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Author: John ONeill

Dark Osprey: The Shadowy Worlds of Cthulhu, Alien Bug Hunts, and a Nazi Moonbase

Dark Osprey: The Shadowy Worlds of Cthulhu, Alien Bug Hunts, and a Nazi Moonbase

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The Cthulhu Campaigns Ancient Rome-small Nanzi Moonbase Dark Osprey-small Bug Hunts Dark Osprey-small

Over the last forty years Osprey Publishing has built up a sterling reputation for its long running series of illustrated military history books. Role-players, wargamers, and even casual readers like me have enjoyed them, and used them as reference guides.

Black Gate author Joseph McCullough joined Osprey a decade ago, and since then Osprey has produced a growing volume of books of interest to gamers and genre fans alike, including Steampunk miniatures rules (In Her Majesty’s Name), the Frostgrave tabletop skirmish game, and the Osprey Adventures line. But most interesting to me is Dark Osprey, a series of marvelously imaginative and well-illustrated tomes that serve as excellent setting books for the RPG of your choice.

While Joe was written several, they’ve also recruited a handful of other top-notch authors, including Warhammer author Graeme Davis, Trail of Cthulhu scribe Kenneth Hite, novelist Mark A. Latham (The Lazarus Gate), and others. So far they’ve published over a dozen, including The Cthulhu Campaigns Ancient Rome by Mark Latham, Nazi Moonbase by Graeme Davis, and Bug Hunts: Surviving and Combating the Alien Menace by Mark Latham.

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November/December 2017 Asimov’s Science Fiction Now on Sale

November/December 2017 Asimov’s Science Fiction Now on Sale

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Asimov's Science Fiction November December 2017-smallAsimov’s SF wraps up its first full year as a bi-monthly magazine with a delightful new issue, featuring brand new science fiction from Connie Willis (a big new novella), Greg Egan, Jack McDevitt, James Patrick Kelly, Norman Spinrad, Tom Purdom, Rick Wilber, and lots more — including another story in the long-running series by James Gunn set in the world of his Transcendental Trilogy.

Here’s editor Sheila Williams’s description from the website:

We are pleased to announce that Asimov’s November/December 2017 issue will launch a brand new novella by SFWA Grand Master Connie Willis. “I Met a Traveller in an Antique Land” welcomes us into that little shop around the corner and thence into the subterranean mysteries of New York City. With all the twists and turns, you’ll soon be as lost as her hapless traveller. This is an intriguing tale that you won’t want to miss!

November/December caps our stellar anniversary year with its own stellar line up: Norman Spinrad looks at the consequences of “The Nanny Bubble”; Greg Egan investigates “The Discrete Charm of the Turing Machine”; “And No Torment Shall Touch Them” if James Patrick Kelly can rescue his characters from the machinations of a difficult relative; James Gunn’s saga continues with “Love and Death and the Star that Shall Not Be Named: Kom’s Story”; Jason Sanford reveals the harsh secrets infusing “Nine Lattices of Sargasso”; and new author Emily Taylor quietly shows us what’s been “Skipped.” We’ll go “Timewalking” with Michael Cassutt; find ourselves “Afloat Above a Floor of Stars” alongside Tom Purdom; hear the moving “Confessions of a Con Girl” in Nick Wolven’s bittersweet short story; meet Joel Richards’ desperate “Operators”; join Jack McDevitt for the “Last Dance”; and, with Rick Wilber, we may find ourselves on the wrong side of town “In Dublin, Fair City.”

Robert Silverberg’s Reflections column discusses walls in Westeros and “Gog and Magog”; James Patrick Kelly’s On the Net goes to the “Time Party”; Peter Heck reviews Norman Spinrad, Peter S. Beagle, China Miéville, James P. Blaylock, Jack Womack, and others; plus we’ll have an array of poetry and additional features you’re sure to enjoy.

Over at SF REVU Sam Tomaino praises the whole thing, calling it “a great issue with a Hugo-worthy novella and a Hugo-worthy short story. It’s a great way to wind-up their Fortieth Anniversary.”

