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Supernatural Spotlight – Episode 6.14 “Mannequin 3: The Reckoning”

Supernatural Spotlight – Episode 6.14 “Mannequin 3: The Reckoning”

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Sam (right) and Dean (left) have yet another brother-to-brother chat, apparently in front of jarred biological specimens. (From a previous episode)
Sam (right) and Dean (left) have yet another brother-to-brother chat, apparently in front of jarred biological specimens. (From a previous episode)

Last episode ended with a cliffhanger, with Sam’s memories busting out from behind the mental wall that Death put up to keep them hidden. This episode begins about a minute later with Dean slapping Sam awake. He seems groggy and has a headache, but is otherwise little the worse for wear. Kind of an underwhelming resolution to a cliffhanger.

Cut to a janitor cleaning a science lab who, it appears, is murdered by the anatomy mannequin that normally hangs in the lab.

Once Dean lays down the law on no trips down memory lane for Sam, they begin investigating the janitor’s death. Their only lead is some funky electromagnetic readings at the science lab, focused on the anatomy dummy that Dean can’t help but pull bits and pieces off of … but they quickly get a break in the form of another murder, this time at a clothing factory.

Again, Sam’s electromagnetic scanner again goes haywire, giving him an idea. “Wait, that anatomy dummy you were molesting at the lab.”

“Excuse me?” Dean replies.

“What if that’s what this is about?”

Cautiously, Dean asks, “What exactly are you accusing me of?”

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The Decline and Fall of Bankrupt Nihilism

The Decline and Fall of Bankrupt Nihilism

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The Return of the KingThis post is the latest installment of an ongoing discussion in the fantasy blogosphere, which I think has raised some interesting questions about fantasy and the fantastic tradition.

It began when Leo Grin put up a post at Big Hollywood arguing that modern fantasy writers, specifically Joe Abercrombie, were inferior to J.R.R. Tolkien, Robert E. Howard, and other past writers; the inferiority, argued Grin, was a function of modern writers’ desire to tear down heroic ideals of the past. Abercrombie wrote a post responding to Grin; so did a number of other people, including John C. Wright (pro-Grin), R. Scott Bakker (mostly anti), and Jeff VanderMeer (fairly neutral and descriptive). Adam Whitehead, Phil Athans, and Paul Charles Smith, among others, also had comments. Around these parts, John O’Neill put up a post on the Black Gate blog which spawned an interesting discussion. Earlier today, another blogger here, Theo, put up a post restating Grin’s thesis and responding to Grin’s critics. I think Theo’s post was much clearer than Grin’s, though I still disagreed with the basic argument profoundly. I had a long response in the comments thread of that post, expressing that disagreement, but also noted that I had more to say. Which I now want to say here.

Grin and Theo both argue, among other points, that fantasy fiction was originally heroic and inspiring, but in recent years has become dominated by the anti-heroic and the disheartening. The point seems to be that while Tolkien and Howard can both be tragic, modern fantasy seems to question the existence of any meaningful system of values. From the heroic, fantasy has become ironic. Theo, specifically, argues that “something material and significant has changed within the field of fantasy fiction” in the past 71 years (roughly since the publication of the last of Howard’s stories), and specifically in the past 52 years (since the publication of Return of the King). I think that this argument raises a number of issues, and that it’s worth looking at them to see what we might learn about fantasy and the development of fantasy fiction.

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Short Fiction Review 34b: Intellectual Property

Short Fiction Review 34b: Intellectual Property

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2881Dhaka, the capital of Gano Projatontri Bangladesh.  With a  population of thirteen million the city was a madhouse. Buses and plastic Tata Kei Cars spewed thick smoke from their struggling two cylinder aluminum engines. The heat and pollution were stifling and the cacphony of car horns relentless.  This place was more than enough to drive you mad. It was dirty. It was overcrowded. It was dangerous.

I loved it

p. 16

We’re in cyber noir territory, and this kind of thing just hooks me in.  As I work my way through the January-February Interzone, I’m reminded of why this is one of my favorite SF magazines — I’m just an old cyberpunk at heart.  Having spent a good part of my working life with high-tech companies, the amoral shenanigans of near future corporations in the relentless pursuit of profit where human casualty is not a bottom line consideration is fascinatingly all too familiar. To bad it’s not outright fantasy rather than speculative fiction that hits close to the bone.

Case in point is Michael R. Fletcher’s “Intellectual Property” set in a third world country in which it is easier for a multinational to exploit human resources because, as Richard Blaine once put it, “Life is cheap.”  There are two alternating first person narrators.  The first is  a “deep cover agent for a Corporate Espionage Black Ops unit” whose world weary cynicism provides the opening lines above.  The second, Anomie, is a young woman bioengineered with a neural socket that allows a complete takeover of her consciousness by her research employer; a significant drawback is that once unplugged, she has no recollection of what her employers are using her for.

