Black Gate – Page 918 – Adventures in Fantasy Literature

Galaxy Science Fiction, January 1952: A Retro-Review

Sunday, August 3, 2014 Matthew Wuertz Comments 2 comments

Sometimes, it’s easy to think that writing science fiction in the early 1950’s couldn’t be easier. After all, how many cliches existed at that time?

Well, apparently there were plenty. Gold writes in his opening of Galaxy’s January, 1952 issue:

The world today is loaded with ifs! So crammed, crowded, bulging with ifs jostling each other, in fact, that it’s a pure bafflement to see writers turning the same ones over and over, looking for some new bump never before noticed on the use-worn surfaces.

Yes, he wrote this for the January 1952 issue. The more of his commentaries I read, the more I think nothing has really changed over time.

Galaxy set the bar high, not allowing anyone to write stale stories. “Known authors who depend on their names to sell inferior fiction are finding no market in Galaxy; new authors who are willing to dig for ideas and fresh treatments are getting an enthusiastic, cooperative welcome.” Gold cared deeply about quality fiction and it’s clear to me with each issue I read that he accomplished it.

I’d love the chance to tell him how much I respect the work he did back then, but since I can’t, I only hope it serves to drive others toward that same level of quality, whether as editors, authors, artists, or any other roles involved with speculative fiction. Let’s look to Galaxy as a standard to match or exceed, if that’s even possible.

…

Read More Read More

Summer 2014 Subterranean Magazine now Available: The Final Issue

Sunday, August 3, 2014 John ONeill Comments 5 comments

I’ve always been amazed at how publisher William Schafer could produce a top-notch online magazine like Subterranean every quarter, and also run one of the most dynamic and productive small presses in the genre: Subterranean Press. I’ve published a fiction magazine and I know just how much work it is. I’ve never run a small press, much less a mini-publishing empire like Subterranean, but I imagine it must require a lot more work than a mere magazine.

That amazement compounded every quarter as the magazines appeared like clockwork — 31 issues over the last eight years. How does he do it?

Since the magazine was completely free, and yet still paid top rates, it was evidence of something more than just an admirable work ethic: a clear love of publishing, an understanding of the importance of magazines to the genre, and an enduring commitment to short fiction — all in the face of an increasingly indifferent marketplace.

So it is with considerable sadness, but no real surprise, that I note that Schafer has, with no prior fanfare, placed the words THE FINAL ISSUE on the Summer 2014 issue of Subterranean Magazine. I’m deeply disappointed that this is the last edition of one of the finest online publications the field has ever seen. But in my heart, I knew this had to come eventually and it doesn’t at all diminish what the magazine accomplished. Mr. Schafer, I salute your dedication and your amazing accomplishment.

The magazine goes out on a high note, with a fantastic table of contents, including a 33,000-word novella from Lewis Shiner, a 25,000-word novella from Kat Howard, plus novellas from Rachel Swirsky and Maria Dahvana Headley, a 16,000-word novelette from Alastair Reynolds, one of Jay Lake’s last stories, and more.

…

Read More Read More

Time Travel, Reincarnation, and the Evil Lurking Behind the Curtain: The 57 Lives of Alex Wayfare

Saturday, August 2, 2014 Kelly Swails Comments 0 Comment

High-school junior Alex Wayfare has had visions of the past — usually triggered by a moment of déjà-vu — ever since she was a little girl. These visions feel real to Alex and they cover real historical events (such as Jamestown or the World’s Fair). When she gets hurt during these visions, the wounds (for example, a cat scratch) appear on her body. She wonders if she might be schizophrenic.

After yet another vision — this one of 1920’s Chicago — Alex finds a note from a man named Porter. When Alex meets with him, Porter tells her the visions are real and that Alex is a Descender — a person who can travel back in time through a portal to the afterlife called Limbo.

Not only that, she’s a special sort of Descender called a Transcender. This means that when she travels back in time, she doesn’t become a different person, she drops into one of her own past lives. Porter also tells her that the man who created this technology is after her, and so she is in mortal danger.

