Adrift over the Great Black Swamp, the wingless flying car Caeruleum probed earth water and the night-dark sky with the sightless fingers of sensor beams.
“The principle is simple enough,” explained Rapunzel McNally, the mad philologist’s beautiful daughter, her clear-cut features lit an eerie green from readouts on the air-car’s control panel. “The cicadas and crickets of the swamp, responding to ancient magnetic rhythms in the earth, spell out messages from the timeless times from before time. My father explained it to me.”
“I suppose it hasn’t occurred to you,” I said, “that your father is the one who’s simple?”
Her father, the mad philologist Gabriel McNally, was in the back seat of the aircar, wearing his most stylish straightjacket. After his denial of tenure by the University of Mackinac he had spent a month drinking absinthe, and had disappeared for another month into the swamp. He returned babbling about a convention of dragons and messages from the Old Ones.
The advice you usually hear is to not quit your day job, so you may be wondering why I did so, since, as I previously mentioned, I was not awarded a gold-plated limousine with my new book deal. I have a spouse with a good income, and my advance was more than I would make in a year teaching as an adjunct professor at the local university, so my wife and I decided to have me try writing full time to see how it would all pan out. It is not as great a gamble as it might be for someone with a more permanent position, as I can always return to teach more adjunct classes.
In January I began to draft the promised second book. I continued to work away at it until I got the chance to submit a book proposal to a brand new novel line at Paizo. I had enjoyed my communications with Paizo’s Erik Mona and James Sutter during my years at Black Gate, and I’d thought highly of their game products, so I tossed my hat in the ring. The result was another book offer, which has kept me so busy for the summer that I pretty much disappeared from the Black Gate board. I have enjoyed working with the Paizo folks, but as that editorial process is just beginning and that for my first book is wrapping up, I thought I’d talk today about the steps of novel deal one.
The Harold Lamb approaches Caracas to ask for directions.
Oh God. Oh, God. Lovecraft was right. Things that are seen, cannot be unseen.
So I thought I’d have a private cabin on this flying death-trap Howard Andrew Jones has poetically named The Harold Lamb, but no. That’s reserved for important bloggers, like Sue “Goth Chick” Granquist, and our fancy pilot, Bill Ward. During our trip to Atlanta, I’m stuck down here in engineering, sharing a tiny cabin with Jason Waltz and John Woolley. They’re good guys, but for the past two days they’ve been laughing about some private joke. This morning, when I was finally done shoveling coal into the engines, I asked them to let me in on it.
They share a glance, and then Woolley moves a little closer, his voice lowered. “Okay,” he says. “You know how naive editor John O’Neill is, right?”
Well, yeah. He’s a Canadian, he trusts everyone. I nod, and Woolley continues: “He’s never been to Dragon*Con before. Yesterday he asks me and Jason about it. What he should expect, stuff like that. So I tell him, it’s tradition to dress up as Princess Leia — that wins everyone over. And he totally falls for it.”
I chuckle. That sounds like John. Right now he’s probably in the stores, cutting up sheets to make a white princess dress. But before I can comment, Jason adds: “That’s not the worst part. Yesterday I heard him asking Howard about those illegal genetic samples we picked up when we raided Dr. Zarius’ polar labs. He took two back to his room.”
“Wait,” I say, with mounting horror. “O’Neill’s not crazy enough to experiment with those…. is he? They can change you, in ways you’d never imagine.” I can see in John’s and Jason’s faces that they’ve suddenly come to the same dread conclusion I have. In moments, the three of us are pounding on the door to O’Neill’s cabin.
“Go away!” he shouts from inside. But his voice…. it’s changed. Changed in indescribable ways.
“We’ve got to break down this door,” Woolley says fervently, grabbing a crow bar. Jason helps him, but I start to back away. I know, with absolute mounting horror, what we’ll find when we open that door. It can’t be… it can’t be… but I know that it will be. And I can feel my very sanity slipping away… just as I hear the door crash open, and the screaming begins, as John and Jason look upon the horror within…
On the whole, I’m not opposed to traveling with boys. Generally speaking they are amusing companions particularly when refusing to ask directions, thereby winding you through mildly interesting places while attempting to locate the desired destination sans MapQuest. Along the route, in an effort to distract their hapless passengers from all the pointless meandering, they can generally be counted on for lively and revealing conversation about former girlfriends, prior arrests and entirely icky things done in frat houses; all of which become prime blackmail fodder for later use.
