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Art of the Genre: The Art of Pokémon

Art of the Genre: The Art of Pokémon

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Pokemon Study Hall by Hinoraito, and boy there are a bunch of characters in it!
Pokemon Study Hall by Hinoraito, and boy there are a bunch of characters in it!
I never wanted to watch Pokémon. It’s a phenomena that came WAY after I was too old for it, and in essence was driven by collectable card games ala Magic the Gathering which I stayed well away from at all costs.

Sure, I knew Pikachu as it’s pretty hard to be alive in this world without knowing the electric-type mouse Pokémon as well as his constant companion of Ash Ketchum. But truly, that’s as far as it went.

Then came 2006 when my son was born and I named him Ashur, which of course would get shortened to Ash at convenience as he grew. Did that name have anything to do with Pokémon? Nope, although there was a bit of Evil Dead in there to be honest, but for the most part it just fit. Three days before my Ash arrived, his cousin Iris was born. Again, nothing odd about that occurrence at the time, and yet these days I think about the event as I watch Pokémon: Black and White and scratch my head because the two main characters of that version… Ash and Iris.

Yes, I watch Pokémon with my son. It can be rather addicting, as any quest cartoon can, each adventure building on the next as Ash continues on his journey to be a Pokémon Master. My son loves it, collects plush Pokémon, and studies his Pokémon: Black and White handbook like it’s the gospel.

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Goth Chick Crypt Notes: First Official Clip from Prometheus Dropped Today

Goth Chick Crypt Notes: First Official Clip from Prometheus Dropped Today

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Prometheus has landed.

Or at least the first official clip has.

Today Fox unleashed a never-before-seen bit of the upcoming Aliens prequel and we here at Goth Chick News are so excited we very nearly opened a Facebook account.

Well, not really. But you get the idea.

In the minute-long sequence featuring Idris Elba landing his impressive looking spaceship on a planet that definitely is not Earth, we’re treated to a few hints as to the origins of our species.

Less than 3 weeks to go… Can you stand the wait?

Black Gate Goes to the Summer Movies: Dark Shadows

Black Gate Goes to the Summer Movies: Dark Shadows

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dark-shadows-posterDark Shadows is the first victim of The Avengers. Next up is Battleship.

Contrary to the horrified reactions to the trailer, the state of Tim Burton’s creative career, and Warner Bros. willful promotional ignorance of the movie, Dark Shadows is not a massive disaster. It’s merely a dull flick that suffers from the most standard of bad-movie flaws: an uninteresting story. A few flashes of something better appear — although it is hard to determine what that something was — but this latest attempt to revive the 1966–71 Gothic daytime soap opera seems to drift in clouds of weed, lazily resorting to some broad yet humorless gags while forgetting that it has multiple plot strands that require attention. The film’s slogan really should’ve been: “We were going to make a compelling story for Dark Shadows, but instead we got high.”

Dark Shadows also isn’t much of a comedy; the reviled trailer sells the film as outrageous culture-clash humor, but these kind of jokes make up only about a third of the film. The rest of it consists of stilted scenes of characters sitting down and talking about what isn’t happening in the rest of the movie.

At least there’s a great soundtrack, a surprisingly smooth meld of one of Danny Elfman’s better scores in recent memory with pleasing early ‘70s pop and rock. Another plus is a production design that feels more natural and sensuously subdued than what Tim Burton usually produces. If Burton was consciously experimenting with an understated Gothic décor and a more realistic vision of the 1970s than people expect of him, I applaud him for it. It works, and it’s one of the few aspects of Dark Shadows that does.

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Burial Day Books releases Gothic Blue Book, The Haunted Edition

Burial Day Books releases Gothic Blue Book, The Haunted Edition

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gothicbluebook2Okay. Technically this was released back in October. But I just found out about it, so I’m going to pretend it came out this week so I don’t look out of touch.

Ahem. Burial Day Books, a boutique publisher of supernatural horror, has just released its first short story collection. You heard it here first.

The Gothic Blue Book, The Haunted Edition is a collection of short stories and poems that resurrect the spirit of the Gothic Blue Book. Gothic Blue Books were short fictions popular in the 18th and 19th century. They were descendants of the chap book trade. The Gothic Blue Book, The Haunted Edition is a collection of twelve short stories and two poems written by established and emerging horror authors that honor the Gothic story. Misery, fear, despair, regret and dread are highlighted in this collection, stirring old ghosts, witches, and awakening death. The authors in this collection weave together brilliant tales of terror celebrating the history of the Gothic story with a new twist.

I’ve never heard of Gothic Blue Books. Man, I’m more out of touch than I thought. Anyway. 18th Century chap books honoring the Gothic tradition of misery, fear, despair, regret and dread? Sounds pretty good to me. It’s not too late to make up for lost time.

The Gothic Blue Book, The Haunted Edition includes fiction from John Everson, M. N. Hanson, Ben McElroy, Greg Mollin, and many others. It is 114 pages and is available in print ($7) and Kindle editions ($0.99) through Amazon.com.

Apex Magazine #36

Apex Magazine #36

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apexmag05-12May’s Apex Magazine features  ”Decomposition” by Rachel Swirsky  (who is interviewed by Maggie Slater),  ”Tomorrow’s Dictator” by Rahul Kanakia and “The Chaos Magician’s Mega Chemistry Set”  by Nnedi Okorafor.