This book blends time-travel and reincarnation to give readers a unique twist on each trope. Based on the premise alone, I had high hopes for this book. I wanted to like it. But… well, the novel has good points and bad, and unfortunately the bad outweighed the good for me.

It’s clear MG Buehrlen can write well. The prose flows, and I didn’t stumble over a single sentence or wonder what the author meant to say. The premise is inventive and unique, and the plot is intricate. Wayfare is not-quite-science-fiction, not-quite-fantasy, and not-quite-thriller, and the author does a good job of blending these genres into a coherent narrative.

…

Read More Read More

Traveling Gunslingers, Exorcists, and Zeppelins: A Review of Dead Man’s Hand

Saturday, August 2, 2014 James McGlothlin Comments 6 comments

As a kid, I remember my grandfather’s shelves lined with multiple copies of Zane Grey and Louis L’Amour westerns with titles like Wild Horse Mesa, Crossfire Trail, and Fair Blows the Wind.

I never actually read any (even today). Which is no knock against my grandfather’s tastes… my grandmother’s shelves were equally burdened with mysteries, primarily Agatha Christie, which I also never read (to date, I’ve only read one Agatha Christie novel).

But I actually adore a lot of movie westerns, especially classics with actors like John Wayne or Clint Eastwood. Though I admit that I mostly like the spaghetti (i.e. Italian or Italian influenced) side of the genre.

I also love SF&F, and it has seen its share of experimental westerns crossovers. For example, we had the not-so-great 2011 Cowboys and Aliens, the perhaps even worse 1999 Wild Wild West, the fairly flat 1973 sci-fi Westworld, and the OK 1969 The Valley of Gwangi.

Fortunately there are have been some excellent exceptions as well, especially in the horror sub-genre, such as 1987’s Near Dark, the 1990 camp classic Tremors (though with less-successful sequels), 2008’s The Burrowers, and the outstanding 2011 zombie flick Exit Humanity.

But can the western genre mix well with SF&F in written word?

You bet it can! Though I’m sure there are forerunners to it, my first foray into such western cross-pollination is the latest anthology from John Joseph Adams called Dead Man’s Hand: An Anthology of the Weird West.

Besides being the editor of Lightspeed, Fantasy, and Nightmare magazines and co-hosting his own geeky podcast, Adams is also the editor of several acclaimed SF&F anthologies. The ones that I have read and enjoyed are his 2012 Epic: Legends of Fantasy and his very successful 2008 The Living Dead, but I’ve heard great things about his others as well.

…

Read More Read More

New Treasures: Broken Souls by Stephen Blackmoore

Saturday, August 2, 2014 John ONeill Comments 0 Comment

I covered Stephen Blackmoore’s first hard-boiled detective zombie novel, Dead Things, last February. It was an obvious candidate for a series, and 17 months later a sequel has finally appeared.

This isn’t the first time Blackmore’s written about LA undead. His first novel, City of the Lost (January 2012), featured Joe Sunday, killed by the rival of his crime boss and returned as a zombie to carry on as LA lowlife. If you’re a fan of necromancers, crime novels, or the darker side of LA, Stephen Blackmoore is definitely your guy.

Sister murdered, best friend dead, married to the patron saint of death, Santa Muerte. Necromancer Eric Carter’s return to Los Angeles hasn’t gone well, and it’s about to get even worse.

His link to the Aztec death goddess is changing his powers, changing him, and he’s not sure how far it will go. He’s starting to question his own sanity, wonder if he’s losing his mind. No mean feat for a guy who talks to the dead on a regular basis. While searching for a way to break Santa Muerte’s hold over him, Carter finds himself the target of a psychopath who can steal anyone’s form, powers, and memories. Identity theft is one thing, but this guy does it by killing his victims and wearing their skins like a suit. He can be anyone. He can be anywhere.

Now Carter has to change the game — go from hunted to hunter. All he has for help is a Skid Row bruja and a ghost who’s either his dead friend Alex or the manifestation of Carter’s own guilt-fueled psychotic break. Everything is trying to kill him. Nothing is as it seems. If all his plans go perfectly, he might survive the week.