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Future Treasures: The City of Brass by S. A. Chakraborty

Future Treasures: The City of Brass by S. A. Chakraborty

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Dungeon Masters Guide-small The City of Brass-small

The City of Brass! One of the most storied locations in fantasy! Or it would be, except that no one dares write about it. Ever since it was featured on the cover of Gary Gygax’s Dungeon Masters Guide in 1979 (above left), the opulent city of efreet floating on the Elemental Plane of Fire has loomed large in the imaginations of Dungeons and Dragons players around the world. But beyond a single tale from the Arabian Nights, there’s been precious little to feed those eager minds.

So I was intrigued to read the details of The City of Brass, the upcoming debut fantasy from S. A. Chakraborty, which has been described as a blend of The Golem and the Jinni, The Grace of Kings, and Uprooted. It’s a tale of a magical Middle Eastern kingdom, and a clever and young con artist with strange gifts. It arrives in hardcover from HarperVoyager next week.

Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by — palm readings, zars, and a mysterious gift for healing — are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.

But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she’s forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot, windswept sands teeming with creatures of fire and rivers where the mythical marid sleep, past ruins of once-magnificent human metropolises and mountains where the circling birds of prey are more than what they seem, lies Daevabad, the legendary city of brass — a city to which Nahri is irrevocably bound.

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New Treasures: Infinite Stars, edited by Bryan Thomas Schmidt

New Treasures: Infinite Stars, edited by Bryan Thomas Schmidt

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Infinite Stars-smallBryan Thomas Schmidt is probably best known as the guy who loudly stormed out of the 2015 Hugo Awards when he lost in the Best Editor, Short Form category (he lost to No Award, since all the nominees were dictated by Vox Day as part of his Rabid Puppy slate). Black Gate was part of the same slate, but we withdrew our nomination (and Bryan unfriended me immediately thereafter).

That’s an unfortunate thing to be known for, especially since Bryan has done some really excellent work before and since. His other anthologies include Shattered Shields, Little Green Men―Attack!, Mission: Tomorrow, Galactic Games, and many others. His latest book, the massive Infinite Stars, is the most ambitious project of his career to date: a 674-page anthology of space opera tales featuring some of the biggest names in the industry. Here’s Rich Horton’s take, from the October issue of Locus.

Bryan Thomas Schmidt’s new anthology Infinite Stars is a big collection of space opera stories, split roughly evenly between reprints and originals. The reprints serve to some extent as an introduction to the subgenre, with examples from such classic series as Cordwainer Smith’s Instrumentality of Mankind, Anne McCaffrey’s Ship Who Sang books, Lois McMaster Bujold’s Vorkosigan series, A.C. Crispin’s Starbridge, and Larry Niven and Jerry Pournelle’s Codominium… These serve their purpose very well — they are a set of significant stories and showcase space opera from the ’50s to the present day nicely…

Most of the other stories in this book are also parts of series… these series include some really major SF landmarks: Orson Scott Card’s Ender universe, Brian Herbert and Kevin J. Anderson continuing Frank Herbert’s Dune series, David Weber’s Honorverse. There are stories from some more recent series that I’ve really enjoyed — Elizabeth Moon’s Vatta’s War, for example (which she has just returned to), and David Drake’s Leary/Mundy (or RCN) series. It was nice also to be introduced to some work new to me, such as Linda Nagata’s Red stories, Jack Campbell’s Lost Fleet, and Charles R. Gannon’s Caine Riardon stories…

All in all, Infinite Stars is a strong celebration of the variety and power of the space opera subgenre, both in its history and its ongoing vitality.

As Rich points out, there’s a great deal to enjoy in this book for any fan of space opera, old and new.

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The 2017 World Fantasy Award Winners

The 2017 World Fantasy Award Winners

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The Sudden Appearance of Hope-smallI wish I could have attended the World Fantasy Convention in San Antonio, Texas, this weekend. Many of my friends were there, as well as plenty of people I would have liked to meet. At the convention last year (in Columbus, Ohio), Black Gate won a World Fantasy Award, and there’s no way we could top that experience, but it would have been marvelous to be in the room as this year’s winners were announced.

The next best thing is to share the winners with you. If you’re looking for the best fantasy of 2016, this is as close to a definitive list as you’re likely to find.