Therefore, I did not immediately dismiss Howard’s idea of coming along on a road-trip to the Atlanta Dragon*Con in the Black Gate zeppelin via the Canadian Rockies, Baja and Rhode Island. Frankly by the normal standards, it’s about as much planning as I’ve ever know these boys to do. Besides, just seeing the look on John’s face when he heard the whole plan would have been more than enough incentive in and of itself, but when I learned the zeppelin had enough cargo space to house the new batch of interns plus my blender, I was in.
Now several days into the trip we are, of course, hopelessly astray of the original brilliantly planned route, E.E. Knight keeps going on and on about the steaks at Le Cheveux Club Pour Les Hommes and how big his Mauser is, and in an attempt to get cell coverage John insists on going topside in spite of the turbulence, then throwing up over what I hope is Cleveland but at this point could just as easily be New Mexico.
And the overall conditions in this zeppelin are starting to deteriorate.
I can indeed verify that Howard von Steppenwolf-Jones’s fearful presentiment about the revelation of our route is correct. We are compromised and our mission imperiled. While returning home from a convivial evening of cards and tawny Port at my club (Le Cheveux Club Pour Les Hommes — best steak au poivre in Chicago, I might add) I noticed my door had been jimmied with a crude textural analysis and took the precaution of drawing my trusty life preserver. Senses, pistol, and wits half-cocked, I entered. From my library, I heard a whispered chant:
Mene, mene, Derrida upchuckin’
Dulce et decorum est, pro postmodernism scribtum
I’d heard those black words before, in the nightmarish 2006 free-for-all at the Iowa Summer Writing Festival. A claven of MFA candidates, driven mad by Midwestern Chardonnay and a few passed-around copies of Rosebud, had very nearly cost me my life.
There’s a temporary lull in operations and the skies are clear over Oklahoma, so I thought I’d take the time to set the record straight about our expedition to Dragon*Con via the Black Gate zeppelin, the Harold Lamb. John described the start of our journey just after we departed the Black Gate rooftop headquarters Thursday.
Those of you who know publisher John O’Neill are aware that he has a tendency to exaggerate. For instance, he stated that the zeppelin is capable of Mach 2, but it usually maxes out around 1.5. He’d probably report that we were attacked by a flock of cybernetic pterodactyls, but in truth it was really only a half dozen, and Bill Ward and I took out most of them with the electric railguns. John was only blown back a few feet when the aft railgun exploded, too, so just nod politely if he tells you he was smashed into the hull and stunned.
I really wish John hadn’t broadcast our route, because I’m afraid it’s attracted unwanted attention. I’m fairly certain Dr. Zaius sent the cybernetic pterodactyls after us, but John Fultz tells me he sent mocking letters to both Aquaman AND the Legion of Doom on Black Gate letterhead, so there’s just no telling. Still, we’re prepared for pretty much anything on our journey, and we’ve decided to stick with the plan.
Now I thought I’d take a few moments to respond to some questions that have come in during our trip.
I arrived at our building this morning to find people milling around in the street, pointing into the air. A fat, smoke-shrouded zeppelin was moored to the Black Gate rooftop headquarters.
“Oh God, no,” I thought. “I was sure Howard was joking. That thing is a death trap.”
Howard wasn’t joking. I took the elevator to the roof, punched in the secret code, and stepped out into chaos. Minions were scurrying everywhere, loading cargo into the airship. John Woolley, our graphic designer, was stuffing our brand new 12-foot banners into a well-worn travel case from the 1920s. I caught him just as a strong gust of wind damn near took him over the edge, and we got it stowed into the cargo hold.
I found Howard commanding operations. “Are you crazy?” I shouted at him. “That thing will never make it to Atlanta. It can barely do five knots!”
Howard did look slightly crazy, dressed in jungle fatigues and standing on a desk. He was clutching a worn parchment. “Isn’t she beautiful? Jason Waltz completely re-built the engines. She hit Mach 2 just after midnight last night during our test run!”
Howard Andrew Jones’ Dabir and Asim stories are some of the most popular we’ve published in Black Gate. His first novel featuring his 9th Century adventurers, The Desert of Souls, is now available for pre-order from Amazon.com.
Howard’s tales of Dabir and Asim have appeared in many fine venues, including the anthology Sages and Swords, and Paradox, the magazine of historical and speculative fiction. In “Sight of Vengeance” (Black Gate 10), our intrepid heroes investigate a fiendish foe who claims the eyes of his victims. In “Whispers From the Stone” (Black Gate 12), Dabir and Asim find themselves trapped in an ancient tomb, up against an sinister conspiracy led by a long-dead — and very formidable — opponent.