He’s hoping that’s a good thing.

Broken Souls will be published on Tuesday by DAW Books. It is 264 pages, priced at $7.99 in paperback and $6.99 for the digital version.

Vintage Treasures: Starlight: The Great Short Fiction of Alfred Bester

Friday, August 1, 2014 John ONeill Comments 14 comments

There was a time when Alfred Bester was considered one of the top writers in science fiction and fantasy.

I know. You’ve never heard of Alfred Bester. Perhaps his greatest novel — The Stars My Destination (1956) — is in print only in an expensive trade paperback edition from a small press, and his classic The Demolished Man (1952), the first novel to win a Hugo Award, is out of print altogether.

Bester’s reputation was not built entirely on his novels, however. Before he stopped writing SF, he produced a number of brilliant stories, including “Fondly Fahrenheit” and “Adam and No Eve.” His short fiction was gathered in two hardcover collections, The Light Fantastic (1976) and Star Light, Star Bright (1976). Neither had a paperback edition in the US, and both are now long out of print.

Fortunately, they were collected into a huge omnibus edition, Starlight: The Great Short Fiction of Alfred Bester, published in a handsome paperback edition by Berkley Medallion in July, 1977. It’s also out of print, but not particularly hard to find — and well worth the effort.

After giving up on the field in the late sixties (which he discusses in the story notes in Starlight), Bester returned to science fiction with three novels in the late 70s and early 80s: The Computer Connection (1975), Golem 100 (1980), and The Deceivers (1981). He died in 1987.

The Science Fiction Writers of America (SFWA) named him its ninth Grand Master, presented posthumously in 1988. He was inducted into the Science Fiction and Fantasy Hall of Fame in 2001.

…

Read More Read More

Playing in Laird Barron’s Sandbox: The Children of Old Leech

Friday, August 1, 2014 James McGlothlin Comments 3 comments

A lot of writers have written stories in H. P. Lovecraft’s “sandbox” or have borrowed heavily from it. In fact, during his lifetime, Lovecraft encouraged this shared-world approach to his “Yog-Sothery.” Given his open attitude and the power of Lovecraft’s works, it now almost seems inevitable that a group of Lovecraftian disciples would emerge, helping to spread the fame of his stories.

It is with great excitement that one begins to see something similar emerge with contemporary weird author Laird Barron and the publication of The Children of Old Leech: A Tribute to the Carnivorous Cosmos of Laird Barron. This anthology contains a panoplied collection of weird tales and horror stories that borrow sometimes heavily and sometimes lightly from the sandbox of Barron’s continued literary output.

Ross E. Lockhart — long time Barron editor and owner of the new startup small press Word Horde that is bringing us Children of the Leech — co-edits this brand new volume along with newcomer book editor Justin Steele, who also edits the online Arkham Digest. Lockhart and Steele have assembled not only an amazing cast of contributing authors for this anthology, but they’ve put together some very excellent stories. With great personal bias for Barron, I take this to be one of the best horror anthologies I’ve ever read. I predict this book to be on some major award ballots next year.

If you’re not familiar with Laird Barron, you really should be. He’s a multiple Shirley Jackson Award winner and currently on the 2014 World Fantasy Award ballot. I’ve raved about him several times on Black Gate, including here and here and here. Barron’s writing is often called Lovecraftian; but not in a pastiche sort of way. Rather, Barron is really good at capturing a cosmic-horror-feel in his stories that many believe Lovecraft perfected.

In addition, Barron is also like Lovecraft in that in his stories have recurring regions, locations, characters, and even a recurring evil book. (Fans of Barron will immediately recognize the cover of The Children of Old Leech as looking oddly similar to said book — great cover design by Matthew Revert!)