The World Fantasy Awards winners are:

Best Novel

WINNER: The Sudden Appearance of Hope, Claire North (Redhook; Orbit UK)
Borderline, Mishell Baker (Saga)
Roadsouls, Betsy James (Aqueduct)
The Obelisk Gate, N.K. Jemisin (Orbit US; Orbit UK)
Lovecraft Country, Matt Ruff (Harper)

Best Long Fiction

WINNER: The Dream-Quest of Vellitt Boe, Kij Johnson (Tor.com Publishing)
The Ballad of Black Tom, Victor LaValle (Tor.com Publishing)
Every Heart a Doorway, Seanan McGuire (Tor.com Publishing)
“Bloodybones”, Paul F. Olson (Whispered Echoes)
A Taste of Honey, Kai Ashante Wilson (Tor.com Publishing)

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Star Kings, Virtual Reality, and Genetic Monsters: Rich Horton on Crown of Infinity by John M. Faucette/ The Prism by Emil Petaja

Star Kings, Virtual Reality, and Genetic Monsters: Rich Horton on Crown of Infinity by John M. Faucette/ The Prism by Emil Petaja

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Crown of Infinity James M Faucette-small The Prism Emil Petaja-small

Over at his website Strange at Ecbatan, Rich Horton takes a look at a long forgotten Ace Double from 1968. So forgotten, in fact, that I’ve never even heard of it. I dug through the dusty pile of Ace Doubles by my bed but, nope, it ain’t in there.

Assuming Rich didn’t just make this book up, it looks like a fascinating artifact, although maybe not for the usual reasons. Here’s Rich on the first half:

The lure for me in this Ace Double is the first novel by John M. Faucette, a fairly little known writer these days, but one of a very small set of African American SF writers before, really, the 1980s, which is amazing and a bit embarrassing for the field… I approached Crown of Infinity, Faucette’s first published novel, with interest and a real desire to like it. The publisher’s copy compares it to Doc Smith and Olaf Stapledon, and, oddly enough, that comparison makes a lot of sense. Unfortunately, the comparison ultimately is utterly to the disadvantage of Crown of Infinity. Indeed, I’d say this book reads as if written by a teenager completely in love with Doc Smith’s work … and with enough talent to imitate aspects of it effectively, but with no ability to structure a novel, nor enough originality to really make the novel “new.”

Here’s the inside cover, with the full description.

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The Future is Global Micro-Democracy: Malka Older’s The Centenal Cycle

The Future is Global Micro-Democracy: Malka Older’s The Centenal Cycle

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Malka Older Infomocracy-small Malka Older Null States-small

Malka Older’s debut novel Infomocracy made a huge splash last year — The Huffington Post called it “one of the greatest literary debuts in recent history,” and it was named one of the best books of the year by The Washington Post, The Verge, Flavorwire, Kirkus, and Book Riot. In the SF community, it was a Locus Award Finalist for Best First Novel.

It’s no exaggeration to say that the sequel, Null States, is one of the most anticipated novels of the year. It arrived in hardcover in September, and has been widely praised. Here’s Liz Bourke at Tor.com.

This is a story about governance and governing, about power and systems, and the edges of both — the parts where they break, and warp, and potentially break down. Older’s gift is to make those systems fascinating and human: relevant, and easy to grasp. Well, one of her gifts: she has great skill with evoking place and its complicated histories… Null States is a complex, sprawling novel, but one that nonetheless has the tight control and pacing of a really good thriller…

Science fiction is frequently about power and revolution, seldom about the technical stuff that makes power possible — seldom about governing, as opposed to governments in crisis. Null States, like Infomocracy, feels refreshingly new and strange — wondrously strange, in fact — because of its focus on the nitty-gritty of how things get done, and how things can be done, and whether or not this is a stable system or one whose equilibrium has reached a tipping point of some kind.

Read Liz’s complete review here.

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Future Treasures: by Rachel Neumeier

Future Treasures: by Rachel Neumeier

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Winter of Ice and Iron-smallRachel Neumeier is what we call in the biz “a fast-rising star.” Her Griffin Mage trilogy from Orbit proved very popular; she followed it up with the Black Dog series, beginning with Black Dog (2014). Her most recent work was the epic fantasy The Mountain of Kept Memory, published last year by Saga Press.

