St. Louis,” in which a drone befriends both humans and crows to combat inner-city epidemics; LaShawn M. Wanak’s “Sister Rosetta Tharpe and Memphis Minnie Sing the Stumps Down Good,” an alternate history piece in which singers are pressed into service against deadly spores; Sarah Gailey’s “STET,” which explores grief through the form of a scientific paper; Lesley Nneka Arimah’s “Skinned,” a provocative piece about the role of women in a patriarchal African society; Sofia Samatar’s “Hard Mary,” in which Amish-like girls adopt a broken android; and P. Djèlí Clark’s introspective history piece, “The Secret Lives of the Nine Negro Teeth of George Washington.” Despite the “American” label, there’s a decidedly global, multicultural feel to these pieces, which exemplify diversity and representation… In exploring the potential of the genre and challenging expectations, this anthology isn’t for everyone, but it’s a masterful showcase of what’s possible.

Here’s the complete table of contents. 80% of the fiction in this volume was selected from online sources (and none at all from the regular print magazines), so I’ve included links to the online stories so you can see how well the editors succeeded for yourself.

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