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Why Spoil A Good Thing?

Why Spoil A Good Thing?

Usual suspectsIt’s almost impossible for me to avoid movie spoilers. If it isn’t reviews (some of which aren’t very careful) articles on specific or general movie features, actors, genres, etc. then it’s discussions on social media.

And if this wasn’t enough, we live out in the country, a fair distance from any theatres, and often the logistics of movie-going are difficult enough that we just don’t go. For years now, with very few exceptions, we’ve been seeing movies for the first time when they come out on DVD, or more recently, on Netflix*.

Many people must be experiencing delays of some sort in their movie viewing, however, since the phrase “spoiler alert” appears to be almost mandatory in any discussion. At one point, people were even arguing about whether there was ever a time when a movie became “spoiler free” because of age. How old does a movie have to be before you can assume the person you’re addressing has had more than ample chance to see it? I’m always surprised when people haven’t seen Casablanca, or something else of that age and significance, but they are out there.

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May Short Story Roundup

May Short Story Roundup

oie_755858H7Y1HRDMEach month I sit down with the hope of reading nothing but good, solid sword & sorcery fiction. I may read all over the place most of the time, but I do the roundups to get a fix of the stuff that inspired me to blog in the first place. When I open the electronic covers and start reading, I want swords, wizards, warriors, big honking monsters. The basics.

When I finally sat down to read this month’s batch of stories for the roundup, I felt as if I was being deliberately messed with by everyone. There were a few applicable stories, but for the most part, what I read could have been found in the confines of other, less genre-affiliated magazines. It’s not that any of the stories were bad. In fact, they were quite good. They just weren’t heroic fantasy and that’s what I was looking for. Maybe it’s just that I’m getting old and cranky, maybe I’m just a dope, but I was not an especially happy S&S reader this month.

Heroic Fantasy Quarterly, the gold standard by which I judge even the superlative new Tales from the Magician’s Skull, let me down. Issue 36 has the usual complement of three stories and three poems. I don’t dislike any of them, but I only like one of them.

More Blood Than Bone” by E.K. Wagner is not the one I liked. The issue of who is entitled control of natural resources and who gets to wield the power they confer is couched in a nautical tale starring a sea monster, a naturalist, and a sorcerous aristocrat.

Divided into several sections, each commences with an entry from The Bestiary of Tierence Stillson, Esq.. In the first section, Tierence herself appears on the deck of a ship hunting the dangerous haukfin, in order to gain a better, up-close understanding of the creature and one of its teeth, a source of great magical potential.

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Xbox Game Pass: Access Your New Game Library

Xbox Game Pass: Access Your New Game Library

Xbox-Game-Pass

You’ve bought a shiny new game console, set it up, and you’re ready to play. All you need now are games. Depending on what mood you’re in, you might want to play games from different genres. These genres can vary, from first person shooters, racing games, Role Playing Games, MMO’s and others. At an average cost of $59.99 per game (for new releases), it may take some time to build up a library of games to appease your gaming appetite.

There are low cost alternatives to help build your library: buying used games, borrowing games from your friends, or waiting for games to go on sale. Microsoft has recently created another low cost alternative, the Xbox Game Pass. The Xbox Game Pass is a subscription service that grants you access to (at this point) over 100 games. For $9.99 per month, you gain access to Xbox One, Xbox 360, and original Xbox games.

These games are downloadable to your hard drive, and can be played for as long as you’re a subscriber. The Xbox Game Pass includes games from a variety of publishers, such as Microsoft, Capcom, Electronic Arts, Sega, and Ubisoft.

If you haven’t played through the entire series of the Gears of War games, you can with the Xbox Game Pass. If you haven’t played the excellent Rise Of The Tomb Raider, you can with the Game Pass. Resident Evil, Devil May Cry 4, Metro Last Light, Super Street Fighter IV, and Halo 5 Guardians, are all examples of games included with the Xbox Game Pass.

