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Going Postal with Terry Pratchett (and David Suchet)

Going Postal with Terry Pratchett (and David Suchet)

GoingPostal_PromoEDITEDI think that the late Terry Pratchett was an elite satirist. He used humor in a fantasy world as the vehicle, which probably causes many to dismiss how good he was at writing satire. I’m a huge fan of the Discworld books, and I’ve written a post on the City Watch, and one on Troll Bridge, a short story featuring Cohen the Barbarian. I think an overview of the Discworld series would be a worthy post here someday.

Moist Von Lipwig is the protagonist of three Discworld novels: Going Postal, Making Money, and Raising Steam. In his first appearance (Going Postal), Von Lipwig is a con man who is finally captured and hung. Actually, he was only hung to within half an inch of his life. Lord Vetinari, the Lord Patrician of Discworld’s biggest city, Ankh-Morpork, I think that Vetinari is one of the best fictional rulers ever created.

Vetinari wants to reopen the city’s Post Office; an establishment that had essentially collapsed under its own weight – and greed. He gives Lipwig the choice of walking out a door (which the nearly dead man discovers opens onto an almost bottomless pit) or reviving the post office. Lipwig, who figures he can con his way out of things, reluctantly takes the job. There are, of course, many hurdles, including a golem named Pump 13 who ensures that he is not going to run away.

The Clacks are network of semaphore towers, that is Discworld’s pre-eminent communications network, with some internet overtones. The post office is brought back to compete with the unreliable, monopolized Clacks.

That’s the groundwork, and from here on in I’ll discuss the miniseries, which does differ from the book a fair amount, though it’s still faithful to Pratchett’s work. The Clacks is run by Reacher Gilt, played deliciously by David Suchet, the personification of Agatha Christie’s fat Belgian detective, Hercule Poirot (who you read about HERE, of course…). With long hair, an eyepatch, and evil to the core of his larcenous heart, Suchet gets to have fun with the character. The character is a bit more serious in the book, but Suchet’s portrayal works for the movie.

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The Golden Age of Science Fiction: “The Migration of Darkness,” by Peter Payack

The Golden Age of Science Fiction: “The Migration of Darkness,” by Peter Payack

Cover by Alex Schomburg
Cover by Alex Schomburg

Cover by Tim Mullins
Cover by Tim Mullins

The Rhysling Awards, named for Robert A. Heinlein’s poet from The Green Hills of Earth, were established by the Science Fiction Poetry Association in 1978. Both the association and the award were founded by Suzette Haden Elgin. Each year, awards are given for Short Form poetry and Long Form poetry. The first three years of the award resulted in ties, with three poems tying in the first year, and two each tying in the second and third year.

Payack’s poem “The Migration of Darkness” appeared in the August 1979 issue of Isaac Asimov’s Science Fiction Magazine, edited by George Scithers. The poem postulates that darkness, rather than being the absence of light, is made up of infinitesimal pieces of darkness that breed in dimmer regions, such as the poles, and migrate south each night to cover the world in darkness, only to migrate back to the polar regions, or possible westward, with the coming of night. Pieces of darkness that don’t make the migration congregate behind buildings and trees to form shadows, but their lives of, of necessity, short since the light will eventually find them and kill them off.

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The Golden Age of Science Fiction: Piers Anthony

The Golden Age of Science Fiction: Piers Anthony

Piers Anthony
Piers Anthony

Chthon
Chthon

Cover by Michael Whelan
Cover by Michael Whelan

DeepSouthCon has presented the Phoenix Award annually since 1970. The first Rebel Award was presented to Richard C. Meredith. The 1980 award was presented on August 23 at DeepSouthCon 18/ASFICon in Atlanta, Georgia, which was chaired by Cliff Biggers.

While Piers Anthony may currently be best known for his series of Xanth novels, in 1980, when he was presented with the Phoenix Award, the series was just getting started. A Spell for Chameleon had appeared in 1977 and been awarded the British Fantasy Award and nominated for the Balrog Award. Castle Roogna followed it in 1978 and The Source of Magic appeared in 1979, and that was all: a trilogy.

