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Month: February 2017

The Public Life of Sherlock Holmes: Thoughts on The Sussex Vampire

The Public Life of Sherlock Holmes: Thoughts on The Sussex Vampire

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Sumatra

Sussex_PagetIt seems somewhat curious that we find three references to Sumatra in the Canon. Two of those are to unrecorded cases, which makes matters even more intriguing. Sumatra is the sixth largest island in the world and a part of Indonesia.  Indonesia was ruled by the Dutch for over three hundred years, including the entirety of Sherlock Holmes’ career (Japan occupied Indonesia during World War II and the country gained autonomy after that). I have visited Indonesia twice, as my wife was born and raised there.

In “The Sussex Vampire,” Holmes mentions the Matilda Briggs, “a ship associated with the giant rat of Sumatra, a story for which the world is not yet prepared.” In “The Dying Detective,” Culverton Smith was a planter who lived in Sumatra. We are also told at the beginning of “The Reigate Squires” that Holmes was on the verge of collapse after foiling the colossal schemes of Baron Maupertuis, which involved the Netherland-Sumatra company.

Three references to people or things with Sumatran ties. Could tea somehow be related? Indonesia was one of the world’s leading tea producers until World War II. The region of Sumatra was the second-largest tea producing region in Indonesia. Was the death of Culverton Smith’s nephew somehow associated with the activities of Baron Maupertius, for whom Culverton Smith worked or was otherwise associated?

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Fantastic, June and July 1962: A Pair of Retro-Reviews

Fantastic, June and July 1962: A Pair of Retro-Reviews

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Fantastic Stories of Imagination June 1962-small3 Fantastic Stories of Imagination July 1962-small2
Cover by George Barr Cover by Emsh

Another pair of Cele Goldsmith-edited issues of Fantastic, featuring a Poul Anderson serial. And an interesting letter on the subject of Mervyn Peake by Michael Moorcock.

The editorials, by Norman Lobsenz, consider a Russian project to increase silk production by selecting for male silkworms, and a theory that the physical constants may not be constant. The covers are by George Barr (quite good) and Ed Emshwiller (not his best). Interiors are by Leo Summers, Dan Adkins, Emshwiller, and George Schelling.

The letter column was quite irregular in Fantastic, but it’s present in the July issue, for something of a special occasion, perhaps. Michael Moorcock, then a very young writer (his first story, in collaboration with Barrington Bayley, appeared in New Worlds in 1959, and his first solo work in 1961 in Science Fantasy), had read comments about Mervyn Peake and his Gormenghast books in Fantastic earlier that year, and he wrote to mention that Peake (whom he knew well) was seriously ill and unlikely to write another Titus Groan book.

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Silent Screen Swashbucklers, Part 2 of 2: Black Pirates and Beloved Rogues

Silent Screen Swashbucklers, Part 2 of 2: Black Pirates and Beloved Rogues

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Douglas Fairbanks, The Black Pirate (1926)

[Check out Part I of Silent Screen Swashbucklers here.]

In the second half of the 1920s, swashbuckler films only got grander and more epic. If you can’t give an audience sound, you might as well give them spectacle, and that’s what filmmakers in America and Europe set out to do. But the industry’s collective skills of cinematic storytelling were also getting more sophisticated, and with more tools at their disposal, filmmakers were able to add more variety and nuance into their moving pictures. And the acting just plain got better. I am frankly amazed that some of these excellent films aren’t better known. I think you’ll find that some of these gems are well worth the trouble it takes to track them down.

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A Lou Reed Song With a Knife to Your Throat: Daniel José Older’s Bone Street Rumba Trilogy

A Lou Reed Song With a Knife to Your Throat: Daniel José Older’s Bone Street Rumba Trilogy

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Half-Resurrection-Blues-small Midnight Taxi Tango-small Battle Hill Bolero-small

The opening novel in Daniel José Older’s Bone Street Rumba trilogy, Half-Resurrection Blues, was selected as one of the Best Fantasy Books of 2015 by BuzzFeed, Barnes & Noble, and other sites. Portion of the second, Midnight Taxi Tango, were originally published at Tor.com as three original short stories: “Anyway: Angie,” “Kia and Gio,” and “Ginga.” All are still available for you to sample.

The novels follow the adventures of Carlos Delacruz, one of the New York Council of the Dead’s most unusual agents. Saladin Ahmed, Hugo-nominated author of Throne of the Crescent Moon, says “Simply put, Daniel José Older has one of the most refreshing voices in genre fiction today,” and Richard Kadrey (Sandman Slim) calls Older “As real as fresh blood and as hard as its New York streets. A Lou Reed song sung with a knife to your throat.” The third novel in the series, Battle Hill Bolero, was finally released in paperback by Roc last month.

