Browsed by
Author: John ONeill

New Treasures: The Elementals by Michael McDowell

New Treasures: The Elementals by Michael McDowell

The Elementals-smallI spent only four days at the World Fantasy Convention in Washington D.C. last weekend, but I picked up enough new books to fuel a few months of New Treasures. It was extremely rewarding just to spend a few minutes at each booth in the Dealers Room, perusing the handsome titles on display. I was familiar with many of the various publishers, of course, but more than a few — like the amazing Hippocampus Press, whom I talked about on Friday — were new to me, and discovering all of their titles at once, I felt like a kid in a candy store.

That was the case with the impressive Valancourt Books, who describe themselves as “an independent small press specializing in the rediscovery of rare, neglected, and out-of-print fiction.” The team behind the table was very friendly and enthusiastic, but I remember almost nothing of our conversation because I was so taken with their wide range of horror titles. I’ll have a lot more to say about their catalog in a future post, but for now I want to highlight the first book I picked up, a gorgeous reprint of Michael McDowell’s 1981 mass market paperback The Elementals.

After a bizarre and disturbing incident at the funeral of matriarch Marian Savage, the McCray and Savage families look forward to a restful and relaxing summer at Beldame, on Alabama’s Gulf Coast, where three Victorian houses loom over the shimmering beach. Two of the houses are habitable, while the third is slowly and mysteriously being buried beneath an enormous dune of blindingly white sand. But though long uninhabited, the third house is not empty. Inside, something deadly lies in wait. Something that has terrified Dauphin Savage and Luker McCray since they were boys and which still haunts their nightmares. Something horrific that may be responsible for several terrible and unexplained deaths years earlier — and is now ready to kill again…

Read More Read More

Weird Fiction Review #4 Now on Sale

Weird Fiction Review #4 Now on Sale

Weird Fiction Review 4-smallWhile I was wandering around the Dealer’s Room at the World Fantasy Convention, I spotted this little gem on Greg Ketter’s table. It’s the fourth issue of Weird Fiction Review, S.T. Joshi’s annual magazine devoted to the study of weird and supernatural fiction. And yeah, that’s our boy Godzilla on the cover.

Joshi has a rep as a serious scholar of weird fiction and he’s edited numerous collections and anthologies, including the brand new The Madness of CthulhuThe Dark Eidolon and Other Fantasies by Clark Ashton Smith, and the long-running magazine Lovecraft Studies. But the thing that’s surprised me about Weird Fiction Review is the delightful sense of whimsy it exhibits, especially with cover art. The cover of the previous issue, for example, featured Mad magazine poster child Alfred E. Neuman with Cthulhu tentacles. That’s some serious satiric genius right there.

The massive fourth issue contains fiction from J.C. Hemphill, Lynne Jamneck, Donald Tyson, Mark Fuller Dillon, Michael Kelly, Clint Smith, Michael Washburn, and a classic reprint by Nigel Dennis. The cover is by Bob Eggleton (click the image at left for the glorious wrap-around version.)

There’s also some terrific articles — John Butler contributes a lengthy (30-page) review of The New Monster Magazines and a retrospective of E.C. artist Jack Davis, Jason V. Brock looks at “Forrest J. Ackerman: Fan Zero,” there’s a lengthy interview with Patrick McGrath, there’s an 8-page full-color gallery of art by Bob Eggleton, plus regular columns by Danel Olson and John Pelan, and much more, including poetry, and reviews.

The only serious drawback, in fact, is the price: $35. Like almost everything Centipede publishes, it has a limited print run (500 copies.) However, it is available through Amazon at a 45% discount (for $19.17).

Read More Read More

Step into a Dark Alternative London in Unhallowed Metropolis Revised

Step into a Dark Alternative London in Unhallowed Metropolis Revised

Unhallowed Metropolis-smallThe dark fantasy role-playing game Unhallowed Metropolis was published by Eos Press in December 2007. I never got a copy, but I sure heard about it.

Set in an alternative London of 2105, two hundred years after a zombie apocalypse very nearly destroyed civilization, the game included ghosts, psychic powers, failed supersoldier experiments, zeppelins, ghoul colonies, vampires, and darker things. The futuristic dark-age London was made real with a well-conceived historical timeline, fascinating detail, and some terrific art.

The game was updated in 2011 with Unhallowed Metropolis Revised, which features new art, a foreword by Kenneth Hite (Trail of Cthulhu), streamlined rules, complete rules for volatile psychics and spectral entities, details on the wonders of aether technology, and much more. I bought a copy last month at the Fall Games Plus auction, and settled in for a read through today.

