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Year: 2017

Axiom Verge: Retro Gaming At Its Finest

Axiom Verge: Retro Gaming At Its Finest

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Axiom-Verge-1-small

Over the past few years retro-gaming has been on the rise. From the NES Classic, to the upcoming AtariBox, many companies are releasing games and devices that pull at your nostalgia, allowing you to relive some of the gaming moments from your past.

Along with retro gaming, indie game development has rocketed over the past few years. Independent game developers with small budgets and small teams are creating new games and experiences in a variety of genres, leading to the creation of compelling stories and incredible pieces of art.

In 2015, Thomas Happ created a sci-fi game that matched the wonder and exploration of a nearly bygone era. An era of 2 dimensional side scrolling games, featuring exploration, with an emphasis on combat, puzzle solving, and powerups.  This game is called Axiom Verge.

Axiom Verge features many of the game mechanics from classics such as Zelda, Castlevania, and Metroid. This game and many others similar to it are often categorized as a “metroidvania” game. The comparisons between Axiom Verge and Metroid are more than a subtle nod, with the difference being Axiom Verge takes those ideas and expands on them.

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Amazing Stories, December 1964: A Retro-Review

Amazing Stories, December 1964: A Retro-Review

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Amazing Stories December 1964-smallThe cover to this issue is by Robert Adragna. Interiors are by Adragna and George Schelling. The editorial concerns Sam Moskowitz’ series of Profiles of SF writers, and signals a change to essays by Moskowitz addressing SF’s treatment of certain themes, beginning in this issue with a discussion of Philip Jose Farmer and — you guessed it! — sex and SF.

The article — a fairly long one — begins with a review of some of the SF stories that occasioned controversy by brushing up against sexual issues, and continues with a detailed look at Farmer’s career to date (1964), including of course the controversy surrounding “The Lovers,” but also mentioning I Owe For the Flesh, the first version of To Your Scattered Bodies Go, which had been written for a contest in the early ’50s, and won, and was lost (I understand) after the contest sponsor (Shasta) ran out of money. On the whole, it’s an interesting and worthwhile piece, one of the better things I’ve seen from Moskowitz.

Robert Silverberg’s book review column covers Alfred Bester’s collection The Dark Side of the Earth, Fritz Leiber’s novel The Wanderer, and The Astounding Science Fiction Anthology, edited by John W. Campbell, Jr. Silverberg approves of all three books, and reserves especial praise for The Wanderer — a book which, I would suggest, has not retained much of a reputation (I myself have not got through it on two tries, though it has been a long time, and I suppose I should give it another chance.)

The stories are:

Short Novel

“The Further Sky,” by Keith Laumer (20,000 words)

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Making it on the American Grub Street: Hired Pens, Professional Writers in America’s Golden Age of Print

Making it on the American Grub Street: Hired Pens, Professional Writers in America’s Golden Age of Print

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0821412043Last month I posted here about Researching the Habits of Highly Prolific Authors for a book I’m working on. Black Gate reader John Hocking kindly suggested in the comments section that I read Hired Pens: Professional Writers in America’s Golden Age of Print, by Ronald Weber. I took him up on his advice and I’m sure glad I did.

This book looks at the careers of writing and editing from the nation’s earliest days until the end of World War Two. Weber shows us a parade of successful writers and editors — many well-known to this day, many more now forgotten — who found success in the ever-changing market for American popular periodicals.

Until the middle of the 19th century, American writers were hampered by the lack of international copyright laws. Newspaper and magazine editors filched English publications for free and saw no reason to pay homegrown talent. As the population grew and both American and British writers managed to get their governments to set up legal barriers to such theft, the market for American writing blossomed.

These writers certainly didn’t waste their time moaning about their lack of inspiration and hoping the muse would visit them. As prolific and successful Western writer Zane Grey said in a letter to a friend:

This morning I had no desire to write, no call, no inspiration, no confidence, no joy. I had to force myself. But when I mastered the vacillation and dread, and had done a day’s work — what a change of feelings. I had a rush of sweet sensations.

