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Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Seven – “Cragmire Tower”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Seven – “Cragmire Tower”

3306898731_67e5eb0109“Cragmire Tower” was the seventh installment of Sax Rohmer’s Fu-Manchu and Company. The story was first published in Collier’s on July 17, 1915 and was later expanded to comprise Chapters 21-23 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

returnPicking up where the last installment left off, the story gets underway with Inspector Weymouth’s fruitless raid on J. Salaman’s antique shop which has now been abandoned by Fu-Manchu and his gang. Nayland Smith rapidly informs Petrie that the American adventurer and psychic investigator Kegan Van Roon is completing a book about his experiences in China where he ran afoul of a fanatical group in Ho-Nan. Van Roon has leased Cragmire Tower in Somersetshire to finish his book. Naturally, Smith believes Van Roon’s life is in jeopardy as Fu-Manchu will not wish him to finish the book for publication.

Of course, Rohmer is repeating himself for Van Roon reads like a variation on Sir Lionel Barton and Cragmire Tower recalls Reverend Eltham’s beloved Redmoat. The familiarity of the trappings does little to spoil the proceedings for this is Rohmer at his peak and sees him introducing an occult element to the series. Rohmer had a lifelong fascination with the occult and secret societies. “Cragmire Tower” remains unique in its successful blend of Yellow Peril thriller with supernatural mystery.

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The DRAGONS are coming…

The DRAGONS are coming…

Great news for fans of epic fantasy today: The great George R. R. Martin has announced on his web page that the long, long-awaited 5th book in his SONG OF ICE AND FIRE series is almost done. No kidding this time.

A DANCE WITH DRAGONS will be hitting stories on July 12, 2011. Although previous dates have been set and then cancelled, Martin says this one is “for real.”

In the author’s own words: “Barring tsunamis, general strikes, world wars, or asteroid strikes, you will have the novel in your hands on July 12.  I hope you like it.”

He goes on to add:  “The dragons are coming.  Prepare to dance.”

Quite possibly THE “big adult fantasy series” of our time, Martin’s SONG series has been a slow build with plenty of thrilling lesser climaxes along the way. We’ve seen the rebirth of three infant dragons into a world where they were thought extinct. We’ve seen the displaced queen whose power is rising and whose sympathetic magic hatched the eggs. We’ve seen them on her shoulder, belching tiny fires. Now it seems we will at last see the great war that has been building so steadily across the four books.

Martin’s characters are so pleasurable to read—even the villains—that returning to his world of Westeros is always an extreme pleasure. This summer just got a whole lot more interesting…

For more info visit Martin’s official site: www.georgerrmartin.com

Goth Chick News: Rubber (Need I Say More?)

Goth Chick News: Rubber (Need I Say More?)

image004Okay, let’s be honest. I knew full well when I started writing a blog called “Goth Chick News” that I’d be putting out the welcome mat for all manner of weirdness. I’m used to the emails containing cadaver pictures, links to vampire porn sites and invitations to underground parties to which everyone apparently is expected to wear leather riding tack.

At this point I’m fairly unflappable and difficult to impress.

It’s to be expected when, until 2009, Googling “goth chick” lead you straight to several pages of sites that at best required you to swear you were over 18, and at worse required a credit card.

However, once in awhile I get an email that makes even me wonder WTF?

And those, my friends, are rare and wonderful moments indeed; like the one earlier this week I received an email containing an ad for a soon-to-be-released indy film called Rubber.

Granted, at first this correspondence nearly got flushed, being understandably mistaken for yet another solicitation of an “adult” nature. But luckily, fueled by the third triple-shot latte of the morning, and bored to sobs being in between batches of interns to abuse, I decided to roll the email-virus-dice and open it.

Major pay dirt.

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Hadestown: An Interview with Artist Peter Nevins

Hadestown: An Interview with Artist Peter Nevins

bgalbumcoverOnce upon a time last November, I quoted a Greg Brown song in my LiveJournal. Greg Brown is a folk musician, and the song was “Rexroth’s Daughter,” from the album Covenant.

Now, if you know me, none of this is surprising. I often write in my LiveJournal, and I often quote Greg Brown, and yes, the song I most often quote is “Rexroth’s Daughter” — because every stanza is amazing!!!