So far, I’ve been very impressed. The world building is strong indeed, and the setting splendidly realized. The art is a mix of pen and ink work and black & white photos of some very talented cosplay (the credits list 37 models, two make-up artists, and four photo manipulation artists… a pretty major production, no matter how you look at it).

All that effort has paid off. Unhallowed Metropolis Revised sucks you into the game world in a way I haven’t experienced since Ashen Stars. This is a game that makes you ache to play it.

Read More Read More

Vintage Treasures: The Worlds of A.E. Van Vogt

Vintage Treasures: The Worlds of A.E. Van Vogt

The Worlds of A.E. Van Vogt-smallWe haven’t discussed A.E. Van van Vogt at Black Gate very much, and that’s probably a significant oversight.

True, he’s primarily thought of as a science fiction writer (when he’s thought of at all these days.) But however you categorize him, van Vogt was one of the most important writers of the pulp era. I looked at one of his most famous novels, a fix-up of his early pulp stories from Astounding Science Fiction, The Voyage of the Space Beagle, back in September, but that’s really the first time we discussed van Vogt at any length.

Well, that leaves us a lot of ground to cover, so we better get started.

Van Vogt’s longer works include some of the most famous early novels in the SF canon, including Slan (1946), The World of Null-A (1948), and The Weapon Shops of Isher (1951). If you’re interested in sampling his shorter work, there are a lot of collections to choose from — including Transfinite: The Essential A. E. Van Vogt (2003), the deluxe, 576-page hardcover collection of his best work from NESFA Press (still in print, you lucky dog.) If you’re looking for something a little more economical, I highly recommend Transgalactic (2006), a handsome trade collection containing eleven short stories and a short novel, The Wizard of Linn, still in print from Baen.

Of course, you know how I feel. If you want to experience Van Vogt in the pure state, the way his original fans did, you should collect pulps, like any decent person. Failing that, I recommend tracking down a few of his most important paperbacks. Besides, that’s the truly economical approach.

I suggest starting with The Worlds of A.E. Van Vogt, a generous sampling of his short fiction spanning 1941 – 1971. It was originally published in 1974 and is still easy to find and very inexpensive. Twelve of the stories within (plus Forrest J. Ackerman’s one-page introduction) appeared in a smaller paperback, The Far-Out Worlds of A. E. van Vogt, in 1968; but this edition includes all of those stories plus three long novelettes, adding over 100 pages. It’s the one you want.

Read More Read More

New Treasures: Burnt Black Suns by Simon Strantzas

New Treasures: Burnt Black Suns by Simon Strantzas

Burnt Black Suns-smallAnother interesting thing about exploring the Dealer’s Room at the World Fantasy Convention was meeting all these marvelous small press publishers, and discovering just how many delightful books they’ve produced. Hippocampus Press, whom I’m not really familiar with, had a table packed high with books by H.P. Lovecraft, Clark Ashton Smith, S. T. Joshi, Wade German, Algernon Blackwood, William F. Nolan, Donald Wandrei, and Thomas Ligotti, as well as several copies of their journals, Dead Reckonings, Spectral Realms, and The Lovecraft Annual.

I had to try at least one. I was sorely tempted by John Langan’s collection The Wide, Carnivorous Sky and Other Monstrous Geographies and Clint Smith’s Ghouljaw and Other Stories. But the one I eventually settled on was Simon Strantzas’s most recent collection, Burnt Black Suns, mostly because I was drawn to the cover and the story descriptions on the back. Adam Nevill’s quote on the back cover (“In Burnt Black Suns Strantzas casts far into time and space to find the alien, and what comes back wriggling inside his net is ghastly”) didn’t hurt, either. The first story, “On Ice,” described as “a grim novella of arctic horror,” will be the story I read this weekend.

In this fourth collection of stories, Simon Strantzas establishes himself as one of the most dynamic figures in contemporary weird fiction. The nine stories in this volume exhibit Strantzas’s wide range in theme and subject matter, from the Lovecraftian “Thistle’s Find” to the Robert W. Chambers homage “Beyond the Banks of the River Seine.” But Strantzas’s imagination, while drawing upon the best weird fiction of the past, ventures into new territory in such works as “On Ice,” a grim novella of arctic horror; “One Last Bloom,” a grisly account of a scientific experiment gone hideously awry; and the title story, an emotionally wrenching account of terror and loss in the baked Mexican desert. With this volume, Strantzas lays claim to be discussed in the company of Caitlín R. Kiernan and Laird Barron as one of the premier weird fictionists of our time.