Read excerpts from all three novels at Tor.com.

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I’m Ready For My Close-Up, Mr. DeMille: A Look at Image’s Glitterbomb

I’m Ready For My Close-Up, Mr. DeMille: A Look at Image’s Glitterbomb

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Last fall, Image released a new comic book series by Jim Zub (Wayward and Thunderbolts) and Djibril Morissette-Phan (The Ultimates, All-New Wolverine) called Glitterbomb, a horror story about fame and failure.

The first four issues are out, and a collected trade paperback of those 4 issues is hitting comic book shops and book stores in March. I read Glitterbomb, really enjoyed it, and got a chance to talk with the creators.

Here’s the synopsis:

Farrah Durante is a middle-aged actress hunting for her next gig in an industry where youth trumps experience. Her frustrations become an emotional lure for something horrifying out beyond the water…something ready to exact revenge on the shallow, celebrity-obsessed culture that’s led her astray. The entertainment industry feeds on our insecurities, desires, and fears. You can’t toy with those kinds of primal emotions without them biting back…

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Occult Detective Quarterly #1 Now Available

Occult Detective Quarterly #1 Now Available

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Back in October, shortly after the launch of the Occult Detective Quarterly Kickstarter, we welcomed co-editor John Linwood Grant to Black Gate to tell us a little about his exciting new project. Here’s what he said, in part.

I was always a Carnacki man, staunch and true. An Edwardian adventurer, willing to admit that I was afraid, but determined to stiffen that lip and see the game through. And as a follower of William Hope Hodgson’s Carnacki the Ghostfinder, I quickly took to games like Call of Cthulhu when it first came out in the eighties. The dedicated investigator pitted against almost indescribable horrors had an obvious appeal. It turned out to be a shock, because unlike our usual, intriguing fantasy RPG campaigns, in CoC we died a lot. A real lot. We were, generally, doomed.

So when we decided that we would launch a new magazine, Occult Detective Quarterly, we knew what we wanted. Someone even suggested that Doomed Meddler Quarterly would be a good alternative name. We wanted tales of psychic detectives, amateur supernatural sleuths, embittered foes of the Dark, and people who ended up having to investigate malevolent forces against their wills. New Lovecraftian terror was welcome, as was old-fashioned pluck. Stories from Carnacki to Constantine, with terrified innocents thrown in along the way.

The first issue of the magazine is now available, and it’s exceeded my expectations in virtually every way. We are witnessing the birth of a major fantasy magazine.

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The Complete Carpenter: Halloween (1978)

The Complete Carpenter: Halloween (1978)

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halloween-1978-posterUhm, Happy Early Valentine’s Day?

In my analysis of John Carpenter’s career, I’ve now reached his third movie, the low-budget horror smash Halloween. It’s Carpenter’s most financially successful film. It’s his most influential film. And, starting with a famous November 1978 Village Voice article by Tom Allen that helped turn the director into a recognized auteur, his most critically analyzed film. So here I tread, timorously, to add to the massive cultural heap of Halloween.

At least tackling the movie outside of October provides a feeling of freshness. February can’t always be dedicated to marathons of Groundhog Day. (Not that I’m opposed to that either.)

The Story

Do I really need to bother with this part? Okay, here ya’ go:

A psychotic killer (referred to as “The Shape” in the credits) who knifed his sister to death when he was six years old breaks free from a mental institute the day before Halloween. He returns to his hometown of Haddonfield, IL, puts on a white distorted Captain Kirk mask, and stalks and kills babysitters. His psychiatrist (Donald Pleasence) pursues him. One babysitter (Jamie Lee Curtis) survives the night. Every low-budget horror film then repeats this process over and over again until the last syllable of recorded time. Tales, told by mediocre filmmakers, full of breasts and blood, signifying nothing — except how great the original is.

The Positives

Psst … can I talk to you behind the scenes for a moment?

So, about a year ago I achieved my goal of owning all of John Carpenter’s oeuvre on Blu-ray (or widescreen DVD if there wasn’t yet a Blu-ray, which at this point means only Memoirs of an Invisible Man). Looking at all of them spread out in a mandala on the carpet of my bedroom, with my cat sprawled across Christine, I knew I had to write a movie-by-movie series of articles covering Carpenter’s career. It didn’t seem too ambitious or much of a burden: “Oh no, I have to watch all the movies of one of my favorite directors!”