While you should be able to figure out the connection between these two characters before the story’s end, it is nice to have the good guys — or, at least, maybe not the good guys but the victims of the bad guys — win out.  Which is why it is fiction.

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Five – “The Coughing Horror”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Five – “The Coughing Horror”

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devil20doctor20black20dagger201994“The Coughing Horror” was the fifth installment of Sax Rohmer’s Fu-Manchu and Company. The story was first published in Collier’s on April 3, 1915 and was later expanded to comprise Chapters 14-17 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

consuldevilThe story sees Rohmer return to fine form with Dr. Petrie awakening to Nayland Smith’s strangled cries for help from the room above his. He bursts through Smith’s door in time to hear a strange coughing sound from the window and the crack of a whip before he spies what appears to be a grey-skinned snake retracted from Smith’s neck and pulled bodily out the window as if it were riding a beam of light. Petrie provides much-needed medical attention for his friend has barely escaped this seemingly supernatural assassination attempt.

Interestingly, Smith insists there were small hairy fingers around his throat, but his bed is four feet from the window and no human could have reached him nor is there any explanation for the ghostly sight Petrie glimpsed. Smith was awakened by the sound of the mysterious creature coughing and tried fighting it off. He scratched off a layer of grey hairy skin which he shows to Petrie. They are still puzzled on how to rationally explain these bizarre sights, sounds, and sensations.

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George R. R. Martin weds Parris McBride

George R. R. Martin weds Parris McBride

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grrmGeorge R. R. Martin married his long-time sweetie Parris McBride on February 15th. The announcement on GRRM’s blog reads:

Back in 1981, Parris left Portland, Oregon for Santa Fe, and moved in with me in my old house on Declovina Street. We’ve been together ever since, for good times and bad, a move or two, more cons and road trips and adventures than either of us can remember now in our advanced old age. After thirty years, we finally decided that maybe this relationship was going to work out after all.

So on the evening of February 15, we finally made it official, and married in front of our hearth at our home here in Santa Fe…. Unlike most Westerosi weddings, no one was killed and only tears of joy were shed.

(I can hear some of you saying ‘What took you so long?’ What can I say? I’m slow. With writing and with… ah… other things.)

Martin is the author of the Song of Ice and Fire fantasy series, which includes A Game of Thrones and A Clash of Kings.

More details (and pics) are available at George R.R. Martin’s LiveJournal blog, and Raya Rambles‘.

Congratulations to George and Parris! May a flock of blessings light upon thy back.

Goth Chick News: Barnabas Collins Rises

Goth Chick News: Barnabas Collins Rises

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image0061Though I would normally start this post by ranting about the lack of originality in Hollywood and threaten to stick my thumbs in the Black Gate blender if yet one more remake crawls into a theater near me, I’m brought up short by news of a project with a serious pedigree.

Dark Shadows is slated to start production this Spring for an early 2012 release.

If you tell me you aren’t acquainted with Mr. Barnabas Collins I will first need to inquire how the weather here compares with your home in the Congo, and did you have a pleasant flight into civilization yesterday? I would then go on to tell you that Dark Shadows was a first-of-its-kind gothic soap opera dealing primarily with supernatural themes and if, like me, you were to discover it for the first time while watching contraband reruns at a 10-year-old’s birthday sleepover, it would have scared the crap out of you.

First impressions, no matter how traumatic, can stick with a person for a lifetime and Dark Shadows clearly stuck with a large segment of the population.

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This Just In: Borders Files for Chapter 11

This Just In: Borders Files for Chapter 11

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borders-booksJohn O’Neill has already written about this, but I just got the actual corporate balderdash letter. . . .

I received the email today through the Borders Rewards Program (I live next door to one of the stores, so I have to belong) in which Mike Edwards, the CEO of the Ann Arbor-based, MI chain, discusses the, ahem, “plans” for the future. Those plans are centered on a major announcement made earlier today:

[Fluff, fluff, ongoing mission, enlightenment, blah, blah, blah, but . . .] because of the ongoing impact of the difficulties of the U.S. economy, coupled with the rapidly changing bookselling environment, we must restructure Borders and reposition our business for long-tern success. We determined that the best path for Borders to have the ability to achieve this reorganization is through the Chapter 11 process, which we commenced February 16.

Edwards continues to state that the stores will remain open for business, the Rewards program remains in effect, gift cards will be honored, eBook libraries are perfectly safe. But, still, bankruptcy and all.

A Bloomberg article that can explain this better than I can.

