New Treasures: Adventure Tales #7

New Treasures: Adventure Tales #7

Adventure Tales 7-smallHurrah! Hurrah! The latest issue of Adventure Tales has arrived! And a spectacular issue it is.

It starts with the cover, a reprint of my all-time favorite Planet Stories cover. I’ve always wanted to know who painted it — and I still don’t know, as the cover artist remains uncredited. (Maybe nobody knows? Sadly, that’s entirely possible.)

It’s been a long, long time since we’ve seen an issue of Adventure Tales, Wildside Press’s flagship magazine of pulp reprints. And speaking as a magazine publisher who thought he was doing well putting out one issue a year, that means something. Here’s an explanatory snippet from John Betancourt’s (anonymous) editorial:

We are, as usual, managing to keep to our “irregular” schedule with an issue that’s “only” 4 years in following the last one. Hopefully that won’t happen again. (Blame the economy… we’ve had to focus on things that actually make money, rather than the publisher’s time-consuming pulp-magazine hobby!)

I’m hugely appreciative of Wildside’s tireless efforts to keep countless genre authors — many of whom have no other outlet — constantly in print. But having said that. I still vote for more issues of Adventure Tales. Let’s hear it for time-consuming pulp-magazine hobbies! They make the world go round.

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At the Mountains of Merchandise

At the Mountains of Merchandise

Legends of Cthulhu

Three forty-something toy-industry veterans have formed their own company, Warpo, dedicated to creating retro action figures. Their first product line? The Legends of Cthulhu series, featuring Spawn of Cthulhu, Cultist, Deep One, and Professor figures:

We always felt that Lovecraft’s worlds were deserving of their own action figure line and what better time period than the late 70’s / early 80’s when his work first began its modern-day resurgence … The result is our interpretation of what a major toy company in that era would have done with these characters and how a creative team of the period would have translated H.P. Lovecraft’s stories into a mass-market children’s toy property.

In keeping with the early 80s ethos, Warpo hired Eddy Mosqueda, who worked on the Teenage Mutant Ninja Turtles and Masters of the Universe, for the figure sculpts. For the blister-pack art, they engaged the talents of Ken Kelly, who painted some of the most incredible art ever to adorn a backing card; just check out the packaging he did for Micronauts and the Dungeons & Dragons toy lines.

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The Economics of Short Fiction Writing

The Economics of Short Fiction Writing

Jim-WFC-Full
Jim Hines

I am a writer, and have been for some time, although I live on a busy full-time job and I only started getting paid for writing in 2006. I feel like I had a long training wheel stage, although maybe because I’m only comparing myself to my expectations. My dreams of writing as a living, like those of many, started when I was a teenager.

There’s a lot of talk out in the world about making it as a writer, whether through traditional publishing, self-publishing, large press, or small press: how much marketing is needed, how much it costs, and whether it has any effect. It becomes a bit dizzying and pretty much bereft of data.

One bright light of hard data is Jim Hines’s yearly “Writing Income” on his blog. Hines is a fantasy writer and he’s blogged very frankly about his income since 2008, partly inspired by a John Scalzi post at that time. Scalzi admits he’s an outlier, but many of the financial points he makes are very good for anyone, including me.

The yearly Hines blog posts are also very instructive for anyone hoping to make a living as a writer. If you’re thinking (or dreaming) of making a living as a writer through the traditional publishing route, these kinds of posts are super-important for you to read. Here they are by year:

2007
2008
2010
2011
2012
2013

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Emperor of Thorns by Mark Lawrence Wins the 2014 David Gemmell Legend Award

Emperor of Thorns by Mark Lawrence Wins the 2014 David Gemmell Legend Award

Emperor of Thorns-smallMark Lawrence’s Emperor of Thorns, the final volume of The Broken Empire trilogy, has won the David Gemmell Legend Award for Best Fantasy Novel of 2013.

The David Gemmell Legend Award (DGLA) is a fan-voted award administered by the DGLA. This is its sixth year; it was first granted in 2009.

The DGLA also recognizes the top debut fantasy of the year and best cover art. This year, the Morningstar Award for Best Debut Novel went to Brian McLellan for Promise of Blood and Jason Chan received the Ravenheart Award for Best Cover Art for his cover for Emperor of Thorns.