Anthony had published numerous successful series up to that point, including the Omnivore/Orn/OX series between 1968 and 1976, the first four volumes of the Cluster series and the Tarot trilogy. His Battle Circle trilogy had appeared between 1968 and 1975 and the Chthon duology was published in 1967 and 1975. In 1980, he had just published Split Infinity, the first novel in his Apprentice Adept series.

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Blogging Marvel’s Master of Kung Fu, Part Four

Blogging Marvel’s Master of Kung Fu, Part Four

61Wi5uAwkoL._SX323_BO1,204,203,200_Giant-Size Master of Kung Fu #3 continues the run of excellent issues from writer Doug Moench and artist Paul Gulacy. While the early cycle of stories suffer from an over-reliance on Fu Manchu as the villain (to levels that rival Baron Mordo in the early Lee-Diko Dr. Strange stories), there was a method to their madness. The blowback from Sax Rohmer fans (which started in the pages of The Rohmer Review fanzine) was followed by the author’s widow filing a complaint with The Society of Authors over Marvel’s mismanagement of her husband’s property.

Steve Englehart and Jim Starlin had no way of knowing that killing off an old character in Shang-Chi’s debut would constitute not keeping to the tone and content of the originals. They were a writer and artist assigned to a property and were more interested in creating a Marvel variation on the successful Kung Fu television series than they were in reviving Fu Manchu. Moench and Gulacy were determined to avoid further legal hassles by showing something approaching fidelity to Rohmer while carefully positioning the storyline to more closely model Ian Fleming and Len Deighton spy thrillers than Rohmer.

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The Money Where the Mouth Is – Derek Writes an Ongoing Webcomic

The Money Where the Mouth Is – Derek Writes an Ongoing Webcomic

Briarworld-Bright-Red-Logo-on-Black-small

In my four or five years blogging for Black Gate, readers have probably become used to me interviewing comic creators and editors, reviewing new comic books and webcomics, small press and large, as well as revisiting classic comic runs and discovering new podcasts that dig into how the sausage is made.

It was becoming increasingly obvious to me that it was time for me to ante up and join the game rather than sitting on the sidelines. And it is a lot different than writing short stories and novels! But, in the last year, I had two 16-page comic book stories published by Markosia Press in the UK.

Gorillas in the Ring (with artist Wendy Muldon and letterer Ian Sharman) appeared in the anthology FLIP (Dec 2018), and Frankenpuppy (with artist Trevor Markwart) will appear in the anthology FLIP 2 (Jan 2020), although our story is being released digitally as a stand-alone preview to the anthology and is at Comixology now for $1.99.

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Arok the Robot

Arok the Robot

Arok vacuuming

Arok the robot first hit the national news in June 1975 when it married Linda Hoffman, the president of the Allan Kemp Fan Club, at the annual convention of fan club presidents in Chicago.

I’ve long ago concluded that the modern world is one long real-time game of MadLibs. Even so, if that sentence doesn’t make you sit bolt upright in front of your screen then my whole career as a chronicler of robot history is a failure.

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An Uncomfortable Truth

An Uncomfortable Truth

Good morning, Readers!

A fair warning, I’m attempting to tackle a topic that is currently at the center of a great deal of controversy in the realm. Because speculative fiction is a realm. This is especially of issue in the YA community.

A further disclaimer: despite my struggles to get noticed in a marketplace flooded with writers, I am fully aware that as a white, cis-het woman, I have a lot of privilege in this field. That will unavoidably impact what I’m trying to say here a little. If you belong to a minority, feel free to correct me where I misstep. I am always looking to learn, and I never mean to offend.

pixabay spellbook.

Literal magic.

Novels are incredible things. They are, frankly, magical. They are the conduits to adventure, to wonders unheard of. They are a means to explore truth via outlandish lies. They grapple with grief and loss, danger, and rage. Through the magic of books, we can face our greatest fears, from the safety of our comfiest nooks, and emerge triumphant. Novels, particularly the speculative, allow us to experience things we normally would be denied.

This includes the experiences of people we could never be.

