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Book Tour Tips for (Self-Published) Authors

Book Tour Tips for (Self-Published) Authors

book tourMy adventure begins sixteen tons of sundowns ago… maybe say, November-ish, when the Clarendon Hills Public Library in Illinois asked me to be a featured reader at their No-Shush Salon. They wanted an author for early 2015. My first response (which I thankfully didn’t send) was no. Grateful that they thought of me, but no way. Who can afford to travel 5 hours one-way for one reading?

And then, THEN! In a cosmic crapshoot of hell yeah, another Chicago reading series, Tuesday Funk, contacted me. They wanted me for a reading several days after No-Shush.

When the universe shimmies at you, you wink back. I said yes to both.

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The Public Life of Sherlock Holmes: The Case of George Edalji

The Public Life of Sherlock Holmes: The Case of George Edalji

Doyle_EdaljiIn the Old Testament, Nehemiah is the cupbearer to the king of Persia. His people, the Israelites, had been conquered by the Babylonians and sent into captivity years before. Groups of exiles had been allowed to return to Jerusalem, but the walls, which signified security and nation in those days, hadn’t been rebuilt.

When Nehemiah learned of the plight of his brethren, he wept, mourned, fasted and prayed. Such was the depth of his feeling for them.

In December of 1906, Sir Arthur Conan Doyle came across the case of George Edalji. Though he had no ties whatsoever to the disbarred solicitor from the village of Great Wyerly, Doyle was so outraged at the obvious injustice he perceived, that for over half of a year, he dedicated himself to exonerating the recently freed man.

There had been a series of cattle, horse  and sheep maimings in the Wyerly area in 1903. Based on specious circumstantial evidence, the twenty-seven year old Edalji (son of the local reverend), poor of vision and with a spotless record, was convicted and sentenced to seven years in prison. Edalji’s father was from Bombay and there is no doubt that prejudice played a huge part in the story. The Dreyfus Affair comes to mind. Edalji was released after three years with no pardon, no explanation and no recompense.

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The Middle Child of Editorial: An Interview with Jake Thomas, Associate Editor at Marvel Comics

The Middle Child of Editorial: An Interview with Jake Thomas, Associate Editor at Marvel Comics

I’m having an e-conversation with Jake Thomas, an Associate Editor at Marvel Comics. punisherHe’s got a ton of editorial credits, as Assistant Editor on titles like Captain America, Avengers, Age of Ultron, and many others, as well as Editor on Iron Fist the Living Weapon, Deadly Hands of Kung Fu, The Punisher and others.

Let’s cover some of the basics first. Jake, you started at Marvel as an Assistant Editor. Editors oversee production. What do Assistant Editors do for the production process?

Marvel editors are involved in a lot more than just production.

A main Editor helps develop projects, gives story and art notes, helps with the marketing of the books, all kinds of things. The nuts and bolts of production are by and large the purview of the Assistants. Assistant Editors keep files moving, track schedules, write recaps, do ad lineups, gather reference, run proofs through our various checks and balances, a bunch of the behind-the-scenes work that allows the machinery of comics to keep functioning.

They also act as another set of eyes; they can give script feedback to their editors, check the art as it comes in to make sure the storytelling is solid and everyone’s in the correct costume. Important stuff!

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Five Things Better Than Handing In Your Manuscript

Five Things Better Than Handing In Your Manuscript

Nobel prizeThis is in the forefront of my brain this week because – you guessed it – I’ve just handed in a manuscript. Now even though this is only the current draft of the work-in-progress, it feels pretty good, so I started to wonder, is there anything better than this?

Here are some of my thoughts:

Winning the Nobel Prize. It’s true you get to call yourself a Nobel Laureate, but I’ve asked around, and apparently this isn’t as wonderful as you might think. To start with, you have to go to Stockholm in February. Nothing against Stockholm, but really, February. It sometimes gets given to people years, and even decades after the work it’s being awarded for was done – which means their thank-you speeches frequently have a heavy subtext of “what, that old thing?” The money’s nice, but again, it so often comes later than you’d like it. In fact, more than one Nobel Laureate has been overheard to murmur, “Great, something else to dust.”