Howard has discussed the fascinating details of selling his novel here on the Black Gate blog (“How to Get a Book Deal“). We’ll publish an excerpt from the novel in our next issue, Black Gate 15. But for now you’ll have to content yourself with the enticing plot summary from the Amazon listing:
In 9th century Baghdad, a stranger pleads with the vizier to safeguard the bejeweled tablet he carries, but he is murdered before he can explain. Charged with solving the puzzle, the scholar Dabir soon realizes that the tablet may unlock secrets hidden within the lost city of Ubar, the Atlantis of the sands. When the tablet is stolen from his care, Dabir and Captain Asim are sent after it, and into a life and death chase through the ancient Middle East. Stopping the thieves — a cunning Greek spy and a fire wizard of the Magi — requires a desperate journey into the desert, but first Dabir and Asim must find the lost ruins of Ubar and contend with a mythic, sorcerous being that has traded wisdom for the souls of men since the dawn of time. Debut author Howard Jones breathes new life into the glittering tradition of sword-and-sorcery, combining the masterful fantasy of Robert E. Howard with the high-speed action of Bernard Cornwell.
Already being described as “A thrilling, inventive cross between One Thousand and One Nights and Sherlock Holmes,” The Desert of Souls will appear in hardcover in February, 2011, from St. Martin’s imprint Thomas Dunne Books.
Art by Storn Cook for “Whispers From the Stone.”
Blood of Ambrose Nominated for World Fantasy Award
Locus Online reports that James Enge’s first novel Blood of Ambrose, part of his Morlock series, has been nominated for a World Fantasy Award for Best Novel of the Year.
The other nominees are The Red Tree by Caitlín R. Kiernan, China Miéville’s The City & The City, Finch by Jeff VanderMeer, and In Great Waters by Kit Whitfield.
Morlock first appeared in “Turn Up This Crooked Way” in Black Gate 8. Since then he’s returned to our pages a total of four times, most recently in the novella “Destroyer” in Black Gate 14. All the Black Gate stories, plus many others, were collected in This Crooked Way, the second volume in the series.
Howard Andrew Jones also published three Morlock tales in the late, lamented Flashing Swords e-zine. Morlock’s most recent appearance was in the new Eos anthology Swords and Dark Magic. You can learn more about the origin of Morlock in Howard’s lengthy Black Gate interview with Enge here.
The complete list of World Fantasy Award nominees is here.
In other Enge news, Publisher’s Weekly has given the third Morlock volume, the upcoming novel The Wolf Age, a starred review, saying:
Werewolves clash with legends in the harrowing and beautiful third novel (after 2009’s This Crooked Way) detailing the epic travels of enchanter Morlock Ambrosius. Following a string of bad luck, Morlock is incarcerated in the werewolf fortress of Vargulleion… Enge’s elegant prose perfectly captures Morlock’s terse and morbid nature, which thrives in the vicious, honorable werewolf nation. Numerous intimate, complicated, and contentious relationships provide depth and gravity to the grim tale, which will enthrall fans of the dark and sinister.
The Wolf Age will be published by Pyr in October.
Congratulations James — on both the boffo review, and the nomination! They are richly deserved.
The Locus Index, Galactic Central, and other Fantasy Resources
Newcomers to fantasy collecting may be unaware of the scope of pertinent and very useful information on the web, and particulary the resources assembled by members of the Yahoo Fictionmags Group. The terms “Big List,” “FMI,” “Galactic Central,” “Locus Index” and many others crop up without necessarily being understood. Fictionmags includes the authors of some of the most seminal and definitive reference works on magazine Science Fiction, Fantasy, and General Fiction. Not only is this material substantial and providing of answers to many questions, but it is also FREE to anyone conversant in accessing the internet.
The major portal to this trove is www.philsp.com, the website of Fictionmags’ Phil Stephensen-Payne. This place is rather like a fantasy collector’s version of the Smithsonian. Just about everywhere you turn, there is something of interest. The site opens directly onto Phil SP’s “Galactic Central.” If you’ve ever wondered what a full run of Amazing Stories, Astounding/Analog, New Worlds or most any other SF prozine looks like, this is where you get to scroll through pages of color cover images arranged chronologically as illustrated checklists (including, for example, an up-to-date Black Gate checklist).
There are tens of thousands of these images from SF/F/H, Western, Crime, Adventure, Romance and general fiction titles. I’ve contributed images to this project from my own collection as have many others, and Phil has also gathered the content from many sources on the internet as well. There is also an accounting (The Big List) provided of all of the magazine titles pictured in Galactic Central showing where else they are more fully indexed. Huge as it is, this project is still not done, and Phil will probably have to come back in another lifetime to complete it.