The nominees for the 2014 Legend award also included The Daylight War by Peter V Brett, The Republic of Thieves by Scott Lynch, A Memory of Light by Brandon Sanderson & Robert Jordan, and War Master’s Gate by Adrian Tchaikovsky. See the complete list here.

The previous winners of the award were:

Andrzej Sapkowski’s Blood of Elves (2009)
Graham McNeill’s Empire: The Legend of Sigmar (2010)
Brandon Sanderson’s The Way of Kings (2011)
Patrick Rothfuss’ The Wise Man’s Fear (2012)
Brent Weeks’s The Blinding Knife (2013)

Complete details are available at the DGLA website.

Congratulations to all the winners!

Future Treasures: Path of Smoke by Bailey Cunningham

Future Treasures: Path of Smoke by Bailey Cunningham

Path of Smoke-smallBailey Cunningham’s Pile of Bones, the first novel of Parallel Parks, came out in July of last year and introduced us to Wascana Park, which transforms into the magical kingdom of Anfractus after midnight, and the group of ordinary university students who step inside and become a company of heroes — warriors, bards, and archers in a real-life role-playing game. (See our write-up from last August here.)

Now in the second volume, the stakes are raised and the team must learn to function without one of their most important members. Path of Smoke will be released late next month, which gives you plenty of time to get caught up with the first volume!

The company of heroes has thwarted the plan of the power-hungry basilissa to conquer Anfractus, but not without a cost. Andrew’s character, Roldan, died, leaving him cut off from the mystical realm without any memory of its existence. If the others reveal the park’s magical nature to Andrew, his banishment will become permanent. So they must hide their nighttime adventures — and hope that his memory returns.

Pursued by the basilissa’s forces, the rest of the group keeps a low profile in Anfractus until they uncover an unholy alliance between their enemy and the silenoi, satyrlike creatures who hunt humans — an alliance that threatens to cross the barrier into the real world.

And while his friends struggle to prevent an invasion in both worlds, Andrew receives a visitor determined to restore his memory of Anfractus by leading him down a very dark path…

Path of Smoke will be published by Ace Books on July 29, 2014. It is 304 pages, priced at $7.99 in paperback and $5.99 for the digital version.

Doug Draa on Weird Tales and Keeping the Brand Alive: The Paperback Years

Doug Draa on Weird Tales and Keeping the Brand Alive: The Paperback Years

Creeps by Night-smallLong before Doug Draa became an occasional blogger for Black Gate, I was a reader of his blog, Uncle Doug’s Bunker of Horror, which we’ve celebrated before. I especially enjoyed his habit of using any excuse whatsoever — and I do mean any excuse — to post luscious high-res images of countless beautiful old paperbacks. Reading Uncle Doug’s Bunker was like browsing a superb used bookstore (without any money).

As Doug has become busier with other projects, including becoming an Online Editor for Weird Tales, he’s been less and less able to keep up his blog. So I was delighted to see that he’s now started to post at the Weird Tales site. His recent articles include “The 15 most entertaining Horror Films from the 1980s,” “Four Decades of the Lovecraftian Aesthetic in Paperback,” “Lin Carter’s Weird Tales” and more fun stuff like that (see a complete archive here.)

On May 25, Doug posted one of his best recent articles, continuing his series on 90 Years of Weird: Keeping the Brand Alive: The Paperback Years. Doug surveys three decades of paperback anthologies reprinting WT fiction, from the death of the pulp magazine in September 1954 through its rebirth in 1988, generously illustrated with nearly three-dozen high-res scans. Here’s a quick snippet:

Lin Carter has a special place among the ranks of Weird Tales preservationists and revivalists. During the late 1960s and early 70s he edited and reprinted many H. P. Lovecraft and Clark Ashton Smith collections as part of his Adult Fantasy Series published by Ballantine. Mr. Carter never failed to sing praises to Weird Tales from the roof tops in his numerous introductions to the collections in this series. At the beginning of the 1980s Mr. Carter even went as far as to revive Weird Tales in paperback format for four issues. This incarnation wasn’t a darling of the critics, but I found it to be enjoyable and true to the original vision of the magazine… Thank you Mr. Carter, I drink to your Shade!

See the complete article here.