Winning the Superbowl. This one I confess I just don’t get. I keep asking what’s in the bowl, and all I get are funny looks. I mean, there’s a big difference between a super bowl of popcorn, and a super bowl of sauerkraut. I’m just saying, I’d need more details to be able to tell whether winning one is better than handing in a manuscript.

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Writing: Why You Shouldn’t Tinker With the Beginning Until You’ve Written to the End

Writing: Why You Shouldn’t Tinker With the Beginning Until You’ve Written to the End

Storyteller-Tools-New-Cover 255
Outliners like me, we write in layers.

The beginning of your novel is… Important. Vital. Critical.

It’s the bit that grabs the reader, and if the reader is your dream agent or an editor, then it can potentially grab you a career instead.

So, important, vital, critical. So much pressure to get it right. A nagging fear that it’s wrong.

And yet, you need to hone your beginning last. Here’s why…

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Writing Through February

Writing Through February

120px-Girl_with_stylus_and_tablets.Fresco_found_in_PompeiI have a bad case of February.

I know I’m not the only one, because I live with two small girls and a husband who are suffering from the same malaise. You know it: it’s cold. It’s dark. It has been cold and dark for a long time. Christmas is over, spring is a long way off, and everything is just… hard.

If you live in one of the particularly snow-covered zones this is doubly true. Crossing the street is hard. Getting out the door is hard. Heck, getting out of bed in the morning is hard.

So writing? Pffft. The irony is that, like exercise, I know that writing is one of the things that keeps me healthy, whole, and sane.  Keeping the commitment to myself and to the page is necessary. But like everything else at this time of year it is so terribly, terribly hard.

I know what helps me:

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Bumper Year for Buried Treasure in Britain

Bumper Year for Buried Treasure in Britain

A pile of 697 of the Lenborough hoard coins after cleaning. © The Trustees of the British Museum.
A pile of 697 of the Lenborough hoard coins after cleaning. © The Trustees of the British Museum.

The British have been pretty lucky these past few years. According to the British Museum, numerous treasures have been uncovered by metal detectorists and accidentally by workmen.

One of the most impressive is the Anglo-Saxon coin hoard from Lenborough, Buckinghamshire, found in December of last year, and which the British Museum has just announced it has acquired. Around 5,200 Anglo-Saxon silver pennies, and two cut half pennies, of kings Æthelred II (r.978-1016) and Cnut (r.1016-35), were found wrapped within a lead sheet. The hoard was discovered on a metal-detecting rally, and recovered under the guidance of the local Finds Liaison Officer. The hoard contains coins from more than forty different mints around England, and provides a rare source of information on the circulation of coinage at the time the hoard was buried.

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The Art Of Retreat, a.k.a. “Run Away, Run Away!”

The Art Of Retreat, a.k.a. “Run Away, Run Away!”

Run MemeOver the last thirty-five years, I’ve enjoyed gaming (mostly D&D and its ilk) with something like ten different role-playing groups. Other than the blindingly obvious traits that all such gatherings share, such as a love of good company or having a pulse, the most salient characteristic exhibited by each band of gamers was a stunning inability to retreat in the face of bad situations or superior foes.

I find this mind-boggling. Fascinating, too.

Let me provide a couple of classic examples. Once upon a time, my friends Nick and Suzanne, playing a barbarian and a cleric, respectively, “went on ahead” of the rest of the group, which is to say, the rest of us couldn’t make it that week. They came upon a lonely cave inhabited by creatures we later came to call graylocks. I don’t recall the source or where the referee culled them, but that doesn’t matter: they were mean and tough. Think ogres with spells.

Nick and Suzanne pressed the fight, even though they were outnumbered; they pressed the fight even though their opponents were winning; they pressed the fight even when it was hopeless. In short, they behaved as if they could not possibly lose. It took hours of painstaking work over the ensuing weeks to rescue them.

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Poul Anderson and the Northern Mythic Tradition: An Introduction

Poul Anderson and the Northern Mythic Tradition: An Introduction

WaroftheGodsI first met Poul Anderson in the little, northern-Iowa town of Decorah, which is fitting, because Decorah has a very large Scandinavian population and takes evident pride in its Scandinavian heritage.