This is a common thread throughout the book. In example after example, we are shown that writer’s block is a myth and that writers should not — indeed, must not — sit around all day twiddling their thumbs. These writers worked hard.

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Future Treasures: Quillifer by Walter Jon Williams

Future Treasures: Quillifer by Walter Jon Williams

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Quillifer-smallIt’s been a good week for review copies here at Black Gate (see some of the recent arrivals here). But the moment Quillifer arrived, I knew it was the most significant release of the current crop, by a pretty good margin.

Walter Jon Williams has had an extraordinary career, displaying an easy mastery of cyberpunk (Hardwired, Angel Station), military SF (Dread Empire’s Fall), SF police procedural (Days of Atonement), light-hearted fantasy (the Majistral series), space opera (Aristoi), contemporary disaster (The Rift), and even the Star Wars universe (The New Jedi Order: Destiny’s Way).

Quillifer, the tale of a young man forced to flee his beloved home and find his fortune among goddesses, pirates, war, and dragons, is his long-awaited foray into epic fantasy. It’s the first in an ambitious new series from one of the most respected authors in the genre.

Quillifer is young, serially in love, studying law, and living each day keenly aware that his beloved homeport of Ethlebight risks closure due to silting of the harbor. His concerns for the future become much more immediate when he returns from a summery assignation to find his city attacked by Aekoi pirates, leading to brigands in the streets and his family and friends in chains.

First, he has to survive the night. Then, he has to leave his home behind and venture forth into the wider world of Duisland, where he can find friends and allies to help avenge his losses and restore Ethlebight to glory. His determination will rock kingdoms, shatter the political structure of Duisland, and change the country forever.

Quillifer will be published by Saga Press on October 3, 2017. It is 530 pages, priced at $27.99 in hardcover and $7.99 for the digital edition. The cover is by Gregory Manchess. Learn more at Williams’ website, and read Emily Mah’s interview with the author (“Why UFOs Are Actually Made of Bread, and Other Little Known Facts”) here.

Modular: A First Look at Starfinder 1: “OMG! All Your Trope Are Belong To Us”

Modular: A First Look at Starfinder 1: “OMG! All Your Trope Are Belong To Us”

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256 Starfarer Combat Technician Pic
Well-authored and beautifully illustrate
256 Starfinder Core
Does for Science Fantasy what Dungeons and Dragons did for “traditional” Fantasy.

“Dad, we can’t get the Starfinder combat system working…”

“Look, Son, it’s a D20 system, so Armor Class reduces the chance of being hit, rather than absorbs damage.”

“OK. I get it now! You’re the best, Dad!”

(Tousles hair) “That’s what Dad’s are for, Son.”

OK it didn’t quite go like that. For a start, I did not in fact tousle my 13-year-old son’s hair since (a) it’s shoulder length and he gets cross if you tangle it, and (b) he’s 13. Even so, it was a “life’s full circle” Country and Western moment of the same order as when non-geeks teach their kids to throw a rabbit or skin a baseball or whatever.

However, Kurtzhau was indeed encountering a D20 system for the first time, the engine at the heart of Starfinder, Paizo’s new Science Fantasy (it uses that term in the text!) system, with which he’s pretty much fallen in love. The blurb says it all.

The Starfinder Roleplaying Game puts you in the role of a bold science-fantasy explorer, investigating the mysteries of a weird and magical universe as part of a starship crew. Will you delve for lost artifacts in the ruins of alien temples? Strap on rune-enhanced armor and a laser rifle to battle undead empires in fleets of bone ships, or defend colonists from a swarm of ravenous monsters? Maybe you’ll hack into the mainframe of a god-run corporation, or search the stars for clues to the secret history of the universe or brand new planets to explore. Whether you’re making first contact with new cultures on uncharted worlds or fighting to survive in the neon-lit back alleys of Absalom Station, you and your team will need all your wits, combat skill, and magic to make it through. But most of all, you’ll need each other.