Kirkus Looks at Andre Norton’s Young Adult Novels

Kirkus Looks at Andre Norton’s Young Adult Novels

Star Born Andre Norton-smallAndrew Liptak has written a fine series of pulp and classic SF retrospectives SF at Kirkus Reviews over the last few months. In his latest, which he introduces at his website, he looks at the often-neglected YA novels of the great Andre Norton:

Norton wrote largely for what we now call the YA audience: teenagers, with fantastical adventures throughout numerous worlds and times. She was also largely ignored or dismissed for writing ‘children’s literature’, which is a shame, because it’s likely that she had as great an influence on the shape of the modern genre as Robert Heinlein, [whose] Juvenile novels attracted millions of fans to new worlds. Norton was the same, and influenced countless readers and writers for decades. It’s fitting that the major SF award for YA fiction is titled The Andre Norton Award for Young Adult Science Fiction and Fantasy.

Go read the entire article here. Or have a look at some of Andrew’s previous articles, including:

Astounding Science Fiction
Galaxy Science Fiction
Donald A. Wollheim and the Ace Double
The Meteoric Rise and Fall of Gnome Press

Digging further, I note that Andrew has also published blog posts on Leigh BrackettHeinlein and Asimov, Philip K. Dick, Francis Stevens, C.L. Moore, Judith Merril, Margaret St. Clair, Katherine MacLean, and Anne McCaffrey, all at the Kirkus site. How did I miss all that? Clearly, I have some catching up to do!

New Treasures: Trail of Cthulhu: Eternal Lies

New Treasures: Trail of Cthulhu: Eternal Lies

Eternal Lies-smallI haven’t played Call of Cthulhu or its sister game Trail of Cthulhu in a long, long time. But that’s okay, because I still enjoy reading the fabulously creative adventures.

One of the best — and certainly one of the most elaborate and ambitious — I’ve come across in some years is Eternal Lies from Pelgrane Press. A massive new campaign for Trail of Cthulhu, Eternal Lies is packed full of surprises and adventure.

I originally covered it here when it was first released last year (see my original post for more details), but this week I finally got my hands on a copy. I was not disappointed, even after the lengthy wait.

Trail of Cthulhu is a standalone game of Lovecraftian horror, and one of Pelgrane Press’s most successful and acclaimed products. Set in the 1930s, it uses  Robin D. Laws’s GUMSHOE system, which is also the basis for several other successful games, including The Esoterrorists, Fear Itself, and Mutant City Blues. Now in its third print run, Trail of Cthulhu won two Ennie awards for Best Rules and Best Writing, as well as an honorable mention for Product of the Year.

It is superbly supported, with some of my favorite recent RPG releases, including Rough Magicks, Bookhounds of London, Arkham Detective Tales, The Armitage Files, and two omnibus adventure collections: Out of Space and Out of Time.

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Review: They Say the Sirens Left the Seas

Review: They Say the Sirens Left the Seas

12742577d05381f961017e2b538dc745fd253fc50a37d322-thumbThe very talented darkly-humored poet James Hutchings returns with his third collection, They Say the Sirens Left the Seas. I previously reviewed his first offering, The New Death and Others, back in 2011. This new collection offers readers more of what they have come to expect from this eccentric and highly original voice.

Hutchings is just as much at home spinning fables as he is dishing up Gothic treats or plunging into the ridiculous with no consideration of social conventions. All three of his excellent collections are available at Amazon as eBooks or direct from the Smashwords website for download for less than a dollar apiece.

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Dawn Duellist Society: 20 Years of an Urban Fantasy

Dawn Duellist Society: 20 Years of an Urban Fantasy

DDS
…an international Historical European Martial Arts movement.

Twenty years ago this week, an odd assortment of young men gathered in — I kid you not — a pagan temple beneath a crystal and incense shop on Edinburgh’s Morningside Road.

Though the walls were covered in murals of gods and goddesses, these fellows weren’t here to worship; this was just the kind of venue you end up with if you’re plugged into the local Bohemian scene. No, they were here to found the Dawn Duellists Society, devoted to studying the Historical European Martial Arts.

And fighting. And drinking. And, before the world got twitchy and trigger happy, sneaking into the park to fight duels at dawn (hence the name). A couple of years later, the club got its venue in a Gothic church hall (which is when I joined ostensibly for a year so I could write good fight scenes… that was about seventeen years ago) and has been meeting there ever since.

Believe it or not, even then the Dawn Duellists were actually part of an international Historical European Martial Arts movement.

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