Only in a figurative sense, alas, do I say that I met Poul Anderson. Though, in the time in which I first read War of the Gods, there had been the slightest possibility that I might have met him, for Wikipedia reports that Anderson passed away on July 31, 2001, and the time in which I first became aware of his work was in 2001.

I read War of the Gods because of Dag Rossman (a professor at Luther College and a fellow fantasist likewise inspired by the Nordic mythic tradition) and a fantasy book club that he hosted. I didn’t stay with the club long, because I had to drive across the Minnesota-Iowa border from Lanesboro on back roads that were cold, desolate, and perilous during the winter months, and I had young children at the time, and sitters were always difficult to find – particularly because I was spending most of my money on publishing, with Nick Ozment, Mooreeffoc Magazine. Getting introduced to War of the Gods was the chief experience I took away from that book club – that and a copy of Tim Powers’s Expiration Date, which I always meant to return to the lender. Sorry, guy, if you happen to find me here.

War of the Gods struck me like a hammer-bolt out of the sky. How did I not know, I asked myself, that this book existed? Such is the way of many discoveries. Because, as I cast my memory back over the years, I realize that I should have known. I remembered a too-tall-for-his-age, very blonde, and (to my eyes, at least) somewhat ungainly kid whom I often had regarded with curiosity from afar. This was because I had noted, as so many in our tribe are astute at noting – particularly in those days when geek culture had not yet gone mainstream – that this guy read comic books and fantasy novels and science fiction novels. But I realized that I had no means with which to start a conversation with him, because he wasn’t reading what I was reading. Moreover, this kid’s first name was Poul. Perhaps because of his unusual name, perhaps because of his size, this kid, when I spied him from afar, was always solitary, and perhaps he preferred it that way. But he certainly seemed reasonable and social enough when I finally spoke to him, having come across him in the wilds of Eden Prairie (the parking lot of Lund’s grocery store may very well be “wild,” in the suburbs). Poul told me that Poul Anderson’s novels were awesome, that I should read them, that they were about Vikings and Norse mythology. He also said that I should be reading Walter Simonson’s Thor comics for Marvel, incidentally.

And then I never spoke to him again. And, unfortunately, I never took his recommendations.

Until much later, of course. Now, obviously, both of these oversights have been remedied.

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Who You Gonna Play? – Ghostbusters: The Board Game on Kickstarter

Who You Gonna Play? – Ghostbusters: The Board Game on Kickstarter

Box - StandardOne of the earliest films that I have a distinct memory of anticipating is the original Ghostbusters. I would have been 8 years old, but I remember the commercials for it, a mix of humor and horror that I eagerly wanted to dive into. I wasn’t really allowed to watch scary movies, but this, this was one that I’d be allowed to see. In the theater!

Over the following years I watched the cartoon series (both the bizarre Filmation Ghostbusters cartoon series, which had no connection with the film continuity at all, and the later The Real Ghostbusters, which most definitely did) and of course the sequel, Ghostbusters 2. Though I never felt that any of these quite captured the greatness of the original film, over the years I came to realize that’s what tends to happen with many of the things we loved in our childhood. We want them to never change, but they do.

While I haven’t maintained a strong Ghostbusters fanaticism over the recent years, I’ve never fully lost it. There’s usually at least one Ghostbuster walking the halls of GenCon, even after all of these years, and seeing that jumpsuit always makes me smile. Every time I’m in our local comic book store, I notice that there are ongoing adventures in the comic book realm, including a recent cross-over with the Teenage Mutant Ninja Turtles. The recent announcement of an all-female reboot of the franchise has caused some turmoil, to be sure, but it guarantees that there is interest. For my part, I tried to argue for a different direction in the new series, still largely female but no reboot, but I guess they didn’t take me up on it. And for Christmas, I did get this LEGO Ecto-1 kit from my mother. (Last year she bought me the Back to the Future DeLorean LEGO kit, so this is apparently becoming our thing.)

So… okay, I guess that I’m still something of a fanatic.

Which brings me to the news of the day: Cryptozoic Entertainment has started a Kickstarter for their new Ghostbusters: The Board Game. I was able to ask some questions of the Cryptozoic lead board game designer, Matt Hyra, about the game.

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