Inspired by my son’s enthusiasm, I decided to take a look myself…

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September/October Magazine of Fantasy & Science Fiction Now on Sale

September/October Magazine of Fantasy & Science Fiction Now on Sale

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The Magazine of Fantasy & Science Fiction September October 2017-smallThe September/October F&SF is the 68th Anniversary issue, and it contains some nice special atractions, including fiction by Robert Reed, Michael Swanwick, Tina Connolly — and, most surprising of all, a brand new novelette by the brilliant Samuel R. Delany, who hasn’t appeared in F&SF in 40 years. Here’s a snippet from Charles Finlay’s intro.

Throughout his career, Delany’s work has pushed the boundaries of sf to address more adult situations and issues, particularly at the intersections and language and memory, sexuality and society. He returns to these themes again in his first new science fiction story in a decade… this new story would get an NC-17 rating at the movies and is not appropriate for younger readers.

It’s tough to compete with the return of a Grand Master, but Michael Swanwick manages it with his cover story, “Starlight Express.” Here’s Jason McGregor’s review at Tangent Online.

Via Flaminio’s eyes we learn about Roma in the far, far future and the woman who seemed, not to go to the carrier beam of the transmission station relic as suicidal people often do, but to come from the carrier beam where, as far as most people know, people haven’t come from for millennia. How her universe has changed, and how she changes his, makes the bulk of the tale.

I could understand seeing this as a dull and underplotted story if the poetry of it all doesn’t speak to you but, if it does, it’s a really remarkable story (if more bitter than sweet) which strongly evokes deep time and vast space and an enduring humanity… beautiful. Recommended.

Read Jason’s complete review here.

I note that the cover price has increased a buck this issue, to $8.99 — still a bargain, if you ask me. Here’s the complete Table of Contents.

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The Hammer and the Blade by Paul S. Kemp

The Hammer and the Blade by Paul S. Kemp

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oie_19118350rehVg1zWith the hammer-wielding (sort of) priest Egil and the (not really) rogue Nix, Paul S. Kemp created his entry for the classic swords & sorcery duo contest. They made their debut in The Hammer and the Blade (2012).

We meet them media res as, in search of treasure, they prepare to penetrate the last defenses of an ancient tomb. Like characters in a classic buddy movie, they bicker and banter.

“You may have heard but you didn’t reply, so let me restate. Are you acquainted with a door I couldn’t open? I press the question only to illustrate your softheadedness, as demonstrated by a faulty memory. It’s important you understand your limits.”

Egil tossed the sliver to the ground, tore a strip of cloth from his shirt, and pressed it to his leg wound. “There was that time in the Well of Farrago–”

Nix shook his head emphatically. “That was not a door.”

Egil looked up, thick eyebrows raised. “It had hinges, a handle. It opened and closed. How can you say–”

“It was a hatch.”

“A hatch?”

“Of course it was a hatch, and only a fool priest of the Momentary God would confuse a door with a hatch. A hatch is a different thing from a door. A hatch is troublesome. You see? Does having an eye inked on your head make your other two blind, or otherwise detrimentally affect your cognition?”

“Well enough,” Egil said at last. “It was a hatch.”

“Now you’re mocking me? I hear mockery.”

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Superheroes, a Wise-Cracking Demon, and Warrior Dinosaurs: To Hell and Back by Matthew Hughes

Superheroes, a Wise-Cracking Demon, and Warrior Dinosaurs: To Hell and Back by Matthew Hughes

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The Damned Busters Matthew Hughes-small Costume Not Included Matthew Hughes-small Hell to Pay Matthew Hughes-small

I consider Canadian author Matthew Hughes to be one of the most gifted short stories writers at work today. Much of his output — including his two book Gullible’s Travels series, his 2004 novel Black Brillion, and his Tales of Henghis Hapthorn (Majestrum, The Spiral Labyrinth, and Hespira) — is set in his Archonate Universe, which is profoundly influenced by Jack Vance. John DeNardo says “His Archonate universe is a wonderfully compelling far future that mixes fantasy and science fiction.”