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Future Treasures: In Calabria by Peter S. Beagle

Future Treasures: In Calabria by Peter S. Beagle

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In Calabria Peter Beagle-smallPeter S. Beagle, author of The Last Unicorn and The Folk of the Air, is one of the finest writers we have, and a new Beagle novella is a major event.

In Calabria, the tale of a lonely farmer in Italy’s scenic Calabria who finds himself a worldwide sensation when his farm becomes a haven for a host of unicorns, is a highly-anticipated return to the subject that made him famous. It’s available in trade paperback from Tachyon on Valentines’ Day.

Claudio Bianchi has lived alone for many years on a hillside in Southern Italy’s scenic Calabria. Set in his ways and suspicious of outsiders, Claudio has always resisted change, preferring farming and writing poetry. But one chilly morning, as though from a dream, an impossible visitor appears at the farm. When Claudio comes to her aid, an act of kindness throws his world into chaos. Suddenly he must stave off inquisitive onlookers, invasive media, and even more sinister influences.

Lyrical, gripping, and wise, In Calabria confirms Peter S. Beagle’s continuing legacy as one of fantasy’s most legendary authors.

Our previous coverage of Peter Beagle includes:

Future Treasures: Summerlong
The Mystery of Peter S. Beagle’s I’m Afraid You’ve Got Dragons
How to Support Peter S. Beagle with The Last Unicorn Blu-ray by Ryan Harvey
The Secret History of Fantasy, edited by Peter S. Beagle

In Calabria will be published by Tachyon Publications on February 14, 2017. It is 176 pages, priced at $19.95 in trade paperback and $9.99 for the digital edition.

My Top Five Sword-Fight Movies

My Top Five Sword-Fight Movies

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You don’t have to read many of my posts to know that The Princess Bride is pretty well my favorite movie. And though I love the sword fighting scene between Wesley and Iñigo, and the later one between Iñigo and Count Rugen, they are not actually my favorite sword fighting scenes. In both cases, it’s really the dialogue that makes the scenes memorable. So what movies would I rank above The Princess Bride in sword fighting wonderfulness?

Here they are, in the order in which I thought of them.

AramisThe Three Musketeers (1973, directed by Richard Lester)

One of the great things about this movie, along with its sequels The Four Musketeers, and The Return of the Musketeers, is that they all feature the same cast. There are good fight scenes in all the films (Oliver Reed is more impressive in the sequels), but it’s the first one I know the best. I particularly like the fantastic opening sequence, where D’Artagnan’s father teaches him the “secret thrust.” Anything between D’Artagnan (Michael York) and Rochefort (Christopher Lee) is well worth watching. There’s also some terrific ensemble fighting, notably the scene between the four leads and the Cardinals’ Guard in the convent courtyard. It should be noted that Christopher Lee was a fencer IRL as well.

The fencing instructor and fight choreographer was Bob Anderson.

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Modular: Who Would Win? John McClane and James Bond versus a Tribe of D&D Goblins

Modular: Who Would Win? John McClane and James Bond versus a Tribe of D&D Goblins

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Knights of the Dinner Table 142-smallI came across a fascinating piece by Noah J.D. Chinn in Knights of the Dinner Table issue 142 (August 2008). Chinn’s guest editorial for the “Gamer’s Pulpit” column is an intriguing analysis of how the realism bar for heroes has shifted radically from the days of our youth (us Gen Xers) until now.

The single most interesting fact he presents is a piece of data generated by Mike Hensley charting how many goblins a first level fighter could kill before dying across all iterations of Dungeons & Dragons (at that point there were 6 versions, 5th Edition not yet having debuted). He ran the combats at least 1,000 times for each fighter in a Javascript simulation program, with the fighter facing the goblins one at a time, producing an average for each version. This is what the data reveals:

  • OD&D: 2.7 goblins killed
  • BD&D: 4.1
  • AD&D1: 4.3
  • AD&D2: 7.3
  • D&D 3e: 10.1
  • D&D 4e: 23.4 Holy Crap!

(It would be interesting to further extrapolate from this data: Does it suggest that a 4e first-level fighter could, one-on-one, take out 4 or 5 OD&D fighters before succumbing? Or that a first-level 4e fighter is roughly equivalent to a third-level fighter in Basic?)

Chinn argues that this hero power inflation cuts across popular culture. He uses the Die Hard movies as an apt illustration:

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