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The Amazing Magic Robot

The Amazing Magic Robot

Merit Magical Amazing Robot closeup

You and your friends sit around a table. You carefully take the Amazing Magic Robot from its niche in the box and set it in the middle of a circle of questions, making sure the tab fits into the slot. Spin the pointer to a question you want answered. Challenge your friends. Do they know? Let’s see if they’re right.

You pick up the robot and move it to the other circle, the one of answers. When you let go, the robot — magically! — moves all by itself and points to the correct answer. Every single time. You can’t fool it. The Amazing Magic Robot knows all. And speaks a dozen languages.

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A Demon Rising: Ardneh’s World by Fred Saberhagen

A Demon Rising: Ardneh’s World by Fred Saberhagen

oie_3043513UJFHNzOyAnd so we come to the end of the Empire of the East, Fred Saberhagen’s sword & science trilogy. Originally titled Changeling Earth (1973), Ardneh’s World (1988), provides the answers to mysteries raised in the previous two books, The Broken Lands and The Black Mountains, as well as an explosive conclusion. When it’s done, great powers have been broken and the world has been changed again.

The last book ended with the destruction of one of the Empire’s great commanders, Som the Dead, and of one of the great demons at its command, Zapranoth. The armies of the Free Folk of the West, now under the command of Prince Duncan of Islandia, are marching on the Empire. In the East, the utterly bad Emperor John Omninor is himself leading his legions onto the field of battle for a final confrontation.

Moving behind and through the characters is the mysterious and powerful Ardneh. No one knows who or what Ardneh is. He speaks to the commanders and wizards of the West telepathically. To the emperor and his minions, he remains an elusive enemy who must be dealt with by any means necessary if the West is to be defeated, its army crushed, and its people enslaved.

Following an unsuccessful attempt to trick Ardneh into revealing himself, Omninor dispatches a force under his his High Constable, Abner, to find his enemy. Magical divination and electronic tracking has told the emperor that Ardneh resides in a mountain far to the north of civilization.

Simultaneously, farm boy hero Rolf and ex-imperial Chup have been tasked with tracking down a mystic stone and bringing it to Ardneh. Because Rolf has a strange, innate affinity for technology, Ardneh has chosen him as his special connection with the West.

At length and not unexpectedly, the two parties meet, an old villain reappears, and violence ensues. Eventually, Rolf and a new companion, Catherine, are split from Chup and the rest of the company.

So much of Ardneh’s World is exposition, but, oh, what exposition it is. When Rolf and Catherine finally meet Ardneh, his pre-catastrophe origins and how magic came into existence are unveiled. Saberhagen’s big idea is pure pulp insanity. Part of what makes Empire of the East original is its ostensibly realistic take on magic, but there’s absolutely none of that here. In order to prevent Earth’s destruction in the face of a nuclear war, untested new technological safeguards were put in place in America. When the war finally came, those precautions proved invaluable. In the wake of the mostly-averted war, the deepest nature of reality was changed. Ardneh, an intelligent, self-aware being is a result of the change.

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Birthday Reviews: April Index

Birthday Reviews: April Index

Cover by Richard Powers
Cover by Richard Powers

by Johnathan Sung
by Johnathan Sung

Cover by Douglas Chaffee
Cover by Douglas Chaffee

January index
February index
March index

April 1, Samuel R. Delany: “High Weir
April 2, Joan D. Vinge: “Eyes of Amber
April 3, Colin Kapp: “Ambaddasor to Verdammt
April 4, Stanley G. Weinbaum: “The Worlds of If
April 5, Robert Bloch: “The Fane of the Black Pharoah
April 6, Sonya Dorman: “When I Was Miss Dow

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Win a Copy of The Annotated Watchmen by DC Comics

Win a Copy of The Annotated Watchmen by DC Comics

The Annotated Watchmen Leslie S Klinger-small

I don’t think DC’s 1985 Watchmen needs a whole bunch of introduction (or any). As both a reader and a writer, I’ve read, re-read, analyzed, watched other people analyze, and blogged about the seminal work by Alan Moore and Dave Gibbons.