As writers, it is our job to inhabit these lives that are not our own and bring them to life on the page. Oft times, these people are not folks that look, act or sound like us. They are people whose lives differ vastly from our own. Still, we write their experiences and pray that we are doing well. At risk of raising some fury, there is a limit to what we can do, and, I firmly believe, what we should do.

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The Games of Origins Game Fair

The Games of Origins Game Fair

Shadowrun Sixth World Box-smallMy first science fiction convention was 2001’s Eeriecon III, in Niagara Falls, NY. This was a literary convention, where almost all of my time was spent lapping up the wisdom of authors and scientists, discussing worldbuilding, sociology, magical systems, story structure and narrative, and all manner of other things of interest to writers, both old pros and aspiring novices.

These days, I make less of those literary conventions, and have migrated more into gaming conventions with the family. Less intellectual stimulation, perhaps, but it’s a much more active environment, with more to do. And though the intellectual discussions are perhaps not as rigorous (rule lawyering aside), there is no shortage of mental stimulation … let alone sensory stimulation … at these gaming conventions.

The most recent of these gaming conventions I attended was the mid-June Origins Game Fair, in Columbus, OH. This was my second year making that convention, and I’ve got to say that I somewhat prefer it to the more overwhelming GenCon. There is a bit less spectacle, a bit less overt consumption (you can, for example, actually walk through the exhibit room without colliding into people … usually), and more of an emphasis on just playing fun games.

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What I’ve Been Reading Lately: July 2019

What I’ve Been Reading Lately: July 2019

Cussler_DevilsGATEEditedSo, Hither Came Conan wrapped up last week. I mean, it’s really done this time. And A (Black) Gat in the Hand starts up next month, so I’ve got a couple weeks to fill with some meanderings. More aimless than my normal meanderings.

I’m wrapping up the most brutal month-long period of my work year, and I’ve been lining up hernia surgery in a couple weeks. So, I’ve been reading (and listening to audiobooks when I can) a ton for stress relief. I figure I’d talk about some of that reading for today’s column.

CLIVE CUSSLER

I’ve been reading Cussler for decades – from way back before he pieced off the writing of all his books. I used to grab each Dirk Pitt book when it came out. With the possible exception of Robert Ludlum, no one has ever been a ‘stay up late, page turning’ author for me, more than Cussler has.

Cussler’s adventure tales frequently involve water and sea exploits. Two of his heroes, Dirk Pitt and Kurt Austin, work for NUMA – the National Underwater Marine Agency. It’s a fantasy organization for Cussler, with unlimited funds and governmental support, to reclaim treasure, stop terrorists, Bond-like villains – anything. And The Oregon Files are about a fantasy crew on a super high-tech ship that does similar world-shaking missions for the CIA. Cussler books are exciting and fun.

My love of the Pitt books waned quickly with the introduction of his kids, Dirk (really – the SAME name?) and Summer. The shark was jumped in Valhalla Rising. I didn’t care for Trojan Odyssey, and when Cussler’s own son, Dirk became co-author, on Black Wind, I gave up on the series. There is far too much to read – including better books from the Cussler world, to read a ‘meh’ series. I have read 18 of the 25 Pitt books, and just re-read The Mediterranean Caper, while listening to the unabridged Black Wind. I have no desire to move forward on the seven books I haven’t read yet. I’m much more likely to re-read something.

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Pervert and Unnatural: Two Books from Image Comics Exploring Sex

Pervert and Unnatural: Two Books from Image Comics Exploring Sex

the-pervert-ogn-small Pervert 2-small

** Explicit Sexual Language and Stuff (Obviously!) If you’d prefer something less sexual, check out my interview with Plaid Klaus of Image Comics’ Void Trip right here **

I often dive into the first issues and first trades at Image to taste test new series, new voices, new art styles, new genres. I also find it interesting to look at pairs of series as foils to one another.

It isn’t that one series is created in response to another, or that they’re even in the same genre, although often the are; it’s sometimes cool to read across themes.

Recently, I read The Pervert and Unnatural from Image. I was intrigued by what the series were saying about sex and sexuality, not only individually, but when taken as a pair of works.

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