…

Read More Read More

New Pulp Delivers its own Occult Anti-Hero in Magee

Friday, August 1, 2014 William Patrick Maynard Comments 0 Comment

I’ll come right out and admit I have mixed feelings about ebooks. I travel considerably for my day job and don’t mind having portable versions of books I own for quick reference, but the idea of owning books that cannot be found in print editions on my shelves at home irks me. That said, I recognize the market for digital-only titles is steadily growing, particularly among small press publishers. This, of course, is having its impact on the “New Pulp” community. Witness Pro Se Press’s decision earlier this year to discontinue their pulp magazine, Pro Se Presents and replace it with their Single Shot Signatures line of short stories available exclusively as ebooks.

My first sampling of the above is the newly published Magee, Volume One – “Knight from Hell” by David White. At first glance, I was struck by the apparent illustration of publisher Tommy Hancock on the cover, but on second glance I determined it was actually author David White wearing one of Tommy’s trademark hats. Of course, I was wrong on both counts since the illustration actually depicts the anti-hero of the piece, Magee.

Magee, it transpires, is actually the fallen angel Malachi who was exiled from Heaven after a fight over a woman with the archangel Michael. We’ll pause right here and note that David White is not a theologian and plays fast and loose with Christian tradition on such celestial matters. Following that disclaimer, we’ll make mention of the fact that Michael likewise banished the archangel Lucifer from Heaven following a similar fight. It seems that God is an absentee deity in these proceedings as He has abandoned Heaven to putter around in the Garden of Eden for several thousand years now.

…

Read More Read More

Goth Chick News: The King Kong vs Godzilla of Movie Remakes

Thursday, July 31, 2014 Sue Granquist Comments 3 comments

It’s probably time for me to cave and stop complaining about present-day remakes of classic (or at least older) films.

Things have just gone far too far.

According to several movie sites, upwards of 50 (yes, five-zero) movies remakes / reboots have been green-lighted for production between 2013 and 2016. These movies make bank and there’s no use trying to stop Hollywood by crying foul that they’re defacing original works of art by replacing effect makeup and animatronics with CGI.

Blasphemous as it may sound, CGI can indeed take films that were somewhat “conceptual” 30 years ago and make them insanely realistic today. That’s not to say this is better, just different.

And success has landed all along the spectrum; with blockbusters like Star Trek at one end, whose reboot was admittedly cool and embraced by the fans, to Hitchhiker’s Guide to the Galaxy, whose high-tech remake was spectacularly rejected by fans (rightly so) and which slunk off into obscurity in favor of the low tech but brilliant original.

Sometime more just isn’t better.

Which brings us, in a rather convoluted way, to today’s topic.

During the Legendary Pictures panel at San Diego Comic-Con last Saturday, the production company announced plans to bring King Kong back to the multiplex in the form of a prequel.

…

Read More Read More

Taking Five Worlds Before Breakfast: The Pleasures of EVE Conquests

Thursday, July 31, 2014 John ONeill Comments 17 comments

I have a real weakness for board games, and especially large-scale space strategy games. It’s one thing to punch that Pop-O-Matic bubble and move your little green marker around a Trouble board; it’s something else entirely to stealthily assemble an unstoppable fleet and launch them en masse towards the unsuspecting alien armada in orbit around Sirius. Ah, I get a thrill just thinking about it.

Sometimes a great space game will sneak up on me. It’s not my fault — I can barely keep up with all the fantasy books that show up at Barnes & Noble every week. I’ve totally given up on keeping track of new sci-fi board games.

This one snuck up on me at the Games Plus Spring Auction back in March. I’m sitting there in the front row, minding my own business, when the auctioneer suddenly hefts this big heavy box unto his shoulder, says something like “EVE Conquests, a strategy game set in the world of EVE Online. Opening bid: one dollar,” and starts the bidding.

So I blink a couple of times, and think, what the heck is this thing? I thought EVE Online was an online game? Oooooo, it looks cool, whatever it is. And heavy. Like it’s packed with beautiful starship miniatures and mounted boards and strange artifacts of alien civilizations… I want it. I shall bid on it.

Well, not for long I won’t. Twenty seconds after the bidding started, it moved well out of my price range and remained there for some time. Screw this, I thought. I can find a cheaper copy online. Famous last words.

…

Read More Read More