Burnt Black Suns was published by Hippocampus Press on May 1, 2014. It is 310 pages, priced at $20 in trade paperback and $6 for the digital edition. The Foreword is by Laird Barron. The cover art is by Santiago Caruso. Burnt Black Suns is available for half price on the Hippocampus Press website this month — check out their November specials here.

Future Treasures: Archivist Wasp by Nicole Kornher-Stace

Future Treasures: Archivist Wasp by Nicole Kornher-Stace

Archivist Wasp-smallOne of the great things about the World Fantasy Convention — or any decent convention, really — is the opportunity to attend readings. Just think about that for a second. You get to sit back in a comfortable chair in an intimate setting, while some of the finest fantasy writers in the field personally read their stories to you. Why would you waste your time doing anything else? (Except trolling the Dealer’s Room, of course.)

This year was especially rewarding, as I got to attend readings by Frederic S. Durbin, the delightful Liz Argall, Helen Marshall, Nathan Ballingrud, Christopher Barzak, Peter V. Brett, Guy Gavriel Kay, Tiffany Trent, Sharon Shinn, Bradley Beaulieu, Jeffrey Ford, Mike Allen, Elwin Cotman, Kathryn Sullivan, Andy Duncan, Kelly Link, and many others. But the reading that surprised and delighted me the most was by a new writer named Nicole Kornher-Stace, who read from her upcoming novel to be published by Small Beer this spring. A fast-paced and beautifully written story of ghosts, a mysterious post-apocalyptic world, and a young woman of extraordinary bravery, I predict Archivist Wasp will make a major splash when it arrives next May.

Wasp’s job is simple. Hunt ghosts. And every year she has to fight to remain Archivist. Desperate and alone, she strikes a bargain with the ghost of a supersoldier. She will go with him on his underworld hunt for the long-lost ghost of his partner and in exchange she will find out more about his pre-apocalyptic world than any Archivist before her. And there is much to know. After all, Archivists are marked from birth to do the holy work of a goddess. They’re chosen. They’re special. Or so they’ve been told for four hundred years.

Archivist Wasp fears she is not the chosen one, that she won’t survive the trip to the underworld, that the brutal life she has escaped might be better than where she is going. There is only one way to find out.

Archivist Wasp will be published by Small Beer Press on May 12, 2015. It is 256 pages, priced at $14 in trade paperback and $9.95 for the digital edition.

Can You Really Role Play on a Board?: Pathfinder: Rise of the Runelords

Can You Really Role Play on a Board?: Pathfinder: Rise of the Runelords

Pathfinder Rise of the Runelords-smallFantasy board games have tried to capture the addictive nature of role playing for decades, but without much real success. In the past few years though, a number of dungeon-delving games have come close, including Descent, Talisman Fourth EditionCastle RavenloftLegend of DrizztClaustrophobia, and a few others. In his recent review of Paizo’s second Adventure Card Game Base Set, Skull & Shackles, Scott Taylor fingered another contender, this one from Paizo:

Of late Paizo had expanded their market with several new product lines, the most intriguing of which are their Boxed Set Card Games. These sets ingeniously combine card building with role-playing with table-top (Think D&D meets Magic the Gathering meets anything done by Fantasy Flight!) Indeed, it is an amazing breakthrough by the Paizo design team, and guess what, it actually works!

Bob Byrne was even more positive in his assessment of the first title in the series, Rise of the Runelords, in his August article on “RPGing with a board

By far, the best board/card game I’ve found that emulates the role-playing experience is the Pathfinder Rise of the Runelords Adventure Card Game. The adventures get more difficult, you level up and the gear gets better. You maintain your items, spells, and levels from scenario to scenario through an entire Adventure Path, rather than start over each game play session. I’m sure I’ll post on that excellent game in the future.

While I wait impatiently for Bob’s full review, I went ahead and ordered a copy. It arrived a few days ago and, while I haven’t had a chance to play a full game yet (mostly because I haven’t figured out how to do that without tearing the shrinkwrap), it looks very promising indeed.

Read More Read More

New Treasures: We Are All Completely Fine by Daryl Gregory

New Treasures: We Are All Completely Fine by Daryl Gregory

We Are All Completely Fine-smallWell, I’m back from the 2014 World Fantasy Convention and I had a terrific time. Matthew Wuertz did a fine job with his daily convention reports… just don’t ask me where he found the time to write them. It certainly looks like he had fun, anyway, what with all the sight-seeing, panels, autograph sessions, readings, and whatnot. Me, I headed right for the Dealer’s Room, where I spent four days ogling books.