Her newest novel, Winter of Ice and Iron, is a dark fantasy in which a princess and a duke must protect their nations from a terrible threat. It arrives in hardcover and trade paperback from Saga Press later this month.

In a world subject to indifferent Gods and immanent spirits, where many-headed dragons ride midwinter storms across the land during the dark turn of the year, the ambitions of power-mad kings seldom present the greatest threat to peace and prosperity.

Even so, they don’t make comfortable neighbors.

When Kehera, princess of the peaceful land of Harivir, finds her country threatened by the ambition of the Mad King of Emmer to the north, she resolves to take any steps necessary to protect her people. But she never expected to find herself a pawn in a power struggle between enemies she hadn’t even known existed. Abducted and powerless, she must find a way to forge new alliances or see her homeland fall.

Innisth, infamous Wolf Duke of Pohorir, has long wished to break from his king and establish an independent kingdom of his own. When Kehera unexpected falls into his hands, he immediately sees how he might use her to achieve his ambition at last. But he never expected to care for her. Even as triumph seems within his grasp, he finds himself torn between grim ambition and the hope of winning something more.

As midwinter rushes down upon the world, Kehera and Innisth must find a way to work together, or they may both lose everything to a common enemy that is more dangerous than either of them had ever suspected.

Winter of Ice and Iron will be published by Saga Press on November 21, 2017. It is 560 pages, priced at $27.99 in hardcover, $17.99 in trade paperback, and $7.99 for the digital edition. The cover is by Mark Simonetti.

See all of our latest coverage of the best in upcoming fantasy here.

The Best of the Dark: Fall Releases from Penguin Classics

The Best of the Dark: Fall Releases from Penguin Classics

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The Best of Richard Matheson-small Dark Tales Shirley Jackson-small

October is over, but that doesn’t mean that all the good creepy reading is behind us. Penguin Classics released two fine collections on October 10th that should keep you busy at least through early December.

The first is The Best of Richard Matheson, a long-overdue collection from one of the greatest horror writers of the 20th Century. It’s a 432-page treasure trove from the man whom Stephen King said called “the author who influenced me most as a writer.” The author of I Am Legend and sixteen Twilight Zone episodes modernized horror by taking it out of Gothic castles and setting it in darkened streets and suburbs much closer to home. This volume gathers his greatest stories as chosen by Victor LaValle. It’s $17 in paperback ($11.99 digital).

Dark Tales collects classic and newly reprinted stories from the author of “The Lottery,” including the “The Possibility of Evil,” “The Summer People,” and “The Sorcerer’s Apprentice,” first published in 2014. Collecting 17 pieces published between 1950 and 2015, Dark Tales features stories in which a daily commute turns into a nightmarish game of hide and seek, and a concerned citizen might just be an infamous serial killer. It’s 208 pages, priced at $16 in trade paperback ($11.99 digital).

Beneath Ceaseless Skies 237 Now Available

Beneath Ceaseless Skies 237 Now Available

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Beneath Ceaseless Skies 237-smallThe latest issue of Scott Andrew’s Beneath Ceaseless Skies has been up for less that a week, but Charles Payseur at Quick Sip Reviews already has a detailed review. Charles is routinely a pretty positive guy, but that doesn’t mean he doesn’t have good insights. His thoughtful comments introducing this issue make a fine example.

Whenever I get a new issue of Beneath Ceaseless Skies, my first inclination is to find out how the stories fit together. More than any other publication, BCS does an excellent job of pairing its stories. Perhaps because it does just two an issue, but there’s almost always something to link the tales, and this issue is no different. While the stories are thematically rather distant, and aesthetically fairly different as well (though each with perhaps a bit of a Western feel), they are linked by some key ideas. Metal, first and most. The first story deals with Iron, the second with Silver. And in each, these metals are used for magic, for a perceived justice, only to have that justice come into question, and the righteousness of the main characters comes into conflict with the harm that they do. These are stories of elections and revenge, voice and hunger. The pieces go together well, drawing a picture of desperate people and the complex idea of freedom.

Issue #237 contains new fiction from Marissa Lingen and Bennett North, an Audio Fiction Podcast by Natalia Theodoridou, and a reprint from Black Gate alum Rosamund Hodge.

Here’s Charles on “Forgive Us Our Trespasses” by Bennett North, which sounds right up my alley.

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