But I’m not afraid for Borders . . . Howard A. Jones’s Desert of Souls will pull up sales! (Except that I bought my copy through Amazon. Uhm, sorry Borders. I see what you mean about “changing bookselling environment.” But I did get it a day before the street date!)

Art of the Genre: Rise of the Runelords

Art of the Genre: Rise of the Runelords

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There’s something nice about being in L.A. Sure, it has a bad rap, but when the snow is thick in Chicago, and the wind is blowing off the lake, it didn’t take much for Ryan Harvey and I to jump at John O’Neill’s offer to spearhead a Los Angeles satellite office of BG. Ryan picked a great spot, a six story complex right off the Redondo Pier, the view of the Pacific and the strand of beach below a perfect change from the snow and riveted metal of the BG Tower, my old office view completely obstructed by the zeppelin docking gangway.

burnt-offerings-254Anyway, I digress, what I was saying is that it’s nice to be in sunny southern California, and when O’Neill sent a telegraph that I had to fly to Seattle for an interview I wasn’t all smiles, that is until I discovered the person and the subject matter of the interview. [Note: He probably did this to drum up business for Howard Andrew Jones’s first Pathfinder novel Plague of Shadows, but I’ll take it… oh, and READ the book, it is awesome!]

The place, the new Paizo HQ in Redmond Washington, just outside of Seattle. On an aside here, after playing Shadowrun till my eyes bled in college, I pretty much knew Seattle like I was born and raised there so Redmond for me was old hat. The person, Editor-in-Chief James Jacobs, and the subject Paizo’s first Pathfinder series, the 2007 classic, Rise of the Runelords.

After devoting the appropriate time to rubbing the assignment in Ryan’s face, I jumped a flight to Seattle and the rain and gloom of the northwest. While airborne, I contacted Wayne Reynolds who was featured in Burnt Offerings and the rest of the Rise of the Runelords series. I figured if I was going to do this, I better include some never before seen art, and as Wayne did the Iconics, why not see what he could come up with from his files. Note: Wayne did a Pathfinder Iconic for Black Gate that can be found here.

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Howard Andrew Jones Reviews Level UP Issue 1

Howard Andrew Jones Reviews Level UP Issue 1

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gmg9101coverlargeGaming magazines can be a great asset to planning a roleplaying game, but I’ve often considered them to not be worth the cost. This one, reviewed by our very own Howard Andrew Jones, looks like it gives quite a bit of bang for the buck (or, in this case, 2 bucks). The publisher, Goodman Games, has a solid track record for producing quality game supplements.

Level UP Issue 1

Goodman Games (55 pp, $1.99 magazine, April 2009)
Review by Howard Andrew Jones

I like this magazine. Issue 1 comes in at 55 pages, the first offering of a new quarterly publication from Goodman Games devoted to Dungeons and Dragons. It means to fill some pretty big missing boots – you probably know the ones I mean if you’re an old fan of the game – and I think it’s off to a good start.

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Back to the Ninth Legion . . . Yep, Still Lost: The Eagle

Back to the Ninth Legion . . . Yep, Still Lost: The Eagle

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the_eagle_posterThe Eagle (2011)
Directed by Kevin Macdonald. Starring Channing Tatum, Jamie Bell, Donald Sutherland, Mark Strong, Tahar Rahim.

Less than a year after Centurion was released theatrically on a small number screens, along comes another historical adventure film telling the tale of the vanished Ninth Legion. Except The Eagle got released on many screens. In a just and fair movie world, the situation would be the opposite. But anybody who has every griped about the Academy Awards knows that we live in no such world. (And by the way . . . no Best Score nomination for Daft Punk’s work on TRON Legacy?)

The Eagle is the opposite of Neil Marshall’s incredibly energetic, almost gonzo Centurion. Marshall’s film uses a great cast to flesh out its characters and themes of survival and duty while keeping an insane and glorious momentum. At every turn, Centurion does its damndest to keep audience’s adrenaline high. The Eagle, given greater dramatic space for characters between battle scenes, sketches out complete blanks for protagonists, contains no sense of the Roman frontier, and features poorly shot and edited battle scenes that emit out not single nanowatt of excitement. (Oh, I’ll be generous. Not a single microwatt of excitement.) No wonder Focus Features unceremoniously dumped this film out in early February, during Valentine’s Day weekend, up against a kid’s CGI animated movie and romantic comedy starring Adam Sandler. The Eagle is totally disposable.

And given the subject matter, it’s a shame. I hate to see any movie mess up the wonders that the Roman Empire can deliver in terms of action and spectacle. It takes a tremendous amount of work to make me dislike a film about the empire, but dammit if director Kevin Macdonald (The Last King of Scotland, State of Play) and his cast and crew put in overtime to produce a boring film.

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