Naoto Hattori provides the cover art. Nonfiction by Tim Akers  and editor Lynne M. Thomas round out the issue.

Apex is published on the first Tuesday of every month.  While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless. A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95; Kindle subscriptions are available for $1.99 a month.

The Best of Modern Arabian Fantasy, Part III: Kai Meyer and The Stormkings

The Best of Modern Arabian Fantasy, Part III: Kai Meyer and The Stormkings

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img_2632While I was looking for more authors of modern Arabian fantasy, Kai Meyer found me, after reading part of my series here on Black Gate. Already a bestselling author in English (his book, The Water Mirror, went into three printings before its release date), he’s written 51 novels in his native German, including the Middle Eastern influenced, The Stormkings, a trilogy which has not been translated into English… yet. After hearing the description, I’m hoping it will be. The film rights have already been acquired by Oliver Scholl, who has worked on movies such as Independence Day and Jumper.

It’s interesting to note that the Arabian trend isn’t confined to English language fantasy, and it’s very interesting to hear the direction Kai took the genre when he created a Middle Eastern milieu.

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Blogging Austin Briggs’ Flash Gordon, Part One – “Princess Lita”

Blogging Austin Briggs’ Flash Gordon, Part One – “Princess Lita”

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61dtd4z0g4l_sl500_aa300_966525“Princess Lita” was the first installment of Austin Briggs’ Flash Gordon daily comic strip serial for King Features Syndicate. Originally published between May 27, 1940 and February 22, 1941, “Princess Lita” was the story that launched the daily companion to Alex Raymond’s celebrated Sunday strip. It is one of two Briggs strips available in a reprint collection from Kitchen Sink Press. We shall examine the second strip in next week’s column.

The most rewarding part of delving into Austin Briggs’ first two Flash Gordon storylines has been the discovery that the sloppiness of the first few Austin Briggs’ Sunday strips printed a few years after the daily debuted were likely more the result of the artist being overworked than they were an adequate representation of Briggs’ work on the property. “Princess Lita” shows the artist in full command of the material drawing the characters as well as their creator, albeit without the benefit of the Sunday page to showcase the exotic flora and fauna of Mongo to full advantage. The transition from Sunday continuities to a daily strip is jarring at first and the smoothness of Don Moore’s scripting and Alex Raymond’s plotting is sorely missed, but Briggs does an admirable job of staying true to the source material.

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Goth Chick News: What Happens in Vegas, Stays in Vegas; Blood-Letting Included

Goth Chick News: What Happens in Vegas, Stays in Vegas; Blood-Letting Included

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image0021As the saying goes… what happens in Vegas, stays in Vegas. And while this may be true, that doesn’t stop us here at Goth Chick News from wishing that each state had a Goretorium of its own.

Just when we thought that New York might be home to the most disturbing, torture-porn fright attraction of all time in the form of Blackout, comes the May 1st announcement that the man who brought the tourism horror of Hostel to the big screen is bringing a whole new type of fright to Sin City.  Eli Roth’s Goretorium haunted attraction is scheduled to open on September 27 in Las Vegas, just in time for Halloween.

Aiming to tap into the $7 billion a year Halloween industry, the 24/7, year-round, multi-level Goretorium, situated at the corner of the Strip and Harmon in Vegas (on top of the local Walgreens), aspires to become “the world mecca for horror fans,” says Roth.

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Art of the Genre: The Basic D&D Gazetteer

Art of the Genre: The Basic D&D Gazetteer

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pic549862_mdAt some point in my distant past I fell in love with something I didn’t have. I suppose it happens a lot to gamers, especially with younger folk and those who grew up before the advent of the internet. In days now long gone, I would flip through a Dragon Magazine and marvel at all the titles I found available in the advertisements.

How many times have I kicked myself for not being able to lay hands on a copy of Aftermath? Could I imagine a more Tolkien-like fantasy system with Runequest? What incredible fun would it have been to play a round of Talisman?

So many games, so little time, and certainly even less money. In those days I was required by circumstance to create most of my own worlds and adventures, although I did partake of Greyhawk and the Forgotten Realms.

Still, if there was one world that I always felt I missed out on it was the D&D Basic Mystara. I’d begun my gaming career with Basic D&D, but with Mark [my lifelong DM] having all the AD&D hard cover books, I moved on to ‘bigger and better’ before I really had a chance to fully vest myself in the Basic system, especially the setting.

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What Writers Can Learn From Joss Whedon’s The Avengers

What Writers Can Learn From Joss Whedon’s The Avengers

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avengers-movie-poster-1Disclaimer: This article will reference some scenes from The Avengers film. While I’ve tried to avoid specific spoilers about major twists, there are some things that give away plot elements and twists from the other Marvel Comics movies, such as Thor.

If you are a writer, be sure that you get a receipt when you go to The Avengers, because you should be claiming it as a work-related research expense on your taxes this year. (This should not be considered tax advice. Please consult with your tax preparer before making financial decisions.)

There has been no shortage of digital ink spilled gushing over how great the movie is. I’ll provide a link to some of the highlights below if you want to delve into the film itself. However, I wanted to go beyond discussing The Avengers as purely a viewing experience, but to focus on a couple of elements that writers can best take away from it.

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