DC Comics has released a retrospective edition of the story that landed on Time magazine’s 100 best English-language novels of the 20th century. In Watchmen: The Annotated Edition, Leslie S. Klinger looks at each of the series’ twelve issues in detail, moving page by page and panel by panel. Klinger drew on critical and scholastic commentary, interviews with Dave Gibbons, and previously unseen original source material.

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Is That What You’re Wearing? Or, Books Have A Bigger Budget

Is That What You’re Wearing? Or, Books Have A Bigger Budget

Robin HoodOne of the most common topics of conversation among those who both read books and watch movies is the difference between the one and the other. Often it’s specific things like “that’s not how I pictured the protagonist” or, “where’d my favourite character go?” Sometimes it’s more general stuff like which medium did the overall job better.

That kind of argument can go on all night, but one thing is not in doubt: No matter how much money is spent on a movie or TV show, books have a bigger budget. Look at the big picture:  In a book you can have your characters go anywhere you’d like, live wherever you’d like, and use whatever transportation you’d like and it doesn’t cost you a dime. You don’t have to have the budget to reproduce your ideas on the screen.

And this just as true for every aspect of the smaller picture, though just now I’m going to talk about what your characters are wearing. No outfit is too extravagant, too simple, too colourful or too plain for your reader’s imagination. Your characters can even wear clothing that it is virtually impossible to eat, walk, or sit down in – as some cosplayers have discovered for themselves.

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My 300th Black Gate Post: Why I Write About What I Write About

My 300th Black Gate Post: Why I Write About What I Write About

cushing02 godzilla-2014-1108x0-c-default steve-reeves-and-sylva-koscina-in-hercules-pietro-francisci-1958 john-carpenter-bw j allen st john tarzan

This is my three hundredth post at Black Gate. This year also marks the tenth anniversary of my first post as a regular blogger. I remember when John O’Neill first invited me to be a part of this project, back when none of us had any idea where it would go — I certainly didn’t think it would last for a decade and that I’d still be around. Or that John would win a World Fantasy Award for it. Yet here the site is, ten years later and a World Fantasy Award richer, and I still can’t believe people show up to read what I have to say about Hercules movies, Godzilla, and Tarzan. It’s humbling to be part of a site with such a wealth of amazing material, great contributors, and so many dedicated and intelligent readers.

I’ve changed enormously as a nonfiction writer over these ten years, and most of the changes happened because of Black Gate. When I started my regular posts, I had only a blurry vision of the sort of blogger I wanted to be. The reality has turned out different because I made interesting discoveries about my own tastes along the way: specifically, what it is that I most enjoy writing about. I once imagined I’d write primarily about fantasy literature, Conan pastiches, and writing techniques. Now I write about monster movies, John Carpenter, and Edgar Rice Burroughs.

To mark my personal anniversary, I’m going to offer an apologia of sorts — an explanation of why I write about the topics I write about most frequently on Black Gate. None of these were in the plan on Day 1, and I’m probably the person who’s most curious about how these subjects turned into my main nonfiction focus.

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Backstory Cards: for Roleplayers, Writers, and Game-Runners

Backstory Cards: for Roleplayers, Writers, and Game-Runners

Tim

So, our friend Tim Rodriguez came by our home a few weeks back when we were hosting a game-night. We’d thrown the doors open to a bunch of game-lovers of our acquaintance for a night of food and play, and they flocked in with their favorite games (Wari, or Oware, being the game that got the most giggles) and some very fine (I was told) single malt whiskey. (Or maybe it was double-barreled? Something. I don’t know; I was too busy making lasagna.)

Anyway, Tim brought some new Backstory Cards to playtest. Most of us (including me) who volunteered to playtest with him hadn’t role-played in, well, ever. Or at least for years, the fog of memory obscuring most of the details.

. . . But since we were just testing the cards for story-potential and not playing an actual game, it seemed to work out well enough, and pretty soon we were all, like, a gaggle of giant fungal glow-in-the-dark monster crabs running around ravaged urban landscapes bringing down mobsters. You know. Like you do.

And sometime in all the chaos, Tim may have mentioned something about a new Kickstarter project.

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