And what marvelous books! You’d think that running a website like Black Gate, I’d be more or less on top of major genre releases, right? Not so, apparently. While wandering the floor, I came across dozens (and dozens) of marvelous new titles from such splendid publishers as Prime, American Fantasy Press, Small Beer Press, Hippocampus, ChiZine, Midnight Books, Tachyon, Fairwood Press, Borderlands Press, and many others. I’ll be reporting on the most intriguing books right here over the next few weeks — starting with Daryl Gregory’s We Are All Completely Fine, the tale of a support group for people who have survived horror-movie traumas. It’s a book that’s received a great deal of attention over the past two months, and it went right to the top of my reading pile.

Harrison was the Monster Detective, a storybook hero. Now he’s in his mid-thirties and spends most of his time popping pills and not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by unreadable messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. Martin never takes off his sunglasses. Never.

No one believes the extent of their horrific tales, not until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these seemingly-insane outcasts form a support group? Together they must discover which monsters they face are within — and which are lurking in plain sight.

Daryl Gregory is also the author of Pandemonium, Afterparty, and The Devil’s Alphabet. We Are All Completely Fine was published by Tachyon Publications on August 12, 2014. It is 192 pages, priced at $14.95 in trade paperback and $9.99 fo the digital edition.

Future Treasures: The Very Best of Kate Elliott

Future Treasures: The Very Best of Kate Elliott

The Very Best of Kate Elliott-smallKate Elliott is the bestselling fantasy author of Crown of Stars and Crossraods series, the Spiritwalker trilogy, and many other popular novels. Her first short fiction collection has been long awaited.

The Very Best of Kate Elliott showcases two decades of her best work, including many short stories that are long out of print, four essays appearing for the first time, and a brand new Crossroads story.

Strong heroines and riveting storytelling are the hallmark of groundbreaking fantasy author Kate Elliott (Crown of Stars, Crossroads). Elliott is a highly-compelling voice in genre fiction, an innovative author of historically-based narratives set in imaginary worlds. This first, retrospective collection of her short fiction is the essential guide to Elliott’s shorter works. Here her bold adventuresses, complex quests, noble sacrifices, and hard-won victories shine in classic, compact legends.

In “The Memory of Peace,” a girl’s powerful emotions rouse the magic of a city devastated by war. Meeting in “The Queen’s Garden,” two princesses unite to protect their kingdom from the blind ambition of their corrupted father. While “Riding the Shore of the River of Death” a chieftain’s daughter finds an unlikely ally on her path to self-determination.

Elliott’s many readers, as well as fantasy fans in search of powerful stories featuring well-drawn female characters, will revel in this unique gathering of truly memorable tales.

The Very Best of Kate Elliott will be published by Tachyon Publications on February 10, 2015. It is 501 pages, priced at $15.95 in trade paperback and $9.99 for the digital edition. The cover art is by Julie Dillon.

2014 World Fantasy Convention: Sunday — World Fantasy Award Winners Announced

2014 World Fantasy Convention: Sunday — World Fantasy Award Winners Announced

World Fantasy Award Lovecraft-smallI was able to attend the World Fantasy Convention this year, for the first time since 2011, and I really had a terrific time. It was fabulous to attend all the panels, readings, parties, and events — and especially to re-connect with so many old friends, and make so many new ones. Years ago, Mark Kelly at Locus Online called World Fantasy “a reunion,” and I think that’s really the best description.

The highlight of the convention is the Sunday banquet, where the World Fantasy Awards were presented. The toastmaster for the event was the delightful Mary Robinette Kowal, who gave a highly entertaining speech about rejection, and the awards themselves were presented by Gordon van Gelder and David Hartwell. I sat at Table 25 with my new friends Amanda C. Davis and Matt O’Dowd, where we had a great view of the proceedings.

The World Fantasy Award itself is a cartoonish bust of H.P. Lovecraft sculpted by the brilliant Gahan Wilson (seen at left). It’s an extremely distinct award that honors the contributions of perhaps the finest American horror writer of the 20th Century. But using Lovecraft as the poster child for the awards has also caused some recent controversy (that surfaced twice during the proceedings.) I’ll get to that in a minute.

But first, the Awards themselves. This year’s winners of the World Fantasy Awards are:

Novel:

  • A Stranger in Olondria, Sofia Samatar (Small Beer)

Read More Read More