So I was going along, being me, business as usual, when all of a sudden, an LJ friend said unto me:

“I know Greg Brown from Hadestownwhich, Oh em jee, Claire, is just the most wonderful folk rock opera ever. It’s a retelling of the Orpheus story. He lures Eurydice to the underworld in “Hey Little Songbird.” I heard this song and fell in love with him. And bought the album and listen to it constantly.”

bghades1After hearing “Hey, Little Songbird,” I sort of gallumphed over to Amazon and laid all my pretty pennies down in a row.

“MINE!” I said, like the seagulls in Little Nemo.

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Art of the Genre: Is Digital Art Real Art?

Art of the Genre: Is Digital Art Real Art?

I’ve often been asked ‘how cool is it to have all that original art from the Art Evolution Project?’ or ‘What will you do with all that original art?’ I tend to smile when I hear it because it somehow means that I know more than most where the world of art is concerned. The primary thing would be that the bulk of artists don’t give up originals these days unless you are willing to pay a king’s ransom for them, and the secondary is that much of the work done for me in the project was at least ‘touched’ by a computer or fully rendered in a digital format. The reality is that the original is not the piece you see, assuming there is even ‘hard’ original to begin with.

Colbert says Americans don't believe digital art is real even if Todd Lockwood paints him in full digital!
Colbert says Americans don't believe digital art is real even if Todd Lockwood paints him in full digital!

That in itself is a testament to the changing landscape of art and the power of the computer when used in the process of creation. Still, it leaves many people feeling a bit hollow, the new inability to own an original because only an artist’s hard drive has the capability for that. The computer also rocked the art field as the backlash from the lack of original hard art begging the question ‘is digital art, ‘real’ art?’

Everyone who is anyone has an opinion on this, and certainly one of my favorite views on the subject comes from Lazarus Chernick in his WordPress blog that can be found here, but instead of trusting the husband of an artist, I went out and got three well known artists to address the subject.

The following are responses to the question of digital art being real art.

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“Are You Not Still Entertained?”: Gladiator’s 10-Year Oscar Anniversary

“Are You Not Still Entertained?”: Gladiator’s 10-Year Oscar Anniversary

gladiator-posterAs of Sunday evening, The King’s Speech is the newest Academy Award winner for Best Picture. I am sure a virulent backlash against the English period drama is already underway, but let the record show that I thoroughly enjoyed that movie. It is not my personal pick for the best film of 2010. I would have liked Black Swan, Inception, or True Grit to win, but such was not to be, and The King’s Speech as a winner doesn’t anger me.

However, I prophesy that The King’s Speech will go down in history as one of the Oscar winners with scant staying power. Remember Shakespeare in Love? Chances are you haven’t thought of it much at all. The same can be said for numerous winners since the awards started in 1929: movies that had their moment, and then faded back as the “losers” turned into perennials. No one has much interest in Cavalcade (winner for 1933, the year of King Kong and Duck Soup) or The Great Ziegfield (winner for 1936) today; 1952’s The Greatest Show on Earth is the butt of jokes about “Worst Best Picture Ever”; and even the recent A Beautiful Mind has blipped off the pop-culture radar fast, while Crash’s win tends to get people upset.* I can even mount an argument that the massively popular win for Forrest Gump has been overshadowed in the ensuing years by the everlasting popularity of two of its competitors, The Shawshank Redemption and Pulp Fiction.

But many Academy wins have lasted. It is amazing to realize that Casablanca was a surprise victory in 1943, upsetting favorite Watch on the Rhine. When was the last time you quoted or heard someone quote Watch on the Rhine? Other enduring winners include The Sound of Music, Gone with the Wind, Rocky, Platoon, and from the last twenty years The Silence of the Lambs (this year is its twentieth anniversary as a winner) and Unforgiven.

Which brings me to this year’s tenth-anniversary winner. Where does Ridley Scott’s Roman epic Gladiator stand today, a decade after it received five Oscars at the 73rd Annual Academy Awards?

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Hadestown: A Review

Hadestown: A Review

bgalbumcover
Peter Nevin’s album artwork

On November 20th, 2010, at 1:46 PM, I received an e-mail from C.S.E. Cooney titled, “I got walls to build, I got riots to quell, and they’re giving me Hell back in Hades.”

If you know Claire at all, you’ll understand why I received this intelligence with equanimity. Of course she does; of course they are. Poor fools. They’ll soon learn better, and be begging our Claire for one cool disdainful look cast from beneath her mighty lashes.

If you don’t know Claire at all, I highly recommend the acquaintance.