But Hughes is also responsible for a quirky superhero trilogy published as paperback originals by Angry Robot between 2011 and 2013, back before the publisher had the reach and acclaim it enjoys today. As a result, the series didn’t get the exposure I think it deserved… a shame, since I think the topic is quite timely, and Hughes’ comic gifts make him almost uniquely suited for the material. If you’re a fan of superheroes, To Hell and Back is a series that deserves your attention.

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New Treasures: The Raft by Fred Strydom

New Treasures: The Raft by Fred Strydom

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The Raft Fred Strydom-smallFred Strydom’s debut novel The Raft was published in hardcover last year, and the B&N Sci-Fi & Fantasy Blog called it “One of the sharpest premises in 2016… a must-read.” In a starred review, Publishers Weekly said “Strydom’s debut subverts postapocalyptic fiction… [it] reinvigorates the genre with a suspenseful concept and intimately realized characters. A sucker punch of a novel.”

I never saw the hardcover, but the trade paperback reprint from Talos caught my eye at the bookstore last week. Have a look.

“The day every person on earth lost his and her memory was not a day at all. In people’s minds there was no actual event . . . and thus it could be followed by no period of shock or mourning. There could be no catharsis. Everyone was simply reset to zero.”

On Day Zero, the collapse of civilization was as instantaneous as it was inevitable. A mysterious and oppressive movement rose to power in the aftermath, forcing people into isolated communes run like regimes. Kayle Jenner finds himself trapped on a remote beach and all that remains of his life before is the vague and haunting vision of his son.

Kayle finally escapes, only to find a broken world being put back together in strange ways. As more memories from his past life begin returning, the people he meets wandering the face of a scorched earth — some reluctant allies, others dangerous enemies — begin to paint a terrifying picture. In his relentless search for his son, Kayle will discover more than just his lost past. He will discover the truth behind Day Zero — a truth that makes both fools and gods of men.

The Raft was published in hardcover by Talos Press on May 3, 2016, and reprinted in trade paperback on May 16, 2017. It is 432 pages, priced at $15.99 in trade paperback and $25.99 for the digital edition. Read a brief excerpt at Books Live.

Robert E. Howard Wrote a Police Procedural? With Conan?? Crom!!!

Robert E. Howard Wrote a Police Procedural? With Conan?? Crom!!!

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BG_GodBowlComicCoverReportedly, Ernest Hemingway bet Howard Hawks that the director couldn’t make a good movie out of his worst book. Hawks took the bet and we ended up with Humphrey Bogart in To Have and Have Not (it’s not Bogie’s best, but I vote Hawks the winner of the bet). Suppose I told you I could show you that one of what’s commonly considered among the worst Conan stories isn’t really that bad – and that it’s a pre-genre police procedural? Ready to take on the challenge?

In 2015, Black Gate‘s Discovering Robert E. Howard series showcased the breadth and diversity of REH’s writings. Boxing stories, westerns, science fiction, Solomon Kane, El Borak: Howard was an immensely talented author who wrote in a variety of genres. My first entry in the series was about Steve Harrison, Howard’s take on the hardboiled private eye with a weird menace twist. As you can read in that essay, Howard didn’t care for the genre and he abandoned it almost as quickly as he entered it. Today, I’m going to look at his lone police procedural. Yep – Robert E. Howard wrote a police procedural before the term was even in use. And it features Conan!

The general consensus is that Howard hit the mark with his fourth Conan story, “The Tower of the Elephant,” published in March of 1933. His first was “The Phoenix on the Sword,” which appeared in Weird Tales in December of 1932 and was a rewrite of an unpublished Kull story, “By This Axe I Rule.” Farnsworth Wright, editor of Weird Tales, rejected the second, “The Frost Giant’s Daughter,” which to me, reads more like a chapter in a longer work than a self-contained story.

“The God in the Bowl” was probably written in early 1932 and was Howard’s third Conan story. Wright rejected this one as well and it did not see print in any form until an edited version by L. Sprague de Camp was published in 1952’s Space Science Fiction, Volume 1, Number 2 (the story has nothing to do with either space or science fiction…). De Camp did less chopping on this one than most of his Conan edits, but fans could finally read Howard’s original text in Donald Grant’s The Tower of the Elephant in 1975.

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