I confess, however, to being somewhat surprised by the body of the message, which went as follows:

bghadescerberus
Hades and Cerberus

You don’t even KNOW!

Unless you did — and you didn’t TELL ME!

Aaaauuggggghhhh!!!

Hadestown — a folk rock opera with GREG BROWN!

Why? Why not until THIS MORNING???

Francesca Forrest sent me this. Now I must own the rest.

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Supernatural Spotlight – Episode 6.15 “The French Mistake”

Supernatural Spotlight – Episode 6.15 “The French Mistake”

SUPERNATURALThe episode starts with the Angel turned scam artist Balthazar showing up, hastily explaining that the Angel Raphael is winning the civil war in Heaven and has put a hit out on the Angel Castiel and everyone else who opposed him, including Balthazar, Sam, and Dean. In order to protect his stash of stolen weapons from Heaven, Balthazar gives Sam and Dean a key and casts a spell. They are thrown through a window … only to land on a stunt pad.

Turns out that they’re in the real world, where they are the actors Jared Padalecki and Jensen Ackles, stars of the television series Supernatural.

This isn’t a terribly original premise. Among other things, I recall a similar gimmick being played in Hercules and/or Xena (it’s all a blur). Even on Supernatural, this angle has been explored before.

In the season 4 episode “The Monster at the End of This Book” (a title inspired by one of my favorite children’s books), Sam and Dean discovered that a series of trashy horror novels were based on their exploits, written by novelist turned prophet of the Lord (who was exploiting visions of their lives).

Last season, they even ended up drawn into a Supernatural fan convention.

Epic Fantasy: Notes Toward a Definition

Epic Fantasy: Notes Toward a Definition

The Hundred Thousand KingdomsWhile one controversy about morality and fantasy was being thrashed out around these parts last week, another, quieter, discussion seemed about to get underway in the fantasy blogosphere. N.K. Jemisin began a discussion about “feminization” (her quote marks), sexual explicitness, and the male gaze in epic fantasy, which also involved considering the ways in which female-authored texts were presented to readers. The conversation was continued in a number of places around the web.

This is a potentially massively interesting topic about which I actually don’t have that much to say — because, in what looks like an example of a feedback loop at work, I haven’t read most of the writers Jemisin and others have mentioned. In fact, though I try to maintain a basic familiarity with contemporary fantasy fiction, many of the names they mention are completely unfamiliar to me. So this certainly goes some distance toward increasing my interest in examining the way certain writers are marketed and reviewed, and I’d like to see this discussion developed further.

What I’d like to contribute here is a bit of possibly-meaningless pedantry about definitions. To ask why certain books, specifically books by women, are not described, categorised, or marketed as epic fantasy means having a solid idea of what epic fantasy is. Jemisin noted that she herself was unsure whether some of the books she thought of as ‘epic’ would actually count for most people as epic fantasy. So what is an epic fantasy?

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TANGENT’s Best of 2010

TANGENT’s Best of 2010

It’s nice to be noticed…

cthulhus-reignOne of my very own stories has just been included in the TANGENT ONLINE RECOMMENDED READING LIST for 2010. The tale is “This Is How the World Ends,” from the CTHULHU’S REIGN anthology (DAW).

Here’s the complete list.

Every year TANGENT creates such a list, with the goal of “working for you, finding the gold buried in the dross, the diamonds in the dungheap, and bringing these gems to your attention.” This year there are 190 short stories, novellas and novelettes recommended. The site indicates that “for every story you see on this list, there are at least four others that didn’t make the cut.” I am thrilled and honored to be included in the final list. Thanks, guys!

I have to note that there are four other stories from CTHULHU’S REIGN that also made the TANGENT list…for a total of five humdingers. A real indication of just how good this Cthulhoid anthology truly is.

(I would only add that Laird Barron’s “Vastation” really should be on the list as well…the mad genius of Laird’s story was one of the book’s most mind-blowing moments for me.)

stAlso on the list is a terrific story by an amazing writer, “In the Dreaming House” by Darrell Schweitzer, which ran in SPACE & TIME #110. Nobody writes a dark fantasy tale like Darrell…he is a true Master. BTW, you can still order this issue from the SPACE & TIME website. I’ve also got a new story, “The Gnomes of Carrick County,” coming up in S&T later this year. http://spaceandtimemagazine.com/wp/

Finally, there are several stories from BLACK GATE on the list…continuing to show how BG is one of the most important and vital fantasy mags in existence today. Carry on, Gents!

Peace,

John